Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Symbolism in Macbeth
Macbeth imagery and symbolism
Macbeth imagery and symbolism
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Symbolism in Macbeth
Symbols certainly exist in Shakespeare’s plays. Each symbol adds a certain value to the work and enriches the play considerably. The primary problem with an interpretation of symbols is the belief some people have that symbols almost or always represent a one to one relationship. For the purposes of this paper, the relationship would be represented as milk = nourishment. Infants = innocence, etc. I plan to examine the way in which the characters in The Tragedy of Macbeth use and change the meaning of the following symbols - breastfeeding, infants and milk. By examining the way in which the characters use and alter the aforementioned terms as symbols, (rather than the way these symbols are traditionally interpreted) I will show that standard interpretations of symbols are insufficient and often inaccurate, and the three symbols are used and perverted by Lady Macbeth in order to meet her own needs.
Upon receiving Macbeth’s letter, Lady Macbeth declares: “Glamis thou art and Cawdor, and shalt be / What though art promised” (I.v.14-5). However, Lady Macbeth automatically recognizes and articulates a problem. She utilizes the first milk metaphor in the play: “Yet I do fear thy nature / It is too full of the milk of human kindness” (I.v.15-6). Already, we encounter the symbol of milk in an original and therefore unfamiliar metaphor. Interestingly, Lady Macbeth doesn’t extend or explain the metaphor. The reader is left to interpret what “the milk of human kindness” (I.v.16) is and why Macbeth’s possession of it causes such perturbation in Lady Macbeth. Two interpretations suggest themselves as being problematic for Lady Macbeth. Either Macbeth is too full of a nourishing substance which endears him to be kind t...
... middle of paper ...
..., idea, or “visiting” (I.v.44) make her feel guilty enough that she won’t complete what she will in the next few lines vow to do. We can readily see then why Macbeth’s appeal to a natural image had no compunction of guilt on Lady Macbeth. Lady Macbeth, by “virtue” of the spirits, was incapable of being affected by appeals to natural archetypes. Lady Macbeth, through her invocation to the spirits, not only blurs but steadfastly rejects the supposedly “correct” interpretations of natural images such as infants, milk and breastfeeding. Lady Macbeth uses, corrupts and inverts these images in order to change Macbeth’s “milk of human kindness” (I.v.16) into a gall that justifies infanticide, regicide and effectively genocide.
Works Cited
Shakespeare, William. The Tragedy of Macbeth. Boston: D.C. Heath and Company, 1915. Google Books. Web. 3 Sept. 2015.
In the tragic play, Macbeth, Shakespeare effectively integrates the symbol and the use of animal imagery in order to prove how Macbeth’s total mindset and mental stability rapidly decreases. Animal imagery not only predicts future unfortunate occurrences, but it also proves how Macbeth’ guilt further pushes him to irrational limits. Therefore, Macbeth’s dire need to have as much power as possible results in having a mental illness that threatens not only the lives around him but also his, which finally concludes with many lives lost and yet with nothing truly commendable.
In the play of “Macbeth”, Shakespeare gradually and effectively deepens our understanding of the themes and most importantly the relationship between Macbeth and Lady Macbeth. The main theme of Macbeth is ambition, and how it compels the main characters to pursue it. The antagonists of the play are the three witches, who symbolise the theme appearance and reality. Macbeth and Lady Macbeth’s relation is an irony throughout the play, as most of their relation is based on greed and power. This is different from most of Shakespeare’s other plays, which are mostly based on romance and trust. There is also guilt that leads Macbeth and Lady Macbeth to the final consequences of the play. As the progresses, the constant changes in Macbeth and Lady Macbeth are exposed.
In the beginning of the play, Lady Macbeth is overly whelmed by the letter she receives about Macbeth. This pushes her to the extreme and causes her to react outrageously. " Come, you spirits that tend on mortal thoughts, unsex me here…make thick my blood…take my milk for gall, you murdering ministers…come thick night." (I;v;40-50) All these images of darkness and horror reveal the true character of Lady Macbeth; she feels the need to become wicked. Her attitude is even more horrific when she calls on evil spirits to come and possess her, taking control of her actions. This sort of behavior causes the audience and reader to assume Lady Macbeth is a psychopath, and therefore would have reason to hold her responsible for having a major impact on her husband and driving him off, enlightening a twisted sinister and threatening dark side of him.
