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Whitman themes and example
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Walt Whitman – Poetic Realist
Walt Whitman, one of the great American poets of the 19th and 20th centuries, was inspired to further his passion and talent for writing by what some would refer to as a call to action, by the writer Ralph Waldo Emerson. Emerson, known in his time as an “American Transcendentalist” writer, called poets of the mid 1800s into action with his essay entitled: “The Poet.” The fact that Walt Whitman, considered a realist poet, was inspired in part by this transcendentalist perfectly illustrates the constant progression of literary styles of that time. It seems through his poetry that Whitman desired to take his writing a step further than was traditionally done. He stepped successfully into realism, perhaps without readers even noticing at first that he was in part pioneering a new literary movement.
To understand how Whitman transitioned into realism, one must first understand transcendentalism. The Sanford Encyclopedia of Philosophy defines Transcendentalism as:
“…an American literary, political, and philosophical movement of the early nineteenth century….operatted with the sense that a new era was at hand…critics of their contemporary society for its unthinking conformity, and urged that each person find, in Emerson’s words, ‘an original relation to the universe…”
This makes clear that not only was Emerson calling the next generation of writers to action, he was demanding deeper thought from his readers. Whitman evolves this transcendentalist style into his own form, later defined as realism, by calling his readers to a deeper stream of thought, and then relating his own deeper thoughts to the reader and the world around him. Whitman also expresses a realist mentality on issues that are norma...
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...t simply for poetry’s sake, but for describing his life and his world.
Works Cited
• Baym, Nina & Levine, Robert. The Norton Anthology of American Literature, 8th Edition Volume 2”. New York/London: W.W. Norton & Company 2013. Print
• Whitman, Walt. “Song Of Myself.” Retrieved from: Norton Anthology of American Literature. 2013. Print: Pages 24-66
• Whitman, Walt. “The Wound Dresser.” Retrieved from: Norton Anthology of American Literature, 2013. Print: Pages 71-73
• Whitman, Walt. “When Lilacs Last in the Dooryard Bloom’d.” Retrieved from: Norton Anthology of American Literature, 2013. Print:Pages 73-78
• “Transcendentalism” Stanford Encyclopedia of Philosophy website, April 10, 2014 www.plato.sanford.edu/entries/transcendentalism/
• "Ralph Waldo Emerson." 2014. The Biography.com website. Apr 10 2014 http://www.biography.com/people/ralph-waldo-emerson-9287153.
Whitman, Walt. "Song of Myself." The Norton Anthology of American Literature.. Gen. ed. Nina Baym. 8th ed. Vol. C. New York: Norton, 2012. 24-67. Print.
In the nineteenth century there are several schools of thought that are emerging, struggling to be recognized. Of these schools there are transcendentalists. A transcendentalist that can be pointed out as a great author is named Ralph Waldo Emerson. In the time period of the 1840’s Emerson is accredited with the Transcendental movement. Emerson is acknowledged as “one of the most influential figures of the nineteenth century” (274). Emerson is an American essayist and poet. He published numerous pieces of work which portions of them were at a moment in time when he was going through a great deal of pain. Most critics refer to Ralph Waldo Emerson as one of the most significant American writers of the nineteenth century, but are having difficulty deciphering which one of his creations earn the most interest. As time goes by, he continues to write incredible literary collections that are well recognized by his contemporaries. All of these conceptions have exposed an intellect of great uniqueness. They were critiqued by several authors that provided insight to the meaning behind the words. Emerson’s most talked about and most critiqued works include Nature, The American Scholar and The Divinity School of Address.
Walt Whitman was born May 31, 1819, in West Hills, Long Island. His early years included much contact with words and writing; he worked as an office boy as a pre-teen, then later as a printer, journalist, and, briefly, a teacher, returning eventually to his first love and life’s work—writing. Despite the lack of extensive formal education, Whitman experienced literature, "reading voraciously from the literary classics and the Bible, and was deeply influenced by Goethe, Carlyle, Emerson, and Sir Walter Scott" (Introduction vii).
Whitman’s approach to poetry is a reflection of his thought. These thoughts are free and wild, and his typical run-on sentences and his endless litanies of people and places represent the thoughts trying to be conveyed. The overall effect of these run-on sentences provides the reader with a feeling of greatness and of freedom. All of the feelings that are evoked from Whitman’s style can be classified as quintessentially American democratic feelings. The belief that Whitman had no style would imply that Americans as a society have no style, a statement that not only Whitman but Emerson and Thoreau as well fought against through their writings. Whitman and Emerson fighting for the same cause is not coincidental, Whitman has often been viewed as the “child” of Emerson, his work being greatly influenced by Emerson. Whitman’s technique of looking at everything as a whole and always opposed to breaking up the whole can be linked to his belief of unity within our country and the reason why he took the Civil War extremely hard and personal.
