Over the years, the American Dream has transformed from the quaint desire of owning land into the avarice cravings of fame and fortune. In “Two Kinds” by Amy Tan, Jing-mei and her mother are the quintessential story of a fame-hungry mom who desperately wants her daughter to be a prodigy. Jing-mei’s mother migrated from China to America with the dreams of a better life, so she tries to live through the life of her daughter. Jing-mei goes along with this, living under the watchful and controlling eyes of her mother. Throughout the story, Jing-mei becomes sick of having this suppressing lifestyle. Jing-mei evolves from mindlessly following the fanatical ideas of fame to whole-heartedly resenting them, revealing how her loss of innocence causes her to lose faith in the American Dream.
In the beginning of the story, Jing-mei complies with her mother’s tests of prodigiousness which shows her naive nature. At first, Jing-mei is immensely enthusiastic to be a prodigy in many different types of fields. Jing-mei’s mother is extremely animated and electrified by the ideas of fame, but Jing-mei “[is] just as excited as [her] mother, maybe even more so” (1). Jing-mei supports her mother’s dreams for her. Jing-mei sees the fame as “exciting” and is willing to go through her mother’s
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Her mother desperately tries to live the life of America through her daughter, since she has come from China and is looking for a better life with her daughter. In “Two Kinds” by Amy Tan, Jing-mei and her mother are the exact representation of a glory-eager mother, wanting her daughter to be a sensation. The simple of act associating land to one's name over the years, transformed into the unrealistic appetite for wealth and recognition, was the American Dream for many, but achievable by
Since "You could be anything you wanted to be in America" (Tan 348) Jing-Meis' mother thought that meant that you had to be a prodigy. While that makes "Everything [sound] too simple and too easily achieved; [Jing-Mei] does not paint a picture of her mother as ignorant or silly" (Brent). In fact, in the beginning, Jing-Mei and her mother are both trying to "Pick the right kind of prodigy" (Tan 349). "In the beginning, [she] was just as excited as [her] mother,"(Tan 349) she wanted to be a prodigy, she wanted to "become perfect [she wanted her] mother and father to adore [her]"(Tan 349). As she strived to achieve perfection she and her mother would try many different things to try and find the "right kind of prodigy" (Tan 349).
Zia, Helen. "Surrogate Slaves to American Dreamers." Asian American Dreams: The Emergence of an American People. New York: Farrar, Straus, and Giroux, 2000. N. pag. Print.
Justina Chen Headley explores in her book Nothing but the Truth (and a few white lies) the search for her protagonist’s identity, Patty Ho, which is a part Taiwanese, part American girl. Headley displays the mother as a one-dimensional parent who is holding onto conservative and traditional Taiwanese values, and is imposing her cultural values onto her daughter as a justification for her strict parenting style.
A mother drives her three kids to soccer practice in a Ford minivan while her husband stays at the office, rushing to finish a report. Meanwhile, a young woman prays her son makes his way home from the local grocery without getting held up at knife point by the local gang. Nearby, an immigrant finishes another 14-hour shift at the auto parts factory, trying to provide for his wife and child, struggling to make way in a new land. Later, a city girl hails a cab to meet her girlfriends at their favorite club to celebrate her new promotion over cosmopolitans. These people – the suburban soccer mom, the tired immigrant, the worried mother from the hood, and the successful city girl – each represent the different realities or fantasies that exist in the American society. They are all living or working towards what they believe to be the coveted American dream. Some of these people are similar to the Chinese immigrant, Ralph, in Gish Jen’s novel Typical American. However, all are confused as to what the American dream really is and whether or not the dream is real.
The story "Two Kinds" by Amy Tan is about a mother and daughter who have strong conflicting ideas about what it means to have a sense of self. This may be partly due to the mother growing up in China, which is a very different culture than the American culture where endless opportunities are available to anyone who wants to pursue them. Jing-mei's mother wants her daughter to be the best, a prodigy of sorts, and to have the kind of life, full of hopes and dreams that she did not have. In the beginning of the story Jing-mei liked the idea of becoming a prodigy however, the prodigy in her became impatient. "If you don't hurry up and get me out of here, I'm disappearing for good." It warned. "And then you'll always be nothing" (500). After disappointing her mother several times Jing-mei started to detest the idea of becoming a prodigy. The idea Jing-mei's mother had for her to become a prodigy was too much pressure for a small child and was something that Jing-mei was clearly not ready to be. As a result the pressure that her mother laid upon her only made Jing-mei rebel against her mother and she resisted in giving her best. Jing-mei did this because she only wanted her mother's love and acceptance for who she was not only what she could become. Furthermore, Jing-mei's point of view of being the kind of person that one can be proud of was very different from her mother's point of view.
Our mothers have played very valuable roles in making us who we are and what we have become of ourselves. They have been the shoulder we can lean on when there is no one else to turn to. They have been the ones we can count on when there is no one else. They have been the ones who love us for who we are and forgive us when no one else wouldn’t. In Amy Tan’s “Two Kinds,” the character Jing-mei experiences being raised by a mother who has overwhelming expectations for her daughter, which causes Jing-mei to struggle with who she wants to be.
In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.
