Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Walt disney famous films analysis
Disney movies analysis
Gender role stereotypes in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Throughout history, women have been portrayed as submissive characters in all forms of stories. This is evident in the Disney versions of commonly known fairy tales, especially Sleeping Beauty. Not only are the female characters most often subservient to the domineering male characters, but they are frequently passive as well.
Born December 5, 1901, Hermosa, Chicago, IL, Walt Disney was one of five children- four boys and a girl. His family had little money and he had a stern father. In spite of this, he was encouraged by his older brother and his mom. It is evident that Disney’s stories were highly influenced by his upbringing as an overriding patriarchal tone is one of the most common themes in his retelling of fairy tales. Disney’s Sleeping
…show more content…
Due to the time at which it was produced, existential influences on Disney’s Sleeping Beauty augmented the preexisting sexism. In the Perrault, Basile and Grimm version, Sleeping Beauty is “blessed” with desirable looks. As recorded in La Belle au bois dormant, “The youngest [fairy] ordained that she should be the most beautiful person in the world; the next, that she should have the temper of an angel; the third, that she should do everything with wonderful grace; the fourth, that she should dance to perfection; the fifth, that she should sing like a nightingale; and the sixth, that she should play every kind of music with the utmost skill.”[ Charles Perrault, Perrault's Fairy Tales. Trans. A. E. Johnson (New York: Dover Publications, Inc., 1969), pp. 3-21.] Beauty is often highly regarded in many cultures, and as portrayed by Sleeping Beauty, is a woman’s only means of power. In spite of also receiving things such as “grace,” the ability to “dance to perfection,” and so on, she is not given any meaningful/useful qualities that actually give her character depth. If she had been given what is now considered prized characteristics such as cognitive strength, wit, or bravery, her character would have been controversial to her time period as only a man is best “fitted” for having those attributes. “Children’s fairy tales, which emphasize such things as women’s passivity and beauty, are indeed gendered …show more content…
Disney uses this theme in his movie Sleeping Beauty, where Aurora and Prince Philip dance as well, but they additionally are in the woods singing together. Disney calls it by a different name, “Once Upon A Dream.” The lyrics are fairly shallow, and also representative of Aurora and Prince Philip’s relationship. “You'll love me at once, the way you did once upon a dream.”[ Jack, Lawrence, Once Upon A Dream, Walt Disney Music Company, January 29, 1959] It is evident that their “love” is a superficial one, being that it not only will it happen again immediately, but it’s only preexisting form was in a
Sperry, Lori B., and Liz Grauerholz. "The Pervasiveness and Persistence of the Feminine Beauty Ideal in Children's Fairy Tales." Gender and Society 17.5 (2003): 711-26. JSTOR. Web. 4 July 2015.
In “Escape from Wonderland” by Deborah Ross, the writer explains how the fictional characters are admired. Although they seem to be sending a bigger message to young girls. The writer talks about drawing a line between fantasy and reality. In the end Ross’s objective is to show how some Disney characters break the femininity and imagination tradition. Which can have an effect in children and how they value their own ability to have unique visions. By comparing Alice in Wonderland (1951), The Little Mermaid (1989) and Beauty and the Beast (1991) to heroines like Arabella from The female Quixote. “Charlotte Lennox’s (The Female Quixote illustrates both these conservative and progressive plot patterns, for it both draws upon and criticizes earlier romances, which themselves often both celebrate and punished female imagination and expressiveness. Therefore, like Disney’s movies today, which also use material from romance and fairy-tale tradition”, (pg. 473, Escape from Wonderland). Young women may not only begin to fantasize about a grandeur life more exciting than reality but to be disappointed with society in the workplace and relationships. For example, Meredith from Brave she is a princess that wishes to have a different life than what her mother has planned for her. She refuses to get married and have the duties of a princess. She wants to have adventures and be
Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these accomplishments with stereotypes of women present in Walt Disney movies. These unrealistic stereotypes may be detrimental to children because they grow up with a distorted view of how men and women interact. Disney animated films assign gender roles to characters, and young children should not be exposed to inequality between genders because its effect on their view of what is right and wrong in society is harmful to their future. According to Disney films, it is important for women to achieve the stereotypical characteristics of a woman, such as maintaining their beauty to capture a man, and being weak and less educated than male characters. The women in Disney movies are always beautiful, which helps them to find a man.
