“Men rise from one ambition to another: first, they seek to secure themselves against attack, and then they attack others” – Niccolo Machiavelli
Ambition can drive people to do spectacular things. It can also drive people to perform very narcissistic actions. It all depends on the intent and value of the act. In William Shakespeare’s tragedy Macbeth, written in 1606, conflict is clearly driven from the vaulting ambition of the determined protagonist, Macbeth. When ambition begins to consume an individual, relationships deteriorate and conflict arises. During the time the piece was written, an interest of the supernatural was amongst the people of England, and chiefly from King James I, the ruler at the time. The supernatural influences within the play drive the plot forward, creating a whole new realm of conflicting ideas, and character personalities clashing against each other. The direct physical conflict between characters throughout the play is very apparent due to the outcome of the quarrels, which is often fatal. With any struggle comes a battle internalized inside of a characters head, resulting in internal conflict. Conflict is inevitable to drama, and plays a major role in this Jacobean-era play.
Super natural forces are like none other. These exclusive capabilities can set off a chain effect of catastrophe, tragedy, and pathos. Most conflicts within Macbeth can be traced back to the actions of the witches. When the witches deliver the prophecies to Macbeth, they set off a thirst for exaltation within him, sending him off on a journey on which he will never falter until all who stand in his way are eliminated. When Macbeth is named Thane of Cawdor, Banquo is bewildered. He exclaims allowed, “what, can the devil speak tr...
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...nce, who would be able to see this character grow weaker, as Macbeth sees himself only as growing stronger on the outside.
It is those who cannot achieve power from greatness who decide to take it be force. If ruthlessness derives from ambitious thinking, there is bound to be conflict to be developed along the way. Those who show no mercy will achieve what they desire. However, that approach to exaltation will only build them up higher for a harder fall. Those who take the time, and climb the tree to success slowly will ultimately be rewarded with the nobleness of which they sought out in the first place. An empty downfall is guaranteed to someone who snatches his or her success from the hand of the unsuspecting.
“Once to every person and nation come the moment to decide. In the conflict of truth with falsehood, for the good or evil side.” – James Russell Lowell
In the play of “Macbeth”, Shakespeare gradually and effectively deepens our understanding of the themes and most importantly the relationship between Macbeth and Lady Macbeth. The main theme of Macbeth is ambition, and how it compels the main characters to pursue it. The antagonists of the play are the three witches, who symbolise the theme appearance and reality. Macbeth and Lady Macbeth’s relation is an irony throughout the play, as most of their relation is based on greed and power. This is different from most of Shakespeare’s other plays, which are mostly based on romance and trust. There is also guilt that leads Macbeth and Lady Macbeth to the final consequences of the play. As the progresses, the constant changes in Macbeth and Lady Macbeth are exposed.
In the beginning of the play, Macbeth is portrayed as a courageous and well-respected soldier who is loyal to his King and country. He is described by one of King Duncan's men as “brave Macbeth.” As a result of his bravery on the battlefield, Duncan decides to reward Macbeth with a new title – the Thane of Cawdor – as the last Thane was proven to be disloyal; however, Macbeth is unaware of this, and this creates tension in the audience. The opening scenes show that Macbeth is a powerful and courageous man who is not naturally inclined to do wrong, but is capable of being brutal when he needs to be. The meeting with the witches also reveal that Macbeth is a very ambitious man who craves an even greater power. There is contrast between Macbeth’s and Banquo’s attitudes towards the witches’ prophecies. Whilst Banquo dismissed the witches’ prophecies, Macbeth was “rapt withal.” This shows that Macbeth has thought about being “king hereafter.” Macbeth's first soliloquy reveals his deep desire to be king. His soliloquy also reveals that he would do anything to achieve it.
