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Analysis of visiting hours by norman maccaig
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In “Visiting Hour” by Norman MacCaig, the poet very effectively shows the emotions of the hospital visitor without ever mentioning them directly. He does this through the use of figures of speech, imagery, punctuation and word choice.
The very first line of the poem shows the strength of the smell in the building through personification, as
“The hospital smell combs my nostrils.”
The discomfort of this is seen in a humorous way as the nose stands out in another technique, synecdoche as we are given a picture of
“My nostrils as they go bobbing along green and yellow corridors.”
In the first verse the poet also uses the sense of sight, as the visitor sees
“Green and yellow corridors”
And those specific colours together make you think of the season spring, which also connects to Easter and Jesus rising from the dead, symbolising new life. Hope for the patient that he may be getting out of hospital soon.
Verse two begins with a shock for the visitor as he sees
“What seems a corpse.”
The use of the verb “trundled” is used to suggest to the reader that the patient is getting treated as id she is already dead and that there is no hope for her at all. This suggests that the person could be dead especially as the lift “vanishes heavenward.” However it could simply be that they are moving her up to a different ward. She may be getting moved to intensive care because she might be getting more ill. We see that the visitor is very upset by this sight in the way that the lines are divided up and punctuation is used in verse three as he repeats the words,
“I will not feel, I will not feel; until I have to.”
What the visitor is trying not to do is to show any type of emotion and not to cry. This is ...
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...n such as
“the books that will not be read.”
This shows that he thinks the woman is unlikely to recover. The technique used towards the end of the poem is oxymoron as the two words side by side contradict one another in “fruitless fruits.” Fruitless fruits links to the patient because you have a piece of fruit but it is empty inside, no taste and in a way it is the same for the patient because she is laying there but nothing is inside her. The reason for the book and fruit is they are two objects which are empty inside of them.
The poem “Visiting Hour” was a very successful poem in the way that it was very good at showing the visitor’s emotion through different techniques. The poet seemed very good at almost making you connect and understand both the visitor and patient. I enjoyed the poem very much, especially the way the poet displayed the emotions.
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...ttachment or emotion. Again, Heaney repeats the use of a discourse marker, to highlight how vividly he remembers the terrible time “Next morning, I went up into the room”. In contrast to the rest of the poem, Heaney finally writes more personally, beginning with the personal pronoun “I”. He describes his memory with an atmosphere that is soft and peaceful “Snowdrops and Candles soothed the bedside” as opposed to the harsh and angry adjectives previously used such as “stanched” and “crying”. With this, Heaney is becoming more and more intimate with his time alone with his brother’s body, and can finally get peace of mind about the death, but still finding the inevitable sadness one feels with the loss of a loved one “A four foot box, a foot for every year”, indirectly telling the reader how young his brother was, and describing that how unfortunate the death was.
One of the first things that Landau appeals to her readers is the aspect of imagery. Imagery is made up of the five senses, which are sight, hearing, touch, smell, and taste. The first sense of sight is seen through out the whole poem, specifically in the first two lines,
Now that the summary is out there for all who did not get to read the story let’s make some connections to everyday life. In the story is it said by the author that, “All the while I hated myself for having wept before the needle went in, convinced that the nurse and my mother we...
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As I walked down the corridor I noticed a man lying in a hospital bed with only a television, two dressers, and a single window looking out at nothing cluttering his room. Depression overwhelmed me as I stared at the man laying on his bed, wearing a hospital gown stained by failed attempts to feed himself and watching a television that was not on. The fragments of an existence of a life once active and full of conviction and youth, now laid immovable in a state of unconsciousness. He was unaffected by my presence and remained in his stupor, despondently watching the blank screen. The solitude I felt by merely observing the occupants of the home forced me to recognize the mentality of our culture, out with the old and in with the new.
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