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The role of women advertisng
The role of women advertisng
Use of the word persuasion in advertising
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The gap between female and male gender clichés has been glaringly obvious since the beginning of industrialization. In proximity with the modern era, automobile advertising has hardly shifted its crosshairs from its most original and sought-after target: men. Even from the moment they arrive into the world, infant boys are blanketed with blue, sent home, and decorated with a variety of masculine clothes, toy cars, and other testosterone-suggestive items. Although seemingly sexist, this argument is concrete in its validity. When Karl Benz designed the first practical car with an internal combustion engine in 1885, automobiles were loosely deemed “the toys for the boys”. During Benz’s time, automobiles were considered only a gentleman’s luxury, they were to be driven by men who could afford them. Women, at the time, had unfortunately fallen victim to the assumption, by men, that handling an automobile was beyond their physical capabilities. Once cheap automobiles could be produced in the 1920’s and thus advertised, it came as no surprise that almost every single advertisement targeted men. With that said, early advertisements hinted at subtle, masculine features of an automobile, such as the sheer power of the automobile or a man catching the eye of female onlookers. The use of women in commercials evolved, and showgirls and models in advertising became ubiquitous. Automobile advertising campaigns of the past and present were and still are designed to ignite the inner “roar” of men, to stimulate masculinity, and to present women with the idealistic satisfaction of a capable man to drive their vehicles. From infancy to old age, cars have revved the engine of the ideal American man and woman by employing sex appeal as the primary ...
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...he 1950’s. From showroom models on television game shows to car-less ads with breathtaking models, the use and potency of sex appeal as powerful marketing weapon has only elevated since its inception. Although most automobile advertisements employing sex appeal as their primary marketing tool use young females, men are and can also be integral components of the sex appeal device. Until our society crumbles or our culture finds a way to abolish sexuality entirely (hem, like that’s likely) sex appeal will remain the most powerful marketing device applied to advertisements for automobiles.
Works Cited:
Ferrari Motors. Advertisement. www.ferrari.com Dec. 2005: online,
Dodge 1969 Charger. Advertisement. www.roadragegraphics.com Apr. 2001: online.
B.M.W.: Used cars. Advertisement. http://blog.easyautosales.com/wp-content/uploads/2008/08/bmw-ad.jpg Aug. 2008: online
This phenomenon suggests that all women are required to remain loyal wives and stay at home mothers who aspire to achieve perfection. In “Mirrors of Masculinity: Representation and Identity in Advertising Images,” Jonathon E. Schroeder and Detlev Zwick claim that “highly abstract connections are made between the models, a lifestyle, and the brand” resulting in a need to associate these products with a specific way of living (25). Instead of simply displaying these luxurious bracelets and handbags, the ad creates an elegant environment through the incorporation of sophisticated items. The women are dressed elegantly in dresses and blouses, adding a conservative element to the ad. The ad presents a rather stereotypical image of the very successful heads-of-household type mothers who have brunch with other elite women in an exclusive circle. Everything from the merchandise they sport to the champagne glasses down to the neatly manicured fingernails provides insight into the class of women presented in this ad. The body language of the women strips the image of the reality element and instead appears to be staged or frozen in time. This directly contributes to the concept of the gendered American dream that urges women to put up a picture-perfect image for the world to see. Instead of embracing individual struggle and realities, the American dream encourages women to live out a fabricated
Men and women both drive cars, it’s a simple necessity to be able go to work for most people, however, from the commercials on television, one would assume that men are the primary purchasers of cars. In Steve Craig’s essay, Men’s Men and Women’s Women, he analyzes four commercials to illustrate how advertisers strategically targets the viewers. Craig argues that advertisers will grasp the attention of the viewer by the gender ideals that both men and women have of each other. Not only do advertisers pick a target audience demographic, but they also will target the audience at specific time to air their commercials. By analyzing an Audi and Bud Light commercial, one can see that Craig arguments are true to an extent but it appears that commercials have gone from an idealized world to a more realistic and relatable stance. for are still [true, however it seems that commercials may have altered to appear more realistic.] [relevant to an extent. This is to say, it appears that advertisers may have altered their commercial tactics. ]
Common sense seems to dictate that commercials just advertise products. But in reality, advertising is a multi-headed beast that targets specific genders, races, ages, etc. In “Men’s Men & Women’s Women”, author Steve Craig focuses on one head of the beast: gender. Craig suggests that, “Advertisers . . . portray different images to men and women in order to exploit the different deep seated motivations and anxieties connected to gender identity.” In other words, advertisers manipulate consumers’ fantasies to sell their product. In this essay, I will be analyzing four different commercials that focuses on appealing to specific genders.
