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Human nature in Frankenstein
Frankenstein's critique of human nature
Human nature in Frankenstein
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While Mary Shelley’s Frankenstein revolves around the quest for revealing new forms of knowledge and discovering innovative technology, another significant part of the book is the character's journey in trying to fulfill their innate desire for companionship. The novel features a crazed scientist named Victor Frankenstein who creates a living being from various dead human corpses in an attempt to become a god-like figure. Frankenstein’s creation presented a moral commitment of responsibility that a creator has over its creation. Frankenstein’s ignorance towards his responsibility as a creator left the disfigured creature alone to be ravaged by the evilness of humanity. The life of suffering that the creature faced due to his lack of emotional …show more content…
fulfillment spawned the monster’s wish for Victor to create a second creation for him. By looking at the power dynamic expressed through the use of language between Frankenstein and the monster, in his desperate plea for help, we can see the different advantages a creator has over its creation which is important because it demonstrates the constantly shifting role of power in a dynamic. Victor Frankenstein’s creation uses lots of submissive language in order to establish the dominance Frankenstein has over him.
The monster acknowledges the power Victor has over him and the responsibility he has failed to tend to in the line: “I ought to be thy Adam, but I am rather the fallen angel, whom thou drives from joy for no misdeed.” (Shelley, 103). In this line, we see the responsibility Victor has failed to establish between him and his creature; instead displaying fear and disgust. This line is a reference to Paradise Lost by John Milton, a book about Adam and Eve and how they came to be created along with how they came to lose their place in the Garden of Eden, also called Paradise. When Frankenstein’s creature says “I ought to be thy Adam” he is referring to Victor as his God, and to himself as a ‘would-be Adam’ who ought to be cared for as God cared for Adam. However, being a disfigured creature, composed of human corpses bonded with life, almost satanic, he is more similar to the “ the fallen angel”. This reference to Paradise Lost shows the creature’s attempt to make Victor have empathy for his miserable state by distinguishing the sense of power Victor has over him as his creator. Although the monster acknowledges his inferiority to Victor he also displays the power he obtains as a living being and
creation. This shift in power dynamic is evident in the creature’s use of proper old English and his reference to his physical superiority over Victor Frankenstein. The creature presents the physical dominance and power he has over Victor in the line: “Remember, thou hast made me more powerful than thyself;” (Shelley, 103). In this line, the creature demonstrates the power Victor has unknowingly given him through his physical appearance and anatomy. This is important because it shows that Victor Frankenstein's need for power caused his ignorance towards the influence his creature would obtain as a living being. Along with Victor’s ignorance, the creature displays his superiority through his use of language. His repetitions of the word “thee” and “thy” show the different style of speaking he has versus Victor. His use of proper Old English creates a sense of superiority over Victor. The shift in the dynamic between Victor and his creature displays the power that a creation has over its creator exhibiting the imbalance of power in a dynamic. The power dynamic between Victor and the monster switches throughout the book and throughout this passage we see the unevenness of their dynamic. The power and responsibility Victor has over his creature is matched with his ignorance of it along with the psychical and speaking superiority the creature obtains. In this creature’s desperate plea for help, we can see the different advantages a creator has over its creation. This dynamic is seen throughout the book and displays how the dynamic between a creator and it’s creation is constantly shifting without a permanent role of power.
Victor Frankenstein, protagonist of the novel Frankenstein, allegorizes his quest from being an over dedicated scientist to a desolate man, stranded in the Arctic ice, with the obligation to stress the importance of leading a balance and moderate lifestyle—“I cannot describe to you the agony that these reflections inflicted upon me: I tried to dispel them, but sorrow only increased with knowledge. Oh, that I had forever remained in my native wood, nor known nor felt beyond the sensations of hunger, thirst, and heat!” (Shelley 102). On condition that this might help him redeem his sins, Frankenstein takes it upon himself to avenge the death of his beloved ones. Similarly, the Creature, mostly driven by feelings of rejection and abandonment, is also engulfed in sorrow and thus plans to relieve some of it by “returning the favor”.
