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Recommended: Essays on vampires
Vampires are like toxic people. Since vampires only want to take control and claim ownership their victims. According to Psychology Today, “Their modus operandi includes gaining total control of a situation, and that means of you, too. They will demand your undivided attention and attempt to convince you that you need to join their camp. To their way of thinking they know better than you. They’re right; you’re wrong. And you need to do what they say. This kind of toxic person will think nothing of invading your space and may try to isolate you from others you are close to.” (Brenner) Once vampires have control over their victims like slaves, they want their victim served and worked for them. Like toxic people, they “often make you want to fix them and …show more content…
What they really want is your ongoing sympathy and support, and they will create one drama after another in order to get it. “Fixing” and “saving” them never works, especially since you probably care more about what happens to them than they do.” (Brenner) Vampires do not care about their victims, or interested in what is important to them. All vampires care is how to fulfill their sexual desired. “Toxic people make you choose them over someone else, or something they want over something you want. Often, this turns into a “divide and conquer” dynamic in which the only choice is them, even to the point of requiring you to cut off other meaningful relationships to satisfy them.” (Brenner). Vampires are the same as toxic people because they are manipulative. “Their modus operandi is to get people to do what they want them to do. It’s all about them. They use other people to accomplish whatever their goal happens to be. Forget what you want; this is not about equality in a relationship—far from it.” (Brenner) If victims spend too much time with the vampires, eventually they will become one of them
Vampires have been a successful and popular form of superstition and entertainment for centuries. The vampire legend began in Eastern Europe, although many forms have existed in several cultures all over the world. Bram Stoker’s Dracula was the first
In a world with ghosts, monsters, demons, and ghouls, there is one being that resonates in everyone’s mind. The idea of these creatures can be found in almost every culture on the planet in one form or another. They prey on the weak and they feast on the blood of their victims. They are compared to a fox for being quick and cunning, but also rather seductive in their nature. With their unholy existence one can only describe them as almost demonic. So what is this horrid creature? Well it is none other than the vampire, a creature as old as time itself. Throughout history there have been many different variations of the vampire, each with their own unique abilities. But one cannot help but mention
While Cullen chose the path of compassion and became a doctor (Meyers, 2005; pp. 339), the Count planned to invade the British empire (Stoker, 1897/2001; pp. 328). Healing or invading, both can get lonely with time. Cullen, as a physician had decided to turn a human into vampires only if he could save them from death. All the humans that Cullen changed, he called them as his family. They were part of his coven and moved with him wherever he went (Meyer, 2005). On the other hand, count Dracula took by force and against the will of his victims. He possessed the power to hypnotize and control his victims, as he controlled Mina when he forced her to drink his blood (Stoker, 1897/2001). He lives with three beautiful female vampires in his castle, but their relationship to the Count is not clarified in the book. In chapter 3, when they are scolded by the Count for attacking Harker, they taunt him that he does not love, Dracula responds that “Yes, I too can love; you yourselves can tell it from the past” (Stoker 1897/2001; pp. 39). Although they exist in the castle and are fed by the count as noted in Jonathan’s diary entry, Dracula has no apparent interest in them. Similarly, after he changes Lucy Westenra to a vampire he stops visiting her. He feels no need to connect or form relationships with the humans he changes. As immortals, both Cullen and Count Dracula are destined to
“You’re impossibly fast and strong. Your skin is pale whit and ice cold. Your eyes change color and sometimes you speak like -- like you’re from a different time. You never eat or drink anything. You don’t go out in the sunlight…” (Bella, from the movie Twilight) At that point in the movie Twilight, Bella is putting pieces together that Edward Cullen is a vampire, but can vampires actually be real in real life? All that is really needed to be considered a vampire is by the want and urge to drink human blood. This paper will inform you on just how vampires can be real to a certain extent.
