Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analysis of the lottery by Shirley Jackson
Analysis of Shirley Jackson's The Lottery Essay
Analysis of the lottery by Shirley Jackson
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Analysis of the lottery by Shirley Jackson
Setting in Shirley Jackson’s “The Lottery” In Shirley Jackson’s ironic story “The Lottery” the author uses setting to expose a meaningful messages about society and human behaviour. The story appears to be happy and innocent until the cold blooded tradition of the lottery happens. The lottery is an annual tradition that kills a member of the community when chosen on a piece of paper. After the victim is chosen she is brutally attacked by stones, until death. Family and friends are participants of this stoning with no remorse. The setting is an important part of the story to show how the community can disguise itself while participating in this act. The theme of this story is society can reflect itself as something good and turn into something evil. The author uses three important parts to acknowledge this social setting, temporal setting, and physical setting. …show more content…
The community looks amazing almost too amazing representing the Garden of Eden where everything is place in perfection. Just like the Garden sin is among humans and they have lost their true meanings. Children are out of school and being to help their friends and family gather stones. The community acts normal but ironically there is a tragic event their preparing for. “Body Martin had already stuffed his pockets full of stones, and the other boys soon followed his example, selecting the smoothest and roundest stones” (138). Everyone is willingly taking action to take a life yet their human behaviour has no emotion to this act, family and friends talk to each other with love and kindness but when the name is chosen human savagery comes upon them.” Bill Hutchison held it up and there was a stir in the crowd (141). There is no compassion
One main theme in Shirley Jackson’s “The Lottery” is tradition nonetheless. Although tradition is most commonly thought to be somewhat of a social glue that holds families and communities together, Shirley Jackson reveals a whole new side consisting of the dangers following traditional practices. The lottery is normalized as being an early summer ritual that proves to be consistent and promising in a plentiful harvest, as mentioned by Old Man Warner. The real purpose of the lottery is never fully explained, but it is still conducted every year without suggestion of discontinuation. There proves to be a pattern of tendency to be trapped by tradition.
In Shirley Jackson’s “The Lottery,” the theme of the story is dramatically illustrated by Jackson’s unique tone. Once a year the villagers gather together in the central square for the lottery. The villagers await the arrival of Mr. Summers and the black box. Within the black box are folded slips of paper, one piece having a black dot on it. All the villagers then draw a piece of paper out of the box. Whoever gets the paper with the black dot wins. Tessie Hutchinson wins the lottery! Everyone then closes in on her and stones her to death. Tessie Hutchinson believes it is not fair because she was picked. The villagers do not know why the lottery continues to exist. All they know is that it is a tradition they are not willing to abandon. In “The Lottery,” Jackson portrays three main themes including tradition, treason, and violence.
Shirley Jackson?s insights and observations about society are reflected in her shocking and disturbing short story The Lottery. Jackson reveals two general attitudes in this story: first is the shocking tendency for societies to select a scapegoat and second is the idea that communities are victims of social tradition and rituals.
This theme of community is present throughout the book; for example, Muley Graves says that if a man has food, and sees a fellow man hungry, he must share it (Lisca 102). This sense of community is present throughout the book as many migrant workers who are in the same pair of shoes find a need for another family and fill it as best they can. For example, instead of splitting their train car with another family, Jenkins 2 Al tears down the tarpaulin between the two families and the family welcomes them (Lisca 102). Finally, Casy is killed in a strike advocating for what he believed in. It wasn’t for himself; it was for others he died, just as Jesus Christ did.
for summer break, letting the reader infer that the time of year is early summer.
Shirley Jackson's "The Lottery", is a story that is very colorful with symbolism and underlying themes. Centrally, there is a heavy emphasis on following blind traditions no matter what the consequences are, and Utopia and perfect society seem to be the goal of the community where the story is set. Harold Bloom argues that Jackson Hit a universal nerve and suggests that the shock effect achieved by Jason "depends upon tapping into the universal fear of arbitrary condemnation and of sanctioned violence (Bloom, 9). In response to readers being upset, Jackson responded that "she wanted to graphically dramatize the 'pointless violence' in people's lives to reveal the general inhumanity to man (Friedman, 64). "The Lottery", is about blind obedience
“The Lottery,” written by Shirley Jackson in 1948, is a provoking piece of literature about a town that continues a tradition of stoning, despite not know why the ritual started in the first place. As Jackson sets the scene, the villagers seem ordinary; but seeing that winning the lottery is fatal, the villagers are then viewed as murders by the reader. Disagreeing with the results of the lottery, Tessie Hutchinson is exposed to an external conflict between herself and the town. Annually on June 27th, the villagers gather to participate in the lottery. Every head of household, archetypally male, draws for the fate of their family, but Tessie protests as she receives her prize of a stoning after winning the lottery. Jackson uses different symbols – symbolic characters, symbolic acts, and allegories – to develop a central theme: the
Set in a small town of New England, an annual horrifying lottery takes place. It isn’t a customary lottery where the winner is rewarded with great prizes and masses of money; instead, it is a drawing of fate to mark the next victim’s death. The victim, chosen at random, is violently murdered by every member of the village. This short story, labeled as Gothic fiction, was written by Shirley Jackson in the year of 1948. Through the themes, Jackson implies the weaknesses of humankind, revealing the underlying evilness of human nature. The social events during the time period in which “The Lottery” was published influenced the content in that it created a parallel image between reality and the actual story.