Victor's gradual descent towards the dark side of the human psyche is clearly portrayed through Shelley's writing. As stated in previous discussions, Victor's original motivation in pursuing a career in the science field was purely out of love for the world of science and a true passion for acquiring knowledge. However, as the novel continues, we witness his motives go from authentic to impure. As such, we delve into the dark side. His pursuit of knowledge and his creation of the monster are all on the purer or perhaps lighter side of the psyche. It isn't until he abandons him that we begin to see him cross over. His choices to abandon the creature, to let someone else to die for its crimes, to create it a companion only to kill her, to allow the ones he loved to die at its hand, and to still refuse to claim it in the end are all acts
Human companionship is one of the most basic needs of humans that can be seen in the Creation story. It is tricky for any human to find the perfect companion especially if one is one of a kind. In Mary Shelly’s Frankenstein two characters exemplify this need. Dr. Victor Frankenstein and The Creature are in search of companionship, and they will go to great lengths to achieve it.
Although humans have the tendency to set idealistic goals to better future generations, often the results can prove disastrous, even deadly. The tale of Frankenstein, by Mary Shelley, focuses on the outcome of one man's idealistic motives and desires of dabbling with nature, which result in the creation of horrific creature. Victor Frankenstein was not doomed to failure from his initial desire to overstep the natural bounds of human knowledge. Rather, it was his poor parenting of his progeny that lead to his creation's thirst for the vindication of his unjust life. In his idealism, Victor is blinded, and so the creation accuses him for delivering him into a world where he could not ever be entirely received by the people who inhabit it. Not only failing to foresee his faulty idealism, nearing the end of the tale, he embarks upon a final journey, consciously choosing to pursue his creation in vengeance, while admitting he himself that it may result in his own doom. The creation of an unloved being and the quest for the elixir of life holds Victor Frankenstein more accountable for his own death than the creation himself.
Mary Shelley’s novel, Frankenstein, illustrates the Romantic idea of the sublime naturalworld as an emotional experience for the characters of the novel. Within the text, Shelleyutilizes an allusion to the John Milton’s biblical story, Paradise Lost, to make a parallel betweenthe characters. Within the passage, the monster compares himself, as well as his creator, Victor,to the characters Adam and Satan. He comes to realize that he is more similar to Satan;ultimately, leading him to his reign of terror and the revenge he wishes to impose on Victor. Themonster realizes that he is similar to Adam in Paradise Lost in that they both do not want to bealone. The monster also realizes that there is good in the world that is deeply contrasted with
Throughout Mary Shelley’s classic novel Frankenstein, Victor Frankenstein pursues, with a passion lacking in other aspects of his life, his individual quest for knowledge and glory. He accepts the friendships and affections given him without reciprocating. The "creature," on the other hand, seems willing to return affections, bringing wood and clearing snow for the DeLaceys and desiring the love of others, but is unable to form human attachments. Neither the creature nor Victor fully understands the complex relationships between people and the expectations and responsibilities that accompany any relationship. The two "monsters" in this book, Victor Frankenstein and his creation, are the only characters without strong family ties; the creature because Frankenstein runs from him, and Victor because he runs from his family.
Human companionship is one of the most basic needs of humans that can be seen in the Creation story. It is tricky for any human to find the perfect companion especially if one is one of a kind. In Mary Shelly’s Frankenstein two characters exemplify this need Dr. Victor Frankenstein and The Creature are in search of the same thing a companionship. Acording to Victor in chapter two of the book he said This shows that Victor Frankenstein came from a well rounded family that was always there for him . SO he grew up with a lot of positive relationships with his family. However as he grow in to a adult victor has very few relationship. Only really with Elizabeth and the
“Frankenstein” by Mary Shelly explores the concept of the body, life, ‘the self’ and most of importantly humanity, which is repeatedly questioned throughout the novel. The definition of humanity is the quality of being humane or in other words someone that can feel or possess compassion. Despite all the facts against the “monster” in “Frankenstein” he is indeed what one would consider being human. Humanity isn’t just about ones physical appearance but also includes intellect and emotion. Some people argue that the “monster” is not a human for he was not a creature that was born from “God” or from a human body. That being said, the “monster” is not only able to speak different languages, he can also show empathy - one of many distinct traits that set humans apart from the animals. Both the “monster” and his creator, Victor, hold anger and feel a sense of suffering throughout the novel. Victor is a good person with good intentions just like most individuals, but makes the mistake of getting swept up into his passion of science and without thinking of the consequences he creates a “monster”. After completing his science project, he attempts to move forward with his life, however his past – i.e., the “monster” continues to follow and someone haunt him. While one shouldn’t fault or place blame on Frankenstein for his mistakes, you also can’t help but feel somewhat sympathetic for the creature. Frankenstein just wants to feel accepted and loved, he can’t help the way he treats people for he’s only mimicking how people have treated him, which in most cases solely based on his appearance. Unlike most of the monsters we are exposed to in films past and present, the character of the “monster” ...
Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment. Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise.
Victor plays the role of God and creates his “Adam” but unlike the Adam from the bible, the creature is not designed in a perfect image or guarded by the care of his creator. The creature compares himself to Satan when he says “I considered Satan as the fitter emblem of my condition; …like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (228). The creature was forsaken his first days of living and learned about the society of humans through observation and reading. God introduced Adam to the world with everything provided and guided him his early days of life. He saw Adams loneliness and granted him a mate. The creature asks Frankenstein for a companion as a last chance to become happy and good hearted. Victor destroys his hope and brings more tragedy among him by doing so. God creates all things good, Victor took his Job as a creator and his creation became malignant because unlike God he was ashamed of his creation. From that point on the creatures’ heart becomes cold and makes sure to destroy his creator. When Victor dies the creature repents for the damage that he has done and would live with continuing pain till his death. “…My agony was still superior to thine; for the bitter sting of remorse will not cease to rankle in my wounds until death shall close them forever” (380).
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
Mary Wollstonecraft Shelley’s Frankenstein (sometimes also known as The Modern Prometheus) is the classic gothic novel of her time. In this eerie tale, Dr. Victor Frankenstein – suffering from quite an extreme superiority complex – brings to life a creature made from body parts of deceased individuals from nearby cemeteries. Rather than to embrace the Creature as his own, Frankenstein alienates him because of his unpleasant appearance. Throughout the novel, the Creature is ostracized not only by Frankenstein but by society as a whole. Initially a kind and gentle being, the Creature becomes violent and eventually seeks revenge for his creator’s betrayal. Rather than to merely focus on the exclusion of the Creature from society, Shelley depicts the progression of Dr. Frankenstein’s seclusion from other humans as well, until he and the Creature ultimately become equals – alone in the world with no one to love, and no one to love them back. Frankenstein serves as more than simply a legendary tale of horror, but also as a representation of how isolation and prejudice can result in the demise of the individual.
Mary Shelley’s gothic novel Frankenstein is a novel narrated by Robert Walton about Victor Frankenstein and the Monster that he creates. Frankenstein grew up surrounding himself with what he loved most, science. He attended Ingolstadt University where he studied chemistry and natural philosophy, but being involved in academics was not enough for him. Frankenstein wanted to discover things, but did not think about the potential outcomes that could come with this decision. Frankenstein was astonished by the human frame and all living creatures, so he built the Monster out of various human and animal parts (Shelley, 52). At the time Frankenstein thought this creation was a great discovery, but as time went on the Monster turned out to be terrifying to anyone he came in contact with. So, taking his anger out on Frankenstein, the Monster causes chaos in a lot of people’s lives and the continuing battle goes on between the Monster and Frankenstein. Throughout this novel, it is hard to perceive who is pursuing whom as well as who ends up worse off until the book comes to a close.
Friendship is one of the most common human desires found all over the world in every different type of people. In Mary Shelley's Frankenstein, this deep-seeded need is explored, especially as it manifests itself in the hearts of three great men. Captain Walden writes to his sister about the loneliness that he is experiencing on his journey at the very start of the book. Then, as the story progresses, a similar want can be found in Victor despite his tightly woven relationship with Henry Clerval. The Creature is constantly denied his lust for companionship demonstrates the horrible consequences of incessant loneliness. His amiable nature combined with his grotesque appearance proves to be a horrific collaboration that serves only in gaining rejection as he is shunned, quite irrationally, over and over again by all living beings. The Creature's suffering could only be abandoned if he were able to encounter an unprejudiced and completely tolerant friend. Shelley masterfully conveys the importance of a kindred spirit and the overall necessity of loyalty between people.