"My mother believed you could be anything you wanted to be in America" (491). This ideology inspired Jing-mei’s mother to work hard to create a better life for herself and her family in a new country. The search of the American dream exerts a powerful influence on new arrivals in the United States. However, realizing that they may not achieve the dream of material success and social acceptance, parents tend to transfer that burden to their children. It is a burden where dreams usually fall short of expectations.
When she arrives, she feels somehow proud to be Chinese. But her main reason why she went back home is to reflect her mother past life on her present life. Through the setting and her relatives, Jing Mei learns the nature of Chinese American culture. The main setting takes place in China, effects of the main character’s point of view through changing her sense of culture and identity. The time period plays a large role on the story, there is disconnect between the mother and daughter who came from different culture. In “A Pair of Tickets”, we learn it’s a first person narrator, we also learn detail of what the narrator is thinking about, detail of her past and how life compared to China and the US are very different. The theme is associated with the motherland and also has to deal with her mother’s death and half sisters. Her imagination of her sister transforming into adult, she also expected them to dresses and talk different. She also saw herself transforming, the DNA of Chinese running through her blood. In her own mind, from a distance she thinks Shanghai, the city of China looks like a major American city. Amy Tan used positive imagery of consumerism to drive home her themes of culture and identity, discovering her ancestral
For many of us growing up, our mothers have been a part of who we are. They have been there when our world was falling apart, when we fell ill to the flu, and most importantly, the one to love us when we needed it the most. In “Two Kinds” by Amy Tan, it begins with a brief introduction to one mother’s interpretation of the American Dream. Losing her family in China, she now hopes to recapture part of her loss through her daughter. However, the young girl, Ni Kan, mimics her mother’s dreams and ultimately rebels against them.
In American Born Chinese, three separate stories are told by author Gene Luen Yang. Each story uses different plot elements to connect with the reader’s emotions. In Jim Wang’s story of a school boy trying to fit in, foreshadowing is used. In Danny’s story of a popular teenage boy whose Chinese cousin embarrasses him, conflict is present. Finally, in the Monkey King’s story about a god trying to earn his place in the heavens inciting incidents are used. Overall, Yang succeeds in telling all three stories with these plot elements.
Gish Jen’s “Who’s Irish and Amy Tan’s “Two Kinds” both entail two different stories with similar symbols and themes, these stories also demonstrate a vast amount of cultural differences. In “Who’s Irish” the Chinese grandmother has opposing views on her son-in-law and his inability to get a job, as well as how her granddaughter should be raised. “Two Kinds” depicts the lifestyle a Chinese mother is trying to create for her young daughter, as all she wants is for her to become a young piano prodigy and not waste the opportunity of the American Dream. Nonetheless they share several attributes that set them apart from each other as they exhibit parallel battles, characters and story lines. It is evident in the text that both mothers represent oppressive and authoritarian personalities which end up getting in the way of their relationships with their daughters. Given both narrators’ unique characteristics and continuous consistency of personalities the audience will be able to set them apart and understand the different cultures in which the narrator’s were raised.
In “Two Kinds” by Amy Tan and “The Lesson” by Toni Cade Bambara both protagonists have to make choices on how to live their lives in society. In “Two Kinds”, the subject matter are mothers who were born in China want their daughters born in America to follow their Chinese heritage and use American predictions to become successful. The story line is Jing Mei’s mother wants her to become a piano prodigy. Jing-Mei wants to live her own life and not let her mother have control over it. The historical background is when Chinese immigration began toward the end of the 19th century. The majority of Chinese immigrants came to San Francisco. In “The Lesson” the subject matter is wealth is not equally distributed in society. The story line is when Sylvia realizes the inequality that is happening in the world. Sylvia accepts it and isn’t sure where she stands in society. The historical background is during the 1950’ s-1960 the Civil Rights Movement was created to stop discrimination in the United States. In “Two Kinds” the mother and daughter relationship is unbalanced. The mother, Suyuan, believes Jing Mei can accomplish the American dream and become successful. In “The Lesson”, the story focuses on poverty and wealth in the world. Miss Moore wants Sylvia to fight against the inequalities and improve her status in life. An observation of the way Jing-Mei, the protagonist in “Two Kinds” by Amy Tan, and Sylvia, the protagonist of “The Lesson” are both struggling to fit in society and wanting acceptance.
...ith Jing Mei and her mother, it is compounded by the fact that there are dual nationalities involved as well. Not only did the mother’s good intentions bring about failure and disappointment from Jing Mei, but rooted in her mother’s culture was the belief that children are to be obedient and give respect to their elders. "Only two kinds of daughters.....those who are obedient and those who follow their own mind!" (Tan1) is the comment made by her mother when Jing Mei refuses to continue with piano lessons. In the end, this story shows that not only is the mother-daughter relationship intricately complex but is made even more so with cultural and generational differences added to the mix.
In Amy Tan 's Two Kinds, Jing-mei and her mother show how through generations a relationship of understanding can be lost when traditions, dreams, and pride do not take into account individuality. By applying the concepts of Virginia Woolf, Elaine Showalter, and the three stages of feminism, one can analyze the discourse Tan uses in the story and its connection to basic feminist principles.