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Analysis for twelfth night shakespeare
Shakespeare's thoughts about gender roles in his plays
Shakespeare's thoughts about gender roles in his plays
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Recommended: Analysis for twelfth night shakespeare
Malvolio is not as innocent as he claims to be. In William Shakespeare’s play, Twelfth Night, there are several characters, each with their own unique personality. One that stands out is Malvolio, the head butler of the house in Lady Olivia’s estate. He is ponderous, insensitive, and egotistical. If Sir Toby, Sir Andrew, Maria, or Feste the fool are ever in his sight, he ridicules them to make himself feel as if he were above them in power. When Malvolio is around Lady Olivia, he treats her with respect and as a loyal advisor when needed. Malvolio constantly wishes the worst when it comes to Sir Toby, Sir Andrew, Maria, and Feste. He sees them as an intolerable bunch. He thinks of what he can do dispose of them or put them to work, like they …show more content…
Who is Feste to play god, deciding whether to punish him or how. He shows sympathy to Malvolio when fetching a paper, pen, and candle to write a letter to Olivia asking for his release. This shows a new side of Feste. Even though he is considered a fool, he is still a man with a kind heart. The scheme is revealed when everyone is gathered in the foyer. Malvolio confronts Olivia, asking why she locked him up for she left the letter for him. He is angered and cannot believe the trick they had played him, including the humiliation. “I’ll be revenged on the whole pack of you!” (Shakespeare, William. “Act 5, SC. 1. Ln. 401”). This proves that Malvolio is still the same person and has not changed. Throughout the entire play, Twelfth Night, it never crossed Malvolio’s mind that a situation like this could have occurred to him. They say that what goes around, comes around, like Karma. Though, the truth is revealed and the reasons why, he shows that he did not learn his lesson and is still bullheaded. In another universe, he is the opposite of ponderous, insensitive, and egotistical, and loved by all; but not in this one. If Malvolio was different, he could of ended up with a happy ending just like Viola, Sebastian, Olivia, and Orsino did. Like they say, you can’t teach old dogs new
In The Twelfth Night Maria (Olivia’s clever servant) plays and awful trick on Malvolio (Olivia's steward). According to the play, Maria devilishly states, “...I will drop in his way some obscure epistles of love… I can write very like my lady...” (2.3.143-147).
His inflated ego has lead him to misinterpret Lady Olivia’s feelings for him-or rather, her lack of feelings. Although he already has the notion that he should end up with the Lady, he is fooled by Sir Toby, Maria, and Sir Andrew, believing Olivia feels the same for him. The tricksters deliberately write a letter indirectly addressed to Malvolio, divulging “Olivia’s” hidden love for the steward. Without giving much thought to the credibility of this discovered letter, Malvolio follows its enclosed instructions, unwittingly earning the real Lady Olivia’s disfavor (2.5.91-195). “This and his continuous disapproval of Sir Toby and Sir Andrew's drinking, earn him their hatred and he quickly becomes their pawn in a complex romantic ruse” (Review at Absolute
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by almost everyone in the play. He doesn’t act the same way that any of the other characters act, in that he doesn’t participate in any of their activities, he enforces rules that the others could care less about, and he is just overall a socially awkward guy. Malvolio not only claims to adhere to the rules of the household himself, but uses his relations with Olivia to try and help make the others follow the rules as well. This upsets certain characters more than others. For instance Sir Toby, Sir Andrew and Maria find his behavior particularly detestable. But Malvolio’s strict coherence to the rules allows him to have a rather high position in Olivia’s household. While Malvolio may be considered a social outcast to most of the characters in the play, Olivia considers Malvolio to be a very trusted steward of her household. For these reasons Malvolio is not only a social outcast, but an outcast that Shakespeare uses to keep people interested in his play.
... He speaks to Viola, before Feste, Olivia’s Jester, sings to signal the ending. “Cesario, come – For so you shall be while you are a man; But when in other habits you are seen Orsino’s mistress and his fancy’s queen.” The characters in Twelfth Night each play an important and specific role, especially when it comes to interfering or setting fate for romantic interests.
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by everyone else in the play except Olivia. He doesn’t act the same way that any of the other characters act, and he seems to be a real stickler for the rules, which upsets certain characters more than others. But it is this strict coherence to the rules that allows Malvolio to have such a high position in Olivia’s household. While Malvolio may be considered an outcast to most of the characters in the play, Olivia shows concern for Malvolio and his well-being.
...s garters. While Malvolio is reading the letter in the gardens, Maria, Sir Andrew Aguecheek and Sir Toby Belch are all eavesdropping and laughing at how he’s falling for it. After that Malvolio goes to see Olivia, and gets locked in the jail for acting crazy.
