Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Sexual portrayal of women in film
Sexual portrayal of women in film
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Sexual portrayal of women in film
In the film, Waitress (2007), Jenna Hunterson has just found out that she is pregnant with her abusive husband, Earl.However, throughout the film, Jenna begins to have an affair with Dr. Jim Pomatter, whom is the knight and shining armor to help Jenna get away from her abusive husband, and try to “save the day.” In the film, Director Adrienne Shelly demonstrates to the audience how the Power and Control Wheel is used in the film, through examples such as emotional abuse, male privilege, and intimidation. On the other hand, the film has made errors in regards to what a domestic violence relationship would look like by adding in an unhealthy relationship with a married doctor, how Jenna did not officially end the relationship with her husband …show more content…
In the film, Dr. Pomatter goes over to Jenna’s home when Earl goes off to work. During this scene, Dr.Pomatter is there to keep Jenna safe from any harm that Earl has caused in the past. When watching this part of in the movie, I forgot for a second that her husband has abused her and that when you look the connection between Dr.Pomatter and Jenna it looks just like a romantic comedy where everything in the world for one second is okay,everything was just “perfect.” When looking at this scene, the two good looking main leads are alone in the house and see how the main female lead is teaching male lead how to make pies but he pretends he doesn’t know what do. Towards the end of the scene, they Jenna and Dr. Pomatter have a conversation that is looked as the cherry to the top of the perfect sundae of a romantic comedies or “chick flicks.” With his romantic charm ,Dr. Pomatter says, “I could find the whole world meaning of life in those sad eyes.”(Waitress, 2007) In caught in the moment, Jenna responds with, “Wow…” And like any romantic movie, they end the conversation with a big romantic kiss. To add, towards the end of the movie when Jenna goes into labor, both Earl and Dr.Pomatter are in the same room together, yet it had never crossed Earl’s mind that Jenna saw Dr.Pomatter behind his back. Again, going back to the romantic comedy idea where two male leads are fighting over the main female role. Also, to make things strange for Jenna is that Dr.Pomatter’s wife, was in the same room with Jenna right before she gave birth to her
During the Talladega 500, Cal Naughton Jr., Ricky Bobby's former best friend, pulled ahead of Ricky, allowing him to slingshot around his car and pass Jean Girard. Though Cal and Girard were teammates at Dennit Racing, Cal disregarded this and jeopardized his team's success to aid Ricky in the movie Talledega Nights: The Ballad of Ricky Bobby. This moment was crucial to Ricky, he having fallen from grace, going from NASCAR's top driver to being let go by Dennit Racing. The love Cal exhibited was a selfless form of love that was centered entirely around Ricky's happiness, not his own. Because of this selflessness, Cal compromised his own agenda, winning for Dennit, and disregarded personal consequence in hopes that Ricky would win the race. If you truly love someone as Cal loved Ricky, you must sometimes compromise your own interests for their benefit.
The forward-tracking movement as used in Ernie's restaurant suggests the forward-tracking shot that is used throughout the film to show Madeleine has an allure for Scottie. Ernie's scene evokes the backward-tracking shot used throughout the film to show how Scottie is bonded to his object of desire. Together they bring out the character that an individual is playing in the film. The camera movement in Ernie’s Restaurant brings out forward and backward tracks that defines the point-of-view structure, but here the camera movement does not straight forwardly articulate a point of view. Instead, the camera is self-consciously sets up to show the relationship between the elements of the point-of-view structure that the rest of the film enacts.
The movie, Soul Food, is a story about an African-American family, the Joseph’s, from Chicago that gets together every Sunday for soul food dinners. The story is told by Ahmad and he talks about the issues that face his family once the matriarch of the family, Big Mama, is in the hospital. Big Mama has three daughters: Teri, Maxine, and Ryla. Teri is a successful lawyer who is married to Miles. Miles was Teri’s former boyfriend. This caused a strained relationship between Maxine and Teri. Maxine is married with three children. Ryla is the youngest and is newly married to an ex-convict named Lem. Ryla also just opened up her own barbershop/hair salon. Cousin Faith is the cousin that comes and goes from the family. She always comes home and finds a way to take money and then leaves for a couple of years. Big Mama is having severe complications with her diabetes. The doctors tell her that she has to get her leg amputated in order to survive. During the surgery she slips into a coma and that is when the family begins to become dysfunctional.
The Power and Control Wheel is a significant part of the Duluth Model; it features eight sections: using children, male privilege, economic abuse, coercion and threats, intimidation, emotional abuse, isolation, and minimizing, denying, and blaming. Using children is specified as the batterer using the children to relay certain messages, using visitation to harass the battered woman, or threatening to take the children away. Using male privilege is specified as being the one to define the roles of men and women, making all the important decisions for the family, or treating the woman like a servant. Some examples of economic abuse is when the batterer will only give the woman an allowance, taking her money away, or keeping her from getting or maintaining a job. Examples of using coercion and threats include the batterer threatening to leave the woman or threatening to commit suicide or hurt her or her family. Using intimidation is specified as using gestures, looks, or actions to make the woman afraid or evening hurting pets and destroying property. Emotional abuse can include calling the woman na...
