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Overcoming fear full free essay
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Essays about friendship stories
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The documentary film, Unlikely Friends, focused on the victims of brutal crimes, who became friends with the perpetrators through forgiveness. Also, the film explored how the power of forgiveness between victim and perpetrator can affect change within the criminal justice system by advocating reconciliation and rehabilitation. Multiple victims of horrific violent crimes explained their long heroic journey to forgiveness.
Steve Watt, who was a Wyoming state trooper, faced a bank robber, Mark Farnham, who shot Steve multiple times and was left one eye blinded. Steve did not meet his offender, Mark Farnham, in order to love him. He went seeking relief and answers to understand why the offender shot him. At first, Steve Watt wanted Mark dead
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because he took one of his eyes and left him unable to get around without crutches.
When Steve and Mark met, Mark admitted that when he shot Steve, he did not see him as a person, but an object standing in his way. Steve was able to see that many prisoners, who would blame the victims for their wrongdoings. Mark was not able to blame Steve because every time Steve visited him, he was not able to avoid the horrific reality of crime that impacted Steve. Steve believed that if prisoners do not see the pain they have caused to the victims, they would never learn empathy. Steve forgave Mark for his wrongdoings, but it did not mean that Mark was off the hook. Forgiveness is a long process that starts with tough love and it can lead to friendship. Khamisa, whose son Tariq was murdered, said, “Most offenders suffer from guilt” (Unlikely Friends). This explained how prisoners can easily twist everything and seek someone else to blame when the burden of …show more content…
guilt was too much to tolerate. Steve and Mark are now best friends, Steve was elected to be Wyoming State Legislator and advocated the governor early release for Mark Farnham, since Steve believed that he was no longer a danger to the society. Apparently, the governor had denied Steve’s request, but Mark Farnham was grateful and blessed to have his own victim to support him. Mark Farnham had become a fully rehabilitated man. Debbie Parnham’s only son, 16 year old boy, was killed during a drive-by shooting in Arizona. She was completely devastated and taken an obsession to see the killer, Gabriel Nieto, dead by death penalty or by her own hands. Debbie was consumed with hatred and bitterness that she had to do something to save herself from it. She had prayed to God to help her forgiving Gabriel Nieto for killing her only son. Debbie had the courage to forgive Gabriel. After, making the decision to forgive him, Debbie went seeking for relief and answers to continue her forgiveness process. To bring empathy towards Gabriel, Debbie had confronted him and insisted him to look at her son’s photos whose life Gabriel had taken. Debbie Parnham had tried to remind Gabriel about the unbearable guilt, but had helped Debbie to recognize his humanity. Recognizing the offender’s humanity was possible by the perpetrator’s ability to acknowledge the guilt. Now, Debbie was able to see Gabriel as her best friend as part of her healing process. Jane Waterholter, whose son was murdered by J.D.
Klaus through an argument, was terrified of Klaus and had requested to be surrounded by officials with guns. This depicted that Jane was a victim of “fear of crime” and believed that she would never forgive J.D. Klaus. However, J.D. Klaus had taken full responsibility for his actions and pled guilty, while the court advised him against doing so. When J.D. Klaus immediately pled guilty, Jane knew that Klaus was acknowledging his responsibilities and was not blaming anyone else, but itself. Jane Waterholter decided to forgive him right away and would visit him often at Florida state penitentiary. The forgiveness had brought Jane and J.D. deep connection by mutual recognition of shared humanity. Jane declared that J.D. Klaus would be his newly son in a replacement for her lost son. J.D. Klaus as Jane’s new son had brought closure to her real
son. All in all, Unlikely Friends explored the limits of restorative justice by the stories of friendship that developed between the victims and the perpetrators. Forgiveness was a new movement for restorative justice. Azim Khamisa stated, “Forgiveness is restorative justice on steroids” (Unlikely Friends)! Restorative justice program’s primary purpose was create a positive environment between the victims and the perpetrators. The program was designed to repair the harm that had caused towards the victims and perpetrators as well. The film advocates that the justice system should provide restorative justice programs to the prisoners and the prisoners’ victims, instead of having juvenile offenders being referred to restorative justice programs.