Malvolio’s unfortunate issue is a warning tale of ambition overcoming good sense. At the close of the play, he is brought out of the darkness into a celebration in which he has no part, and where no one seems willing to offer him a real apology. “I’ll be revenged on the whole pack of you,” he snarls, stalking out of the festivities (V.i.365). His exit strikes a jarring note in an otherwise joyful comedy. Unfortunately, I do not believe Malvolio has no real place in the anarchic world of Twelfth Night, only to suggest that333 someone must suffer while everyone else is happy.
The reading of the letter creates comedy the requests are outrageous. Malvolio is told to wear yellow cross-gartered stockings "to be opposite with kinsman, surly with servants" and to constantly smile. The thought of this is hilarious considering that Malvolio is a strict puritan and is very malice towards others.
Feste, the fool character in Twelfth Night, in many ways represents a playwright figure, and embodies the reach and tools of the theater. He criticizes, manipulates and entertains the other characters while causing them to reflect on their life situations, which is similar to the way a playwright such as Shakespeare interacts with his audience. Furthermore, more so than the other characters in the play he accomplishes this in a highly performative way, involving song and clever wordplay that must be decoded, and is thus particularly reflective of the mechanisms at the command of the playwright. Feste is a representation of the medieval fool figure, who is empowered by his low status and able to speak the truth of the kingdom. A playwright speaks the truth by using actors and fictional characters, who are in a parallel low status in comparison to the audience, as they lack the dimensionality of real people. Thus, the role Feste plays in the lives of the characters in the play resembles the role the play itself plays in the lives of the audience watching the performance. This essay will explore this comparison first by analyzing similarities between the way in which Feste interacts with other characters and the way the playwright interact with the audience, and then focus on the similarities between the aims and content of these interactions.
The antagonist of Twelfth Night is Sir Toby Belch because he tries to control Olivia’s life. Even though some may consider him a partier and jokester, he is also kind of a jerk. First he takes advantage of his nieces and Sir Andrew’s wealth. Sir Toby also wants Olivia to marry Sir Andrew so he can have more money for himself. He seeks revenge upon Malvolio by writing a phony love letter convincing Malvolio to perform hideous acts for Olivia’s love. Sir Toby knows Olivia will not put up with such acts and Malvolio was sent to the dark room for his insanity.
Feste is able to prevent any delusions of grandeur by a reminder that foolishness is a condition common to all mankind whether one is king or servant. It is Malvolio's vanity that convinces Feste to take part in the joke played on the steward. As "Sir Topas", and Malvolio's `prosecutor` Feste attempted to help Malvolio realize that there was "no darkness but ignorance".
In Twelfth Night the relationships are anything but romantic. Shakespeare writes from the male point of view which implies an un-easy split between love and physical charm. In Twelfth night the romance is falsely produced by selfish desire. Duke Orsino and Viola stand out from the other relationships. By questioning the relationships between the other couples, Shakespeare highlights the true love between Viola and Orsino and the fake relationship of Malvolio and Olivia which is truly based on Malvolio’s desire of a higher status , despite his status and his personality , Malvolio tries to impress Olivia by dressing up in ridiculous clothes , which does far from his aim , and repulses Olivia.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...
William Shakespeare's, Twelfth Night has many themes, but appearance vs. reality is the theme that illustrates a different picture from two perspectives, there are many characters behind their masks and disguises. Some are hiding love behind these disguises and some are trying to show their love through a different disguise. They both still being servants are using disguise differently. Malvolio, servant of Olivia, falls in love with the trap (the letter) thinking his lady likes him, and to show his love he uses a different appearance to express it. Viola, servant of Orsino, falls in love with him, but secretly, not wanting to express her love for him, because of her disguise as her barrier for that case. Viola/Ceasario is wearing a disguise and secretly loves Orsino. Malvolio, on the other hand, is also a servant but still changes his appearance to express love for the great lady Olivia. This essay will prove that disguises and appearances are symbolic of the characters named Viola and Malvolio and are differently used for both.
Malvolio also promises revenge on those who played the trick on him and his last words symbolise parts of the darker side of Illyria: ' I'll be revenged on the whole pack of you' Disguise is the main plot in Twelfth Night and without it the storyline would not have been possible as disguise was needed in order to create the Orsino, Viola, Olivia love triangle. This is the main event in the play which is created by disguise. Disguise is also used to bring in humour and confusion to the plot without which Twelfth Night would not be the notorious and famous play as we know it today.