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William Shakespeare's influence on modern day
Shakespeare's influence on modern culture
William Shakespeare's influence on modern day
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Daniel Altschuler 10.28.15 Youth And Society Dramatic Motif Dramatic Motif: By Daniel Altschuler (Hi Brian, I received minor help from my parents with the finish of the second paragraph, and some parts(because I was confused with how to put things sometimes), but not all of the third paragraph.) For my visual dramatic motif, I wrote a letter saying, “M.O.A.I”. I closed this letter with a sealed envelope. The theme this letter represents is ambiguity. Maria hands off this letter to Malvolio, expecting him to fall for her trap. Malvolio believes it is a love letter and everything that has happened with him was destined. Malvolio looks at the letter and immediately believes it is a love letter, while Fabian, Toby and Maria are awaiting him to take the bait. As expected, he takes the bait and opens the letter with pleasure. This theme ambiguity is …show more content…
On page 27 of Act one Scene five, we see Maria and Feste the fool talking about the fools’ bravery. Maria criticizes the fool about where he is getting all his bravery talk from, and that he is working as a fool in his palace. Feste responds by telling Maria, “Well, god give them wisdom that have it, and those that are fools, let them use their talents”(i.iiiii.27). The fool is saying if people have a talent in tricking people emotionally, physically and mentally then they should use that gift and not take it for granted... In other words, the fool sees nothing wrong with it. The fools statement does in fact stay face for the entire play. The play is saying that those who are in love with others might come on too strong, and then will be fooled. Once the person realizes you love them as much as you do, and the other doesn’t feel the same, the other person then starts leaving tricks so the lover will fall into a deep missouri. So, no, the play isn’t suggesting we should be foolish for those that we love, but we are humans -- anything is
This is harsh because Malvolio is older and does not know better. Lastly, since Maria is planning on writing the letters from Olivia’s point of view, she decides to play with it a little bit. In the
His inflated ego has lead him to misinterpret Lady Olivia’s feelings for him-or rather, her lack of feelings. Although he already has the notion that he should end up with the Lady, he is fooled by Sir Toby, Maria, and Sir Andrew, believing Olivia feels the same for him. The tricksters deliberately write a letter indirectly addressed to Malvolio, divulging “Olivia’s” hidden love for the steward. Without giving much thought to the credibility of this discovered letter, Malvolio follows its enclosed instructions, unwittingly earning the real Lady Olivia’s disfavor (2.5.91-195). “This and his continuous disapproval of Sir Toby and Sir Andrew's drinking, earn him their hatred and he quickly becomes their pawn in a complex romantic ruse” (Review at Absolute
when he gets bored of it then he tells him to stop, just like that.
After Malvolio establishes that "Olivia" writes the letter he then begins to interpret the letter to suit his situation. "`M'--Malvolio! `M'! Why, that begins my name" It is humorous because he believes the letters "M.O.A.I" is an acronym for his name. However the audience knows that it is a device cleverly thought up by Maria that has obviously succeeded in its purpose to trick Malvolio.
William Shakespeare's Twelfth Night Twelfth Night is one of Shakespeare's most famous comedies, involving complex plots, which result in hilarious outcomes. The main plot of Twelfth Night tells of Count Orsino's efforts to woo the Lady Olivia. who does not return his affection. Instead, Olivia is smitten with her. Orsino's servant Cesario, unaware of his true identity.
The play opens with Orsino, the Duke of Illyria, expressing his deep love for the Countess Olivia. Meanwhile, the shipwrecked Viola disguises herself as a man and endeavors to enter the Duke’s service. Although she has rejected his suit, the Duke then employs Viola, who takes the name of Cesario, to woo Olivia for him. As the play continues, Cesario falls in love with the Duke, and Olivia falls in love with Cesario, who is really Viola disguised. Maria, Olivia’s servant woman, desires to seek revenge on Malvolio, Olivia’s steward. “To the delight of Sir Toby, Olivia’s uncle, and his friend Sir Andrew, Maria comes up with a plot to drop love letters supposedly written by Olivia in Malvolio’s path. When she does, they observe him, along with Fabian, another servant, as Malvolio falls for the bait. Believing that Olivia loves him, he makes a fool of himself” (Napierkowski 3).