In Shirley Jackson’s "The Lottery," what appears to be an ordinary day in a small town takes an evil turn when a woman is stoned to death after "winning" the town lottery. The lottery in this story reflects an old tradition of sacrificing a scapegoat in order to encourage the growth of crops. But this story is not about the past, for through the actions of the town, Jackson shows us many of the social ills that exist in our own lives.
Written by Shirley Jackson, “The Lottery” is a short story about a town that hosts an annual lottery that decides which person is stoned by the rest of the town. Jackson slowly and subtly builds the suspense throughout the story, only resolving the mystery surrounding the lottery at the very last moment, as the townspeople surround Tessie with their stones. The symbolism utilized helps demonstrate the overall significance of the story, such as the lottery itself. The lottery shows the way people desperately cling to old traditions, regardless of how damaging they may be. In addition, it can show how callous many will act while staring at a gruesome situation, until they become the victims.
In “The Lottery”, Jackson wrote about a special tradition of a small village. June 27th was warm and sunny, and it gave the impression like nothing could possibly go wrong. Everyone knows the lottery as an exciting thing, and everybody wants to win, but this lottery is unlike any other. This lottery was actually the tradition of stoning of an innocent villager; that year it was Tessie Hutchinson. Though the horrific ending was not expected, throughout the story Jackson gave subtle hints that this was not an average lottery. Jackson foreshadowed the death of Tessie Hutchinson with stones, the black box, and the three legged stool; she showed that unquestioning support of tradition can be fatal.
Shirley Jackson's "The Lottery" uses the third-person dramatic point of view to tell a story about an un-named village that celebrates a wicked, annual event. The narrator in the story gives many small details of the lottery taking place, but leaves the most crucial and chilling detail until the end: the winner of the lottery is stoned to death by the other villagers. The use of the third-person point of view, with just a few cases of third-person omniscient thrown in, is an effective way of telling this ironic tale, both because the narrator's reporter-like blandness parallels the villagers' apparent apathy to the lottery, and because it helps build to the surprise ending by giving away bits of information to the reader through the actions and discussions of the villagers without giving away the final twist.
Shirley Jackson’s famous short story, “The Lottery,” was published in 1948 and remains to this day one of the most enduring and affecting American works in the literary canon. “The Lottery” tells the story of a farming community that holds a ritualistic lottery among its citizens each year. Although the text initially presents audiences with a close-knit community participating in a social event together on a special day, the shocking twist at the work’s end—with the death of the lottery’s “winner” by public stoning—has led to its widespread popularity, public outcry and discussion, and continued examination in modern times (Jackson). One potential critical theory that can be applied to Jackson’s “The Lottery” is the reader-response approach. This analytical lens is a “theory ... that bases the critical perspective of a text on ‘the reader’ and his or her personal interpretation” of that text (Parker 314). Reader-response criticism was coined by literary critic Louise Rosenblatt in the mid-20th century. It soon served as a cornerstone of literary movement in the 1960s and 1970s that later became intrinsic to the study of other schools of literary thought today. In using reader-response theory to examine “The Lottery” in a contemporary context, one might perform reading surveys and metacognitive questionnaires to determine whether the short story still proves resonant and thought-provoking. Therefore, just as “The Lottery” by Shirley Jackson evoked an explicit and even fierce reaction in the past, so too does the use of reader-response criticism today help reveal that the short story may still hold the ability to sustain both its rising tension and surprising turn at the end.
The setting in the beginning of The Lottery, by Shirley Jackson, creates a mood of peacefulness and tranquillity. The image portrayed by the author is that of a typical town on a normal summer day. Shirley Jackson uses this setting to foreshadow an ironic ending.
The film Gummo is intended to be a symbolic movie in which fantasy and reality intertwine. Initially, the film opens in a small town in Ohio after a tornado has swept through and destroyed it. Economically the small region is wrecked. Like the buildings around them, the social fabric that is holding the town together is coming apart at the seams. Whatever traditions and values this town has held in the past seem to no longer exist as the line between the sacred and the profane has been obscured beyond recognition. While it is difficult to know outright the attitudes and convictions of any social group, based on what the film shows there is little, if any, social solidarity in this environment. The foundation for this statement can be seen in the lack of any authoritative figures in the film. The town is seemingly void of any structure, law, or government, and the actions of its’ residents seem to reflect this. Individualism seems to reign supreme in this community, if it can be called that. Admittedly social bonds such as friends and family still exist, but as a whole individual pursuits and interests still override any pretense of collective purpose. This fact, however, doesn’t truly deviate at all from what is considered normal, true it does take on a much uglier face in Gummo, but individual goals and pursuits are commonplace practically anywhere in the United States and around the globe. On the other hand, it must be realized that in most instances natural disasters do have a history of bringing communities together in times of hardship, something that is not at all seen in the film. In short, the social order, much like the town itself, is in shambles, with little or no social solidarity.