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Psychological impact war has on soldiers
The theme of death used in literature
Psychological impact war has on soldiers
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Ernest Hemmingway’s, “In Our Time” is an oxymoronic approach to the constant presence of death and insanity contained within the topic of war and near death experiences. Not long after, “the turn of the century” the world through the use of the alliance system became consumed by the outbreak of the war in Europe. Officially dubbed as, “The War to end all wars”, participants marched obediently off to what they perceived to be a just and short war. In Hemmingway’s literary composition “In Our Time”, death, which often accompanies war, was a prominent topic. However, one could argue that war’s connection to death is not merely limited to death alone. It also has a strong connection to mental instability, which can present death through suicide …show more content…
The consequences of war are many and vary greatly, both intended and unintended, and affect all within range. The effects of war are both physical and psychological. The physical effects are usually obvious, but the psychological effects lay hidden, deeply submerged within the psyche of the individual. Also, physical effects such as the loss of limbs can intensify the psychological effects. Hemmingway addresses this issue by allowing the character Nick, to proclaim himself, to be crazy. Animals used during the war for the purpose of war, especially the early wars, such as WWI, were usually categorized as expendable. They were viewed more as an instrument of war and a beast of burden than an animal needing human interaction and care. Many had the idea that an animal dead was better than a man dead and an animal was there to serve a purpose, but when no longer needed, death served as an appropriate …show more content…
He seems preoccupied with the topic, which could have a direct connection to his experiences during World War I as an ambulance driver for the American Red Cross. Hemmingway’s views at the inception of The Great War were delusional and are revealed in his writing, “Men at War” where he proclaimed, "When you go to war as a boy you have a great illusion of immortality. Other people get killed; not you. . . . Then when you are badly wounded the first time you lose that illusion and you know it can happen to you. After being severely wounded two weeks before my nineteenth birthday I had a bad time until I figured out that nothing could happen to me that had not happened to all men before me. Whatever I had to do men had always done. If they had done it then I could do it too and the best thing was not to worry about it." He also wrote of his war experiences in, “A Farewell to Arms”, which highlighted the experiences of a fictional ambulance driver who was serving in the Italian Army Corp. At times, Hemingway seems to attempt to blur the lines between life and death with moments of mental instability. Insanity is in a sense, a sort of limbo between the two worlds. He creates oxymoronic scenes that occur near or at signs of life, which constantly leave the reader hoping for the best, but assuming the
War has been a constant part of human history. It has greatly affected the lives of people around the world. These effects, however, are extremely detrimental. Soldiers must shoulder extreme stress on the battlefield. Those that cannot mentally overcome these challenges may develop Post Traumatic Stress Disorder. Sadly, some resort to suicide to escape their insecurities. Soldiers, however, are not the only ones affected by wars; family members also experience mental hardships when their loved ones are sent to war. Timothy Findley accurately portrays the detrimental effects wars have on individuals in his masterpiece The Wars.
In the history of modern western civilization, there have been few incidents of war, famine, and other calamities that severely affected the modern European society. The First World War was one such incident which served as a reflection of modern European society in its industrial age, altering mankind’s perception of war into catastrophic levels of carnage and violence. As a transition to modern warfare, the experiences of the Great War were entirely new and unfamiliar. In this anomalous environment, a range of first hand accounts have emerged, detailing the events and experiences of the authors. For instance, both the works of Ernst Junger and Erich Maria Remarque emphasize the frightening and inhumane nature of war to some degree – more explicit in Jünger’s than in Remarque’s – but the sense of glorification, heroism, and nationalism in Jünger’s The Storm of Steel is absent in Remarque’s All Quiet on the Western Front. Instead, they are replaced by psychological damage caused by the war – the internalization of loss and pain, coupled with a sense of helplessness and disconnectedness with the past and the future. As such, the accounts of Jünger and Remarque reveal the similar experiences of extreme violence and danger of World War I shared by soldiers but draw from their experiences differing ideologies and perception of war.
are no winners in a war just death and sorrow. Palmer explores the theme of death and how
The horse makes a terrible noise of anguish and is in terrible pain and it has been shot as the author describes here. " The belly of one of the horses has been ripped open and its guts are trailing out." This shows that there are not just human casualties of war; the innocent lives of animals can be affected as much as humans who fight in wars. Deterring-one soldier in Pauls group-says. " It is the most despicable thing of all to drag animals into a war.
As can be seen, Paul Boyer, Tim O’Brien, and Kenneth W. Bagby, convey the notion that war affects the one’s self the most. Through the use of literary devices: tone, mood, pathos, and imagery, these 3 authors portray that war affects a person’s self most of all. War is not only a battle between two opposing sides, but it can also be a mental conflict created within a person. Although war is able to have an effect on physical relationships between family, friends, or even society, conflict within oneself is the most inevitable battle one must face during war times.
After an event of large magnitude, it still began to take its toll on the protagonist as they often “carried all the emotional baggage of men who might die” during the war (O’Brien 1187). The travesties that occurred with the brutality of war did not subside and began to affect those involved in a deeply emotional way. The multitude of disastrous happenings influenced the narrator to develop a psychological handicap to death by being “afraid of dying” although being “even more afraid to show it” (O’Brien 1187). The burden caused by the war creates fear inside the protagonist’s mind, yet if he were to display his sense of distress it would cause a deeper fear for those around him, thus making the thought of exposing the fear even more frightening. The emotional battle taking place in the psyche of the narrator is directly repressed by the war.