(A critique of Walt Whitman’s themes and ideas in Song of Myself 6, 46, 47)
The Heath Anthology of American Literature repeatedly refers to Walt Whitman and his poetry in terms of being American, yet as I read Song of Myself, my thoughts are continually drawn to the philosophies and religions of the Far East. Like the Tao Te Ching ideas are expressed in enigmatic verse and each stanza is a Zen koan waiting to be meditated on and puzzled out. Even Emerson called Whitman's poetry "a remarkable mixture of the Bhagvat Gita and the New York Herald" ("The Whitman Project"). Song of Myself contains multitudes of passages that express Hindu, Buddhist, and Taoist thought.
Walt Whitman’s hard childhood influenced his work greatly, he was an uneducated man but he managed to become one of the most known poets. Whitman changed poetry through his work and is now often called the father of free verse. Especially through Leaves of Grass he expressed his feelings and sexuality to world and was proud of it. He had a different view at life, his hard childhood, and his sexuality that almost no one understood made him introduce a new universal theme to the world. Almost all critics agree that Walt Whitman was one of the most influential and innovative poet. Karl Shapiro says it best, “The movement of his verses is the sweeping movement of great currents of living people with general government and state”.
Whitman, Walt “From I Sing the Body Electric” 1855. The Compact Bedford Introduction to Literature. 9th ed. Boston:Bedford /St.Martin’s 2012.786-788. Print. 10 May 2014.
*Whitman, Walt. Song of Myself. The Heath Anthology of American Literature. 3rd ed. Ed, Paul Lauter. Boston,NewYork: Houghton Mifflin, 1998.
Stedman, Edmund Clarence. "An Important American Critic Views Whitman." Critical Essays on Walt Whitman. Ed. James Woodress. Boston: G.K. Hall, 1983. 116-127.
In this way, as well as in their mutual use of common language, the influence of Wordsworth on Whitman can be seen in the Romantic influence on the American poet. This idea of expanded consciousness is also much like the sublime, as Wordsworth says in his essay “The Sublime and the Beautiful” that the sublime is when the mind attempts “to grasp at something towards which it can make approaches but which it is incapable of attaining” (Waldoff 124). Through the language both Whitman and Wordsworth utilize, the sublime is reachable and the consciousness of the reader expands because of it. Thus, one can further see the influence of Wordsworth on Whitman. While the influence of Wordsworth can be seen in the work of Whitman, especially in the form of the works.
He loved the diversity of the cities and believed it was possible because of democracy (Brand). This adoration of democracy is apparent in many of Whitman’s works, such as “Drum-Taps” and “Out of the Cradle Rocking.” However, of all his poems, his masterpiece, “Song of Myself,” first released in 1855 in the first edition of Leaves of Grass, is clearly the best embodiment of Whitman’s love for American democracy. The poet was fascinated with the realization that masses of unique individuals construct a single democracy under which everyone is amalgamated.
Walt Whitman is arguably America’s most influential poet in history. Born Walter Whitman in May 31st, 1819 to Walter Whitman and Louisa van Velsor, he was immediately nicknamed ‘Walt’ to distinguish him from his father. He came to life in West Hills on the famous Long Island, the second of nine children that grew up in Brooklyn. He came to be fondly known as ‘the Bard of Democracy’, mainly because that was a main message in his work. He is also celebrated as ‘the father of the free verse’. He was a liberal thinker and was vehemently against slavery, although later on he was against the abolitionists because, according to him, they were anti-democracy. He managed to marry transcendentalism with realism in his works. His occupation was a printer school teacher and editor.
Although Whitman uses a great deal of structural ways to stress his ideas, he also uses many other ways of delivering his ideas. First of all, Whitman portrays himself as a public spokesman of the masses. The tone of the poem is a very loud, informative tone that grabs ones attention. The emphasis placed on the word “all” adds to the characterization of Whitman as a powerful speaker. Furthermore, Whitman takes part in his own poem. Participating in his own poem, Whitman moreover illustrates the connection between everything in life. Lastly, Whitman, most of all, celebrates universal brotherhood and democracy.
Klinkowitz, Jerome and Patricia B Wallace. The Norton Anthology of Americal Literature. Seventh. Vol. Volume D. New York City: Norton, 2007, 2003, 1998, 1994, 1989, 1985, 1979. 5 vols.