Professors Carrie Packwood and Debra Merskin, authors of the essay “Having It His Way: The Construction of Masculinity in Fast-Food Advertising”, repudiate the stereotypical macho behaviors that are used in several commercials to build a reputation for men while women are used as objects. Media use this stereotype to sell nearly every product; being fast food, beer, and cars on top of the list. Furthermore, Packwood and Merskin claim that advertisement present men, compared to women, as superior individuals with total freedom who see women as prizes. The perfect macho type is a strong resource to sell beer; the Tui beer commercial “Temptations can be dangerous, stay focused” applied this stereotype, where men are on the spotlight and women
Advertising, whether criticized or celebrated, is undeniably a strong force in American society. Portrayals and Images of women have long been used to sell in published advertisements. However, how they have been used has changed enormously throughout the decades. Women have fought to find a lasting and prominent position in their society. Only in the span of twenty years, between 1900’s and 1920’s, the roles of women changed dramatically here in United States.
Women have been an integral part of society and culture throughout the world for the entirety of its history. This being said, women have not always been held in the brightest and most enabling of lights. With the advent of advertising, women have been portrayed in a variety of degrading tropes that repressed the freedom that many women began to publicly cry out for. The print advertisements of the 1950s have been portrayed as the worst of the offenders in objectifying women as unintelligent beings. Although I do support the thought that the advertisements of the 1950s were bad for putting forward the idea of women’s liberation, the ads of this time also helped to prepare for the second wave of feminism and the sexual revolution. It also promoted a positive look on being a woman, in addition to the negative, that promoted the gathering sense of identification throughout society in being a woman. Thus I am putting forward the additional idea that though the advertisements during this time were not all healthy views on womanhood, there were a great many that helped move women into the next 50 years, and that we could not be where we are today if we had not had the mass exposure of these ads in culture in the 1950s.
In this particular advertisement, they are selling a very sleek attractive car. The advertisement was in the open road, with an attractive blonde woman wearing a bikini. There are no beaches around, she is not going for a swim, she is just there to look good. All of this quotes say, “The Pursuit of Perfection”. This ad is obviously selling both sex. The beautiful woman in the bikini is suggesting that with this car, you automatically get girls of this caliber. Almost as if it is all inclusive, including her. Most people consider the public display of sex or suggestive things taboo. People by nature are attracted to things that are “off limits”. This is an advertising tactic of taking things that are normally considered bad or taboo and making them acceptable and desirable. This is a truly effective tactic, based on the fact that rebellion sells, people want what they can not have. In the “Selling of Rebellion”, Leo states, “The central message here is very serious and strongly antisocial: We should all rebel against authority, social order, propriety, and rules of any kind. “Obey” and “Rules” are bad (Leo,198). This is saying that people will want to do something that is taboo just because it is “off limits” and it feels good to do something people tell say you cannot. This is also selling elitism by selling a certain status. Lexus is already considered a more expensive or high quality brand of car, and they use their
Over one billion cars have been manufactured world-wide in the past century, with nearly 700 million on the road today (Urry, 2006). As important as flight, computers, and mass communication, the automobile has been a key contributor to the growth and globalization of our world (Sheller, 2000). While the automobile is rarely the topic of sociological discussion and cultural study, this article will discuss the iconicism of the automobile and how it contributes to an individual’s identity.
