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Treatment of nature in poetry
Critical analysis of William Wordsworth
What influenced William Wordworth's writing
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Recommended: Treatment of nature in poetry
Wordsworth is a split and exiled, yet transcendent and visionary poet who creates community by inserting the idealized Romantic poet into the ideological center interpellating those around him into similar subject positions. But, how can Wordsworth, a separated individual, reveal his heightened awareness to the rest of humanity? He answers in his "Preface to Lyrical Ballads" when he asserts that poets like himself can communicate their alternate awareness "[u]ndoubtably with our moral sentiments and animal sensations, and with the causes which excite these; with the operations of the elements and the appearances of the visible universe [. . .]" (Norton 173). Poets can express their alternate perception through a shared experience of the …show more content…
Simon Schama argues in Landscapes and Memory, "Landscapes are culture before they are nature; constructs of the imagination projected onto wood, and water and rock" (61). The real world exists but because we can never unproblematically engage with reality, we make it over, re-present it as landscape. In this way, landscape is ideological, is a cultural construct draped over reality. As Wordsworth writes in Tintern, the perceptions of the eye and ear are "both what they half-create and what perceive" (107-108). According to Wordsworth, nature has become the "anchor" (110) of his thoughts, the tether that restrains his creative imagination. But because landscape is based on the real, it can also be used to express an alternate …show more content…
The individual becomes a part of the community that shares his mental space. This process appears circular, but with the use of the word "influx" defined as the place where one stream joins another, Wordsworth appears to be referring to a more active and influential process whereby this circular process becomes spiral -- revolving around Wordsworth's central politic, the principle of pleasure, and moving through time. Here we have both unity and flux. According to Wordsworth, joy has the chiliastic power to move us from one vision of the world to another, as he
When thinking about nature, Hans Christian Andersen wrote, “Just living is not enough... one must have sunshine, freedom, and a little flower.” John Muir and William Wordsworth both expressed through their writings that nature brought them great joy and satisfaction, as it did Andersen. Each author’s text conveyed very similar messages and represented similar experiences but, the writing style and wording used were significantly different. Wordsworth and Muir express their positive and emotional relationships with nature using diction and imagery.
The main driving element in William Morris’s life has been the nature around him and the houses he lived in. The most prominent influence was the Kelmscott Manor. Therefore, I chose to go with Kelmscott Manor’s layout plan that exhibits the “inspirational garden “ that led to most of his design decisions, a map that depicts the pockets in the manor and how Morris was inspired by it. In addition to this, an original drawing of the Kelmscott Manor’s exterior that depicts how the manor amalgamated within the garden. To reinforce this, I picked a watercolor of the Kelmscott Manor and a photo that captivates the various perspectives of the garden in the manor. Moving on to his designs that interprets his love for nature I picked up the very first of his wallpaper design of the trellis that has a very naturalistic touch to it with the vines which seemed to be an extension of the “inspiration garden” on to the paper. Also chose one of the wallpapers he designed during the middle of his lifetime and one of his last designs as well. The underlying concept behind picking those was to outline the consistency in his design concept throughout his life. William Morris was a poet , whose poetry and compositions were also inspired by nature, and to depict his poetry in form of naturalism concept I picked a stance from one of his compositions that talks about forest, flora and fauna which directly ties to his underlying concept. Also the compositions he wrote always had engraved borders which was ...
In Alain de Botton’s collection of philosophical essays, The Art of Travel and Tim Winton’s short story ‘Neighbours’ the representation of people and landscapes leads us to a greater awareness of the complexity of human attitudes and behaviours. This is explored through the idea that changes in one’s receptivity to the landscape can determine their perspective of it and thus influence their behaviour and attitude towards those people in the landscape.
Of all the topics Wordsworth covered in his poetic lifetime, friendship stands out as a key occupation. His own personal friendship with Coleridge led to the co-writing of Lyrical Ballads in 1789. The poem “On Friendship,” written to Keats after an argument in 1854, states, “Would that we could make amends / And evermore be better friends.”
Wordsworth visualized scenes while he was away, a way for him to feel a spiritual connection until he was able to return. Wordsworth states, “As a landscape to a blind man’s eye: But opt, in lonely rooms, and mid the din Of towns and cities, I have owed to them” (Wordsworth 25-27). Wordsworth gives a sense of conformity and loneliness while being in the towns and cities. That he had his memories of when he was younger to keep him hopeful to return to nature and all the memories he had grasped the memories of. As the society today focuses merely on what they can profit from cities, Wordsworth understood the true meaning of memories. Memories today are mostly captured through social media, and in return being taken for granted. Wordsworth had nostalgic bliss as he replayed his memories, and knowing that in the future he could look back on that day and have the same feeling again. Social media today is destroying our memories and what we can relive in our minds as memories. We can know that when things are posted within social media it will get likes and be shared. However, there are not many people in society today that will remember the true essence of what nature has given to
‘It is often suggested that the source for many of William Wordsworth’s poems lies in the pages of Dorothy Wordsworth’s journal. Quite frequently, Dorothy describes an incident in her journal, and William writes a poem about the same incident, often around two years later.’ It is a common observation that whilst Dorothy is a recorder – ‘her face was excessively brown’ – William is a transformer – ‘Her skin was of Egyptian brown’ . The intertextuality between The Grasmere and Alfoxden Journals and ‘I wandered lonely as a Cloud’ allows both Dorothy and William to write about the same event, being equally as descriptive, but in very differing ways. Dorothy writes in a realist ‘log-book’ like style, whereas William writes in a romantic ballad style. This can be very misleading, as it gives William’s work more emotional attachment even though his work is drawn upon Dorothy’s diary, which in its turn is very detached, including little personal revelation. When read in conjunction with William’s poetry, Dorothy’s journal seems to be a set of notes written especially for him by her. In fact, from the very beginning of the journals Dorothy has made it quite clear that she was writing them for William’s ‘pleasure’ . This ties in with many of the diary entries in which she has described taking care of William in a physical sense. In a way this depicts the manner in which William uses his sister’s journal to acquire the subject of his poetry, which makes it seem as though Dorothy is his inspiration.
