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Affects of slavery on modern american music
The blues music history
The blues music history
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The Mississippi Delta was known for its fertile environment, perfect for growing the abundance of the nation’s cotton crop. Not only was the Delta known for its flourishing cotton supply, but for its budding music scene as well. Derivative from native African music, the blues blends together the use of old African language, tonal singing methods and the personal trials and tribulations of life in the south. Blues musicians of the Delta used their talents in order for to escape the tumultuous life of a sharecropper and make their way north. The blues was a perfect way for musicians like Robert Johnson, Muddy Waters, Howlin’ Wolf and countless others, to escape the racism and unfairness that plagued the south after the Civil War. The success of the blues would have never reached a worldwide magnitude if it was not for this “Great Migration” to the north, and the willingness of open minded record executives, taking a chance on some black musicians from the south. If it was not for these musicians, who knows who could have inspired bands like The Rolling Stones, the Band or even the Beatles. The shape of Rock and Roll today derives from music that cultivated from the Mississippi Delta. The music of the blues carries generations of history and African culture through it the simplest guitar riffs and the shortest line of lyrics. Palmer’s book details how the forever evolving genre that is the blues impacted decades of music while teaching people from all walks of life what it meant to be living a life of hardship in the Mississippi Delta, post-Civil War. Body: Palmer makes the argument, to understand blues, the listener must learn where the music came from. Leo Smith, stepson of Delta bluesman Alec Wallace describes the blues as “... ... middle of paper ... ... Deep Blues details the blues forever changed the American music scene. The Delta blues contains so much history behind its music, it becomes nearly impossible to mimic. The genre is forever evolving. Whether it comes through rock and roll, or any other American music, hints of blues pull through. When reading Palmer’s book, there is only so much musical terminology one can understand. To really learn about the blues, one would have to experience some of the music for themselves by just listening to it. Deep Blues would be a great read for any of those music enthusiasts that would like to learn the true roots of the blues. After reading Palmer’s book, the reader will come out with a greater knowledge and appreciation for the blues and all its historical intricacies involving African culture. Works Cited Palmer, Robert. Deep Blues. New York: Viking, 1981. Print.
For centuries, music has been defined by history, time, and place. To address this statement, Tom Zè, an influential songwriter during the Tropicália Movement, produced the revolutionary “Fabrication Defect” to challenge oppression as a result from the poor political and social conditions. On the other hand, David Ramsey discusses, in mixtape vignettes, the role of music to survive in New Orleans’ violent setting. Furthermore, “The Land where the Blues Began”, by Alan Lomax, is a film and perfect example to understand under what musical conditions profound ways of communication are made to stand the hard work of cotton plantations. As a result, music plays a crucial role in the sources’ cultures and its creation relies on particular conditions such as the social
In “Blame It On the Blues” the author Angela Davis, argues against critics, like Samuel Charters and Paul Oliver, who say that the Blues lacks social commentary or political protest, by saying that the Blues was a subtle protest against gender and racial inequality. Davis uses various songs from Ma Rainey and Bessie Smith to prove this.
As time progressed, music had to continue to evolve to keep up with the ever-changing styles. Blues slowly began to morph into Rock and Roll to engage people of a new era. While many changes occurred in creating Rock and Roll, it continued to carry undertones of the Blues. This can be heard while comparing Son House’s, “Walking Blues” and Elvis Presley’s, “Blue Moon of Kentucky.” These two songs show many similarities, while also having their own identities.
The development of Rock ‘n’ Roll in the late 1940s and early 1950s by young African Americans coincided with a sensitive time in America. Civil rights movements were under way around the country as African Americans struggles to gain equal treatment and the same access to resources as their white neighbors. As courts began to vote in favor of integration, tensions between whites and blacks escalated. As the catchy rhythm of Rock ‘n’ Roll began to cross racial boundaries many whites began to feel threatened by the music, claiming its role in promoting integration. This became especially problematic as their youth became especially drawn to ...
Blues has played an extreme role in todays’ music. The music genre of blues, helps us express ourselves in which you can feel it from the ubiquitous in the jazz to the blues scale and the specific chord progressions. To start off, the blues is musically originated by African Americans in the deep South of the United States. Growing up in a southern household, I was used to listening to a variety music, but blues was always most listened to. Every time I listen to blues, the lyrics often deal with personal adversity, and it goes far beyond pity.
The blues emerged as a distinct African-American musical form in the early twentieth century. It typically employed a twelve-bar framework and three-lined stanzas; its roots are based in early African-American songs, such as field hollers and work songs, and generally have a melancholy mood. The blues can be divided into many sub-genres, including Classical, Country, and Urban. The purpose of this paper is to focus on the careers of two of Classical blues most influential and legendary singers: Ma Rainey and Bessie Smith.
In both “Sonny’s Blues” and “The Weary Blues”, music serves as a form of catharsis; in “SB” Sonny is able to escape his troubled life, and in “WB” the Negro man expresses his sadness about his difficult life. The portrayal of music differs in that it’s more of a joyful presence in “SB” but a grim and depressing one in “WB”.
For many Americans, country isn’t just a type of music. It’s a lifestyle. From sippin’ sweet tea on the porch, drinking beer at a tailgate or driving a pick up down the backroads, country music has made its way into the hearts and minds of many Americans. It is one of the only truly home grown American art forms. Its relatability and wide appeal has made country music one of the most commercially successful and popular genres in the United States. Using the work of scholars Tichi, Pecknold, and Ellison, I will show how country music grew from its rural southern roots into an integral part of American culture.
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
For Stanley, the blues tell the stories of the African-American community. Some of the stories talk about the harshness of their lives, but they also talk about the good times they had. [People] play the blues to get rid of the blues not to get them." (Lamb, 1). When people play or even listen to the blues, they are letting all of their worries go. They are not worrying about their job, the bills, or their kids. They are just trying to enjoy the moment when the blues are playing. The blues are some people's release from the stresses of their lives.
8. V. Bogdanov, C. Woodstra, S. T. Erlewine. 2003. All Music Guide to the Blues: The Definitive
Musicologists have dated the ‘birth’ of blues to be around 1890 as a West African tradition involving blue indigo in which mourners at ceremonies would wear blue dyed attires to resemble their suffering . Although, blues derived from times of slavery, the Prohibition Era (1920’s), World War Two (1939-1945), and during the Vietnam War (predominantly 1960’s to 1970’s), it has been a continuously evolved form of music in America, in which the similarities have always remained; melancholy and protest.
The American Heritage Dictionary defines blues as (1) a state of depression or melancholy, and (2) a style of jazz evolved from southern American Negro secular songs. It is also inclusive of pensive reflection and contemplation which is descriptive of Baldwin's writing of Sonny's Blues.
The Roots of Blues Music Blues is a very important type of music. Most music that you hear today has some form of blues in it. If it wasn't for the blues there wouldn't be any rock and roll, country, rap, pop, or jazz . Blues is also important for African American culture. African Americans were also the people who started the blues.
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf