For most contemporary readers, Niccolò Machiavelli is a name synonymous with deceit, cunning, and manipulation, a reputation which stems almost entirely from his authorship of one of the central works of modern political philosophy: The Prince. Given this image, it is incredibly ironic that the Italian word virtù and its derivatives appear no less than seventy-two times throughout the work. While the translator goes to great lengths to adapt this versatile word to the context of the situation, it is nevertheless clear that virtù is closely related to its English cognate virtue. This, along with the political nature of Machiavelli’s work, shapes the discourse about the nature of princedoms into one in which the author explores the more fundamental questions of how a prince should act. Ultimately, virtù comes to signify not only virtue in a traditional ethical sense but also skill, manliness, and strength of character, Roman virtues retooled and molded for modern statecraft and the challenges of Machiavelli’s Italy.
In order to better understand what the significance of virtù is in The Prince, it is important to look at where and how he uses the word in the work to describe people and their actions. Although virtù appears earlier, Chapter Six provides the first clear treatment of the term, discussing kingdoms acquired by armies or skill. The title itself contains the word, which the translator renders as “skill” for the first time (Machiavelli 18). Here the reader begins to get an indication of what virtù is and what it is not. In the opening paragraph, Machiavelli provides the portrait of how a prudent man will imitate greater men, and his belief that, in so doing, “if [this man] is not quite as skillful [virtù] as they, at least ...
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...f a nod at the difficulty the ruler encounters in administering a state because of the uncertainty of present circumstances. Both the former and the latter are involved in subtle arts, one of translation and the other of statecraft, and only by closely examining the context in which they find themselves are they able to fulfill their duties more skillfully. The many historical examples in The Prince try to demonstrate that there is no better guide to understanding the context of Italy’s condition during Machiavelli’s lifetime than knowing the past. The last chapter of The Prince is unequivocal with its message, as it shows in closing with Petrarch’s words from Italia mia. For Machiavelli, his nation is the direct inheritor of the Roman legacy, and that legacy, one which virtù is all-important, is one the Italians, and especially the Medicis, would do well to emulate.
Machiavelli’s, “The Prince” is the ideal book for individuals intending to both govern and maintain a strong nation. Filled with practical advice, he includes numerous religious references to support his claims. He devotes a chapter within the book to speak about the ancient founders of states. In the chapter called, “On new principalities that are acquired by one’s own arms and by virtue”, Machiavelli discussed the importance of a prince to have their own talent in governing a nation, rather than having relied on fortune to rule. The latter is a risk no leader should take and he cited past leaders as a guide for both the current and future princes.
Niccolò Machiavelli was a man who lived during the fourteen and fifteen hundreds in Florence, Italy, and spent part of his life imprisoned after the Medici princes returned to power. He believed that he should express his feelings on how a prince should be through writing and became the author of “The Qualities of a Prince.” In his essay, he discusses many points on how a prince should act based on military matters, reputation, giving back to the people, punishment, and keeping promises. When writing his essay, he follows his points with examples to back up his beliefs. In summary, Machiavelli’s “The Qualities of a Prince,” provides us with what actions and behaviors that a prince should have in order to maintain power and respect.
“Machiavelli wanted to return to his longtime dream and understanding of politics. One of his goals in writing The Prince was to win the favor of Lorenzo de’ Medici, then-governor of Florence and the person
After five hundred years, Niccolo Machiavelli the man has ceased to exist. In his place is merely an entity, one that is human, but also something that is far above one. The debate over his political ideologies and theories has elevated him to a mythical status summed up in one word: Machiavelli. His family name has evolved into an adjective in the English language in its various forms. Writers and pundit’s bandy about this new adjective in such ways as, “He is a Machiavelli,” “They are Machiavelli’s,” “This is suitable for a Machiavelli.” These phrases are almost always the words of a person that understands more about Niccolo’s reputation than the man himself. Forgotten is that Machiavelli is not an adequate example of the ruler he is credited with describing; a more accurate statement would be to call someone a “Borgia” or a “Valentino.” Most of the time they are grossly mistaken in their references. All these words accomplish is to add to the legend, and the misinterpretation, of the true nature of Niccolo Machiavelli.
Virtue manifests itself differently within Christine de Pizan’s novel The Book of the City of Ladies and Niccolo Machiavelli’s novels The Prince and The Discourses Letter to Vettori. Pizan describes virtue in a moralistic sense, one closer to Aristotle and Plato’s traditional view. On the contrary, Machiavelli has a warped sense of morality and his view of virtue is one without a moral tone; he argues that a prince must adapt himself to whichever situation he finds himself in. Despite their disagreement of the materialization of virtue, they both attribute it to powerful people. Glory is attained through establishing a good political community; it can be marked in preserving the rule, stability, freedom and military power. Although their expressions of virtue differ, their ideas are similar regarding the relationship between virtue and glory; virtue should indefinitely leads to glory.
The most astounding aspect of The Prince is Machiavelli’s view that princes may indeed, be cruel and dishonest if their ultimate aim is for the good of the state. It is not only acceptable but necessary to lie, to use torture, and to walk over other states and cities. Machiavellianism is defined as “A political doctrine of Machiavelli, which denies the relevance of morality in political affairs and holds that craft and deceit are justified in pursuing and maintaining political power (Def.)” This implies that in the conquest for power, the ends justify the means. This is the basis of Machiavellianism. The priority for the power holder is to keep the security of the state regardless of the morality of the means. He accepts that these things are in and of themselves morally wrong, but he points out that the consequences of failure, the ruin of states and the destruction of cities, can be far worse. Machiavelli strongly emphasizes that princes should not hesitate to use immoral methods to achieve power, if power is necessary for security and survival.
