Bonnie and Clyde, directed by Arthur Penn in 1967, was a film about two lovers who robbed banks at the start of the Great Depression. It was filmed in America while the Vietnam War was constantly being broadcasted on television sets, and the “Summer of Love” was taking place in San Francisco and other major cities across the country. The Vietnam War was said to be the first American war to enter the peoples living rooms due to rise in popularity of television. America was already growing more and more violent in general but now it was beginning to take on an unreal quality, especially from the media perspective. In regards to the final scene, Penn said that it was influenced by media reports about Vietnam: “it seemed to me that if were …show more content…
Bonnie is seen moving about her room naked, notices Clyde out front and rushes downstairs before she’s fully clothed to meet a man she’s never seen before. The sexual attraction between them is obvious. In the next scene where Bonnie and Clyde are standing next to one another drinking bottles of Coke is loaded with sexual themes. For example the Coke bottles can be viewed as phallic objects that the two characters are fiddling with and teasing one another’s sexual curiosity. Another example from this scene is when Bonnie seems to become disinterested for a moment stating that Clyde is a “faker” and has never actually robbed a bank. Clyde realizes he is being challenged and proceeds to show her his gun; which is a direct representation of his phallus. The sexual tension increases and is shown to the audience through Bonnie’s shocked reaction at the sight of the gun and then when she proceeds to tenderly touch the gun. Immediately after the gun touching shot, both characters faces emote euphoria. The scene then rapidly becomes violent when Clyde proceeds to rob the grocery store to prove he knows how to use the gun. These drawn out sexual themes could be referring to “free love” which was a big component of the “Summer of Love”. Also, going along with the violence of the scene prior, Penn subtlely slips in an anti bank theme while Clyde is teaching Bonnie how to shoot a gun on the farm. When the farmer and his family who used to live on the farm approaches the two of them they each take turns firing shots into the bank foreclosure sign posted in front of the farm
Bang! Pow! Bullets are raining down on the infamous Bonnie and Clyde. It is a standoff with the local police department. Bonnie and Clyde are in trouble again; robbing a liquor store of their cigarettes and their liquor. It seems as if Bonnie and Clyde were the greatest pair of criminals in history.
Her dream about the doe after shooting it shows her remorse and brings more symbolism to the story. The dream shows Andy’s curiosity as she examines the doe and the gunshot wound. As Andy touches the doe’s heart, “The heart quickened under her touch, becoming warmer and warmer until it was hot enough to burn. In pain, Andy tried to remove her hand, but the wound closed about it and held her fast” (Kaplan 479). She felt trapped, this is representative of her guilt (Q&A). The dream continues, “She cried in agony… her hand pulled free, following a stream of blood “(Kaplan479). The pain followed by the presence of blood is representative of uncomfortable changes of growing up and the consequences that come along with
Clyde Barrow and Bonnie Parker burst upon the American Southwest in the Great Depression year of 1932. At the time of Clyde’s first involvement with a murder, people paid little attention to the event. He was just another violent hoodlum in a nation with a growing list of brutal criminals, which included Al Capone, John Dillenger, Pretty Boy Floyd, and the Barker Gang. Not until Bonnie and Clyde joined forces did the public become intrigued. The phrase “Bonnie and Clyde'; took on an electrifying and exotic meaning that has abated little in the past sixty years.
Violence seems to be quite a common topic in black American literature of the first decades of the 20th century. One major reason for this is probably that it was important for black authors not to be quiet about the injustices being done to them. The violence described in the texts is not only of the physical kind, but also psychological: the constant harassment and terrorising. The ever-present violence had such an effect on the black that they just could not fight back to stop the injustices.
Although many people defend the Old West saying that it was not very violent, the Old West was indeed very dangerous. The Old West was not as violent as Egypt is today but it still was drastically hostile to both the Americans and the Native Americans. How might you depict the Old West?
On the way to New York, Harry tells Sally some things about men she doesn't know and is reluctant to believe. One thing he tells her is "men and women can't be friends because sex gets in the way." This only increases the tension between them. By the time they reach New York, Sally doesn't appear too happy with him. She seems angry with him, but anger is sometimes used to cover other feeling. This is also a classic feeling in the genre.
"Bonnie and Clyde (Page 3)." About.com 20th Century History. N.p., n.d. Web. 02 Dec. 2013.
