Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Comparison of Dracula and Twilight
Comparison of Dracula and Twilight
Comparison of Dracula and Twilight
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Comparison of Dracula and Twilight
Dracula was based on the idea of vampirism, xenophobia, and sexual tensions. This book related me to the movies of Twilight. Although I never read the Twilight books, whenever vampirism comes to mind I think of Twilight. There are many reasons for this and one is that Edward in Twilight was turned into a vampire much like what Dracula is doing in the book. When relating Twilight and Dracula the things that come to mind are contemporary issues along with values. They both have deep involvement with cultural anxieties when it comes to the idea of human identity along with the process of change and the stability of cultural formation. What we feel like a vampire is now compared to Stoker’s version isn’t the same idea as vampires were portrayed in the 19th century. …show more content…
Also, vampires were shown to be much more vicious in the 19th century. However, these books are still more similar than one might think. They both use Gothic characters including werewolves, vampires, Byronic heroes, maidens, etc. When considering a maiden one would believe that Bella in Twilight as her blood, personality, and every trait of her is that of fragility and purity fits the role. In fact, Twilight does use more gothic characters than Dracula used. As for location, Dracula and Twilight are both in areas that are remote. Dracula took place in Transylvania which is a place that is actually a nightmare and only heard of by people. Twilight is in Forks which is very similar because it too is remote and gives the audience the idea that such a place might
In The Lost Boys there are similar occurrences and references to both of the novel Dracula, by Bram Stoker and Peter Pan, by Sir James Barrie. There are many similarities between the three story lines. In the stories of all three works there is a common thread of story it all started with Dracula.
Another difference between the play and novel, was that, at the very end, Dracula was finally killed (i.e. stake put through his heart) by Mina. In the novel, she was incapacitated (not decapitated HA) and Harker and Morris killed Dracula.
To date, the closest adaptation of the original novel is Francis Ford Coppola’s Bram Stoker’s Dracula. The basic overview of the story has the departure of Jonathan Harker from his fiancée Mina Murray in London, visiting Transylvania where he has an encounter with the evil Dracula. In England we are introduced to the characters of Lucy, a socialite, and her three suitors. Through terror Jonathan escapes back home, while Dracula arrives in London where he attacks Lucy, Mina’s friend, and Mina herself. Dr. Van Helsing arrives as help with the unknown, and in the end a climatic battle in the Transylvanian Castle Dracula takes place. Dracula is an epistolary novel that consists of journal entries, letters, telegram, phonographic recordings of Dr. Seward, and excerpts from newspaper articles, meaning it was written from a number of perspectives. The film has done its best to this and is witnessed through a variety of viewpoints.
Religion was the core of his tale, and modeled it. On one side were the humans and on the other Dracula. Through their struggles to defeat the monster, they experienced changes in gender roles, which was also present in real time.
“Dracula, in one aspect, is a novel about the types of Victorian women and the representation of them in Victorian English society” (Humphrey). Through Mina, Lucy and the daughters of Dracula, Stoker symbolizes three different types of woman: the pure, the tempted and the impure. “Although Mina and Lucy possess similar qualities there is striking difference between the two” (Humphrey). Mina is the ideal 19th century Victorian woman; she is chaste, loyal and intelligent. On the other hand, Lucy’s ideal Victorian characteristics began to fade as she transformed from human to vampire and eventually those characteristics disappeared altogether. Lucy no longer embodied the Victorian woman and instead, “the swe...
Dracula, a gothic novel by Bram Stoker, prominently displays three gothic motifs -- the supernatural, entrapment, and nightmares. Throughout the entirety of the novel, the main characters were being harmed or attempting to destroy the vampire, Count Dracula. Without this supernatural character there would not have been a plot line to the story. Count Dracula makes his victims feel physically entrapped as well as entrapped in their own mind. The characters in the novel that had direct interaction with Dracula seem to confuse reality with nightmares, making it hard for them to understand what was happening to them. Without these three main gothic motifs Dracula would not portray the same message.
