The pursuit of wealth is ubiquitous around the world. Most people spend their entire lives trying to attain more. This is a common theme worldwide. One major difference is key though. The meaning and symbolism of wealth and how wealth is expressed is different for every individual. In the novel
, F. Scott Fitzgerald uses the characters’ clothing, house, and speech to symbolize the type and the perception of wealth that the character has.
Fitzgerald uses the clothing of the characters to symbolize the type of wealth the individual has and the effect wealth, or pursuit of wealth, has on the character’s human relations. One character whose clothing reflects her perception of wealth is Myrtle. Myrtle is not actually wealthy so her perceptions of wealth are not accurate. Her clothing reflects her desire to be wealthy. She wears dresses such as “a spotted dress of blue crepe-de-chine” (Fitzgerald 28) and “elaborate afternoon dress of cream colored chiffon” (34). These dresses are considered fancy and and dressy. Myrtle wore these clothes to appear wealthy but she just appeared as cheap phony. She thought that being wealthy meant having the flashiest possessions and clothes. In contrast, Daisy and Jordan wear simple but elegant clothing. They wear the color white frequently throughout the book. The symbolism of
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the color white is simplicity, elegance, and coolness which adorns both Daisy and Jordan’s clothing and mannerisms. “They [Jordan and Daisy] were both in white and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house” (10). This quote provides an image of elegance and simplicity that Daisy and Jordan emanate. They are both rich so they feel no need to flaunt themselves. Another contrast between Myrtle and Daisy is the atmosphere that surrounds them. Daisy has a cool and collected atmosphere. Around Myrtle, on the other hand, “there [is] an immediately perceptible vitality about her as if the nerves of her body were continually smouldering” (29). The clothing that they wear contribute to their atmosphere. Daisy Another character whose clothes symbolize his wealth and its part in his identity is Jay Gatsby. Gatsby also chooses his clothing to present an image of wealth and prosperity to the world. “He [has] shirts of sheer linen and thick silk and fine flannel ...shirts with stripes and scrolls and plaids in coral and apple-green and lavender and faint orange with monograms of Indian blue” (99). Unlike Myrtle, Gatsby does not flaunt his clothes in a flashy and loud manner. He wants to be well dressed so Daisy would be impressed with him, not to feel rich. In order to show the how the characters perceive wealth, Fitzgerald also uses the characters’ houses and the house’s furnishings.
Myrtle, with her faulty conviction that the flashier and more extravagant she was the wealthier she appeared, decorated her small apartment with enormous furniture. “The living room was crowded to the doors with a set of tapestried furniture entirely too large for it so that to move about was to stumble continually over scenes of ladies swinging in the gardens of Versailles” (32). This quote shows that the house’s furnishings are coarse and an attempt to seem wealthy. Contrary to this, Tom and Daisy’s house is large and
refined. “Their house was...a cheerful red and white Georgian Colonial mansion overlooking the bay. The lawn started at the beach and ran toward the front door for a quarter of a mile, jumping over sun-dials and brick walks and burning gardens—finally when it reached the house drifting up the side in bright vines as though from the momentum of its run. The front was broken by a line of French windows, glowing now with reflected gold, and wide open to the warm windy afternoon” (9). This quote paints a completely different picture than Myrtle’s house. Tom and Daisy are not trying to show off their wealth. They are are simply living their rich comfortable lives without trying to please anyone but themselves.Gatsby, on the other hand, trying to please someone else. He is trying to please Daisy. Gatsby purchases “a factual imitation of some Hôtel de Ville in Normandy, with a tower on one side, spanking new under a thin beard of raw ivy, and a marble swimming pool and more than forty acres of lawn and garden” (7). What Gatsby sees in his wealthy house is a way to impress Daisy. His house does symbolize his desire to show off his wealth but in a way that is different from Myrtle’s. Myrtle’s show of wealth is gaudy and a bit pointless because everyone can see through her facade whereas Gatsby’s show of wealth is genuine and has a point. The point is to impress Daisy to win her back from Tom. Another vice that Fitzgerald uses to show how wealth affects the characters is the characters’ speech. A prime example of this is Myrtle. Her speech clearly indicates her view of wealth which is gaudy and show offy. In an attempt to seem better than everyone else, she patronizes people when she speaks, especially when she is with Tom. An example of this is when her friend gave her a compliment. Myrtle, instead of graciously accepting it, answer in a patronizing way. “I like your dress,’ remarked Mrs. McKee, ‘I think it’s adorable.’Mrs. Wilson rejected the compliment by raising her eyebrow in disdain. ‘It’s just a crazy old thing,’ she said. ‘I just slip it on sometimes when I don’t care what I look like”(35).