The response to abuse has metamorphosed drastically from Janie’s time to present day. During the days of the early 20th century in which the novel was set, spousal abuse was accepted and even promoted in some cases. Astonishingly, when Tea talks with the men about beating Janie the men respect Tea Cake and admire the way Janie stays quiet during the ordeal saying, “wouldn’t Ah love tuh whip a tender woman lak Janie” (Hurston 148). They ignore the fact that Tea Cake beats her just to show other people that he is in charge; he beats her because of his own insecurities. In Alice Walker’s novel The Color Purple it is shown that the men as well as the women encouraged spousal abuse. When Harpo seeks advice on how to deal with Sophia it is Celie, another woman, who advises him to beat her. Although spousal abuse still occurs in many households today, it occurs in secrecy because there are laws that have been erected to protect against this type of abuse, and the punishment for this crime is harsh. Today, if a man hits a woman he is less of a man and a disgrace, not praised and admired as in the past.
The ways in which Bridesmaids rejects patriarchal structures while simultaneously supporting them establishes a unique ideology: in order to meet the cultural comedic conception, these female characters reject particular standards of patriarchy, but the ways in which they do so successfully are due to their adherence to masculine norms and symbolic reversal (Buckley 19). Thus, Bridesmaids resists the male gaze and gives women empowerment to take the an active role in comedy, liberating them in the sense that it equates their humor to that of men’s, to embody new forms of feminine desire for women in cinema. In response to the men at the beginning of this essay who would say Bridesmaids doesn’t deliver this, Tina Fey has some words for them, “We don’t fucking care if you like it” (Moss).
The movie Soul Food is a tells a story about an African American family from Chicago that stays united in a multitude of ways, including a family tradition of Sunday dinner. The story examines a family from the low to middle class; the eldest mother “Big Mama” has three daughters; Teri, Maxine, and Bird. The movie introductory scene takes place at the Bird’s wedding with the narrator of the movie being Big Mama’s eldest grandchild Ahmad. Soul Food highlights a African American family that deals with the secrets, lies, love and betrayal. To the public the family unit is stronger than ever, but behind the scenes tells a different story. The story shows how love, betrayal, and tragic illness can take a long standing toll on a family. The three
Battered women constitute one of the most marginalized groupings in the social order. Their relationship incidents occasionally put these individuals into disagreement with the law, particularly when they murder their violent partners. The Battered woman syndrome (BWS) was created by clinical psychologist (1970’s) with an intention of depicting the series of occurrences that physically abused women frequently experience in their relationships.
The scene where Robby went on a double date. The social structure of class was express through the social construction of posing bonds. Glenn says Robby should look into the bond market business because that is where the money is. Robby shows his income by having a saving bonds worth $25.00 in 1993. The social structure of Masculinity is express through body, when talking Robby and Glenn are talking about the women’s butt as a piece of meat.
“There once was a time in this business when I had the eyes of the whole world! But that wasn't good enough for them, oh no! They had to have the ears of the whole world too. So they opened their big mouths and out came talk. Talk! TALK!” (Sunset Boulevard). The film Sunset Boulevard directed by Billy Wilder focuses on a struggling screen writer who is hired to rewrite a silent film star’s script leading to a dysfunctional and fatal relationship. Sunset Boulevard is heavily influenced by the history of cinema starting from the 1930s to 1950 when the film was released.
In this paper I am going to write about the movie “Grease.” Specifically, on the two main characters Sandy and Danny. I will be describing and analyzing their interpersonal communication, but mainly on the conflict of their communication.
Oliver kept Deborah in check through violence and the use of physical threats. They entered the honeymoon period after Oliver impregnated her. Deborah felt safe and believed the abuse would be over. However, the honeymoon period did not last long, and the abuse worsened (Herrera, 2013). This is a cycle of violence domestic dispute. Often the victim of the abuse would forgive the abuser during the honeymoon period, only have a short period of peace. Tension would build up in the relationship and a violent release of anger by the abuser. This cycle can go on for years. The victims are oft...
Walker, Lenore. “Battered Wives, Battered Justice.” Cited by Gerald Caplan. National Review. February 25, 1991.
The Hollywood movie Pretty Woman (1990) is about a prostitute in Hollywood, marrying an extremely rich businessman, in spite of her mutual distrust and prejudice. The movie contains the basic narrative of the Cinderella tale: through the love and help of a man of a higher social position, a girl of a lower social status moves up to join the man at his level.
For my second media critique, I chose to focus on the 2011 film Bridesmaids. Bridesmaids is a comedy written by Kristen Wiig and Annie Mumolo, directed by Paul Feig. With grossing almost $300 million worldwide, 44 nominations, and 11 awards won, Bridesmaids has been a relevant film in popular culture over the last three years (“Bridesmaids”).