“The Prince”, by Niccolo Machiavelli, is a series of letters written to the current ruler of Italy, Lorenzo de’ Medici. These letters are a “how-to” guide on what to do and what not to do. He uses examples to further express his views on the subject. The main purpose was to inform the reader how to effectively rule and be an acceptable Prince. Any ruler who wishes to keep absolute control of his principality must use not only wisdom and skill, but cunning and cruelness through fear rather than love. Machiavelli writes this book as his summary of all the deeds of great men.
The Prince, written by Machiavelli is concerned with the issues politics, ruling a state and how a ruler or a leader should be. The key properties of a ruler are represented by Machiavelli in details and the inner and outer effects of the success in ruling are mentioned. One of the most important topics in The Prince is about the relationship of skillfulness (virtù) of the ruler and his good or bad chance (fortune) and their effects on gaining and keeping the power. Virtù, which has the present meaning of manliness, is used by Machiavelli as having skills, strength, intelligence and prudence of a ruler. It is the inner ability to gain the power and not to lose it easily. Fortuna, with the present use, fortune is explained as the word of God and the luck and opportunity that is given to the ruler. A ruler by fortune is dependent
Machiavelli discusses assertive and bold ideas in “The Prince,” revealing his radical and courageous nature. His treatise is deceptively self-soliciting, because he disguises his extreme notions behind a veil of feigned expertise. His frank approach makes him appear confident and deserving of the utmost respect; however, he cautiously humbles himself by pouring immense flattery for the ruling prince into his work and, in doing so, assures protection for himself and his notorious ideas.
The time of the Renaissance is one filled with growth of intellect, beauty of nature, the dignity of mankind, and the rising of artists. It is characterized from the move of scholasticism, a devotion specifically for the theological and philosophical teachings of the Church to humanism, a devotion to the humanities of rhetoric, arithmetic, and other subjects. One example of this movement can be seen in Machiavelli’s The Prince in which describes Niccolo Machiavelli’s ideal ruler and how to obtain stability, which was lacking as during the time of his writing this, there was a power shift from the Mediterranean to Northern Europe. How Machiavelli describes his ideal prince and his leadership is one that in which he is
The Prince by Niccolò Machiavelli isn't about one man's ways to feed his power hungry mindset through gluttony, nor is it just explaining altercations between a nation's states. This writing is regarding to how one's self-confidence can make them become powerful in a society and also, the way morals and politics differ and can be separate in a government. Originally, Machiavelli wrote The Prince to gain support from Lorenzo de' Medici, who during the era, was governor of Florence. As meant as writing for how a society should be run, this book has been read by many peoples around the world who want to have better knowledge of the perfect stability of beliefs and politics required to run a good civilization.
Machiavelli, Niccolò, and Robert Martin Adams. "Chapter 18." The Prince: A Revised Translation, Backgrounds, Interpretations, Marginalia. New York: Norton, 1992. 49. Print.
Machiavelli uses classical sources to advise a prince on the best way to maintain power. He alludes to Plato’ Republic to illustrate how many men have attempted to advice princes “ A great many men have imagined states and princedoms such as nobody ever saw or knew in the real word, and there’s such a difference between the way we really live and the way we ought to live that the man who neglects the real to study the ideal will learn how to accomplish his ruin, not his salvation.” Machiavelli also makes various references to classical figures to demonstrate examples of princely leadership. Machiavelli’s classical allusions are indicative of the Renaissance as the renewed study of the ancient classics was an important element of the Renaissance. Machiavelli adopted classical ideas in the hopes that these examples could inspire improvements within Italy. Rafael Major supports this idea in “ A New Argument for Morality: Machiavelli and the Ancients.” He argues, “ Even a cursory survey of classical literature reveals that very little of The Prince can properly be called original.” More also reflects the Renaissance through his classical allusions. He uses his classical sources to criticize certain practices within Europe, while also offering solutions to these problems through the example of the classics. For example, he also alludes to
To understand the writings of Niccolò Machiavelli, it is necessary to understand the world of Niccolò Machiavelli, Renaissance Italy. The region was not one nation as it is today, rather a collection of several city-states, which contained internal fighting between powerful families, fighting with each other. This era differed from the preceding middle ages in many respects, the pope's power was weakened, money controlled power instead of noble birth, and there was a revival of ancient Greek and Roman literature, architecture and art by a new breed of people, the humanists. These changes created the environment in which Machiavelli lived. He saw how the quarrelling was weakeni...
Having written The Prince in 1532, it is easy to identify Machiavelli’s views on human nature as bleak and largely immoral. From this identification, one is able to relate his political advice to the modern day; however, doing so will only result in the realization that they are largely incompatible. In this essay, three of Machiavelli’s main points will be challenged according to modern day standards of politics, morality, and ethics. His sentiments regarding neutrality, public opinion, and presence, all of which are cornerstones of his philosophy, will be analyzed, ultimately revealing, with little exception, the way they do not apply to the modern standards of leadership. Machiavelli lived during a period of great moral deficiency.