One of the worst things about war is the severity of carnage that it bestows upon mankind. Men are killed by the millions in the worst ways imaginable. Bodies are blown apart, limbs are cracked and torn and flesh is melted away from the bone. Dying eyes watch as internal organs are spilled of empty cavities, naked torso are hung in trees and men are forced to run on stumps when their feet are blown off. Along with the horrific deaths that accompany war, the injuries often outnumber dead men. As Paul Baumer witnessed in the hospital, the injuries were terrifying and often led to death. His turmoil is expressed in the lines, “Day after day goes by with pain and fear, groans and death gurgles. Even the death room I no use anymore; it is too small.” The men who make it through the war take with them mental and physical scarification from their experiences.
The story has different elements that make it a story, that make it whole. Setting is one of those elements. The book defines setting as “the context in which the action of the story occurs” (131). After reading “Soldier’s Home” by Ernest Hemmingway, setting played a very important part to this story. A different setting could possibly change the outcome or the mood of the story and here are some reasons why.
There exist only two types of people in a time of war and crisis, those who survive and those who die. Elie Wiesel’s novel, Night shows how Elie, himself, faces difficult problems and struggles to survive World War II. Wilfred Owen’s poem, “Dulce et Decorum Est”, tells a story about a young soldier thinking of himself before others during World War I. The poem “Mary Hamilton” shows how a mother killed her child so she would not get into trouble. Sir John Harrington writes about a sad truth in the poem “On Treason”; the poem reflects humanity’s selfish tendencies during tough times. When people face difficult times they often care about only one person, themselves; the need to survive clouds people’s moral and judgment.
World War I began in 1914 and lasted until the end of 1918. In that time young men had to go to the front and fight for their country. It is also the time when Ernest Hemingway’s novel A Farewell to Arms takes place. It talks about Frederic Henry, a young American who is an ambulance driver for the Italian army. He is also the novel’s narrative and protagonist. He falls in love with an English nurse, Catherine Barkley. She is the main woman character in the novel and it is noticeable how she is shown as a stereotypical female during World War I. Throughout the novel we can see how women are shown in a stereotypical way and how they were mistreated by men. The purpose of this essay is firstly to analyze how Hemingway describes women in his novel A Farewell to Arms and finally to discuss Catherine’s attitude towards Frederic.
In the novel The Wars, Robert Ross is a sensitive nineteen year old boy who experiences first-hand the horrors of battle as a Canadian Soldier in the First World War in hopes of trying to find who he is. Being named a Lieutenant shortly after arriving in Europe, Robert is thrust into combat. War has been a constant part of human history. It has greatly affected the lives of people around the world. These effects, however, are extremely detrimental. Soldiers must shoulder extreme stress on the battlefield. Those that cannot mentally overcome these challenges may develop Post Traumatic Stress Disorder. Timothy Findley shows the effects wars have on individuals in his novel The Wars. Findley suggests that war can change a persons behaviour in many different ways, however it is seen to be negatively more often then not. Robert Ross, the main character of The Wars, shows symptoms of what is known as Post Traumatic Stress Disorder in today’s society.
War deprives soldiers of so much that there is nothing more to take. No longer afraid, they give up inside waiting for the peace that will come with death. War not only takes adolescence, but plasters life with images of death and destruction. Seeger and Remarque demonstrate the theme of a lost generation of men in war through diction, repetition, and personification to relate to their readers that though inevitable and unpredictable, death is not something to be feared, but to calmly be accepted and perhaps anticipated. The men who fight in wars are cast out from society, due to a misunderstanding of the impact of such a dark experience in the formative years of a man’s life, thus being known as the lost generation.
War Is a Force That Gives Us Meaning, written by the talented author Chris Hedges, gives us provoking thoughts that are somewhat painful to read but at the same time are quite personal confessions. Chris Hedges, a talented journalist to say the least, brings nearly 15 years of being a foreign correspondent to this book and subjectively concludes how all of his world experiences tie together. Throughout his book, he unifies themes present in all wars he experienced first hand. The most important themes I was able to draw from this book were, war skews reality, dominates culture, seduces society with its heroic attributes, distorts memory, and supports a cause, and allures us by a constant battle between death and love.
Suddenly, it enters your thoughts and streams throughout your mind; you begin to think, you are in a stream of consciousness. You are in your own world of random words and sentences, amounting to nothing, and at times making all the sense in your world, a world that only exists within your mind. That is exactly how a stream of consciousness works, according to Charles Bohner and Dean Dougherty (1216). Ernest Hemingway himself traverses into three streams of consciousness of his own in order to develop Henry's character and the over all theme of A Farewell to Arms, war and love and all feelings in between. For instance, while Henry is not really required to go to war, he volunteers, without thinking of the consequences and horrors of war. However, along the way, he manages to encounter love, incur physical pain, and realize the horrors of war. And so, having to face a possible death while at the front, Henry finds himself in an extraordinary position. He is somewhere between life and death and while between these two extremes his experiences shapes him into a more mature character.
Modern investigations into so-called Near-Death Experiences (NDE) such as those by Raymond Moody, Kenneth Ring and many others, have focused on a pattern of empirical knowledge gained on the threshold of death; a dream-like encounter with unknown border regions. There is a parallel in Hemingway's life, connected with the occasion when he was seriously wounded at midnight on July 8, 1918, in Italy and nearly died. He was the first American to be wounded in Italy during World War I. Here is a case of NDE in Hemingway, and I think that is of basic importance, pertinent to the understanding of all Hemingway's work. In A Farewell to Arms, an experience of this sort occurs to the ambulance driver Frederic Henry, Hemingway's alter ego, wounded in the leg by shellfire in Italy. Hemingway touched on that crucial experience in his life – what he had felt and thought - in the short story ‘Now I Lay Me’ (1927): "my soul would go out of my body ... I had been blown up at night and felt it go out of me and go off and then come back".