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Frankenstein's impact on pop culture
Frankenstein literary commentary
Lit analysis of Frankenstein
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On November 3rd, 2017, I saw a performance of Frankenstein at the Ransburg Auditorium. Before attending this play, I was already quite familiar with the story of Frankenstein, having read the novel in my high school English class. Going in, I had my doubts about this adaptation of Frankenstein. I was worried this play would focus on the mad scientist bit of the story and not tell the more complex and often overlooked story of a confused and misunderstood “monster”. But, unlike most retellings of Frankenstein, this one stayed true to the source material. In Austin Tichenor’s adaptation of Frankenstein, we are introduced to Victor Frankenstein (Clayton Rardon), a highly intelligent yet deeply disturbed scientist. When he is unable to do anything …show more content…
Initially, Henry is disturbed by his friend’s creation, declaring it an abomination. Victor argues that the creature will provide valuable insight into what it means to be human. Victor then convinces Henry to help him teach the creature how to conduct himself in a socially acceptable manner.
At first, the two are successful in teaching the creature a few words. Unfortunately, this is when things start to take a dark turn. When the creature injures himself, he lashes out at Victor and Henry. Since the creature is basically a full-grown man with the mind of a small child, the pair of them understandably have a difficult time getting the creature under control.
After the episode, Victor is no longer willing to step up as a father figure. He then decides that he must put the creature down before anybody else is hurt. When Victor attempts to end the creature’s life, the creature escapes into the night. The creature eventually finds himself in the home of an elderly, blind woman (Mary Schreier) who teaches him how to
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Unfortunately, Victor is unable to save Justine, Elizabeth, or even Henry by the end of the play; the creature kills all of them either directly or indirectly.
The play ends as it begins with Victor telling his tale to Captain Robert Walton (Dakota Jones). The captain is obviously rattled by the story and pleads with Victor to go back with him and his crew. Victor refuses and insists that he must find the creature and kill him in order to avenge is loved ones and put an end to his murder spree once and for all. Victor eventually happens upon the creature in the Artic, but things do not go according to plan. In the end, Victor is slain by his creature, and the creature remarks that he has never been lonelier. Overall, I really enjoyed this play. I though the acting was superb. I especially thought that Clayton, Marcus, Katie, and Zech gave fantastic performances. Clayton played Victor Frankenstein perfectly. In the book and in this adaptation, Frankenstein is so much more than the contrived mad scientist that has been prevalent in popular culture. Though Victor does suffer from an initial obsession with death, he is not as unhinged as he is often portrayed in television and in movies. Victor is a complex character, and Clayton shows
Victor animated the creature from dead body parts, effecting his creature’s appearance when he came alive. He couldn’t even look at his creation, and thought that it was malodorous, without thinking how unwanted and helpless the creature feels. With little hope for the creature because of his unappealing appearance, Victor does not bothering to wait and see if he has a good interior or not. As a result of Victor not taking responsibility, the monster decides to take revenge. The monster is repeatedly denied love and deals with the loneliness the only way that he can, revenge, killing Victor’s loved ones making him lonely just like
...e all the evil things they have done. When he goes to Victor's coffin, the creature does the opposite of what a evil being would do. He grieves over Victor despite all the horrible things the creature has done to Victor. The creature even feels guilt over the innocent people he has killed and the torment he put his creator through. Despite Victor's actions leading the creature to commit evil deeds, the creature finds in himself to feel regret in the end.
Living in 18th century Germany, Victor Frankenstein, driven by his love for science and fascination for nature, lived as a highly esteemed chemist. However, as this passion began to dominate his life, Frankenstein began his work on creating a living man from scratch, and would not rest until it was complete. In her novel “Frankenstein”, Mary Shelley uses character development of Frankenstein and the Creature as well as juxtaposition between the lives that both characters lead to show that, although they are seemingly quite different, they are strangely alike.
After killing his younger brother, Elizabeth , and his best friend, Victor after having no family left wanted to put an end to it all so he ended up chasing his creation and dying before catching it. After bringing the creature into this world and leaving it behind to fend for itself the creature endured lots of agony and pain from society which drove its rage to Victor and his family and he ended up kill this younger brother and soon to be wife. Both were isolated from society, Victor brought isolation upon himself through locking himself up to create the creature and ignoring everything around him as stated in the article, “The summer months passed while I was thus engaged, heart and soul, in one pursuit. It was a most beautiful season; never did the fields bestow a more plentiful harvest, or the vines yield a more luxuriant vintage: but my eyes were insensible to the charms of nature. And the same feelings which made me neglect the scenes around me caused me also to forget those friends who were so many miles absent, and whom I had not seen for so long a time. I knew my silence disquieted them; and I well-remembered the words of my father: "I know that while you are pleased with yourself, you will think of us with affection, and we shall hear regularly from you. You must pardon me if I regard any interruption in your correspondence as a proof that your other duties are equally neglected.” As
His ambitions are what isolate him and bring to life a creature whose suffering was unfairly conveyed into his life. The creature is isolated from everyone, including his creator. He had no choice, unlike Victor. Finally, as the story starts to change, the creature begins to take control of the situation. It is now Victor being isolated by the creature as a form of revenge.