Lady Macbeth thinks that being gentle is a weakness. When she says Macbeth is “too full o’ the milk of human kindness,” she means that he is too gentle and weak to murder Duncan (Scott 37). For example, in Act II, Scene 2, Lines 57-74, Macbeth has trouble dealing with the guilt of committing such a crime. He immediately wishes Duncan were alive again.
Shakespeare, William. The Tragedy of Macbeth. Boston: D.C. Heath and Company, 1915. Google Books. Web. 3 Sept. 2015.
The extent of Macbeth's kind character is described as "too full o'th' milk of human kindness".
For a simple mention in Macbeth of Lady Macbeth’s “babe that milks me” (I,vii,55), Brozel has taken it much further. While it may have been no big deal back in medieval times as the mortality rate in infants was so high, the death of Joe and Ella’s child soon before the events of the film adds great depth to the characters’ motives and attitudes. This tragedy creates sympathy in all audiences, including adolescents, as well as having more to discuss and analyse.
Shakespeare, William. The Tragedy of Macbeth. Boston: D.C. Heath and Company, 1915. Google Books. Web. 3 Sept. 2015.
The story of Lady Macbeth throughout Macbeth is one unlike those of its time in its unusually forward-thinking portrayal of a woman with thoughts and actions which would have been considered indecent. This is seen through the representation of her relationship with Macbeth and how they interact. It is also illustrated through Lady Macbeth’s morals and their effect on how she acts and reacts in situations which would weigh heavily on most peoples’ conscious. Her power-hungry attitude is one often reserved for men, especially in this era of literature. All of these factors create a character in Lady Macbeth which is dissimilar to the classic portrayal of women in the seventeenth century.
The analysis argues the use of symbolism as it applies to the aspects of the characters and their relationships. Henrik Ibsen’s extensive use of symbols is applied to capture the reader’s attention. Symbols like the Christmas tree, the locked mailbox, the Tarantella, Dr. Rank’s calling cards, and the letters add a delicate meaning to the characters and help convey ideas and themes throughout the play.
Shakespeare, William. The Tragedy of Macbeth. Boston: D.C. Heath and Company, 1915. Google Books. Web. 3 Sept. 2015.
In William Shakespeare's Macbeth, symbolism plays a prominent role to emphasize the theme of corruption of power. Throughout the play there are several main symbols repeatedly used to emphasize this theme. The contrast of light and dark representing good and evil, blood representing guilt, murder, and pain, and the archetypal pattern of purification by using water represents removal of guilt, cleansing and peace. Symbolism is used repeatedly to emphasize the theme of corruption of power.
Shakespeare, William. The Tragedy of Macbeth. Boston: D.C. Heath and Company, 1915. Google Books. Web. 3 Sept. 2015.
By embracing evil, Lady Macbeth and Macbeth have committed unnatural actions that disturb them. Their guilt does not leave them in peace, and slowly degrades their health. Macbeth's guilt causes him to act strangely in front of his guests, and it disturbs him deeply. Macbeth's guilt is deeply mutilated, and it only affects him when he hallucinates "Take any shape but that, and my firm nerves / Shall never tremble" (III.iv.124-125), and as soon as his visions disappear he feels better "Why so, being gone, / I am a man again.- Pray you sit still" (iii.iV.130-131), not something normal considering the actions he has committed. His guilt paralyzes him when he does feel it, but most of the time he is guiltless, and that encourages him to commit more murder. Although his guilt does not ultimately destroy him, it is a factor that brings his own men against him, since through his guilt he reveals the actions he has committed.
In Macbeth, Shakespeare confronts audiences with universal and powerful themes of ambition and evil along with its consequences. Shakespeare explores the powerful theme of the human mind’s decent into madness, audiences find this theme most confronting because of its universal relevance. His use of dramatic devices includes soliloquies, animal imagery, clear characterisation and dramatic language. Themes of ambition and mental instability are evident in Lady Macbeth’s reaction to Macbeth’s letter detailing the prophecies, Macbeth’s hallucinations of Banquo’s ghost and finally in the scene where Lady Macbeth is found sleep walking, tortured by her involvement.