In William Shakespeare’s Macbeth, the supernatural and the role they play in motivating characters is apparent throughout the duration of the play. The supernatural is what causes conflict in the play and the prophecies from the witches in act one scene three is the inciting action in the piece. The supernatural causes the future conflict by motivating Macbeth to kill Duncan so he could become king of Scotland. Through temptation, the supernatural motivates characters to think arrogantly and for their own benefit. The supernatural in Macbeth presents prophecies which tempt Macbeth and Banquo with the idea of power. This leads Macbeth to contradict his loyal and courageous personality by planning a treacherous murder on Duncan with the arrogant intention of becoming king and later killing other characters in the play with the only purpose of keeping his own powers. Both Macbeth and Banquo were also tempted by the original prophecies and showed clear motivation to act upon them. However, there is a clear contrast between the immediacy in which the two characters began taking actions and the logic put into their decisions.
“We all fight on two fronts, the one facing the enemy, the other facing what we do to the enemy” (Boyden 199).
Ambition and desire are double-edged notions present in all who crave success and power. While ambition is most often associated with unfavorable greed and overwhelming need, people who express this desire are simultaneously praised for being goal-oriented and steadfast in achieving their goals. In the play Macbeth, by William Shakespeare, this duality of ambition is explored through the character of Lady Macbeth. In the play, Lady Macbeth’s husband, Macbeth, is prophesied to be king, and in order to expedite his path to the throne and their combined rise to power, Lady Macbeth plots to murder the current King Duncan. Throughout her Act I soliloquy, Lady Macbeth reveals not only her malevolent and scheming nature, but also profound determination
Macbeth’s provocative or violent actions on the challenges placed before him cause him to build an effect of downfall and dismay throughout the play. Originally, Macbeth handles his challenges in different ways and manners and is constantly changing his procedure. From handling situations carefully to not caring, Macbeth and his violence resulted in guilt and selfishness which he had to overcome. By the end of the play, Macbeth had become a selfish, greedy king and the challenges as well as experiences he encountered shaped him into who he is. He was shaped by the guilt of killing Banquo and Duncan, just to become powerful and a king. For example, in Act 3 Scene 4, Macbeth faces adversity when his mind creates a ghost of Banquo, who he just found out was killed. In Macbeth, the uprising of adversity was often handled in various manners. By dealing with his own challenges, Macbeth transforms his handling of adversity from being cautious to thoughtless, which reflected his character and the transformation he portrayed throughout the
Macbeth written by Shakespeare, is a tragic and historical thriller play filled with action-packed murders and the fall of man. The characters are portrayed to have personal ambitions. Shakespeare displayed these ambitions to both be destructive and constructive. Which unchecked ambition has detrimental impacts as shown in the main characters and checked, cautious ambition can help influence and encourage others. Ambition is an overarching theme found common in the play and could also be shown for the sake of justice and a positive characteristic. These ambitions were either presented as fatal flaws shown
The vigorous desire to achieve and willingly attain something holds the capability to greatly affect one's life. William Shakespeare's play Macbeth establishes the immense effect and influence of ambition. After gaining power over his country Scotland, the protagonist, Macbeth, experiences an internal downfall as he battles between his wants and moral judgement. He struggles to maintain stable relationships with others as his selfish desires and goals hurt those around him when achieved. In addition to clashing with himself and others, he is seen as a tyrant leader and is slowly turned against by Scotland's nation as well as England. Shakespeare's play Macbeth provides the reader with a clear understanding of ambition's corrupting power in Shakespeare's tragic character Macbeth, through his inner conflicts, struggle to maintain stable relationships with those surrounding him, and clash with society.
Macbeth, one of the darkest and most powerful plays written by Shakespeare, dramatizes the disastrous psychological effects that occur when evil is chosen to fulfill the ambition for power. Throughout the play, Macbeth’s character loses mental stability and becomes enthralled with the idea of being king. Empowered by the three witches, this situation consumes Macbeth’s consciousness until his mental state becomes deranged. This mental deterioration is evident in what he says and does as he evolves into a tyrannical ruler attempting to protect himself from enmity and suspicion. In an attempt to fulfill his ambition for power, Macbeth displays mental deterioration and becomes increasingly bloodthirsty.
