Hamlet and the Shape of Revenge
In his critical analysis of Shakespeare’s Hamlet, Mark Rose expresses his opinion on the limits of Hamlet’s freedoms and willpower. While the prince might have a “degree of freedom” (Rose), he is ultimately bound by the safety and health of Denmark. Rose also noted the comparison used between Laertes and Hamlet and the different roads they both take, one heading to England, and one staying in Castle Elsinore. When Hamlet learns of the truth of his father’s passing, he is “bound by vengeance” (Rose) and therefore is bound to Elsinore. According to Rose, this sense of revenge is forcefully put on Hamlet by his deceased father. Out of all the characters of Hamlet, Hamlet himself seems to be the most self-conscious
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In his opinion, Hamlet is made “to sound a tune that is not his own, the whirling and passionate music of the conventional revenger” (Rose). According to the critic the concept of revenge is thrust upon Hamlet by the ghost thus casting him to a limited and debasing role. This is not true however. When Hamlet encounters his deceased father he exclaims, “O answer me! Let me not burst in ignorance... What should we do?” (1.4.49-60). The idea of revenge is indeed brought upon Hamlet, but it is in no way forced. As seen in Act 1 scene 4, Hamlet is eager to learn of the circumstances of his father’s death and is willing to do what it takes to have his vengeance. Rose writes, “It is one of the radical ironies of the tragedy that the same nightmarish figure who takes from Hamlet his freedom should also embody the ideal of man noble in reason” (Rose). In contrast however, when the ghost does tell him of his murder, Hamlet says “Haste me to know ’t, that I, with wings as swift as meditation or the thoughts of love, may sweep to my revenge”(4.5.29-31). Hamlet has no other reason to live, so rather than limiting his life, revenge adds something to it, thus giving him something to live for. Rose believes that Hamlet objects to his role and that his most vital concern is “how to play the part of the revenger” (Rose). While he may be distressed about his methods of
At the opening of the play Hamlet is portrayed as a stable individual . He expresses disappointment in his mother for her seeming disregard for his father's death. His feelings are justified and his actions are rational at this point, he describes himself as being genuine. As this scene progresses it is revealed that Hamlet views himself as being weak: "My father's brother, but no more like my father/ than I to Hercules" (1.2.153) The doubts that Hamlet has concerning his heroism become particularly evident in his actions as the story progresses. These doubts are a major hindrance to his thoughts of revenge.
The theme of revenge is expanded and created by the ghost of King Hamlet because not only does he instruct others to seek revenge but he has such a powerful reach that characters, mainly Prince Hamlet, become driven by this want for revenge. Prince Hamlet shows his eagerness for revenge by saying that “Hast me to know’t, that I, with wings as swift / As meditation or the thoughts of love, / May sweep to my revenge” (34). As the text progresses the message or theme of revengeance fully surfaces when those who are driven by revenge, Laertes and Prince Hamlet, lure themselves to their own demise and this showcases the evil in chasing revenge. In addition, Shakespeare not only uses the theme of revenge but also uses the almost opposite theme of patience to show what mankind “should be and what not to be”. The following shows the outcome of Fortinbras’s patience, “I have some rights of memory in this kingdom, / Which now to claim my vantage doth invite me” (177). In Hamlet, Shakespeare uses the ghost of King Hamlet as a representation and establisher of the theme of revenge and by the end of the tragedy shows how the characters, Prince Hamlet and Laertes, who followed this path lead themselves to their deaths; however, Shakespeare uses Fortinbras to represent the theme of patience and how not seeking revenge or acting upon impulses, like Hamlet and Laertes, led him to the throne of Denmark. Moreover, even though the King Hamlet’s ghost appears in the text for a limited time he plays a significant role in the development of other
Hamlet's obsession with death also fuels his desire for revenge, for instance when he revisits the ghost and he explains how he died. Hamlet, saying, "O my prophetic soul! My uncle'" (1.5.48), realizes that Cla...