Women are abused daily and sometimes, it gets so severe that they feel the only way to get out is to kill their abusers. In the past abuse was barely acknowledged. It was always kept in the home and not taken as seriously as today. It was not until the 1970’s that people started to realize what was going on behind closed doors. The pain and torture that these women endure, it’s no wonder that they may resort to such extreme measures. When women do come fourth, many times horrible things end up happening. If bruises and wounds aren’t bad enough, sometimes they are ignored. Unfortunately, it’s not taken very serious much of the time. Unless, the situation is severe, and even then sometimes, it’s still not enough to get the attention they so desperately need.
Rebellion is a common topic in movies because it draws in audiences with its bad boys and bad attitudes. Two of the greatest rebellion movies of all time are Rebel Without a Cause, starring James Dean, and Bonnie and Clyde, starring Warren Beatty and Faye Dunaway. The opening scene in Rebel Without a Cause shows a drunken teenage boy lying in the street, giggling, while he plays with a toy. The directors of these two films show rebellion using the same elements: themes, characters, and memorable scenes.
The films protagonists Kit Caruthers (Martin Sheen) and Holly (Sissy Spacek) are loosely based on the real life adolescent criminals Charles Starkweather and his girlfriend Caril Ann Fugate. Starkweather and Fugate become infamous after their murder spree through Nebraska and Wyoming in the 1950’s, however the story of two young fugitives in love is not one that is unfamiliar with audiences; the most notable is Arthur Penn’s Bonnie and Clyde (1967). The character of Kit also bears a resemblance to Jim Stark, James Dean’s character i...
Historically, legal and social traditions in the United States have permitted and supported the abuse of women and children by the male head of household. This historical phenomenon helps explain why women are the primary victims of domestic violence. In this country, civil rights and legal responsibilities were first granted to free, property-owning men. Wives, children, and slaves were considered "chattel" or personal property of male citizens who were held responsible for their public behavior.
Many of us have seen a Disney movie when we were younger. Disney movies captured our attention with their good morals and successful conclusions of finding their true love. The animations and music transform us into a land of magic where anything is possible if we just believe. Disney movies wrapped us in the idea that good always triumphs evil, that happy ever after exists. We have become the generation of Beauty and the Beast, 101 Dalmatians, Dumbo and Snow White as children now have not heard of these or have watched them. Some of these movies have been recreated and released in high definition and on DVDs in the past few years, but the structure and themes of the movies stays the same. However, we never stop and think about the undertones in Disney movies. They contain abuse, violence, dysfunctional relationships, and gender stereotypes, which is not appropriate for children. They may not understand what abuse, violence, dysfunctional relationships, alcohol or gender stereotypes are at their ages but do we want them to think that it’s normal. When we think that little girls watch these movies where the female characters are controlled by man or need a man to watch over them, they are not creating good role models for them. Would we not want them to have a better understanding that women do not have to have a prince charming to be happy, women can be independent and have careers and yes find love but not give everything up so their prince charming has the control.
Next,Tennessee williams introduces the theme of violence to the reader in his play A Streetcar named desire between relationships with the characters Stanley,Stella,Blanche, and all the men Blanche discovers throughout the play. The role of domestic violence really hits a peak in the play because most of the violence takes place in a home between partners and spouses. Rape and Suicide are also forms of violence in the play. For example, Blanche a southern belle from Laurel,Mississippi is affected by violence more than any character in the play.She is affected when her late husband shoots himself after Blanche confronts him with his sexuality. “It was because-- on the dance floor -- unable to stop myself-- i suddenly said-- “i saw!” “I know!”
Another powerful scene that is in within relation to this concept, is the scene where we see Clint in a secondhand gun store, and himself and fellow white men experimenting with the use of holding the firearm weapons. Marx then highlights important quotes from the film that can assist in elaborating the point of Clint in pursuit of finding love. Lines read as follows, ‘A gun is like a marriage. I’ve had many guns and many marriages.’ This equation is in keeping with the metaphorization of the gun as woman practised by the army in training its young soldiers.’
The Genetics of Violence Introduction We, in the 1990’s, are slowly and inevitably being faced with the sociological and biological implications of impending genetic power. This power is analytical, in such cases as the Human Genome Project, which will hopefully succeed in mapping out the genetic code for the entire human genetic composition. Moreover, this power is preventative and participatory in that it can be, and is being, used to control the behavior of humans and other animals. This new power, in the eyes of many, is as risky and potentially hazardous as atomic energy: it must be treated carefully, used under close supervision, performed under professional consent and observation, otherwise, people will begin to see this new genetic power as a dangerous drawback, rather than an advancement of human culture. One of the most highly contested and objectionable topics of genetic power is the analysis of crime, violence, and impulsivity.