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Transformations in ovid's metamorphoses
Ovid’s Metamorphoses essay
Ovid’s Metamorphoses essay
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Many of the greatest poems, ballads, songs, stories, and epics share a common theme, love. In Ovid’s Metamorphoses, that theme is found many times, but underlying that theme is the theme of unrequited love. For Ovid, anyone can be affected by it and in some cases, the other person does come to love the other in return, but the most common ending to the story is that it remains only the one in love while the other remains out. Ovid gives his readers several examples of unrequited love. But four of his finest show a god, a nymph, a cyclops, and a minor goddess being rejected and each dealing with rejection their own way.
The first story of unrequited love is in the first book. It is the story of Apollo and Daphne, showing that even the gods can
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Narcissus was the son of a river god and a nymph. It was prophesied at his birth that he would live a long life if “he shall himself not know” (Ovid, Book three, Line 347). Echo was a nymph who angered Juno by distracted her while Jupiter was with other nymphs. Juno cursed her so that, “when speaking ends,/ All she can do is double each last word,/ And echo back again the voice she’s heard” (Ovid, Book 3, Line 364-6). When Narcissus was sixteen, he went out hunting with a group of friends and was separated from them. As he was wandering, Echo saw him and fell in love, but could not call out to him, so she waited for him to call out first. When he did, she echoed her reply to him, trying to bring him closer to her. When they met, she embraced him and used his words against him by telling him that she would yield to him. After finally realizing that he did not love her in return, Echo left and slowly began to fade away until all that was left of her was her voice. Later, after having mocked and scorned many others, a prayer was offered that Narcissus might love someone who did not love him in return. This pray was granted when kneeling by a pool of water, Narcissus saw his reflection in the water and fell in love with it. He reached for reflection, and upon realizing that he could not reach it, he sat there and admired it until he, like Echo, faded away. All that remained of him were small white flowers with golden centers. This story shows both of the characters having unrequited love that came from within themselves. No outside source gave them the feeling that they felt. Echo fell in love and after being rejected, she wept until she died, leaving only her voice as a memorial to herself. Narcissus, after not being able to reach the thing he loved, faded away leaving only a flower to be remembered by. Both lost themselves in trying to love someone who would never return their
In Dryden's Lucretius, the speaker argues that (1) Love is a sickness, (2) Love's sickness enslaves, and (3) all attempts to remedy Love's sickness are vain and will only frustrate the lover. Just as Milton's Adam and Eve become enslaved to sin by disobeying God, so mankind becomes enslaved to Love when pierced with Cupid's "winged arrow". In Milton, there is redemption and freedom through Christ, but in Dryden, no salvation from love is possible. This poem leaves mankind in a hopeless, frustrated state, unable to break free from love's yoke. This essay will center on the last heroic couplet: "All wayes they try, successeless all they prove,/To cure the secret sore of lingering love".
The depiction of the Greek and roman myths are given unique insights from different authors. The Hymn to Demeter and Ovid's Metamorphosis provide and insight to Demeter's love for her daughter, Persephone, and explores its affect on the surrounding environments. The theme of separation and isolation is present in both of these myths, however, in Ovid's Metamorphosis, he symbolizes the environment in important events, has characters playing different roles, and empowers female deities.
The four lovers run away to the woods outside of Athens. In the woods, a world of fairies dwell. The fairy king, Oberon, stumbles across Demetrius and Helena while Helena is begging Demetrius to love her. Since Oberon is having some problems with love on his own, he tries to help Helena with her unfortunate situation. He sends his jester, Puck, to use a flower that, if its juice is dropped onto someone who’s sleeping’s eyes, will make the person fall madly in love with the first person they lie their eyes on. “Take thou some of it, and seek through this grove; A sweet Athenian lady is in love with a disdainful youth; anoint his eyes; but do it when the next thing he espies may be the lady. Thou shalt know the man by the Athenian garments he hath on.”(64) Puck, following Oberon’s orders, finds Lysander and Hermia instead of Demetrius and Helena. Anointing Lysander’s eyes, he leaves, thinking he did his bidding. Helena finds Lysander sleeping, and, wi...
As one of the most well known ancient Roman love poets, Ovid has demonstrated bountiful talents within his writing. When reading myths from his book titled Metamorphoses, you gain an enlightening insight of how he viewed mythology. To Ovid, love was the origin of everything. Therefore, it should not come as a surprise that most of his poems relate to the theme of love. However, not all poets are the same and every re-telling of a myth has its own unique perspective. In this paper I will compare and contrast the myth of Medea in Euripides Medea and Ovid’s Metamorphoses Book 7. I will then explain how Ovid’s approach to love and loss correlate to his general approach to myth as a whole. I will support my belief with evidence from Ovid’s Metamorphoses Book 14.
The Lais of Marie de France is a compilation of short stories that delineate situations where love is just. Love is presented as a complex emotion and is portrayed as positive, while at other times, it is portrayed as negative. The author varies on whether or not love is favorable as is expressed by the outcomes of the characters in the story, such as lovers dying or being banished from the city. To demonstrate, the author weaves stories that exhibit binaries of love. Two distinct types of love are described: selfish and selfless. Love is selfish when a person leaves their current partner for another due to covetous reasons. Contrarily, selfless love occurs when a lover leaves to be in a superior relationship. The stark contrast between the types of love can be analyzed to derive a universal truth about love.