If children or adults think of the great classical fairy tales today, be it Snow White, Sleeping Beauty, or Cinderella, they will think Walt Disney. Their first and perhaps lasting impression of these tales and others will have emanated from Disney film, book, or artefacts (Zipes 72)
Through the three revisions of Beauty and The Beast, the fairy tales retold share many similarities as well as many differences according to their time period. In all three versions femininity and masculinity are presented in many ways. Femininity is shown through all three main female characters, Belle from the famous Disney film “The Beauty and The Beast”, the narrator in “Tiger’s Bride”, and Psyche in “Cupid and Psyche”. In all three versions, the female characters breaks society’s expectations of a typical woman. In CP Psyche stands up to Cupid’s mother Venus and accomplishes these activities usually performed by males. She shows society that women can overcome male activities and have strength to complete the same tasks. She breaks tradition of the male character fighting for her because in this version she takes on the hero role and fights for Cupid. This was not something ordinarily done by woman characters during this time. In TB the narrator breaks the tradition of the innocent stereotypical woman figure. The narrator exposes and does things most woman would never have the nerve to do. She shows society that women can fault their beauty in other ways. Even if society does not make it acceptable to have sex before marriage, she shows that women can expose their body and beauty in many ways. In DB version Belle is a great example that women should not be looked at as dolls and let males have control over them. She shows society that woman can be independent and educated. She does not get married to the most handsome male in town however she goes after someone who deeply cares about her. She displays a great example of how woman have their own mind and can think for themselves. Woman are allowed to make decisions and have ...
England, D. E., Descartes, L., & Collier-meek, M. (2011). Proquest. “Gender role portrayal and the disney princesses”. Sex Roles, 64(7-8), 555-567.
In the 1950s Disney character such as “Cinderella” and “Sleeping Beauty” depicted women as still innocent and meek, thereby alluding to the permanence of pre-feminist stereotyping of women in popular culture (Cheu 150). In the two fi...
Since 1937, when Snow White was created, Disney princesses have been falsely portraying women. While their personalities have changed to keep up with society’s standards, their unrealistic body
Women in these fairy tales are young and beautiful. In all reality not every girl in this world is truly considered beautiful by our society’s terms. In today’s society the term beautiful is often used to describe a women who is a size 0, tall, flawless skin, and dressed nicely. Haven’t you ever seen princesses that are in all these fairy tales, our society’s description of beautiful describes every single one of these princesses?
In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that females are supposed to be docile, dependent on the male persona and willing to sacrifice themselves. In many cases, when strong female characters are presented they are always contradicting in these characteristics, thus labeled as villainous. Such is the case of the Cinderella’s stepsisters in Perrault’s “Cinderella” and the stepmother in the Brothers Grimm’s “Snow White.” These female characters face judgment and disapproval when they commit the same acts as male characters. With such messages rooted in our beloved fairy tales it is no wonder that society is rampant with these ideals about women and disapprove of women when they try to break free of this mold.
The biological differences that set apart the male and female gender throughout any culture remain eminent. Men are perceived as the stronger and dominant gender; women play the role of the weaker. In each culture the expectation of the manner in which men and women behave are influenced by the ideals and customs of that culture. In most predominant cultures, the man undertakes the role as a leader, and the woman devotes her life to the husband. Throughout history, traditions and literature provide a template to the identities of various cultures. Sleeping Beauty’s classic tale of a beautiful princess takes a central precept that previous patriarchal archetypes dominated during the 17th Century. The archetypal perceptions of women resulted from conscious and unconscious literature influenced by male-dominated perspectives and social standards.
Over the years, fairytales have been distorted in order to make them more family friendly. Once these changes occur, the moral and purpose of the stories begin to disappear. The tales featured in the many Disney movies - beloved by so many - have much more malignant and meaningful origins that often served to scare children into obeying their parents or learning valuable life lessons.
As in many fairy tales we have grown up with, the characters are always beautiful or handsome, with an evil mother that wants to destroy that. Baker-Sperry and Grauerholz state that, “The feminine beauty ideal-the socially constructed notion that physical attractiveness is one of women's most important assets, and something all women should strive to achieve and maintain…[is] viewed largely as an oppressive, patriarchal practice that objectifies, devalues, and subordinates women”(711). Women grow up with the impression that they must be perfect and beautiful in order to get a man. They will see the beautiful girl get a handsome guy and everything they want. The characters in Tangled prove the fact that every fairy tale follows the same guide lines; Rapunzel, Flynn, and even mother Gothel are beautiful. Their features are all the same with them being thin, having straight teeth, and being good looking. If a person was described as being perfect looking, than a fairy tale character is what they would be compared to. A little girl will see Rapunzel and want to be like her because she’s pretty and a princess and they will l...
Some fairy tales are so iconic that they withstand the passing of time. One of those fairy tales is that of Cinderella. The rags to riches story that gives even the lowliest of paupers, hope that they may one day climb the social ladder. While the core message of the story has transcended time, over the years it has been adapted to address a variety of audiences. One of those renditions is Perrault’s Cinderella where the traditional idea of gender is conveyed and therefore associated with good/evil. This idea is challenged by a fellow 1600’s French author, L’heriter de Villandon’s, who’s version of Cinderella brings about a female protagonist who is also the heroine.
Disney and old fairytales threaten gender politics and ideal women roles by giving certain stereotypes for domestic and personality traits. Fairytales that have turned into Disney productions have sculpted domestic roles for women that consist of cooking, cleaning and caring for the children. Disney has also created these princesses with personalities that are shy, passive, and vulnerable. The cause of these stereotypes are making individuals obliterate their own identities and becoming clones from the mold that was prepared for