Weirdness In Macbeth

915 Words2 Pages

Shakespeare frequently makes use of the adjective ‘weird’ in his tragedy Macbeth. Along with bringing to mind the supernatural and unearthly, the word also forces one to consider the nature of the word’s antonym – what is normal? Macbeth’s emotions and actions become progressively more disjointed through the course of the play. When ultimately he loses his ability to feel emotion, Macbeth also loses his humanity; in other words, he becomes ‘weird.’
The prophecy catalyzing Macbeth’s demise comes from the “Weird Sisters,” and ‘weirdness’ is prevalent throughout the play. For example, Ross says: “Threescore and ten I can remember well: Within the volume of which time I have seen hours dreadful and things strange; but this sore night hath trifled former knowings” (2:4:1-4). Ghosts appear frequently in Macbeth, as do paranormal occurrences. Shakespeare does not use supernatural elements merely to drive the plot, however; elements of weirdness help elucidate Macbeth’s tragic flaw by forcing the reader to define normalcy.
In order to fully understand the importance of ‘weird,’ one must also examine the play’s other themes and symbols. The play’s opening lines are full of dialectic speech and paradox. The Weird Sisters’ speech is full of statements such as “When the battle’s lost and won” (1:1:4) and, “Fair is foul, and foul is fair” (1:1:12). Macbeth repeats the paradox in a prophetic way: “So foul and fair a day I have not seen” (1:3:38). Thus from the beginning, the reader is inclined to question the opposite of a statement or scene. For example, Lady Macbeth asks the murdering ministers to un-sex her. What is the opposite of an un-sexed woman? Not man but instead a sort of ‘not-woman’ who cannot be defined without reference to her opp...

... middle of paper ...

...s, and dash'd the brains out, had I so sworn as you have done to this” (1:7:56-59). She also works subtly on Macbeth, not acknowledging him as her husband until after he kills Duncan: “My husband!” (2:2:13), she finally cries. This emotional manipulation successfully snuffs Macbeth’s emotions and allows him to act without feeling; that is, without his humanity.
Through Macbeth, Shakespeare makes the case that being human is not merely physical; rather, to be human one must also have emotions and that anything less makes one ‘weird.’ With Macbeth’s tragic flaw Shakespeare probes the gray area between biology and philosophy. Although an explicit discussion of this connection does not arise in the play, Macbeth’s tragic flaw does provide insight into how one can avoid departing this world a “dead butcher” (5:8:70), one who has lost his emotions and thus his humanity.

Open Document