Between the years of 1937 and 1960,LIFE underwent changes involving the portrayal of the genders. In popular literature, stereotypes and views of certain subjects are often displayed for future study. In the case of gender differences, advertisements and articles yield the best portrayal of gender stereotyping of the time. The following issues of LIFE magazine were used in this paper: January-February 1937, January-February 1945, January-February 1952, and January-February 1960. At the end of the Great Depression in 1937, women had a very simple stereotype in the popular media. They were portrayed as staying home, cleaning, cooking, and mothering. The only pictures of women in LIFE were of housewives doing some sort of domestic work. Men were portrayed exactly the opposite, out at social functions or at some sort of important occupation. One of the first ads in the magazine was an advertisement for Colgate toothpaste. It pictured a girl in college complaining to her roommate that no one likes her and she is quitting school, “I should have never gone to college”. She then goes to her dean to quit and realizes she has bad breath. The dentist gives her Colgate and soon she has a date for the prom. “I love college now.” This cartoon advertisement seems to imply that in 1937, women went to college to get married. Most of the other articles involving women were ones that involved housework. Every last one of the cleaning and food advertisements had a pretty lady in a dress holding the item.
There are many companies that use sex appeal in their ads today. For instance Victoria Secrets is one of the top sellers in lingerie. They show skin in every one of their ads. All of their models put on the sex appeal for all commercials and magazines. That is what helps them sell. Women look at those ads and see those girls floating on clouds like angels and feel they could feel the same if they wore that purple bra or red underwear. By showing these girls constantly looking sexy in their ads make women feel sexy just wearing them. That is the whole point of using sex in your ads. It?s amazing what a little skin can do. "In advertising, sex sells. But only if you're selling sex (Richards).
To sum up, it is often said that advertising is shaping women gender identity, and some have been argued that the statement is true, because of the higher amount of sexual references of women that advertisement show and the damages that occur on women’s personality and the public negative opinions of those women. As well, the negative effects that those kinds of advertisements cause to young generations and make them feel like they should simulate such things and are proud of what they are doing because famous actors are posting their pictures that way. Others deem this case as a personal freedom and absolutely unrelated to shaping women gender identity. On the contrast, they believe that, those sorts of advertisements are seriously teaching women how to stay healthy and be attractive, so they might have self-satisfaction after all.
The objectification of women is a huge issue in society and is often led by advertising. However, many men still believe that the adverts depicting women in a sexual and often passive posture are not very offensive, but rather very funny or sexy. However, how would they feel if it were their daughter or sister being advertised throughout the world as a sexual object? The Tiger Beer advertisement shown in the appendix is a clear example of the objectification of women in advertising. The Tiger Beer advert was made to appeal to men from the age of 20 to 60.
The portrayals of men in advertising began shifting towards a focus on sexual appeal in the 1980s, which is around the same that women in advertising were making this shift as well. According to Amy-Chinn, advertisements from 1985 conveyed the message that “men no longer just looked, they were also to be looked at” as seen in advertisements with men who were stripped down to their briefs (2). Additionally, advertisements like these were influencing society to view the male body “as an objectified commodity” (Mager and Helgeson 240). This shows how advertisements made an impact on societal views towards gender roles by portraying men as sex objects, similarly to women. By showcasing men and women in little clothing and provocative poses, advertisements influenced society to perceive men and women with more sexual
In the essay “Beauty (Re)discovers the Male Body,” author and philosopher Susan Bordo discusses the history and current state of male representation in advertisements. While using her feminist background, Bordo compares and contrasts the aspects of how men and women are portrayed in the public eye. She claims that there has been a paradigm shift the media with the theory that not just women are being objectified in the public eye, but also men too. Since the mid-1970s, with the introduction of Calvin Klein commercials, men have started to become more dehumanized and regarded as sex symbols. In a similar fashion to how Bordo describes gender, race plays a similar role in the media. People of all different ethnicities and cultures are being categorized into an oversimplified and usually unfair image by the media over basic characteristics.
In the late 1980’s McDonald’s introduced a new lineup of toys in their Happy Meal promotions, now offering exclusively Barbie and Hot Wheels as toy options. They were a huge hit, making Happy Meals more popular than ever. “Is this for a boy or girl?” was added to the list of questions you were asked when ordering. This was one of the beginnings of a new form of marketing that specifically gendered toys and stereotyped interests for each gender (Faust N. Pag.). Advertisements and marketing are not the only influences in perpetuating gender stereotypes. There are numerous influences on the youth of America that aid in the stereotyping of personalities and interests for boys and girls.