Walking the Line: Human and Inhuman

816 Words2 Pages

Walking the Line: Human and Inhuman
The human race’s complexity is so muddled with various desires, styles, and actions that even a substantial response could only explain a fragment of human nature, but, even with the intricacy of humanity, there is a barrier an ethical conscience held by the human race as a whole that separates actions human and inhuman. In Mary Shelly’s novel Frankenstein, the characters Dr. Frankenstein and the creature he reanimates walk along the separation line between human and inhuman. Shelly uses the idealisms like Promethean desire and existential questions to exemplify the natural yearnings that humans strive for as they search for their purpose and aspire for something greater. Frankenstein’s creature and Frankenstein illustrate both human and inhuman qualities as they exemplify natural human desires, but also simultaneously act in eerie and coldhearted ways that separate them from natural human society.
Promethean idealism is centered on the Greek god Prometheus who defied the other gods and gave humanity the gift of fire so that they could progress into advanced race. Those who follow this principal believe that life is of ultimate value and should be lived with the highest standard possible; therefore, the Prometheans push the boundaries to science and technology to move forward and advance the standards of life (SP1a). Dr. Frankenstein mirrors this belief as he ventured out away from society to push the limits of science and “renew life” for the first time (Shelly 58). His aspirations to advance forward in his field and reach to new heights where no one has gone before, mirror natural human desires and link him to humanity and humanistic actions. Dr. Frankenstein embarked on him journey i...

... middle of paper ...

...times seemed unnecessary to him as he separated himself from society took him across the line unto the side of inhumanity. Dr. Frankenstein and the creature’s actions made a distinct separation between them and humanity.
Separating what is natural and unnatural, Frankenstein and his creature both walk the line (SP12). Their actions at times reflect those of a normal being that craves to strive and fit in with the world, but they also take turns falling into a mindset beyond humanity. Pushing the boundaries into new frontiers is not always a positive thing. Ethical codes of humans separate themselves from the barbaric ways on animals and also from the ideas of creation. A line must be drawn to separate man from beast, and man from god in order to preserve the natural order of things so that humanity can retain what it has without reaching too far and losing it all.

Show More
Related

  • Textual Irony In Frankenstein's Monologue Essay

    693 Words  | 2 Pages

    The result of society’s resentment, Shelly’s cynical text unmasks the fact that Frankenstein’s creation was not produced as innately monstrous but instead learned to become a monster over time. Once again utilizing the literary element of irony, the monster’s exclamation “Nay, these are virtuous and immaculate being!”, demonstrates the monster’s resentment towards not only humans but also himself. Realizing biological inferiority to be the cause of his misfortune, the monster’s frustrations underline the novel’s central paradox of the natural versus the artificial. That is, because human beings exist within the natural order of society and therefore control the law, characters such as Victor, Felix, and even Walton’s carelessness remain protected. Meanwhile, Frankenstein’s creation, an artificial production, exists as mankind’s ostracized enemy regardless of the being’s emotional or intellectual superiority. Beyond envy, the monster’s monologue additionally reflects a sense of desperation. Utilizing the repetition of the word “injustice,” Shelly’s literary choice solidifies the perpetual denial of societies crimes against Frankenstein’s monster. Concluding his speech with the word “injustice”, Frankenstein’s monster testimony signifies the unavoidable truth the being’s presence never caused

    Read More

  • Examples Of Insecurity In Mary Shelley's Frankenstein '

    1078 Words  | 3 Pages

    In Mary Shelley’s novel, Frankenstein, she addresses the challenges that arise in both the creation and life of a dead creature that has been brought back to life in hideous forms. The

    Read More

  • The Morally Ambiguity In Mary Shelley's Frankenstein

    1901 Words  | 4 Pages

    The creature’s moral ambiguity characteristic was a vile ingredient to the construction of this novel Frankenstein because it made the reader 's sympathies with him even after the audience knows he had committed murder because the readers had seen the truth this creature had to face. That he had tried everything within his power to peacefully live with them, to interact, communicate, and befriend them “these thoughts exhilarated me and led me to apply with fresh ardour to the acquiring the art of language”, that even though he was seen as a monster because of the looks he was created with, something he had no control over, he still had hope to be seen as equals, ”My organs were indeed harsh, but supple; and although my voice was very unlike the soft music of their tones, yet I pronounced such words as I understood with tolerable ease. It was as the ass and the lap-dog; yet surely the gentle ass whose intentions were affectionate, although his manners were rude, deserved better treatment than blows and execration;” this hope of his was utterly crushed, and can only set him up for utter disappointment(12.18). Because in the end he only received hates, scorns, violence, and prejudice from his good will. So in the end of the story, Mary Shelley’s forces the readers to see within the creature’s heart and for

