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Difference between a western movie vs other genres
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Although Waterworld is no where near the desert or the west, it definitely a western film because of the main theme of the movie. I think these two have more things in common than they do differences. Here is a little brief summary of these two movies before I compare and contrast the two. Stagecoach is a film with all the elements of a western movie. The main character is on a mission for redemption. He joins a convoy of others on a journey across the harsh western terrain while being attacked by Indians. Although Waterworld doesn’t contain any cowboys, saloons, or horses, I think the film has enough to be considered a western movie. In Waterworld, the main character is just trying to survive but, he gets caught up on a journey to find the …show more content…
last piece of land that isn’t covered in water. He is joined by a little girl, her guardian, and is constantly chased by the bad guys who are called smokers. They want the little girl because the map is tattooed on her back. Waterworld and Stagecoach share the same theme but have a totally different setting.
When I think of a western theme, the same scenarios come to mind. The main character is someone who is usually alone but, he eventually teams up with others to finish a journey. Whether the character helps because they have a change of heart or if they are just using people to help themselves. In Stagecoach Ringo, the main character, is looking for the guy who killed his brother. He was alone at first but his horse ends up leaving him and the sheriff brings him along for the journey. Along the way, Ringo helps fight of Geronimo’s soldiers to make sure everyone makes it to town safely. The Mariner is the main character in Waterworld is alone at sea but, he gets held captive at a settlement because they find out he has gills. He escapes with a kid and her guardian and start their journey to find the last piece of land that is not under water. Both of these characters start off by themselves but eventually team up with others to get the job done. Also they both ride off into the sunset at the …show more content…
end. Obviously the main difference in these two films is the setting.
Waterworld takes place on the ocean but, Stagecoach is the complete opposite. In Stagecoach, they travel across the desert pretty much. Both are harsh environments filled with dangerous animals and bandits. Ringo and the stagecoach are attacked by the Geronimo’s people but, in Waterworld, they are constantly being chased by smokers. The bandit type character plays a big role in these two movies. Although the smokers have a different reason for harassing people. Geronimo’s soldiers are just trying to kill them without really wanting anything for them. They are not trying to steal something like the smokers are. All the smokers want is the little kid because she has the map to Dryland.
There is also a type of division in social classes in these films. The Mariner is treated differently because he has gills and the little girl is called a freak because she has that tattoo on her back. In Stagecoach, Dallas is hated because she is a prostitute. Nobody wants anything to do with these two at the beginning but they end up being a huge help. Dallas helps with the delivery of Lucy’s baby and in the end Lucy feels bad for the way she treated her. In Waterword, he helps with finding dry land and the kid has the map to show them where to
go. After looking through my notes, I´ve come to the conclusion that Waterworld can be considered a western movie. It has a good amount of elements that Stagecoach has like I stated. I know a lot of people that would disagree with me but I feel like I made some good points. Also like I stated before, these films have more in common than they do differences. It was hard to do a compare and contrast because aside from the obvious difference, they seem a lot alike. The main thing they have different is the setting.
Howard Hawkes' 1948 Red River will serve as our example of the western model.The opening credits rise literally out of the landscape, and we're told in the opening narration that this is a story of the landscape, in that it recounts the first major cattle drive along the Chisholm trail from Texas to Abeline, Kansas.In the 1st scene we see a vastly open prairie with a small wagon train almost lost in its expanse.We discover immediately that Dunson (John Wayne) is leaving the wagon train to strike out on his own.The signature trait of Dunson is the first of the western hero's trademarks: once he's made up his mind, "nothing anyone says or does can change it"; despite the entreaties of the wagon master and his putative girlfriend, Dunson sets out south with only his friend, Tom Groot (played by Walter Brennan).
John Ford’s classic American Western film, Stagecoach (1939) shows many examples of political life and social behavior during it’s time. The plot is about nine travelers onboard a stagecoach from Tonto, Arizona to Lordsburg, New Mexico Territory. In the beginning, the passengers of the Stagecoach are unfamiliar with each other. However, their relationships grow as they get to know each other during their journey. Each character claims a different social position.
Many westerns contain some of the same elements. For instance, almost every western ever made involves a sheriff. He is usually the peace-keeper of a small town overrun by outlaws and cowboys, which he eventually chases out of town or kills. Another element of westerns is a gunslinger. A gunslinger is usually a young man who makes his living shooting other men in showdowns, a classic example is Billy the Kid. Railroads are also a recurring image in westerns. Since the railroad was the major mode of transportation in the old west, it is always present in westerns. Finally, westerns always have a villain. The villain, usually a man, dresses very slick and will stop at nothing in his quest for power. In addition, the villain usually has a gang to carry out his dastardly deeds. The gang is usually full of incompetent, but loyal thugs, who would love to destroy a small town just for the pleasure of wanton destruction. The elements of a western are very simple, but easily manipulated into a very interesting plot.
In the film Stagecoach, the group of individual of differing social standings and classes convene as group of passenger in their journey, attempting to avoid Apache warriors. While each passenger had their own motivations for their journey – some with honorable circumstances such as finding their spouse, and others with less honorable circumstances, such as being forced out of town due to alcoholism or prostitution. Regardless of their backgrounds and context and their motivations, this group of passengers, through the relentless challenges they faced throughout their journey from Tonto to Lordsburg. Although they were coerced to work together under the threat of death from Apache warriors, the team that the passengers formed in Stagecoach
Most westerns have a heroic cowboy that fights against corrupt officials to save a small helpless town or a person in need of help. They also have women who are attracted to the cowboy, and Indians who the cowboy usually fights. The cowboy is moral and fights for good because he is free from civilization its deceit and the wilderness (Wright, 2001, pp. 18-58; Belton, 2009, pp. 248-249). Most cowboys who emerge in western films are honest and forthright.
