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Development of instruments in baroque
Physics of sound of violin
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In my physics research paper, I will be discussing the mechanics of the violin, but first some history. The oldest relative of the violin was a lira which was held standing up and had a bow to create sound. This was one of the first string instruments. As the Byzantine Empire expanded it brought it’s values and instruments with them and mixing the cultures of Europe with theirs. Over the next centuries, Europe developed two different types of fiddles that had originally branched off the lira. The most common was known to be more square-shaped and held in between the arms which were called the lira da braccio, which eventually evolved to the fiddle/violin. The other was more enlarged and was held between the thighs and was called the lira da gamba which more closely represented a cello. On the other side of the world, the evolution of the earliest examples of a bowed instrument and of a bow itself goes all the way back to the eleventh century, almost a century before the byzantine empire. And In recent discoveries the earliest “reference” to the fiddle was found in Ireland and was dated to the seventh century, and it was either bowed or plucked and had three to eight strings. This is highly significant because it shows that the precepts of violin originated from many different parts of the world.
At first the lira de braccio was not as popular and was overtaken by the lira de gamba. The lira de braccio(violin) was considered low status and was not given full attention until the Baroque period came. Composers and players like Vivaldi, Monteverdi, and J.S Bach developed elaborate concerts and operas including violins and thus the status of it grew. As time moved on, the lira de braccio (violin) began to evolve to be able to produ...
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...ing an octave above. The trick is that frequency determines the pitch of the note, the lower the frequency the lower the note. Frequency is the ratio of the speed of the wave to the length of the wave(f = v/λ), and in the violin’s case finding the frequency is used by this equation. This equation shows how the force, mass, and the length of the string relate to each other and how the violin string being held down at 2 ends by the bridge and the pegs create a transverse wave that would travel between the points. So when trying to create a harmonic or cause the wavelength to go faster creating a higher note, I can do one of the three things while keeping the others constant: increase the tension, increase the length of the string, or decrease the mass of the string. The (m/L) is also written with the Greek letter mu, and represents the linear density of the string.
Antonio Stradivari, the most famous violin-maker in all the human world, was a favorite of both the god of Delos, the fair Apollo, and of the trickster god, Hermes. His creations sang with the lilt of dance and with the song of birds; many of the Olympians would stop their affairs to listen for even a hint of Stradivari's sound. In short time, it came to be that both Apollo and Hermes would covet a violin from the luthier and both came down in their human forms one day to make their request of him.
Giuseppe Torelli, was an Italian violinist, teacher and composer, is considered one of the early developers of the Baroque concerto and concerto grosso. Torelli also composed a significant number of works for the trumpet during the Baroque period (1600-1750). Around 1690, one can begin to see the first works for the trumpet. He was familiar with the virtuoso trumpeter, Giovanni Pellegrino Brandi. Brandi would sometimes play with the San Petronio orchestra, of which Torelli was violin player. This acquaintance could explain Torelli’s awareness of the trumpet’s timbre, dynamic range, and expressive capabilities.
Next we come to a point in time where a great leap had to be made. Musicians had made positive steps forward in the way of pitch and time but of only one or two notes at a time. What was needed was an in instrument that gave players control of many pitches simultaneously. The mechanism ...
Antonio Stradivari, a man known by many as on of the greatest luthiers of all time. The question at hand is why? From as early as the early 1700’s Stradivari was well known in the music world and still is. His instruments are reproduced in order to fool consumers into buying an instrument that has the same design as a Strad. There are also luthiers that try to replicate Stradivari’s beautiful design for their own satisfaction. Antonio Stradivari’s instruments have become socially and technically popular over time due to his superior craftsmanship, and for others, its large price tag. Stradivari’s life, affecting how his instruments were made, changed the perception of his instruments technically and socially.
Mendelssohn’s Violin Concerto in E Minor is a staple in professional violin literature. The music starts out with the solo violin playing the main theme. It is noted that before Mendelssohn officia...
In the 1920s there was a growing interest in country music, and bluegrass was one of the genres in hillbilly music that caught the attention all over the country. Known for the unique guitar sound, religious and gentle ballads, and mountain singing practices, the Carter Family is considered to be one of the great representatives of the bluegrass music in the Appalachian region. Loved by the audience all over the country, they established a “standard” sound that people would expect from bluegrass music. Taking a deeper look into the genre, almost all of the bluegrass groups are formed by solely white people. Why there were no traces of other races in the region being involved in the music? As the listener could imagine on the good old days and pretty scenery depicted in the bluegrass ballads, very little details on the lives of the people living in the present were heard from the songs. Bluegrass music is not a genre that provides listeners a genuine image of the musical and social landscape of the Appalachian region, but the commercialized music genre that is created by the white Appalachian residents for the whites in the whole United State America using newly-developed broadcast and commercial recording technology.