Carmilla is an example of a woman who loves her food far too much. Carmilla is consumed entirely by her food, even sleeping in a coffin of blood: “The limbs were perfectly flexible, the flesh elastic; and the leaden coffin floated with blood, in which to a depth of seven inches, the body lay immersed” (Le Fanu 102). There exists a unique relationship between the vampire and their victims. Food becomes defined in terms of victimhood, distinctly separated from humanity’s general consumption of meat. The need for human victims makes hunting synonymous with courtship, as intense emotional connections are established between the vampiress and her food. As seen in the intense relationship developed between Laura and Carmilla, the vampire is “prone to be fascinated with an engrossing vehemence, resembling the passion of love, by particular persons” (105). For Carmilla, cruelty and love are inseparable (33). The taking of the victims’ blood for sustenance is a highly sexualized exchange of fluids from one body to another. The act of consumption is transformed into an illicit carnal exchange between the hunter and the hunted.
Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
The sexual overtones of many vampire stories, including recent ones, in which the vampire bite serves as a stand-in or metaphor for penetration, undergo a radical
Storey Amanda, Strieter Carrie et. Al, (2005), Richard Trenton Chase “Dracula Killer”, “The Vampire of Sacramento”, Department of Psychology, Radford University. (1-6)
The vampire had been depicted as the epitome of offensive and seductive behavior in their early representations. It has suffered an enduring image of something inhuman and monstrous that feeds and thrives at the expense of others. As David Punter and Glennis Byron have asserted, “Confounding all categories, the vampire is the ultimate embodiment of transgression” (The Gothic 268). The transgressive behavior of the vampire was first observed with Stoker’s Dracula. Although this figure is attractive to us in many ways, with his intelligence and immortality, the Count is primaril...
In literature, vampires are always hiding in plain sight by living among humans all while hiding the fact that they feed on blood. So how is it that no one realize that their neighbors only come out at night? By disguising themselves with the use of costumes and performance, vampires such as Lestat and Carmilla are able to infiltrate human society and prey from within. Whenever it is to fit in or to help them prey by dressing up, acting a certain way or living in a proper house, vampires are able to survive. But sometimes they don't need to act. Both Claudia and Carmilla simply use their venerable appearance to get close to their victims.
These factors include setting, actions of each vampire, the initial reactions to news of them, and how their presence affects the people who live within the region the vampires inhabit.
In Twilight, Edward Cullen presents the question; “ But what if I’m not the hero? What if I’m the bad guy?” The role of vampires is very controversial. Back in the day they were evil, soulless monsters and people genuinely feared them. However, in the present day it seems that we have grown to love them and even hope to one day be them. There are a plethora of vampire stories and many of them have become immense hits. With so many vampire stories, it is not uncommon that readers are able to identify a vast amount of similarities. Although similar in aspects, there are still many differences between the classic and modern day vampires. Two highly popular stories, in which we can easily identify similarities and differences, are Bram Stoker’s Dracula and Stephenie Meyer’s Twilight.
Simply searching through articles, databases, and other resources, vampires are depicted as malicious and monstrous creatures. First off, the vampire is famous for its dark and mysterious image affiliated with fear and death. In many ways, “the vampire can be seen through its most basic characterization as the bringer of death”(Stevens par. 3) and evokes a “marginal world of darkness, secrecy, vulnerability, excess, and horror” (Stevens par. 6). Obviously, the vampire has adopted a dark, fearful, and mysterious image. Next, vampires are famous for their unique characteristics. Dictionary.com defines the vampire as “a preternatural being, commonly believed to be a reanimated corpse, that is said to suck the blood of sleeping persons at night”(dictionary.com). Vampires are also known for their distinct weakness suck as “various tailsmans and herbs”(Funk and Wagnalls New World Encyclopedia) but the only way to kill a vampire is “only by cremation or if a stake is driven through their hearts”(Funk and Wagnalls New World Encyclopedia). Another distinct and commonly known characteristic of the vampire is their fear of the light as it could potentially kill them. Emotionally, the vampires are almost viewed as sex symbols as they “indulge in their desires ...
Both del Toro and Hogan affirm that beings such as vampires will never die, but not because of their immortality, but how they illustrate one’s desires. The authors of “Why Vampires Never Die” exploit numerous rhetorical components to convey this notion to the reader. So do vampires flare and then fade forever? No they do not. For as their impurity grants its nightly endowment, vampires alter humanities abominable finite identities and bind it to the treasure of infinity, and therefore impart within people their inner desire. As long as they express societies lust, they will forever be immortal.