Perhaps the most fundamental theme of Shakespeare’s Macbeth is the inherent corruptibility of even a seemingly good man when ambition turns to greed, and Macbeth himself exemplifies this concept throughout the play. While at the outset he is seen to be loyal to his king, generally considered trustworthy, and displaying numerous other laudable qualities, Macbeth ultimately succumbs to the influence of those around him and becomes unequivocally evil, setting aside all his previously held morals and coming to be driven only by his lust for power. This transition is brought about by a wide variety of factors and plays an integral role in the development of the plot. In his tragedy Macbeth, William Shakespeare employs
Among the greatest gifts that the renaissance produced was the eloquent and incredible Shakespearean plays. Written mostly in the 1590s these plays have been performed and admired countless times; entertaining mass audiences by providing interesting tales that explore the depth of human insights and the different universal themes. Among the many Shakespearean plays Macbeth, written in 1606, stands out with its short composition but multiple themes. This tragedy narrates the tale of Macbeth and Lady Macbeth’s quest to grasp ultimate power by ignoring their morals and succumbing to their dark desires, which ultimately leads to their downfall. This tragic play portrays the desires, needs, and temptations that accompany ambition in men and women. However the ambition in Macbeth is blind, it does not abide to the morals, but it allows space for dark actions as means necessary for accomplishment. Blind ambition serves as the main driving force that drives Macbeth to subdue to his dark desires, defy his noble behavior, and ultimately his downfall.
Lady Macbeth and the witches have both planted the seed of ambition inside of Macbeth Because of Lady Macbeth’s wicked behavior, which resulted in Macbeth’s evil transition; he was led to become a murderer. Macbeth should not be held accountable for his actions completely since she is the one who lead him towards committing both crimes. The major theme ambition and greed for power have played a key part in Macbeth’s fall from a great Scottish general to a murderer. People should be content on what they have and not strive for things which destroy a person even if we are influenced. In this case Shakespeare’s thought proving play of Macbeth.
The witches influence Macbeth in his achievements and awake his ambitions. They give him a wrong sense of security with their apportions of truths. The witches are the ones who made the idea of killing Duncan into Macbeth’s mind. They also told him that he would become thane of Cawdor and later would become king of Scotland and Macbeth wants to know more. “Stay you imperfect speakers, tell me more. By Sinel’s death I know I am the thane of Glamis; but how of Cawdor? The Thane of Cawdor lives, a prosperous gentleman; and to be king stands not within the prospect of belief, no more than to be Cawdor” (Shakespeare 312). Banquo is known as the real victim of the witches. After Banquo hears the prophecy of the witches that his sons will become kings he still does not believe them. He believes that he has eaten a root that is making him hallucinate and does not believe anything they tell him. (Shakespeare 313) Banquo says, “Are you sure we are talking about what we have seen here? Or have we eaten some plant root that makes us hallucinate.” Banquo also says to Macbeth: “but ‘tis strange; and oftentimes of darkness tell us truths, win us with honest trifles. To betrays in deepest consequence” (Shakespeare 314). Shortly after they meet with the three witches they meet a messenger who tells Macbeth he is the Thane of Cawdor. When Banquo hears this he realizes the witches are right and
Macbeth, who at the beginning of his play’s plot is in a position of some honor and power, obtains position as king of Scotland through secretive foul play, spurred on by some external manipulation as well as personal ambition. “Macbeth’s ambition is unchecked by both moral and legal considerations-he will stop at nothing to get what he desires… Macbeth’s unbridled ambition is the root of the play’s evil because he is willing to throw the world into chaos in order to satisfy his personal desires.” (Thrasher, 92). His rebellion is heinous, but so long undiscovered. His ambition, though present in some degree from the beginning, metastasizes within him through the play as more obstacles to his retention of royal status crop up. “He begins well…but this...
In conclusion, the witches with their riddle prophecies ignite Macbeth’s vaulting ambition as well as undermining and tempting Macbeth into the regicide of Duncan, upsetting the natural orders of things, on top of that, Lady Macbeth manipulates Macbeth into committing ‘foul act’, belittling on his manhood and thus play an even more significant role in ruining Macbeth. But ultimately, his vaulting ambition itself indeed is to be the most to blame for his own destruction since a true hero would have upheld their sense of righteousness and honor, but Macbeth as a hero has failed. After all, Shakespeare has successfully craft Macbeth as a fallen hero, by first presenting him as an honorable hero, distracted by external forces, ends up destroying himself from the inside.