make him think he is mad and they also make Olivia think he is mad
After Duke Orsino asks Cesario (disguised Viola) to make Olivia love him, although she had stated that she would not marry for seven years due to her sadness from her brother’s death, Cesario tells him “I’ll do my best to woo your lady.” Then Viola tells the audience “(Aside) yet, a barful strife—Whoe'er I woo, myself would be his wife,” meaning that she has to convince another woman to love the man she loves. The exchange of words in this scene exemplifies dramatic irony since the reader now knows that a love road that connects Duke Orsino, Viola, and Olivia has formed while Orsino is clueless about the situation. Situational irony can also be withdrawn from this conversation because it is shocking that Viola is in love with Orsino. Viola’s sudden love for Orsino illustrates a universal truth about life that sometimes people fall in love too quickly without thinking far ahead.
The analysis argues the use of symbolism as it applies to the aspects of the characters and their relationships. Henrik Ibsen’s extensive use of symbols is applied to capture the reader’s attention. Symbols like the Christmas tree, the locked mailbox, the Tarantella, Dr. Rank’s calling cards, and the letters add a delicate meaning to the characters and help convey ideas and themes throughout the play.
The Fool begins by offering his jester's cap to Kent, saying that if Kent is to follow Lear, he had better have a coxcomb, insinuating the folly of following Lear. He goes on to say that "if I gave my daughters all my property," I'd have to keep a coxcomb. The Fool is quick to juxtapose his comment against his statement that he does not have a "monopoly" on foolishness. The Fool further points out the presence of a "wise man and a fool" without saying who is who, and he criticizes Lear for "going the fools among," implying that Lear is usurping the Fool's position as one prone to lapses of judgment and sheer stupidity. He tacitly insinuates through his actions and statements that he is among the company of fools, which provides the hint of foreshadowing the audience needs to know that Lear is losing his wits.
Shakespeare’s Twelfth Night is a play with themes that parallel the folly of the festival it is named after. The main storyline of the plot plays on this a lot by mixing up the stereotypes around gender that were very present at the time. However, a sub-plot involving secondary characters defines this theme even more. It takes the idea even further by relating servants’ attempts to blur the lines between social classes. Twelfth Night’s Maria and Malvolio both have great aspirations to rise above their social class. However, Maria succeeds where Malvolio fails because of her capability to make use of the satiric ambiance of her mistress’s household to achieve her goals.
only fool who is subject to foolery, many other characters are subject. to foolery by their silly acts as well. There are two types of fool in the play, namely Feste the professional jester who is in fact quite. intelligent, and the non-jester fools, who are not fools but act like. fools. I am a fool.
With Feste's help, we are able to attain a better understanding of the other characters in the play- revealing their true personalities, which are sometimes unseen, not only by us, the audience, but also by the characters themselves. He shows Olivia how unrealistic and excessive her mourning for her brother's death has been, he tells Orsino how foolish he is for languishing in a mood of love-sick melancholy for Olivia and points out how mercurial his personality is, and he makes a fool out of the pompous Malvolio. "Foolery, sir, does walk about the orb like the sun- it shines everywhere" says Feste.
...oth perspectives. They both still being servants are using disguise differently. Malvolio, servant of Olivia and Viola, servant of Orsino, they both have felt love for their masters/boss. They both express it differently, Malvolio loving Olivia uses cheery appearance and Viola loving Orsino hides her love secretly in her disguise. This essay was to prove that disguises and appearance is a symbolic feature for Viola and Malvolio's characters. According to given facts and examples, it was very clear that Viola and Malvolio use disguises as their shield, but they each use it differently.
Unsuccessful in his pursuit of Olivia, Orsino sends Cesario to gain. her affection for him because he thinks she will be taken in by Cesario is a young man.... ... middle of paper ... ... Feste also helps to reveal this throughout with songs about sadness. and sorrows.