These two films come from entirely different genres, have entirely different plots, and are even based in entirely different galaxies, but the share the theme of the hero’s journey. This concept can be equally applied to nearly every book, movie, and other such works, as long as you dig under the surface and find the meaning beneath. The elements of the hero’s journey are found in both films, and with a critical eye, can be found all around us. This is the classic story of the hero; in every shape and form an author can apply it too.
... not a hero journey, lacking of foes and partners is an incomplete adventure. They provide the obstacles and support for the protagonist to complete the journey they are on. By having the hero journey cycle composed by Joseph Campbell, it demonstrates the complexity of how a hero's defined. It's about the growth of the character by separation from his comfort zone and venturing into the unknown. By successfully passing the stages, then one is called a hero.
Shane' focuses on the Starret family, the father in the film, is defiant throughout, insisting the Rykers will not drive him out. The western themes evident in Shane' are obviously the typical western setting. There is the dusty border town inhabited by the Rykers. It is not your usual western town, compared to Tonto in Stagecoach'. The town in Shane' is in comparison desolate and not many buildings have been erected, whereas in Stagecoach' they have. The emptiness represents an eerie and unsafe location. Even though the town is so deserted it still has the main wooden buildings visual in most western films. There is the saloon, mostly occupied by Ryker and his men, The Grayston general store which is bordered off only by the saloon doors, the blacksmiths, where Tory is visiting (before he gets murdered by gun-slinging Wilson) and finally a hotel.
The entire film is based on significantly different racial opinions, opinions of different writing styles and stereotyping of different people in general. Race is a huge issue in the film and many stereotypes are made.
This was especially evident when they were being pulled over by a racist white cop. She felt that he could have done more to defend their rights instead of accepting injustice. There is also a Persian store owner, who feels that he is getting the short end of the stick in American society because his store was robbed multiple times. Then the Hispanic locksmith encounters racial slurs and discrimination, although he just wanted to keep his family safe. The partnered detectives and lovers of different races, one is a Hispanic woman and the other is a black male, who are dealing with his drug addicted mother who feels that he does not care enough about taking care of his family. In this movie, discrimination and prejudice are the cause of all kinds of collisions. We easily prejudge people with stereotypes, and we are concerned with our pre-thoughts of what kind of person he/she should be, we forget to actually get to know them. It is human nature to have some type of prejudices in one way or another; we fear the unknown. There are stereotypes that black people are angry or tend to be violent; white people feel they are the dominant race and discriminate against all; Asians are thought to be poor or ignorant, and people with higher economic statuses are distinguished to the working class
All novels and movies have heroes who struggle to save the day. No hero can go through their journey alone, however. Heroes and sidekicks appear in multiple stories, novels, and movies and are responsible for having each other’s backs in resolving the conflict of the plot. Heroes and sidekicks are seen throughout the world in fiction and nonfiction, and they are viewed as the people who go through a crazy journey, but end up saving the day. In the beginning, heroes and sidekicks strive together because of their polarizing personalities and their disagreements. However, their disagreements turn into arguments and they are split one way or another. Heroes and sidekicks always reunite because of their belief in the journey and that they
A typical Western would usually be set in the late 19th century in the mid-west of America in a remote town. The town is usually small, lonely and unwelcoming. Typically a western set looks like it is in the middle of a desert with sand, cacti and tumbleweed which gives a desert look, there are usually never any lakes or rivers around these features make the place look really hot and deserted. The buildings are generally timber board houses with swinging doors and outside the buildings are places to keep their horses, there is also always a General Store and a Saloon. Horses and carriages and cattle are used to give a western feel. The cowboys are typically dressed in western style clothing for example they wear simple shirts and jeans they may also wear ponchos, waist coats, hats, boots with spurs, guns and a belt to hold the gun and bullets, Hero's tend to wear lighter clothing and the villain’s tend to wear darker clothing.
In both Hans Christian Andersons “The Little Mermaid,” and Disney’s version of the story, the main character— a young and beautiful mermaid— waits anxiously for her fifteenth birthday to venture from her father’s underwater castle to the world above the water. As the story carries on the mermaids priorities change; her modest and selfless nature is revealed towards the end in Andersen’s version. However, Disney’s version encompasses a rather shallow ending and plot throughout. The theme found in comparing the two versions reveal that Andersen’s substance trumps Disney’s entertainment factor in fairy tales.
Many times in Hollywood, a movie that intends to portray a novel can leave out key scenes that alter the novel’s message. Leaving out scenes from the novel is mainly do to time limits, however doing so can distort the author’s true purpose of the story. In history, Movies were directed to intentionally leave out scenes that could alter the public’s opinion. This frequently let novel 's main points be swept under the rug. There were times of this at the beginning of the Civil Rights Movement, where white Americans were the only ones making movies. Not many African Americans had the opportunity to be involved in the process of major productions. Because racism in To Kill a Mockingbird, written by Harper Lee, is underplayed in the film, it shows