    Read More

  • Frankenstein: Mary Shelley's Ability to Create Sympathy for the Monster

    1840 Words  | 4 Pages

    Mary Shelley’s Frankenstein is ‘one of the pioneering works of modern science fiction’, and is also a frightening story that speaks to the ‘mysterious fears of our nature’. Mary Shelley mocks the idea of “playing God”, the idea that came from the Greek myth of Prometheus, of the Greek titan who stole Zeus’ gift of life. Both the story of Frankenstein and Prometheus reveal the dark side of human nature and the dangerous effects of creating artificial life. Frankenstein reveals the shocking reality of the consequences to prejudging someone. The creature’s first-person narration reveals to us his humanity, and his want to be accepted by others even though he is different. We are shown that this ‘monster’ is a ‘creature’ and more of a human than we think.

    Read More

  • The Importance of Identity Possession in Frankenstein

    2107 Words  | 5 Pages

    The idea of duality permeates the literary world. Certain contradictory commonplace themes exist throughout great works, creation versus destruction, light versus dark, love versus lust, to name a few, and this trend continues in Frankenstein by Mary Shelley. The pivotal pair in this text however, is monotony versus individuality. The opposing entities of this pairing greatly contrast against each other in Frankenstein, but individuality proves more dominant of the two in this book.

    Read More

  • Humanity In Frankenstein Essay

    2530 Words  | 6 Pages

    “Frankenstein” by Mary Shelly explores the concept of the body, life, ‘the self’ and most of importantly humanity, which is repeatedly questioned throughout the novel. The definition of humanity is the quality of being humane or in other words someone that can feel or possess compassion. Despite all the facts against the “monster” in “Frankenstein” he is indeed what one would consider being human. Humanity isn’t just about ones physical appearance but also includes intellect and emotion. Some people argue that the “monster” is not a human for he was not a creature that was born from “God” or from a human body. That being said, the “monster” is not only able to speak different languages, he can also show empathy - one of many distinct traits that set humans apart from the animals. Both the “monster” and his creator, Victor, hold anger and feel a sense of suffering throughout the novel. Victor is a good person with good intentions just like most individuals, but makes the mistake of getting swept up into his passion of science and without thinking of the consequences he creates a “monster”. After completing his science project, he attempts to move forward with his life, however his past – i.e., the “monster” continues to follow and someone haunt him. While one shouldn’t fault or place blame on Frankenstein for his mistakes, you also can’t help but feel somewhat sympathetic for the creature. Frankenstein just wants to feel accepted and loved, he can’t help the way he treats people for he’s only mimicking how people have treated him, which in most cases solely based on his appearance. Unlike most of the monsters we are exposed to in films past and present, the character of the “monster” ...

    Read More

  • Who Is the Real Monster in Frankenstein?

    1708 Words  | 4 Pages

    Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment.

    Read More

  • What Is A Monster?

    1098 Words  | 3 Pages

    Peter Brooks' essay "What Is a Monster" tackles many complex ideas within Mary Shelley's Frankenstein, and the main concept that is the title of the essay itself. What is the definition of a monster, or to be monstrous? Is a monster the classic representation we know, green skin, neck bolts, grunting and groaning? A cartoon wishing to deliver sugary cereal? or someone we dislike so greatly their qualities invade our language and affect our interpretation of their image and physical being? Brooks' essay approaches this question by using Shelley's narrative structure to examine how language, not nature, is mainly accountable for creating the idea of the monstrous body.

    Read More

  • Monstrosity in Frankenstein

    1001 Words  | 3 Pages

    Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.

    Read More

  • Science, Technology, and Morality as Perceived in Mary Shelley's Frankenstein

    1968 Words  | 4 Pages

    In Frankenstein, Mary Shelley challenges the motives and ethical uncertainties of the scientific developments of her time. This critique has become increasingly relevant as modern scientists endeavor into previously unimagined realms of the natural world through the use of cloning and genetic engineering. Through careful analysis, we can see how the novel illustrates both the potential dangers of these exploits and the irony of the conflicts between science and creationism.

