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Marshal Matt Dillon CHARACTER
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U.S. Marshall Matt Dillon as the Ideal American
The old-west lawman is an American hero and represents the ideals of American society. He is immediately thought of when one contemplates strength of character and other fine qualities. As an irreplaceable part of American tradition, his characteristics are looked upon as a model to all other Americans. Much of what is known about the old-west lawman comes from stories of fiction one of these being the radio program Gunsmoke. Matt Dillon, a U.S. Marshall, plays the lead role in this favorite American radio series. In each episode he beats the odds as he protects his home of Dodge City. Demonstrating the qualities of the old-west lawman, Matt Dillon, of Gunsmoke, is trusting, respectful, and courageous.
Even with all that is bad in the world, Dillon is still quick to trust. Unlike so many others, who automatically believe the worst about people, Dillon easily trusts a persons word. In the episode Potato Road Dillon gives Budge the benefit of the doubt even though he seems a little fishy. In the episode Robber Bride Groom, Dillon allows Jack and Laura, both of whom he had arrested, to leave town, because he trusted that they would do what is right. To support Dillons judgment, the listener is given no reason to consider that Jack and Laura wont live up to Dillons expectations. Even when others arent willing to trust people, Dillon is there to defend. For example, in The Liar from Blackhawk Dillon justifies his trust in the gunman traveling through town by saying: Hes a paid gunman, but Ive never known him to lie. In Dillons eyes everyone is innocent until proven guilty. This trust allows others to trust Dillon - if he has trust in you, why shouldnt you have trust in him.
Respect if something you must first give before one can receive it, and U.S. Marshal Matt Dillon lives by this principle. In Potato Road when Dillons sidekick, Chester, helps him save themselves and the town, Dillon is quick to give credit to Chester. Dillon himself is humble as he thanks Chester for his quick thinking and hard work. It could be considered easy to respect people who have just saved your life, however it shows trust strength of character to be respectful when someone is insulting you. Dillon displays this strength in Robber Bride Groom when Mr. Reeves demeans Dillon and his position as U.
When considering the attributes of the Old West lawman, the mind frequently turns to the lawmen made familiar through works of fiction, created for the purposes of entertainment. One specific example of such a fictional depiction of "the lawman" exists in the episodic radio series entitled, "Gunsmoke." In this series, Matt Dillon, the Sheriff of Dodge City, repeatedly exhibits many qualities, which could be labeled as stereotypical. After analyzing several Gunsmoke episodes, and reviewing the analyses of many others, one trait, which seems to be present in Matt Dillon, is that of invincibility. Matt Dillon shoots the "bad guy" but never gets shot. He is always victorious. He always wins. We can see this pattern exemplified in three diverse situations. First, Dillon always wins a face to face gunfight. Secondly, Dillon is victorious even when he is ambushed or unprepared for an attack. And finally, Dillon wins even when no physical violence or gunplay takes place.
Within the pages of One United People: The Federalist Papers and the National Idea, author Ed Millican dissects not only The Federalist piece by piece, but scrutinizes numerous works of other authors in regards to the papers written by Alexander Hamilton, James Madison, and John Jay. As a result, a strong conclusion asserts that the motives of The Federalist was to create a sturdy nation-state but above all, that American polity is far more complex than pluralism and a free-market economy.
Because of the outlaw hero’s definitive elements, society more so identifies with this myth. Ray said, “…the scarcity of mature heroes in American...
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
Madison was very concerned about the negative effects of factions: “[a]mong the numerous advantages promised by a well-constructed Union, none deserves to be more accurately developed than its tendency to break and control the violence of faction” (Federalist No. 10). In the most widely-read of the Federalist papers, Madison states that one of the strongest arguments in favor of the Constitution is the fact that, through a system of checks and balances, it
western lawman. His first experience as a lawman was as a constable of Lamar, Missouri
He addressed as one objective of the Union that was to become the United States “break[ing] and control[ing] the violence of faction”. Madison acknowledges prior failed attempts at establishing popular government, but he asserts that the American Constitution is one of stronger rhetoric that improves upon inherent flaws, such as “the instability, injustice, and confusion introduced into the public councils”. The new Constitution, Madison claims, is well equipped to reduce the malignant effects of faction. The method of representation that the Constitution details prevents “the public good [being] disregarded in the conflicts of rival parties”, with fortune favoring the “the superior force of an interested and overbearing majority”. It is necessary to note that Madison refrains from mentioning specific individuals and events throughout the essay; doing so reinforces the concept of republican democracy in that each individual, and not specific men, possesses the ability to influence public policy. Madison furthermore defines a faction to demonstrate his understanding, and that of the public’s, in the presence of a disease others deem detrimental to the preservation of the general public’s rights and interests. Madison does not present a distinct, succinct thesis in Federalist No. 10, though a statement resembling a thesis follows the definition of a faction. Madison states, “There are two methods of curing the
Though considerable effort has been made to classify Harriet Ann Jacobs'Incidents in the Life of a Slave Girl: Written by Herself as another example of the typical slave narrative, these efforts have in large part failed. Narrow adherence to this belief limits real appreciation of the text's depth and enables only partial understanding of the author herself Jacobs's story is her own, political yes, but personal as well. Although she does draw from the genre of her people, the slave narrative, to give life and limb to her appeal for the eradication of slavery in America, she simultaneously threads a captivity narrative, a romance, and a seduction novel through the text as well.
