Violence In Rap Music

Hip hop culture and its creation of rap music has been stereotypically deemed as mere violent depictions as portrayed by its black artists, and is prejudicially more criticized than white genres that also perpetuate violent language within its lyrics. They are subsequently blamed for the massive rates of homicides within the black community, as blackness is given a dangerous face and linked to criminality, as if innately part of a violent culture. However, violence must be defined through the physical utilization of certain words and actions, along with social manipulations of power and hierarchy to confirm one’s own identity (Hernandéz, Weinstein & Munoz-Laboy, 2012, pg. 595). Rap music was created in the 1970s and originated in the South

This violent theme continues to be prevalent within rap music because just recently have white capitalists overtaken ownership of many of these artist’s recording labels, thus selfishly dictating how the music must be portrayed in order to produce revenue. Within this rhythmic poetry, artists will assume hyper-masculine roles in demands of a respected reputation and an attempt to disrupt peace solidified and enjoyed by the racially privileged. This only reinforces and attempts to justify institutional interventions, such as racial policing, police brutality, and high incarceration rates, in which Rebollo Gil and Moras refer to as “hip hop in crisis” (2012, pg. 120). Today, rap music continues these same narratives, while other musical genres, such as heavy metal group, Metallica, have also became more active in describing violence through song lyrics, although they experience far less criticism and branding from audiences when doing so. There is an assumed exception among white critics and white artists themselves who deem their expression of violence as more appropriate than rap’s, simply because they lack imposing stigmas attached to their race and

Although this original face of rap music was murdered at the young age of 25, Tupac’s expressions of dreams for black social justice, along with his declaration of “thuglife,” have contributed to his beloved legacy by hip culture, even 19 years after his death. He was considered a figure of empowerment for urbanized communities because of his support in black nationalism that aims to “define, defend, and develop of Blacks as a people,” especially because he grew up in the impoverished intercity (Stanford, 2011, pg. 4). In “Violent” he raps,

“Jacked by the police, didn 't have my ID

I said, "Excuse me, why you tryin ' to rob me?"

He had tha nerve to, say that I had a curfew

(Do you know what time it is?

Get out the fucking car, or I 'll hurt