    Read More

  • Ethical Issues in Mary Shelley's Frankenstein

    1228 Words  | 3 Pages

    This paper will concentrate on the definition of human nature, the controversy of morality and science, the limits to scientific inquiry, and how this novel ties in with today’s world. Mary Shelley’s novel Frankenstein expresses human nature specifically through the character of the “Creature” and its development. The Creature has an opportunity to explore his surroundings, and in doing so he learns that human nature is to run away from something so catastrophic in looks. The Creature discovers that he must limit himself in what he does due to the response of humans because of his deformities. I feel that Mary Shelley tries to depict human nature as running away from the abnormal, which results in alienation of the “abnormal.”

    Read More

  • The Destructive Desire for Knowledge: Frankenstein by Mary Shelley

    1118 Words  | 3 Pages

    ...Frankenstein and the creature. The situations that each character experience are lessons about how seeking prohibited intelligence comes with extreme consequences. Frankenstein is a Gothic novel which means it involves the supernatural; however, because it contains religious qualities it is more appealing to the common people’s idea of knowledge. Mary Shelley achieves her goal of informing the audience that man should not seek or possess the level of knowledge that God acquires. One should learn from the situations present in the novel because life comes with an enormous amount of knowledge; going after the unknown is an act of rebellion against God.

    Read More

  • The Monstrous In Frankenstein

    1362 Words  | 3 Pages

    Mary Shelley’s Frankenstein or; The Modern Prometheus, published in 1818, is a product of its time. Written in a world of social, political, scientific and economic upheaval it highlights human desire to uncover the scientific secrets of our universe, yet also confirms the importance of emotions and individual relationships that define us as human, in contrast to the monstrous. Here we question what is meant by the terms ‘human’ and ‘monstrous’ as defined by the novel. Yet to fully understand how Frankenstein defines these terms we must look to the etymology of them. The novel however, defines the terms through its main characters, through the themes of language, nature versus nurture, forbidden knowledge, and the doppelganger motif. Shelley also shows us, in Frankenstein, that although juxtaposing terms, the monstrous being everything human is not, they are also intertwined, in that you can not have one without the other. There is also an overwhelming desire to know the monstrous, if only temporarily and this calls into question the influence the monstrous has on the human definition.

    Read More

  • The “Other” Creation: Post-Colonialism in Mary Shelley’s Frankenstein

    1252 Words  | 3 Pages

    Mary Wollstonecraft Shelley’s Frankenstein (sometimes also known as The Modern Prometheus) is the classic gothic novel of her time. In this eerie tale, Dr. Victor Frankenstein – suffering from quite an extreme superiority complex – brings to life a creature made from body parts of deceased individuals from nearby cemeteries. Rather than to embrace the Creature as his own, Frankenstein alienates him because of his unpleasant appearance. Throughout the novel, the Creature is ostracized not only by Frankenstein but by society as a whole. Initially a kind and gentle being, the Creature becomes violent and eventually seeks revenge for his creator’s betrayal. Rather than to merely focus on the exclusion of the Creature from society, Shelley depicts the progression of Dr. Frankenstein’s seclusion from other humans as well, until he and the Creature ultimately become equals – alone in the world with no one to love, and no one to love them back. Frankenstein serves as more than simply a legendary tale of horror, but also as a representation of how isolation and prejudice can result in the demise of the individual.

    Read More

  • Frankenstein Nature Vs Nurture Essay

    963 Words  | 2 Pages

    Frankenstein, or the Modern Prometheus, written by Mary Shelley is the perfect support novel for the ongoing controversial debate of nature vs. nurture. Frankenstein, a story about Robert Walton, who is a swedish young student, learns that he can take a dead being and its body parts, and can create a monster. In this story after Walton creates a monster who is rejected from society, the monster promises that he will get vengeance on his creator for the rest of his life. The nature vs nurture debate is used to help answer the question “what makes a person who they are?”. Nature, like a person’s genetic code, and nurture, like a person’s surroundings mentally and physically, have strongly affect how we as individuals are different when it

    Read More

More about Walking the Line: Human and Inhuman

Open Document