from people that had been saved by their withholding of evidence. Alicia and her friend
The Soloist (Foster, Krasnoff & Wright, 2008), is based on a true story of Nathaniel Anthony Ayers Jr. who develops psychosis and becomes homeless. In the film, Nathaniel is considered a cello genius who is discovered on the streets by Steve Lopez, a journalist from the Los Angeles Times. Steve was searching for a city story and he decided to write a newspaper article about Nathaniel. Nathaniel always had a passion for music. He was a child prodigy and attended Juilliard School of Music. However, he faced many complications at Juilliard, particularly hearing voices speaking to him. Unable to handle the voices, Nathaniel dropped out and ended up living on the streets of Los Angeles. Steve and Nathaniel develops an unexpected friendship, in which Steve tries to help Nathaniel to live a normal life; having a home, treat his mental disorder, and to fulfil his dream of being a cellist again.
The act of forgiving a murder is out of the question for most people. Simon is confronted with this very dilemma in The Sunflower. Karl, a dying Nazi, is asking forgiveness from a Jew, the narrator. The narrator leaves the dying Nazi with no answer, leaving him with an agonizing thought of whether he did or did not do the right thing. Due to the fact both Karl and the narrator’s psychological well-being is affected by not only wartime but other extenuating factors, the narrator should grant Karl forgiveness, as this dying man is an individual who is genuinely repenting for the crimes he has committed. Forgiveness will allow Karl to die with piece of mind while the narrator will continue life with a stable and clear conscience.
When living sometimes we are faced with difficult decisions that affect our friendships. If you knew you were in a jam, what would you do? Who would you run to? Despite the greasers’ reputation as heartless young criminals, they live by a specific code of friendship and honour. In the novel The Outsiders by S.E. Hinton, there are many instances in which the gang members make selfless choices by putting the needs of others ahead of their own. Three examples are, when the gang has each other’s back, Johnny and Ponyboy’s friendship, and Dally risking his life for Johnny.
The film Friday Night Lights, directed by Peter Berg explains a story about a small town in Odessa, Texas that is obsessed to their high school football team (Permian Panthers) to the point where it’s strange. Boobie Miles (Derek Luke) is an cocky, star tailback who tore his ACL in the first game of the season and everyone in the town just became hopeless cause their star isn’t playing for a long time. The townspeople have to now rely on the new coach Gary Gaines (Billy Bob Thornton), to motivate the other team members to be able to respect, step up their game, and improve quickly. During this process, racism has made it harder to have a success and be happy and the team has to overcome them as a family.
Friday Night Lights by H.G. Bissinger is a story about a football town. The name of the town is Odessa. It is a small town on the west side of Texas and football is the only thing that matters. Bissinger gives the reader a glimpse of what life is like at an area high school called Permian. Very few towns are obsessed with sports like Permian and Ringgold when it comes to sports programs. In this essay, Permian and Ringgold sports will be compared by their programs and values that they place on sports.