Music has shaped the lives of people throughout history. Even in its earliest forms, music has included use of instruments. One of the oldest musical instruments known is a variation of the flute; the original flute is thought to date back nearly 67,000 years ago. Tonight we are going to move throughout the eras with a history of instrumental music. This concert will begin with the Renaissance Era and continue through time until we have reached modern instrumental music.
The Bluegrass is a unique region. Not only because of the history of the region, but the culture, the land, the vegetation, and the animals are what makes this place unique. When you hear the term “Bluegrass” you would think that the grass would be blue, however that is not the case. The Bluegrass is actually all green, the reason why it is called the Bluegrass is that when the grass grows out long enough, you would be able to see a blue tent in it(Bluegrass). Even though a lot of people do not see that tent of blue because people mow their lawns and it is hard to tell, that is why Kentucky is nicknamed “The Bluegrass State”. The Bluegrass Region is a very attractive place to go to because of the landscape and the attractions the place has.
From the Early Renaissance to the High Renaissance, there was a movement from vocal music to a combination of vocal and instrumental music (Brown, 1976). There are seven categories of instrumental music: 1) vocal music played by instruments, 2) settings of pre-existing melodies, 3) variation sets, 4) ricercars, fantasias, and canzonas, 5) preludes, preambles, and toccatas for solo instruments, 6) dance music, and 7) songs composed specifically for lute and solo voice (Brown, 1976). Italy dominated the stage for instrumental music at this time, and it was not until the last decades of the sixteenth century that English instrumental music became popular (Brow...
...ike today. The period between the baroque and renaissance paved a new way for not only music, but for art. The change that took place was gorgeous causing art to become so vivid and images are portrayed to be so real. I never was a fan of art nor music, but if one actually pays attention to the evolvement of it throughout time one would have great appreciation.
Do you ever have one of those days when you remember your parents taking away all of your baseball cards or all of your comic books because you got a bad grade in one of your classes? You feel a little depressed and your priced possession has been stolen. This event is the same as August Wilson’s, The Piano Lesson. The story is about a sibling rivalry, Boy Willie Charles against Berniece Charles, regarding an antique, family inherited piano. Boy Willie wants to sell the piano in order to buy the same Mississippi land that his family had worked as slaves. However, Berniece, who has the piano, declines Boy Willie’s request to sell the piano because it is a reminder of the history that is their family heritage. She believes that the piano is more consequential than “hard cash” Boy Willie wants. Based on this idea, one might consider that Berniece is more ethical than Boy Willie.
When approaching a performance, accomplished musicians often consider the historical context from which a piece originates. They most often think of such considerations in the application of that context as it pertains to early music that is, the Baroque era or earlier. For any era, such historical considerations are called performance practice, and may include the use of vibrato, ornamentation, dynamic levels, tempi, instrumental timbres, performance setting, and balance. Vibrato and ornamentation are two important areas of consideration that vocalists must explore when aiming to give an authentically Baroque performance.
The vibration of the strings of a guitar causes the sound wave, but is not actually what you are hearing. The amplification of the sound wave is what is actually heard. The differences in the tension of the stings and the mass of the strings affect the pitch of the sound produced. The ends of each string are nodes, or where the wave does not travel from its initial position. The note you hear from the string is actually the first harmonic of the wave; other harmonics created when plucking a string form the undertones and overtones of a note. The waves on a guitar string are transverse waves, meaning they travel perpendicular to the original position. The waves are also standing waves, because they remain in the same position.
The Symphony No. 6 in F major, Op. 68 was composed by Beethoven and was completed in
Ballet is a popular dance form that originated in the 1500s around the time of the renaissance. It consists of many different forms that have evolved over the years. Some examples of these forms include French Ballet, Vaganova (Russian Ballet), Cecchetti (Italian Ballet), and Balanchine. Ballet forms and variations originated mainly from Italy, Russia, and France. However, today, many different forms of Ballet exist. Despite the many different variations, all Ballet has certain things in common. It is an effective form of exercise, requires special equipment, contains many set principles, and can result in specific injuries.