Myrtle appears as the total opposite character to the Daisy. She is ‘thick, faintly stout” (Fitzgerald 29), but “sensuously” and “immediately perceptible about her vitality” (Fitzgerald 29). She is the woman from “the bottom” who wants to be acceptable as a lady from the upper class. She is terribly vulgar, but she is more alive and natural than Daisy is. The unpleasant scene in their apartments, where Carraway appeared because of Myrtle’s invitation, is full of the philistine contentment and boasting.
Through his vivid depiction of the valley of the ashes in the acclaimed novel The Great Gatsby, F. Scott Fitzgerald unveils the truth about 1920s America: economic prosperity did not guarantee happiness and resulted in depreciating conditions for those that were not able to connive their way to the top.
Symbolism plays an important role in any novel of literary merit. From objects, to traits, to the way something is portrayed, it can have a whole different meaning. Like death and taxes, there is no escaping color. It is ubiquitous. In the novel The Great Gatsby, F. Scott Fitzgerald displays a superior use of symbols such as color, light, and heat. Fitzgerald’s superior use of color as a symbol is the focus of this essay.
During the time in our country's history called the roaring twenties, society had a new obsession, money. Just shortly after the great depression, people's focus now fell on wealth and success in the economic realm. Many Americans would stop at nothing to become rich and money was the new factor in separation of classes within society. Wealth was a direct reflection of how successful a person really was and now became what many people strived to be, to be rich. Wealth became the new stable in the "American dream" that people yearned and chased after all their lives. In the novel entitled the great Gatsby, the ideals of the so called American dream became skewed, as a result of the greediness and desires of the main characters to become rich and wealthy. These character placed throughout the novel emphasize the true value money has on a persons place in society making wealth a state of mind.
The Great Gatsby set in the glistening and glittering world of wealth and glamour of 1920s Jazz Age in America. However, the story of the poor boy who tried to fulfill the American Dream of living a richer and fuller life ends in Gatsby’s demise. One of the reasons for the tragedy is the corrupting influence of greed on Gatsby. As soon as Gatsby starts to see money as means of transforming his fantasy of winning Daisy’s love into reality, his dream turns into illusion. However, other characters of the novel are also affected by greed. On closer inspection it turns out that almost every individual in the novel is covetous of something other people have. In this view, the meaning of greed in the novel may be varied The greed is universally seen as desire for material things. However, in recent studies the definition of “greed” has come to include sexual greed and greed as idolatry, understood as fascination with a deity or a certain image (Rosner 2007, p. 7). The extended definition of greed provides valuable framework for research on The Great Gatsby because the objects of characters’ desires can be material, such as money and possessions, or less tangible, such as love or relationship.
The Great Gatsby “The Great Gatsby”, by F. Scott Fitzgerald, depicts the vast social difference between the old aristocrats, the new self-made rich and the poor. He vividly interprets the social stratification during the roaring twenties as each group has their own problems to deal with. Old Money, who have fortunes dating from the 19th century, have built up powerful and influential social connections, and tend to hide their wealth and superiority behind a veneer of civility. The New Money made their fortunes in the 1920s boom and therefore have no social connections and tend to overcompensate for this lack with lavish displays of wealth. As usual, the No Money gets overlooked by the struggle at the top, leaving them forgotten or ignored.
Hugh Hefner once said, “I looked back on the roaring Twenties, with its jazz, 'Great Gatsby' and the pre-Code films as a party I had somehow managed to miss.” The parties of the Roaring Twenties were used to symbolize wealth and power in a society that was focused more on materialism and gossip than the important things in life, like family, security, and friends. The Great Gatsby, by F. Scott Fitzgerald, portrays the characters of Tom and Daisy Buchanan as the epitome of the era. The reader sees these characters acting selfishly and trying to meddle with others’ lives. On the other hand, Nick Carraway, the narrator, acts more to help others and act honestly. Initially the reader sees Carraway’s views towards Jay Gatsby as negative as Gatsby’s actions are perceived as being like the Buchanan’s. As the novel moves forward, the reader notices a change in Carraway’s attitude towards Gatsby. Carraway sees Gatsby for whom he truly is, and that is a loving person who only became rich to win Daisy’s heart. But in this the reader also sees how corrupt and hurtful Gatsby’s actions were to the love of his life. Gatsby’s relationship with Daisy reveals that just as Gatsby’s dream of wooing Daisy is corrupted by illegalities and dishonesty, the “American Dream” of friendship and individualism has disintegrated into the simple pursuit of wealth, power, and pleasure.
