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The portrayal of women in Shakespeare's plays
Shakespeare's use of language
Depiction and treatment of women in Shakespeare plays
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Recommended: The portrayal of women in Shakespeare's plays
Shakespeare considers men and women in a variety of contexts in his plays; while demonstrating how language is key to understanding gender and challenging sexism. While being a man' or `being a woman' cannot be reduced to stereotypes or traditional mannerisms it is difficult to objectively establish what makes one a man or woman outside of their genitalia because awareness about gender is produced and duplicated within a patriarchal social order. In prominent plays such as Twelfth Night, & Venus & Adonis he displays his manipulation of language and its ability to not only perpetuate but establish gender and produce sexism as a social reality.
Sexuality and gender are conspicuous themes in Shakespeare’s plays. Both sexuality and gender are
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This is exemplified in the opening scene with the Duke of Illyria yearning for the affection of Lady Olivia. He awkwardly fumbles the expression of his emotions in the plays opening lines, he states “If music be the food of love, play on. Give me excess of it, that, surfeiting, the appetite may sicken and so die. (1.1.1-3) He attempts to convey his feelings with a comparison to music. He believes that it can remove heartache and like food it can provide the proper nourishment needed. This serves as an indicator of masculine presence. Shakespeare’s male characters appear unfamiliar with not only their emotions, but they lack in self-knowledge. Unlike the female characters who seemingly have a distinct understanding of self-awareness and their …show more content…
Shakespeare’s Venus does not fit society’s traditional charactization of a woman at the time. When illustrating her to the audience he describes her as having soft skin and smooth hands, but then he begins to identify her by terms typically associated with men when interested in pursuing someone of interest. It is clear that Venus' is both beautiful and lovey as she is the Goddess of love however, Shakespeare provides her with what we consider masculine features that portray her as more masculine than Adonis resulting in her appearing more
William Shakespeare’s writing reflected and at times emphasized the gender oriented stereotypical roles and responsibilities of the English Renaissance. However, many Shakespearean characters including Benedick and Beatrice of Much Ado About Nothing challenged the standard image and characteristics of men and women.
This paper will look at the different conceptions highlighted by Bulman in his article through the use of different methods used by the actors in the play. Twelfth Night, by William Shakespeare captures the different conceptions of gender identity and different sexualities within the Elizabethan period.
Imagine being a woman in sixteenth century Europe. Females were raised to believe that they were subservient and that men knew better on any subject. Basically, women had no rights. They were considered property, first “owned” by their fathers and then control was “transferred” to the husband chosen for them. Marriage was not about love, but in most cases, it was a business deal that was mutually beneficial to both families – an interesting fact is that like young women, most young men had no choice in the selection of their future betrothed. These traditions and the gender roles assumed by men and women at that time had an impact on Shakespeare’s writing and performances and a great example of this is evident in A Midsummer Night’s Dream.
Greene, Gayle. "‘This That You Call Love': Sexual and Social Tragedy in Othello." in Shakespeare and Gender: A History. Deborah E. Baker and Ivo Kamps. New York: Verso, 1995. 47-62.
Shakespeare is debatably the greatest poet and writer of all time. However, that does not mean that these plays adapt to the changing times. In Shakespeare’s, Othello, gender plays a large role in understanding the culture of the time and makes the play out of date, if not used properly. Understanding the gender roles and how they are defined in Shakespeare’s culture, looking at each individual women in the play, and the way Shakespeare should be taught today in order to adapt to the times allows readers a deeper appreciation of Shakespeare’s work. Shakespeare is a wonderful artist and writer. Used properly, students today can learn thousands of lessons and insightful ways to insult one another from the great play writer. “Students have trouble
Barbara A. Mowat and Paul Werstine comment in the Introduction to Shakespeare: Othello that sexism is a big factor in the play:
Born on approximately April 23, 1564 in Stratford-upon-Avon, England, William Shakespeare is considered by many to have been the greatest writer the English language has ever known. His literary legacy included 37 plays, 154 sonnets, and five major poems. Among his many plays is the notable, Twelfth Night, a romantic comedy, placed in a festive atmosphere in which three couples are brought together happily.
