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Photography in Contemporary Society
Photography in its purest form is meant to be an art that preserves memories and events, however, it is often muddled with misuse. Photography essentially enhances an experience by providing a way to gain new perspectives of a subject years later. However, in contemporary society, photography has become more of a task in itself rather than an aid to experiencing a subject in real life. In his 1954 essay “The Loss of the Creature,” author Walker Percy builds on this claim by arguing that when one photographs an event, one misses out on experiencing the event itself, obtaining merely a representation of it. Overall, photography is valuable in contemporary society, but when misused, can detract from an experience.
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The human brain’s nature of remembering important details but forgetting past experiences magnifies the importance of photography in contemporary society. The multiplication tables we learn in grade school or the phone numbers of close relatives is something we can remember quite easily, but a struggle arises when recollecting the fine details of a family trip. This is because our memory is continuously jogged by using phone numbers and math tables every day, while big family events and trips only happen once in a lifetime. These are the situations where photography plays an important role. It facilitates the process of remembering past events through a physical medium, photos of the events. For example, I have been on many trips in my lifetime, yet I find it hard to recall my specific childhood trips to Yellowstone and Disney World. However, one look into a photo album returns the precious memories of large mountains in Wyoming or a family lunch with Mickey and Minnie Mouse to me. With such photos, my original experience becomes more than just a trip, evolving into a gateway into the past. I can see in those photos how I have changed from an innocent, carefree eight year old boy to currently being a high schooler embarking on a journey to college and adulthood. Moreover, those images provided me with a way to reminisce about my life when I was younger, and how I grew as a person by giving me concrete examples of my life as a child. In this way, photography gave me an additional point of interaction in my original experience. This was because of my changing worldview giving me new perspectives on the events that happened years ago. Nevertheless, all these situations have one common similarity: photography was used organically as a supplement to interacting with the event itself. Photography can detract from an experience when used incorrectly.
The use of photography is an issue when one considers it as a task instead of a supplement to an experience because there is the cost of not being able to truly engage in the subject. Engaging in a subject is confronting and being part of the subject, using all five senses to make oneself immersed in the setting. When one takes a photo, it does not replace the knowledge that is gained from engaging in the subject. Rather, it is only a representation of the object or event. This is the argument that Percy is making when he writes: “instead of looking at [the Grand Canyon], he photographs it... there is no confrontation at all… at the end of forty years of preformulation and with the Grand Canyon yawning at his feet, [He] waives his right of seeing and knowing and records symbols for the next forty years.” Percy argues that when the sightseer simply photographs the Grand Canyon instead of facing and engaging with it, he or she loses the true experience of being at the Grand Canyon. Consequently, The sightseer has a record of being there, but did not gain the growth or knowledge from truly engaging with it. Percy’s argument applies more broadly to contemporary society because photography hinders one’s ability to experience when used as a task. For example, in my visit to Yellowstone National Park, I spent more time taking photos of different geysers and mountains than looking at and admiring their beauty. By giving more importance to taking photos of those natural wonders instead of admiring them, I now have a record of being there, but do not have the knowledge on what the shading of the rocks indicate, or what taking a relaxing walk in the long trails feels like. While using photography properly can provide many benefits, misusing it can limit one’s growth and knowledge gained from engaging with a
subject. Photography can be immensely valuable to its users by providing multiple points of interaction in a single experience, but when used incorrectly, can inhibit one’s ability to learn and grow. A photo or image makes the process of recalling past events easier, and also provides a method of developing new perspectives on the event. However, as Percy noted, photos can also be representative of hollow symbols with no benefit to the user. While photography has many different applications in contemporary society, it is ultimately the goal of the user to make it not only something useful, but something meaningful in every way possible.
Walker Percy is the author of The Moviegoer, which is written about a young man named John Binkerson Bolling otherwise known as Binx. He is the main character who grows up in New Orleans. He is a moviegoer who is on a search but the object of his search is not clear. The people he encounters help him along the way, especially his stepbrother Lonnie and an African American man. The Moviegoer takes place during Mardi Gras when Binx discovers that something more is needed in his life.
Congratulations on being admitted to State College! I am glad that you have made your decision to come here. State College has numerous great opportunities to offer its students. You also told me that you are enrolled in English Composition 101. One of the pieces of literature you will encounter in this class will be "The Loss of the Creature", by Walker Percy. For your preparation to the class I can summarize and give you my explanation of "The Loss of the Creature". Throughout the essay Percy tries to get across how any person with expectations or "packages" will not be able to fully accept and learn from any experience.
Having such an image before our eyes, often we fail to recognize the message it is trying to display from a certain point of view. Through Clark’s statement, it is evident that a photograph holds a graphic message, which mirrors the representation of our way of thinking with the world sights, which therefore engages other
Susan Sontag once wrote, “To collect photographs is to collect the world.” In her article entitled “On Photography,” she overviews the nature of photography and its relation to people using it. Sontag discusses photography’s ability to realistically capture the past rather than an interpretation of it, acting as mementos that become immortal. Continuing on to argue the authenticity of photography and how its view points have shifted from art into a social rite.With the use of rhetorical devices, Sontag scrutinizes the characteristics of photography and its effects on surrounding affairs; throughout this article Sontag reiterates the social rites, immortality and authenticity of photographs, and the act of photography becoming voyeuristic. With the use of the rhetorical devices pathos, appeal of emotion, ethos, appeal to ethics and credibility, and logos, appeal to logic, Sontag successfully persuades the audience to connect and agree with her views.