In ‘The Great Gatsby’ Fitzgerald criticises the increase of consumerism in the 1920s and the abandonment of the original American Dream , highlighting that the increased focus on wealth and the social class associated with it has negative effects on relationships and the poorest sections of society. The concept of wealth being used as a measure of success and worth is also explored by Plath in ‘The Bell Jar’. Similarly, she draws attention to the superficial nature of this material American Dream which has extended into the 1960s, but highlights that gender determines people’s worth in society as well as class.
Benjamin Franklin once said “Money has never made man happy, nor will it. There is nothing in its nature to produce happiness." This is arguably one of the most cliché quotes of all time. If money cannot provide happiness, then what exactly can it do? The characters of Jay Gatsby and Tom Buchanan open a door to a world in which money was the sole motivation for their success and the only reason for their power. When the reader uses a Marxist critical lens during chapter four of F. Scott 's Fitzgerald 's The Great Gatsby, the social hierarchy reveals how Jay Gatsby and Tom Buchanan utilize the importance of money and social power to manipulate others in their lives.
Myrtle’s perception of reality is blurred. She fails to recognize her social standing as someone of the lower class, and instead brings upon a self lead pretentious charade that she is of the upper class. She has an acquired habit of stating that various aspect in her life are under her expectations. She insists that she only “married him because (she) thought he was a gentleman”, and that he “fit to lick ...
Characters in books can reveal the author feeling toward the world. In The Great Gatsby Fitzgerald suggested the moral decline of the period in America history through the interpersonal relationships among his characters. The book indicates the worthlessness of materialism, the futile quest of Myrtle and Gatsby, and how America's moral values had diminished. Despite his newly acquired fortune, Gatsby's monitory means could not afford his only true wish, therefore he cannot buy everything which is important to Daisy. (Fitzgerald, -page 42) What you wish for is not always what you want or not all that glitters is gold.
Three works Cited Materialism started to become a main theme of literature in the modernist era. During this time the economy was good causing jazz to be popular, bootlegging common, and an affair meaning nothing (Gevaert). This negative view of money and the gross materialism in F. Scott Fitzgerald’s The Great Gatsby serves to be a modern theme in the novel. Throughout the novel, the rich possess a sense of carelessness and believe that money yields happiness.
At first glance, The Great Gatsby is merely a classic American tragedy, portraying the story of a man's obsession with a fantasy, and his resulting downfall. However, Fitzgerald seems to weave much more than that into the intricate web of emotional interactions he creates for the reader. One interesting element is the concepts of greatness each has. For Daisy, it lies in material wealth, and in the comfort and security associated with it. Daisy seems to be easily impressed by material success, as when she is touring Gatsby's mansion and seems deeply moved by his collection of fine, tailored shirts. It would seem that Tom's relative wealth, also, had at one time impressed her enough to win her in marriage. In contrast to that, Gatsby seems to not care a bit about money itself, but rather only about the possibility that it can win over Daisy. In fact, Gatsby's extreme generosity gives the reader the impression that Gatsby would otherwise have never even worked at attaining wealth had it not been for Daisy. For Gatsby, the only thing of real importance was his pursuit of Daisy. It would seem that these elements are combined, too in the character Myrtle.
Ex-President Jimmy Carter knows both the power and the limitations of money. He is also aware that the acquisition of money or material wealth is not a worthwhile goal. This was made clear in his speech to the American people when he stated: "Our great cities and our mighty buildings will avail us not if we lack spiritual strength to subdue mere objects to the higher purposes of humanity" (Harnsberger 14). In F. Scott Fitzgerald's novel, The Great Gatsby, the author clearly illustrates that Jay Gatsby does not understand the limitations of the power of money. Gatsby believes that money can recreate the past, buy him happiness, and allow him to climb the social ladder in the prominent East Egg.
Daisy and Jordan are members of the elite class and are often presented as motionless, sitting or lying down, and when they do move it is leisurely. On the other hand, Myrtle is a member of the lower class and is depicted as annoyingly full of energy. During their journey to Tom and Daisy’s apartment, Daisy rapidly states “I’m going to make a list of all the things I’ve got to get. A massage and a wave and a collar for the dog and one of those cute little ashtrays where you touch a spring, and a wreath with a black silk bow for mother’s grave that’ll last all summer” (Fitzgerald, page 40). Myrtle’s abundance of energy is induced by her obsession with obtaining wealth. Despite drastic differences in how females are depicted based on their differences in wealth, both Daisy and Myrtle are treated as inferior to their husbands. This patriarchal view influences a feminist