In the film After Innocence, I learn that even during the most difficult time individuals can become great friends, despite serious circumstances that is to me the principle of morale. In 1984, Jennifer Thompson-Canino was raped by an unknown figure, but later identified Ronald Cotton as her attack. This cause Cotton to be in prison for 11 years. “In June 1995 Ronald proved his innocence through the use of DNA evidence and was exonerated, release from prison and officially pardoned that July. Since the exoneration, Ronald and Jennifer have forged a unique friendship and speak together publicly about the dangers and errors of eyewitness identification” (After Innocence, The Innocent, Ronald Cotton). Jennifer in the film After Innocence, speaks to schools who will hear your story and try to warns to be careful with their decisions. She also tells the students that they can make their own paths in life and change the world in their own special ways. Cotton has established a true friendship with Jennifer that cannot be measure in words, this is truly an aspiring
This documentary as nominated for the Best Feature Documentary Academy Award. It showed the world the actual crimes and events that were happening in society that otherwise would have been overlooked after the initial shock. The moral, values and importance of these events being spread by mass communication can lead to awareness and hopefully avoidance of familiar events in the
A gesture that formerly connoted weakness grows to represent moral strength and provides a crucial step towards potential reconciliation. Within his text, Philpott expresses wholehearted belief in the power of apology stating, “Few acts undo the legitimacy of a crime more effectively than a perpetrator’s renunciation of it” (Philpott 205). Philpott describes the practice of apology as, “When a perpetrator apologizes, he condemns his own role in the political injustice and thus helps to defeat its standing victory from one angle. Yet, the victim retains his own freedom to decide how he will respond to the perpetrator and thus retains a measure of control over whether the standing victory of the injustice is defeated” (Philpott 264). Philosophically, the idea of apology within restorative justice and reconciliation could mark a reaffirmation of the fundamental moral principles of the community, promote national reconciliation, strengthen a principle of transnational cooperation and contribute to the improvement of international law and diplomatic relations. Following an apology, a relationship becomes possible between the perpetrator and the victim, which in turn creates the potential for a less hostile environment for the community, and marks a society’s affirmation of a set of virtues in contradistinction to a past of
In her, “Between Vengeance and Forgiveness,” Martha Minow discusses, not only the tandem needs of truth and justice that arise and intersect in the wake of conflict but also the duality existing between the notions of vengeance and forgiveness that surface as needs, particularly in a society recovering from violence. The central question of Minow’s work explores the idea that there may be a need for middle ground between vengeance and forgiveness. For the purposes of this work, in delineating first the needs of victims and then the needs of society at large in the wake of violent conflict situations, it may be asserted the Minow’s middle ground abides at the intersection of acknowledgment of harms and retribution for harms committed. To demonstrate
After experiencing a traumatic car crash, Michelle, the protagonist of director Dan Trachtenberg’s film 10 Cloverfield Lane, wakes up in an underground bunker owned by a man named Howard. Howard claims to have saved her from a widespread chemical attack that has contaminated the air, with his bunker being the only place to take refuge for the next couple of years. Yet as the film progresses, Howard’s controlling and threatening demeanor eventually brings Michelle to escape, allowing her to come across the actuality of the situation outside the isolated bunker. Throughout the production, Trachtenberg arranges close frames, manipulates the camera’s focus, and chooses specific lighting to create an ominous tone that mystifies and disturbs viewers.
Amy Heckerling’s movie Clueless focuses on an upper middle class 16-year-old girl, Cher, who lives in a nice neighborhood with her father and stepbrother, Josh. Cher and her friend, Dionne, take in a new girl, Tai, to help her fit into their high school. All of the major characters in the movie are in adolescence, which ranges from 10-19 years of age. In adolescence, teenagers undergo cognitive and emotional development. According to Piaget’s cognitive developmental theory, adolescents are in formal operational period from 11-20 years of age. During this period, adolescents develop abstract thinking and rational decision making. They experience two aspects of adolescent egocentrism, imaginary audience
Umbreit, M. & Bradshaw, W. & Coates, R. (1994) Victims of severe violence meet the offender: restorative justice through dialogue. International Review of Victimology, 6, p321-344.
Steve Harmon is truly guilty of Felony murder. He shows this in his journal entries. Other admitted participants also show this.In the eyes of the law Steve is giulty because he agreed to go into the store on that
The film Sixteen Candles was released on January 1, 1984. It is about a teenage girl by the name of Samantha Baker whose unfulfilling sixteenth birthday yields an unexpected surprise. Samantha wakes up on the morning of her sixteenth birthday to find that in the midst of the wedding chaos for her sister, her family has forgotten her birthday. Later that day at school, her crush Jake Ryan finds out about her interest in him. Tired of his superficial and status seeking girlfriend, Jake becomes curious about Samantha and begins to desire a more deep and meaningful relationship. Throughout the course of the film, the audience is shown the struggles encountered between these two teenagers in their search for romance. Although the film was created