The Creature, after learning what it is to love, requests that Victor creates a companion for him. Victor rejects the creature’s proposition, as Victor now understands the consequences of animating what shouldn't be alive, the Creature wants nothing more than for Victor to suffer, to feel the pain that he, as a wretch, faces. The Creature does so by devoting his life to the destruction of Victor’s. In chapter 24, the Creature states “But it is even so; the fallen angel becomes the malignant devil.” The creature is viewed as entirely evil by the characters of the novel, despite the scenes in which his benevolent nature is shown. It is ironic that Victor and his creature are foils of one another, yet they suffer a similar fate: their desire to destroy one another led to their ultimate
Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment. Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise.
Although “Frankenstein” is the story of Victor and his monster, Walton is the most reliable narrator throughout the novel. However, like most narrator’s, even his retelling of Victor’s story is skewed by prejudice and favoritism of the scientist’s point of view. Yet this could be attributed to the only view points he ever gets to truly hear are from Victor himself and not the monster that he only gets to meet after he comes to mourn his fallen master.
Victor, out of horror of what he had created leaves the monster in isolation. The monster describes what it was like, “It was dark when I awoke; I felt cold also, and half frightened, as it were instinctively, finding myself so desolate… I was a poor, helpless, miserable wretch; I knew, and could distinguish, nothing; but feeling pain invade me on all sides, I sat down and wept,” (Shelley 87). At this point the monster is just an innocent child, who in his first hours has faced abandonment and such strong emotions. However, he is pure, like most babies. While he looks like a monstrosity he shows himself to be anything but. His first encounters with humans are all very negative. A man runs away screaming just at the sight of him. Villagers pelted him with rocks and chased him away. This makes him very fearful of humans. However, when he comes across the De Lacey family in their little cottage he sees how peaceful they are and he regains some hope. “What chiefly struck me was the gentle manners of these people; and I longed to join them, but dared not. I remembered too well the treatment I had suffered the night before from the barbarous villagers, and resolved, whatever course of conduct I might hereafter think it right to pursue, that for the present I would remain quietly in my hovel, watching, and endeavoring to discover the motives which influenced their actions,” (Shelley 93). He is curious little
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
The next morning, Victor woke up to the creature standing over him. Victor jumped out of his bed and ran out of the room, completely frightened. Victor’s original thought was that his own creation was trying to kill him in his sleep. Victor peered around the corner to see what the creature was doing. He saw the creature sitting on his bed looking confused and upset. He walked over to the creature, and the creature in a broken sentence asked for water and food. Victor felt foolish for thinking his creature would want to kill him. Victor made the creature breakfast and helped him learn how to use a fork and knife. Victor could not help but laugh when he saw how funny and abnormally large the creature looked sitting at the table.
As a result, the Creature becomes a wretched monster, who now has no sympathy for anyone or anything. The Creature becomes fixed on the idea of needing a companion, and due to this obsession, he turns Victor’s life upside down. The Creature is able to torment Victor by killing his family members, then quickly vanishing so Victor can not tell who or what he saw. The Creature and Victor finally meet again, and the Creature tells Victor of his stories and struggles. Throughout the novel, the Creature remains in the same state of being, he persistently harasses Victor and maintains a watchful eye on him.
Since this monster killed Henry, Victor knew that his family was now in danger. The monster is very happy that Victor is having to suffer because, Victor is now feeling the loneliness that he feels all the time. Though the monster’s character is not evil, the pain he feels is what he wants his creator to feel. His revenge only increases throughout the book because he is only longing for a fellow companion that Victor can only give him, but yet he is choosing not to create it. The anger that is within the monster is only growing and this is increasing the possibilities of him hurting more people.
Victor and the creature are very similar yet vastly different. They share a beginning and an end, an introduction and a conclusion. They are both brought to ruin by the same factor: the thirst for knowledge. These two characters are brought to their downfall by knowledge: Victor by penetrating too deep in to the mysteries of nature and the creature by learning to cause pain and death upon others. Victor and the creature engage in gathering knowledge, each for their own purpose, but the outcome is the same. Knowledge is dangerous.
Mary Shelley in her book Frankenstein addresses numerous themes relevant to the current trends in society during that period. However, the novel has received criticism from numerous authors. This paper discusses Walter Scott’s critical analysis of Mary Shelley’s Frankenstein in his Blackwood's Edinburgh Magazine Review of Frankenstein (1818).