"Book One of Ovid's Metamorphoses establishes the book's theme of metamorphoses with a tale of creation that progresses into human stories leading to the current breed of man. The creation piece is followed by a flood story and a discussion of the ages of mankind. The ages of mankind - gold, silver, bronze, and iron - describe man's slow progression from a good, wholesome society into a miserable, self-destructive one. The next stories concern tales of gods and goddesses and their manipulations of the human population and each other. Book one ends (appropriately) with Phaethon's journey to meet his father, the sun, thus establishing Ovid's theme of quests for change."(auburn. edu)
Psappo’s poetry was the model from which ancient cultures defined love. Her views on love have influenced many works of literature, including The Aeneid of Virgil. Love is an uncontrollable force that strikes an individual from the outside and can occur suddenly as well as unexpectedly. Love is often depicted as a positive emotion that causes people to feel blissful, but this can easily turn into furor; furor is the aspect of love associated with violence and insanity. Dido’s love for Aeneas exemplifies the internal turmoil that afflicts individuals when they are deprived of the love that they crave so ardently. Virgil accomplishes this through the incorporation of the symbol of fire and through the platonic metaphor of the war between reason and appetite in his work.
The poets integrated ?metaphysical conceits? as focal parts of these poems. Along with these, they used effective language as a basis for their convincing arguments, they included subjects of periodical importance (e.g. ?courtship? and ?religion?), and use very clever structures that are manipulated in order to make the poem read in the desired way. The very clear indication of the theme in question was strongly aided by the way in which the personas portrayed the emotions they felt and the way they showed their attitudes towards the subject. Considering all these factors, the poets made critical arguments to the mistresses in order to alter their views, thus changing their minds, on denying the poets the sex that they desired so strongly.
The meaning of love is as intricate and unique as the purpose that it serves. It seems that the nature of love is found in the mind, the body and the soul. In Plato’s Symposium each member of the drinking party gives their own interpretation of love. As each speaker engages in their discourse, the concept of love is evaluated from different angles. According to Phaedrus, homoerotic love is the highest form of love and that sacrificing oneself for love will result in a multitude of rewards from the gods, while Pausanias believes that there are two forms of love: Commonly and Heavenly. As a physician, Eryximachus claims that love appears in every part of the universe, including plants and animals and that protection results from love. Before starting his speech, Aristophanes tells the group that his discussion about love may seem completely absurd, as he explains that in the beginning one body had two people who were eventually split in half by Zeus. This is meant to explain why people are constantly looking for their “other half”. Moreover Agathon, the poet the symposium is celebrating, critiques the previous speakers by stating that they failed to praise the god of love. He claims that love rejects feebleness and embraces youthfulness while also implying that love creates justice, courage and wisdom.
In Ovid's Metamorphoses, the concept of love seems to vary from character to character. In one case, a god in the form of a man desperately seeks a particular woman and refuses to relent until he has her. In another instance, a female goddess cares deeply for a man and goes to great lengths to protect him from danger. In yet another case, both who are arranged to be married seem indifferent about the matter.
Some may say love is just an emotion while others may say it is a living and breathing creature. Songs and poems have been written about love for hundreds and thousands of years. Love has been around since the beginning of time, whether someone believes in the Big Bang or Adam and Eve. Without love, there wouldn’t be a world like it is known today. But with love, comes pain with it. Both William Shakespeare and Max Martin know and knew this. Both ingenious poets wrote love songs of pain and suffering as well as blossoming, newfound love. The eccentric ideal is both writers were born centuries apart. How could both know that love and pain work hand in hand when they were born 407 years apart? Love must never change then. Love survives and stays its original self through the hundreds and thousands of years it has been thriving. Though centuries apart, William Shakespeare and Max Martin share the same view on love whether i...
The main character, Ovid, is a vivid example of how lives can be periodically changed according to alterations in the surrounding environment. At the start of the book Ovid is a stranger to his setting, stranded in a culture that deprives him of his language, his customs, and his pride. This shows that identity is primarily constructed according to the society in which people are placed, and much social learning and norms are derived from conformity to the conditions of a particular environment. In An Imaginary Life, Ovid completes a journey of self discovery, learning how to create and cultivate an existence based on interrelationship with the natural world, entering a into partly idealistic and imaginary existence, hence the title.
In classical Greek literature the subject of love is commonly a prominent theme. However, throughout these varied texts the subject of Love becomes a multi-faceted being. From this common occurrence in literature we can assume that this subject had a large impact on day-to-day life. One text that explores the many faces of love in everyday life is Plato’s Symposium. In this text we hear a number of views on the subject of love and what the true nature of love is. This essay will focus on a speech by Pausanius. Pausanius’s speech concentrates on the goddess Aphrodite. In particular he looks at her two forms, as a promoter of “Celestial Love” as well as “Common Love.” This idea of “Common Love” can be seen in a real life context in the tragedy “Hippolytus” by Euripides. This brings the philosophical views made by Pausanius into a real-life context.
In the story of Daphne and Apollo, the chief agent of transformation is love, represented by Venus and her youthful and mischievous son, Cupid. When the god Apollo brags to Cupid of his great might exemplified by his defeat of the python, Cupid humbles him by reducing the great god to a shameless lover with his gold-tipped arrow of love. A transformation of sorts takes place when the Cupid's arrow strikes Apollo. Apollo transforms from a bragging God who claims superiority over Cupid by saying, 'You be content with your torch to excite love, whatever that may be, and do not aspire to praises that are my prerogative,';(p. 41) to a man possessed by desire. Despite his powers of strength and domination, the God of War is humbled by Love. A lesson is being taught to Apollo by Cupid. A weakness is spotlighted and exposed, and the role of Apollo is almost completely reversed. He is transformed from a figurehead of power to a crazed lover with no power over his love.