Being the primary character, there is a greater focus on Hamlet’s pursuit of revenge, since throughout the play his mind and actions plagued by both uncertainty and angry notions towards his mother’s infidelity rather than the “murder most foul”. Unlike both Laertes and Fortinbras, Hamlet's desire for revenge is not implanted by his own will but rather by his father’s ghost; through his encounter the ghost pleads his son’s loyalty by promising the murder Claudius. Initially Hamlet's interaction with the Ghost was one of curiosity and glee which opposes his prior melanch...
In retrospect, the concept of revenge in “Hamlet” is quite the eye-opener for those in the dark of what revenge can and will do to one's self and those around him. It is plain to see the agonizing and degenerate condition that it brings upon the body and soul. Moreover, can the disease revenge inflicts rest easily upon the mind? I think not. By no effort can a man avoid the pain and suffering associated with engaging in a personal vendetta. For a man is a flawed being, without any form of perfection within him, save the perfect condition of imperfection present in all mankind. May all the world forget its vengeful spirit as to avoid the cataclysm of such distasteful undoing.
He shows his brotherly love for Ophelia when he says “For Hamlet, and the trifling of his favor,/Hold it a fashion and a toy in blood,/A violet in the youth of primy nature,/Forward, not permanent, sweet, not lasting,/The perfume and suppliance of a minute,/No more” (Shakespeare 1.3.6-11). Meanwhile, Hamlet embarks on a mission of revenge in which he does not seek revenge on behalf of himself but rather, for someone else. Hamlet’s revenge mission begins when he is visited by his father’s ghost who commands “Revenge his foul and most unnatural murder” (Shakespeare 1.5.31) after his father recounts the cause of his murder. From this point on, Hamlet begins to act mad in order to put his revenge mission into action.
Throughout Hamlet, each character’s course of revenge surrounds them with corruption, obsession, and fatality. Shakespeare shows that revenge proves to be extremely problematic. Revenge causes corruption by changing an individual’s persona and nature. Obsession to revenge brings forth difficulties such as destroyed relationships. Finally, revenge can be the foundation to the ultimate sacrifice of fatality. Hamlet goes to show that revenge is never the correct route to follow, and it is always the route with a dead
Revenge has caused the downfall of many a person. Its consuming nature causes one to act recklessly through anger rather than reason. Revenge is an emotion easily rationalized; one turn deserves another. However, this is a very dangerous theory to live by. Throughout Hamlet, revenge is a dominant theme. Fortinbras, Laertes, and Hamlet all seek to avenge the deaths of their fathers. But in so doing, all three rely more on emotion than thought, and take a very big gamble, a gamble which eventually leads to the downfall and death of all but one of them. King Fortinbras was slain by King Hamlet in a sword battle. This entitled King Hamlet to the land that was possessed by Fortinbras because it was written in a seal'd compact. "…our valiant Hamlet-for so this side of our known world esteem'd him-did slay this Fortinbras." Young Fortinbras was enraged by his father’s murder and sought revenge against Denmark. He wanted to reclaim the land that had been lost to Denmark when his father was killed. "…Now sir, young Fortinbras…as it doth well appear unto our state-but to recover of us, by strong hand and terms compulsative, those foresaid lands so by his father lost…" Claudius becomes aware of Fortinbras’ plans, and in an evasive move, sends a message to the new King of Norway, Fortinbras’ uncle.
Revenge is a recurring theme in Hamlet. Although Hamlet wants to avenge his father’s death, he is afraid of what would result from this. In the play Hamlet, Hamlet’s unwillingness to revenge appears throughout the text; Shakespeare exhibits this through Hamlet’s realization that revenge is not the right option, Hamlet‘s realization that revenge is the same as the crime which was already committed, and his understanding that to revenge is to become a “beast” and to not revenge is as well (Kastan 1).
Taking revenge against his enemy can be a difficult task for young Hamlet, especially when the circumstances and conditions he is under require him to reevaluate his morals of life and soul. The delay in Hamlet’s revenge of his father’s death is caused by three main reasons: he is under strict and almost impossible guidelines laid out by the ghost of his father, King Hamlet, he is afraid of death either suffering it or inflicting it on someone else, and his lack of reasoning in committing a murder that he did not witness himself. When the ghost of King Hamlet first appears to young Hamlet, he injunctions three requirements he needs Hamlet to act upon. Revenge his father’s death, do not emotionally affect his mother, Gertrude, with the killing of her new husband, Claudius, and to not let himself go insane by trying to accomplish these vital tasks. Hamlet is bewildered, overwhelmed, and shocked with what the ghost of his father told him, and responds with, “haste me to know’t, that I, with wings as swift as mediation or the thoughts of love, may sweep to my revenge” (1.5.29-31).