On the surface, Dracula is a story of the battle of good and evil, however it has many other attributes. Christian Redemption, science and technology, and sexual expression, among many others, are ideas that Stoker explores in his book. The themes that Stoker chooses to portray are representative of the Victorian Era ideals. The many themes that are present in Dracula are brilliantly entangled within the plot.
While Bram Stoker’s Dracula has been described as the “quintessence of evil creatures we meet in our everyday lives” and “the Darkness” in the hearts of men (Herbert, 2004, pp. 62), Stephanie Meyer’s Twilight
to Bram Stokers story as myself to a chimp. If it was named 'Parody Of
The legend of the vampire has emerged countless times within human imagination over the past few centuries. The first available representation of the mythical creature in prose fiction can be found in John Polidori’s “The Vampyre” (1810). It was not until eight decades later that Bram Stoker popularized the existence of this figure with the publication of “Dracula” in 1897. The folklore of the vampire has come a long way since and can be found in today’s popular media more frequently than ever before. However, with due course of time, the representation of the creature has taken alternate routes and today’s vampires are noticeable different – socially and physically – from their predecessors. One effective path to trace this transformation is to compare arguably modern day’s most famous representation of the vampire, Stephanie Meyer’s “Twilight” with “Dracula”, the foundation from which a large number of modern works draw inspiration. Examining this comparison closely, one finds that a new socially acceptable, sexually abstinent and desirable creature is fast replacing the fearsome and sexually voracious monster, as depicted in early tales of the vampire.
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre; These factors include setting, actions of each vampire, the initial reactions to news of them, and how their presence affects the people who live within the region the vampires inhabit.
The biggest difference is the fact that unlike in the earlier vampire tales, modern vampires are perceived as inhumanly attractive. Afterall, Dracula is described as a “tall old man, clean shaven save for a long white mustache, and clad in black from head to foot, without a single speck of color about him anywhere.” (Dracula, 42). Whereas in Twilight, “Everyone of them was chalky pale… They all had very dark eyes despite the range in their hair...were all, devastatingly, inhumanly beautiful.” (Twilight, 18-19). Another dissimilarity is that Dracula does not have a reflection. While Jonathan Harker may be unable to see the Count in his mirror, in Twilight, Edward shows up in pictures and has a reflection. Lastly, another major difference between the two kinds of vampires lies in their sleeping habits. Twilight vampires do not sleep in coffins, in fact, they do not sleep at all. But in Dracula, Jonathan discovers the count sleeping in a
Dracula by Bram Stoker is an authentic Gothic novel that manages to hit on every Gothic literature aspect. Gothic literature is usually set in an isolated setting and has a dark, mysterious, and evil tone. In this type of literature, there are usually dark castles, palaces, presences of supernatural beings, and religion. The book Dracula is about a Count from Transylvania that goes to London in search of new victims and a group of Victorian citizens who end up defeating him and his evil ways. The use of setting and atmosphere in Dracula is filled with a world full of mystery and fear. Bram Stoker manages to capture the Gothic element with his use of castles, symbols, and isolated setting.
The similarities between the two novels are namely Gothic imagery and theme, but the Gothic mood predominates in Dracula over Twilight and it is this difference that makes Twilight not belong in the vampire canon. Horror is the element that Dracula possesses that Edward does not, and it is crucial in the interplay between transgression and limit. So what makes Dracula monstrous and Edward not? Broadly, Dracula is distancing himself from human form while Edward progresses toward human form.
As you look back on the history of vampires, you see that it did not start like it looks now. Nowadays, when people think of vampires, most people connect them to very attractive, misunderstood, mysterious temptresses. Although when you tie it back to the original vampire character, there is no comparison. Dracula is said to be the most accurate kinds of archetype tieing back to the 19th century, when talking about these creatures because he is the definition of blood-sucking, vicious, and supernatural kind of vampire. Dracula only thought about when the next time he was going to get a human to kill, and be able to survive.