The portrayal of gender roles in William Shakespeare’s play Othello, demonstrates the inferior treatment of women and the certain stereotypes of men placed on them by society. Both the male and female characters in the play have these certain gender expectations placed on them. In a society dominated by men, it is understood that the women are to be seen rather than heard. The women are referred to and treated much like property. If indeed they do speak up, they are quickly silenced. One woman’s attempt to be the perfect wife is what ultimately led to her demise. The expectations of men are equally stereotypical. Men are to be leaders and to be in control and dominant especially over the women. The male characters compete for position and use the female characters in the play as leverage to manipulate each other. Shakespeare provides insight in understanding the outcomes of the men and women who are faced with the pressures of trying to live up to society’s expectations, not only in the workplace, but also in the home. The pressure creates jealousy issues amongst the men and they become blind to the voice of reason and are overtaken by jealous rage, leads to the death of many of the characters.
Male characters sexualize the female characters to fulfill their own sexual desires and possessive and dominant members in society. They are constantly sexualized and degraded through speech and action, while denied rights to speak, act, and think for themselves. Men view women as nothing more than objects at their disposal, for their pleasure, and their success. According to Cixous, male writing, one such as Shakespeare’s, “has been run by libidinal and cultural - hence political, typically masculine-economy; that it is a locus where the repression of women has been perpetuated, over and over, more or less consciously, and in a manner that’s frightening since it’s often hidden and adorn” (T&C 1945). By this, she means male writers inaccurately portray women across their works because they cannot ever be inside the mind of a woman. Therefore, in order to accurately portray women in writing and more specifically theatre, female writers must produce an honest
The general public may also have preferred strength in female characters as a reflection of pride for their beloved monarch who was one of the few highly competent English rulers in spite of her gender and the sexism of the time in which she lived. Regardless of his reasoning for scripting women the way he did, Shakespeare was most certainly an advocate for feminism when he wrote A Midsummer Night's Dream. From the feminist perspective, liberal thinking and open-mindedness like William Shakespeare are welcome to invade our modern literature and lives for the next four hundred years. Works Cited Greene, Lenz, Neely, eds., pp. 113-117
The Impact of Gender on Shakespeare’s Othello. In the book “Gender Trouble” (1990), feminist theorist Judith Butler explains “gender is not only a social construct, but also a kind of performance such as a show we put on, a costume or disguise we wear” (Butler). In other words, gender is a performance, an act, and costumes, not the main aspect of essential identity. By understanding this theory of gender as an act, performance, we can see how gender has greatly impacted the outcome of the play in William Shakespeare’s Othello.
Shakespeare’s story, Love Labour’s Lost, focuses the story on the endearing lust of men. Women are a powerful force, so in order to persuade them men will try to use a variety of different resources in order to attract the opposite sex. Men will often use their primal instincts like a mating call, which could equivocate today to whistling at a woman as she walks by. With the use of lies to tell a girl what she wants to hear, the musk cologne in order to make you appear more sensual, or the cliché use of the love poem, men strive to appeal to women with the intent to see his way into her heart. William Shakespeare is a man, who based on some of his other works, has a pretty good understand and is full of passion for the opposite sex. Nonetheless, whether it had been honest love or perverse lust, Shakespeare, along with most men, aimed to try to charm women. With keeping this understanding of Shakespeare in mind, his weapon of choice, to find his portal way into a woman’s heart, was his power of writing.
Twelfth Night, a play by William Shakespeare, was first performed in 1602 and since has been interpreted and performed by many groups over the years. The PlayMaker’s Repertory Company’s rendition of William Shakespeare’s Twelfth Night takes the audience back to 1959 to Illyria, a luxurious Mediterranean island resort. The play follows the story of a pair of twins, Viola and Sebastian, that become separated in a shipwreck. Viola disguises herself as a man under the name Cesario to get a job, which leads to a case of mistaken identities and an unconventional love triangle.
Within many Shakespearian plays, roles of women often focus on their intelligence, strength, and perseverance. This may indicate Shakespeare’s understanding that women should be treated equal to men and receive equal opportunities like that of men and pose the possibility of Shakespeare himself being a feminist.
... Critical Interpretations, ed. Harold Bloom (New York: Chelsea House Publishers, 1987) 43. For further discussion on renaissance gender performance and identity politics among Shakespeare's cross-dressed heroines, see Michael Shapiro's Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages (Ann Arbor: The University of MIchigan Press, 1994).