William Shakespeare's “Hamlet” is one of the most tragic plays ever written. It is about a young prince trying to keep his word to his dead father by avenging his death. Hamlet procrastinates when avenging his father’s death, which is his tragic flaw. Hamlet appears to be a coward as well as depressed. He finds himself questioning his own ambitious motives such as revenge and hatred toward his murderous uncle. Hamlet tells Horatio, his friend that he is going to fake madness as he loses his determination. It is Hamlet’s hubris that makes me begin to believe he is mad. Hamlet does at one point have doubt concerning the honesty of the ghost. His various reasons for delay in seeking revenge is that he wants to make sure his uncle Claudius is one hundred percent guilty and at the same time does not want to hurt his mother. He has too much Oedipus complex, love for his mother.
Shakespeare’s Hamlet is full of revenge between multiple characters in the play. After seeing the ghost of his father, Hamlet was determined to get his revenge on his uncle, Claudius, for murdering his father and marrying his mother. Hamlet had multiple chances for revenge but was not willing to let his uncle go to Heaven after the crimes he committed. He used schemes and was able to avoid being killed by Claudius. Hamlet’s revenge did not go as planned, seeing that he killed more people than intended and was also killed himself. After the duel between Hamlet and Laertes, Hamlet was finally able to kill his uncle for the wrong actions that he committed.
“Those who plot the destruction of others often fall themselves” (Phaedrus). This quote was said by a Roman fabulist and it depicts the entire concept of revenge in Hamlet. The nature of revenge causes someone to act upon anger rather than reason. Hamlet takes place in Denmark and is about Hamlet’s uncle who kills his dad to gain power of Denmark. After the killing, Hamlet seeks revenge on his uncle. In the play, there are several characters wanting vengeance like that of Hamlet. Throughout the play, Hamlet, Laertes, and Fortinbras all had a tragic death of a family member which caused their decision for revenge. Consequentially, these revenges caused the demise of two characters and the rise of power of another. The retaliation shown by the Prince of Denmark, as well as Laertes led to the downfall of their government.
Hamlet contains three plots of revenge throughout the five acts of the play. Young Hamlet, after getting a shocking realization from his father’s ghost, wants to enact a plot of revenge against his uncle. Laertes, who was struck twice in quick succession by the death of his father and sister, wants to kill Hamlet. Away in Norway, Fortinbras wants to take revenge on the entire nation of Denmark for taking his father’s land and life. These three sons all want the same thing, vengeance, but they go about it in wildly different ways, but as Lillian wilds points out, “he also sees himself in the mirrors of Fortinbras [and] Laertes.”(153) It becomes clear that the parallels presented throughout the play are there to further illuminate the flaws of
In a typical revenge tragedy, a hero is called upon by the ghost of a family member to avenge his death ("Revenge Tragedy"). Hamlet is the main protagonist and hero called upon by his father's ghost to "revenge his foul and most unnatural murder" (1.5.31). When Hamlet first hears that his father was murdered, he exclaims, "Haste me to know't, that I, with wings as swift...may sweep to my revenge" (1.5.35-37). He is hungry to avenge his father; however, Hamlet does nothing and at the end of Act II he scolds himself that "this player...could force his soul so to his own conceit...all for nothing...yet, [he]...can say nothing for a king upon whose property and most dear life a damned defeat was made" (2.2.578-598). Hamlet is upset that he hasn't yet acted to avenge his father, but some mere actor can build up so much emotion for nothing. Shakespeare complicates the plot because revenge tragedies are supposed to have a courageous and aggressive protagonist who swiftly carries out his deed of revenge; instead, Shakespeare modifies the hero and portrays Hamlet as an indecisive and contemplative man.