In today’s culture people are not individuals they are consumers and they have lost their ability to have their own experiences. In “The Loss of the Creature” by Walker Percy, he talks about why people have lost their sovereignty and how they can get it back. There are a lot of things that people can do differently and regain their individuality back from the consumer culture that they live in.
The role of photography is questioned; he asks, what about photography makes it a valid medium? We read about the operator (the photographer), spectrum (the subject) and spectator (the viewer), also about the stimulus (what we see in the photograph) and the punctum (the unclassifiable, the thing that makes the photograph important to the viewer). According to Barthes, the photograph is an adventure for the viewer, but it is ultimately death, the recording of something that will be dead after the picture is taken. This idea is the main focus of Barthes’ writing, the photograph “that-has-been”, in Latin “interfuit: what I see has been here, in this place which extends between infinity and the subject; it has been here, and yet immediately separated; it has been absolutely, irrefutably present, and yet already deferred” (Barthes, 76).... ...
Everyone’s experience is not all the same similarly to the Grand Canyon situation that is mentioned by Percy. The individual needs to be taken into consideration. Like with me, I went to many tourists spots, such as the Valley of Ten Peaks, that are talked among many people that and have been influenced by the media, but when I got their I was left speechless by the sight of the of the Peaks. This experience is a counter point Percy’s idea, that prejudges of situations can skew the perspective of people. Percy states “[a tourist] Does not one see the same sight from the Bright Angel Lodge that Cardenas saw” (Percy 464). This quote explains how people cannot see the true beauty of a sight with these expectations that block it for us. Most of the time I have had my expectations of a sight given to me by media or other people lessen my experiences in life. This occurs because how much someone is willing to let so...
Sontag, Susan. "Essay | Photography Enhances Our Understanding of the World." BookRags. BookRags. Web. 15 Apr. 2014.
A picture is more than just a piece of time captured within a light-sensitive emulsion, it is an experience one has whose story is told through an enchanting image. I photograph the world in the ways I see it. Every curious angle, vibrant color, and abnormal subject makes me think, and want to spark someone else’s thought process. The photographs in this work were not chosen by me, but by the reactions each image received when looked at. If a photo was merely glanced at or given a casual compliment, then I didn’t feel it was strong enough a work, but if one was to stop somebody, and be studied in curiosity, or question, then the picture was right to be chosen.
“Recently, photography has become almost as widely practiced an amusement as sex and dancing, which means that, like every mass art form, photography is not practiced by most people as an art. It is mainly a social rite, a defense against anxiety, and a tool of power” (Sontag 8). After reading this quote in my head multiple times, I started to realize that people use it for different purposes. When I took a photography class in college, it was under the category “art.” Which made me think of it as a form of art, when there are so many other ways to view photography. Sontag changed my opinion about photography after further interpreting her quote because to have a camera in our hand, being able to capture the world through our lens is to have a tool of
Photography was first utilized over 100 years ago in an attempt to preserve life as it existed before the industrial revolution. Over time photography has gradually corrupted memory in a variety of ways, despite its original intention to preserve it. From there, photography has evolved to become a pressing threat not only to memory, but also to consciousness.
To begin with, photography appeared to me as something entertaining a simple step in which one took a camera and simply shot a photograph of oneself or a friend. When I was handed my schedule for Mrs. Jones’s class, I felt as if this class had in store a special reward for me. As the days went by, Instead of being anxious of getting out of class I had a craving for additional time in the class. The class kept my eyes glued to the screen ...
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.
Sontag feels that photography endears itself to voyeurism, exploitation, and an imperceptible aggression. Sontag expresses this when she writes, “Still there's something predatory the act of taking a picture. To photograph people is to violate them, by seeing them as they never see themselves, by taking knowledge of them they can never have, it turns people into objects that can be symbolically possessed.”, here Sontag shines a light on the often invasive nature of photography. Capturing an image is a way of symbolically capturing a part of that person, which is forever frozen in that moment recorded on film. Sontag also argues that photographing an individual is a way of participating in that person's eventuality (death). She writes “To take a photograph is to participate in another person's or things mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it all photographs testify to time’s relentless melt.”, so essentially Sontag argues photographs serve as a physical reminder of the inevitable corrosion that time visits upon all things. To photograph a loved one, a pet, a cherished place or thing is an inadvertent reminder that, that person, place or thing will inevitably age, decay and cease to be. This appropriation is often done unintentionally but is appropriation nonetheless and aids in altering our outlook and
Photography has created an outlet for the masses to story tell. It has a way of speaking without words like most art forms and is a manner of expression in itself. To eradicate photography from humans would be equivalent to taking away a limb from humankind. Our society has grown an immense amount of dependency on it. Photography has become almost a daily menial task such as brushing your teeth; where we must take pictures of the things we deem important or equally unimportant, even more so with the invention of social media outlets such as Instagram and Snapchat, where photography is the main source of communication between people who use them. Susan Sontag offers the basis of what taking pictures can undertake in both our daily lives and moments that are not part of our daily lives, such as travel. Traveling to places where one is not accustomed can flare pent up anxiety. A way to subdue that anxiety could be through taking pictures, since it’s the only factor that we have total control over in a space where we don’t have much, or, any control of our surrounding environment. On the other hand, taking photos can also be a tool of power in the same sense as it allows for it to be a defense against anxiety. With the camera in our hands, we have the power to decide who, what, where, when, and why we take a picture. This in turn also gives the person who took the picture power over those who later analyze the photos, letting them decide the meaning of the photo individually, despite the intended or true meaning.