numerous types of themes. Much of the work concentrates on the underlining ideas beneath the stories. In the narratives, fugitives and ex-slaves appealed to the humanity they shared with their readers during these times, men being lynched and marked all over and women being the subject of grueling rapes. "The slave narrative of Frederick Douglas" and "Harriet Jacobs: Incidents in the Life of a Slave Girl" themes come from the existence of the slaves morality that they are forced compromise to live. Both narrators show slave narratives in the point of view of both "men and women slaves that had to deal with physical, mental, and moral abuse during the times of slavery." (Lee 44)
I will begin with a comparison of the two books, “Narrative of the Life of Frederick Douglass, an American Slave” and “Harriett Ann Jacobs, Incidents in the Life of a Slave Girl” with their title pages. Douglass’s title is announcing that his entire “life” as an “American Slave” will be examined. While, Jacobs’s title offers a contrast and proclaims that this will not be the story of her full life, but a selection of “incidents” that occurred at specific times in her life. Jacobs refers to herself in the title as a “slave girl,” and not an “American slave,”. It is the voice of a woman telling the story of having survived a horrifying childhood and identifies herself as a slave mother. Douglass’ and Jacobs’ works symbolize the pressure between
Respect to me is admiring someone for their abilities, qualities, or achievements. I think respect is always earned an can never be given. As soldiers soldiers we should always respect our peers because they have made the same sacrifice as us. But as soldiers we should have a higher level of respect for our NCOs because they have done their time an have earned it. Being respectful is not hard it is simple, just treat others the way we would like to be treated ourselves.
...nessing “the power of nanotechnology” to radically change the way we diagnose, treat, and prevent cancer.” The most likely method implemented will by the use of nanovectors for targeted delivery of anticancer drugs, and then heating nanoparticles that are attached to cancer cells so that the cancer cells explode. (5, 9) There are still many obstacles that must be overcome before this is a reality: from the ethical concern by some that nanobots will take control of the body to the more practical problem that this method of treatment will be very expensive and funding will be an issue. (6) But with millions of people suffering from some form of cancer, scientists are searching for cures and treatments and nanotechnology offers the greatest promise. One day, cancer may be completely curable thanks to nanotechnology which is something everyone would benefit from.
Few Hollywood film makers have captured America’s Wild West history as depicted in the movies, Rio Bravo and El Dorado. Most Western movies had fairly simple but very similar plots, including personal conflicts, land rights, crimes and of course, failed romances that typically led to drinking more alcoholic beverages than could respectfully be consumed by any one person, as they attempted to drown their sorrows away. The 1958 Rio Bravo and 1967 El Dorado Western movies directed by Howard Hawks, and starring John Wayne have a similar theme and plot. They tell the story of a sheriff and three of his deputies, as they stand alone against adversity in the name of the law. Western movies like these two have forever left a memorable and lasting impressions in the memory of every viewer, with its gunfighters, action filled saloons and sardonic showdowns all in the name of masculinity, revenge and unlawful aggressive behavior. Featuring some of the most famous backdrops in the world ranging from the rustic Red Rock Mountains of Monument Valley in Utah, to the jagged snow capped Mountain tops of the Teton Range in Wyoming, gun-slinging cowboys out in search of mischief and most often at their own misfortune traveled far and wide, seeking one dangerous encounter after another, and unfortunately, ending in their own demise.
During the birth of the new nation, the Founding Fathers sought to construct a system of checks and balances which were catalyzed by the common fear of tyrannical government and based upon the ideologies of the Enlightenment. In 1787, while the infant nation was wobbling on the weak footings of the Articles of Confederation, the Constitutional Convention was adjourned and disputes around power and representation mustered new plans for the future. Although the Convention intended to revise and rework the Articles, James Madison, alongside...
The following paper will discuss the branches of the United States government. The paper will include reasons why our forefathers divided the government into the legislative, judicial, and presidential branches; how the branches interact with each other and how the braches are balanced in power. This paper will also discuss the success of the three branches and how conflict arose between supporters of a strong federal government versus supporters of states’ rights. Finally, the paper will include possible suggestions of different efficiency designs along the way.