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Analysis of the twelfth night
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With headphones in hand, and phone in the other, I reach to my ear and get the cold sensation of an earbud that has been sitting in a car far to long. “If music be the food of love, play on”. The words flow swiftly through my head many times before Shakespeare's non-sense becomes clear. Even as I lye down, drifting off into Shakespeare’s fantasies, the words keep flowing. And when I wake, I step to the steamy shower as the speaker forces the words into my brain. And now when I stand in the classroom, all of the words that exit my mouth had entered in my ear.
Duke Orsino is a fool for love, a man who overindulges in his fondness of others through an excessive amount of music. The music the young Duke hears reminds him of Olivia, and the sight of her makes him convinced that he will perish if she does not take his hand in marriage, but he cannot have her because she is mourning the death of her brother. Orsino is a passionate man, but thinks all of his passion inside is for Olivia. Orsino is also the center of Violas affection, in which they end up married at the end, which
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I believe that this line is crucial to the speech because it tells you about how Orsino is love sick, which is a big part of the play. Although the play is not about love, it more about identity. Another important line is, Stealing and giving odour! Enough; no more… This line is important because it is the turning point of the opening scene, when Duke Orsino starts to regret his previous comments. Another line that relates to Orsino and his opinions of love is, That is alone is high fantastical. This line is saying that love is so high and fantastic that nothing can compare to it, and I believe this is how Orsino feels about love for most of my speech. If originally these lines hadn't been there, the play and even opening scene would not make sense and you couldn't get a vivid image of the Dukes thoughts on
This scene is an excellent example of Shakespeare’s skill at creating a sense of dualities throughout Hamlet. Several characters throughout the play are two (or even three!) faced, and the King belongs to this category.
when he gets bored of it then he tells him to stop, just like that.
In Shakespeare’s Twelfth Night and in Molière’s The Imaginary Invalid, two ladies are presented, that are not necessarily the leading protagonist, but they help unravel the plays’ plots into something amazing. Twelfth Night features Maria, the lady in waiting to Olivia. At first Maria comes off as a dilettante, later on we find out that’s not the case at all. Meanwhile, in The Imaginary Invalid, there is the disputatious Toinette, who is the maidservant and nurse to the imaginary invalid himself, Argan. Maria and Toinette are two strong women characters, their strength and wit is depicted through Maria and Toinette’s deceiving schemes to make their plays more stimulating as well as their objectivity throughout all the chaos in their respective play.
William Shakespeare's Twelfth Night Twelfth Night is one of Shakespeare's most famous comedies, involving complex plots, which result in hilarious outcomes. The main plot of Twelfth Night tells of Count Orsino's efforts to woo the Lady Olivia. who does not return his affection. Instead, Olivia is smitten with her. Orsino's servant Cesario, unaware of his true identity.
Orsino’s view of love is that he is in love with love itself and he
Orsino too realises his love for Viola and so Orsino and Viola are, at last, joined together. However, because Viola has done this, Olivia now realises that she has, in fact, married Sebastian rather than Viola or Caesario as she first thought. This, at first causes a problem, but then Olivia and Sebastian realize that they really do love each other. Viola then explains that her women's clothes are with the captain that brought her ashore and helped her after the shipwreck.
There is much to find in the play to makes us smile with lots of songs
As prescient and insightful as this evaluation may seem after considering the outcome of Twelfth Night’s romantic pairings, it reads as a very shallow perspective rather than any sort of wisdom – to the Duke, love is never permanent, lasting, or constant (just like the nature of the tides, it always changes). Duke Orsino has no concern whatsoever for Olivia’s feelings of grief after the loss of her brother – she is merely an object of his desires at the moment, and as his eventual courtship with Viola proves, he is extremely fickle in his affections. (Even before Viola’s disguise became apparent, Orsino showed some signs of attraction to the male Cesario – this raises a few questions about exactly how far his romantic indecisiveness
After Duke Orsino asks Cesario (disguised Viola) to make Olivia love him, although she had stated that she would not marry for seven years due to her sadness from her brother’s death, Cesario tells him “I’ll do my best to woo your lady.” Then Viola tells the audience “(Aside) yet, a barful strife—Whoe'er I woo, myself would be his wife,” meaning that she has to convince another woman to love the man she loves. The exchange of words in this scene exemplifies dramatic irony since the reader now knows that a love road that connects Duke Orsino, Viola, and Olivia has formed while Orsino is clueless about the situation. Situational irony can also be withdrawn from this conversation because it is shocking that Viola is in love with Orsino. Viola’s sudden love for Orsino illustrates a universal truth about life that sometimes people fall in love too quickly without thinking far ahead.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
Shakespeare’s Twelfth Night is a play with themes that parallel the folly of the festival it is named after. The main storyline of the plot plays on this a lot by mixing up the stereotypes around gender that were very present at the time. However, a sub-plot involving secondary characters defines this theme even more. It takes the idea even further by relating servants’ attempts to blur the lines between social classes. Twelfth Night’s Maria and Malvolio both have great aspirations to rise above their social class. However, Maria succeeds where Malvolio fails because of her capability to make use of the satiric ambiance of her mistress’s household to achieve her goals.
Humor in William Shakespeare's Twelfth Night In Twelfth Night we see different types of humour. There is the witty
Therefore in reality men much like Orsino almost certainly treasured the idea of love more than anyone else. When people did marry in Shakespeare's days it was predominantly for power and money. Love today is a great deal different than courtly love. Men and women are now treated equal and not only do men pursue women but women also pursue men. Today people in love mostly marry each other because of their personality as well as looks and not for money and power.
to address Viola as if she were male, he says, "Boy, thou hast said to
The opening soliloquy of Act I Scene I, given by Duke Orsino, is another perfect example of Shakespeare using music to show the upcoming storyline of the play. At first, Orsino is using music as a metaphor that feeds the appetite of love. He speaks for a minute about his love for the music playing, and then changes abruptly by saying, “Enough; no more” (7). Already Shakespeare is foreshadowing Orsino’s fickleness when it comes to music which in turn stands for love. Of course, further into the play, it is shown that Orsino truly is fickle when it comes to love. As soon as he finds out that Cesario is in fact the woman Viola, he instantly forgets all the passion he had for Olivia and marries Viola.