Nature inspires Wordsworth poetically. Nature gives a landscape of seclusion that implies a deepening of the mood of seclusion in Wordsworth's mind.
William Wordsworth’s “Tintern Abbey” is an ideal example of romantic poetry. As the web page “Wordsworth Tintern Abbey” notes, this recollection was added to the end of his book Lyrical Ballads, as a spontaneous poem that formed upon revisiting Wye Valley with his sister (Wordsworth Tintern Abbey). His writing style incorporated all of the romantic perceptions, such as nature, the ordinary, the individual, the imagination, and distance, which he used to his most creative extent to create distinctive recollections of nature and emotion, centered on striking descriptions of his individual reactions to these every day, ordinary things.
Through the poems of Blake and Wordsworth, the meaning of nature expands far beyond the earlier century's definition of nature. "The road of excess leads to the palace of wisdom." The passion and imagination portrayal manifest this period unquestionably, as the Romantic Era. Nature is a place of solace where the imagination is free to roam. Wordsworth contrasts the material world to the innocent beauty of nature that is easily forgotten, or overlooked due to our insensitivities by our complete devotion to the trivial world. “But yet I know, where’er I go, that there hath passed away a glory from the earth.
To counter balance Cartesianism Hirsch puts forward Vico’s argument of ‘sensory topics’ which places imagery of shared identities and interactions at the heart of the landscape. The relationship between the physical and the metaphorical whilst very separate can be united. Only when the physical place or subject oriented (‘indexical’) place can be examined then the metaphorical space, non-subject orientated (‘non-indexical’) can begin to be understood (Gell, 1985). Thus the development of the indexical (e.g. maps) can lead to the understanding of the non-dexical (e.g. images). Mutually related.
In poetry the speaker describes his feelings of what he sees or feels. When Wordsworth wrote he would take everyday occurrences and then compare what was created by that event to man and its affect on him. Wordsworth loved nature for its own sake alone, and the presence of Nature gives beauty to his mind, again only for mind’s sake (Bloom 95). Nature was the teacher and inspirer of a strong and comprehensive love, a deep and purifying joy, and a high and uplifting thought to Wordsworth (Hudson 158). Wordsworth views everything as living. Everything in the world contributes to and sustains life nature in his view.
When many people hear about the term “landscape”, they immediately think that it means “nature”. The natural landscape does play an important role in our society but what is more important is the landscape that we make and occupy. So, what exactly is “landscape”? The term can be illiterate in many ways but the definition given by the European Landscape Convention is perhaps the most useful and widely agreed one. It states that a landscape is ‘an area, as perceived by people, whose character is the result of the action and interaction of natural and human factors.’ This definition captures both the idea of landscape being physical like a tract of land, but also something that is mind and social shared, something that is perceived by the people. When it comes to Landscape Architecture, the International Federation of Landscape Architects says that ‘Landscape Architect conduct research and advise on planning, design, and stewardship of the outdoor environment and spaces, both within and beyond the built environment, and its
The poem “I Wandered Lonely as a Cloud” by William Wordsworth is about the poet’s mental journey in nature where he remembers the daffodils that give him joy when he is lonely and bored. The poet is overwhelmed by nature’s beauty where he thought of it while lying alone on his couch. The poem shows the relationship between nature and the poet, and how nature’s motion and beauty influences the poet’s feelings and behaviors for the good. Moreover, the process that the speaker goes through is recollected that shows that he isolated from society, and is mentally in nature while he is physically lying on his couch. Therefore, William Wordsworth uses figurative language and syntax and form throughout the poem to express to the readers the peace and beauty of nature, and to symbolize the adventures that occurred in his mental journey.
Several authors have based some of their writings on their spirituality. Some of these writings are as intricate as the Bible or as basic as an article in a local newspaper, but the meaning and passion behind them should never be doubted. In Leslie Marmon Silko's "Landscape, History, and the Pueblo Imagination", she expresses how her people have a very different meaning of "landscape". To Silko's people, the popular definition of landscape as being "a portion of territory the eye can comprehend in a single view" makes it seem as though the viewer is on the outside looking in. To them, the term landscape is much more than that. One cannot leave their surroundings, the earth and nature are always around us and we are always interconnected. The ancie...
William Wordsworth has respect and has great admiration for nature. This is quite evident in all three of his poems; the Resolution and Independence, Tintern Abbey and Michael in that, his philosophy on the divinity, immortality and innocence of humans are elucidated in his connection with nature. For Wordsworth, himself, nature has a spirit, a soul of its own, and to know is to experience nature with all of your senses. In all three of his poems there are many references to seeing, hearing and feeling his surroundings. He speaks of hills, the woods, the rivers and streams, and the fields. Wordsworth comprehends, in each of us, that there is a natural resemblance to ourselves and the background of nature.