Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The turn of the screw
Response paper on the turn of the screw
The turn of the screw ambiguity
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The turn of the screw
Throughout the Turn of the Screw, by Henry James, ambiguity is used purposely in respect to the reality of the ghosts. Without certainty the reader must guess and assume in order to determine if the ghosts are real or if they are conjured in the governess's mind. In this book there is more proof for the imagination of the ghosts. One source of evidence is the preparedness of the governess. At the beginning of the book the governess is being thrown into a situation that she is unprepared for. This unpreparedness was due to the life she lived before going to Bly. That life gave her little applicable experiences and leaving her always wanting attention, especially from men. Also, the governess feels the need to discredit the perfection of the children and by creating these ghosts this goal could be achieved. This need to seek a man’s attention and discredit the children suggests that the governess was never sane and imagined the ghosts.
When the governess entered Bly, she was a naïve country girl who was young. Up until that point, she led a “small, smothered life” (Chapter 3, page 1), which is not the type of life she wanted. That type of life had its insecurities. She always was worried about appearances, especially her’s. The governess always “expect[s] to come upon” (Chapter 13, page 2) a man who will judge her immediately based on her looks. This belief leads the governess to always be concerned about the way she is being perceived. Whether it be by Mrs. Grose, the children, the ghosts, or the master she desires to know their opinions. In particular, the master offers something to the governess that she has longed for. He offers her society. In her life with her “brothers and sisters and… cat and... dog at home”(Chapter...
... middle of paper ...
...overness’s self-esteem, because she was the same gender as the governess. Miles, on the other hand, went through things that the governess could not have because of the gender difference. Once the ignominious nature of the ghosts is applied to the children, they become less and less perfect in the governess’s eyes.
Overall, the governess was not fit to be in charge of the children. Her life did not prepare her for this job, especially the stress it came with. The added pressure, which she was not used to, that being a governess caused her to be “off her guard”(Chapter 3, page 2). Her desire to make herself look better than the children, also creates doubts about the sanity of the governess. In all the desire for attention from men and a need to discredit the children implies that governess is driven to create the ghosts in her head.
Works Cited
Turn of the screw
The Turn of the Screw by Henry James continues to stir up an immense amount of controversy for such a short novel. Making a definite, educated decision on the actual truth considering the countless inquiries that develop while reading this story proves more difficult than winning a presidential election. That being understood, taking one particular side on any argument from a close reading of the story seems impossible, because the counter argument appears just as conceivable. Any side of the controversy remains equally disputable considerably supported by textual evidence from the novel. One issue which, like the rest, can be answered in more than one ways is why Mrs. Grose believes the Governess when she tells her about her ghost encounters. Usually one would second-guess such outlandish stories as the ones that the governess shares throughout the story, yet Mrs. Grose is very quick to believe our borderline-insane narrator. One of the explanations for such behavior could be the underlying fact that Mrs. Grose and the governess have a similar socio-economic background, therefore making them somewhat equals even if the governess does not always seem to think that way. This fact makes them susceptible to trusting and believing each other, and to believing that the ghosts are there, for the people that the ghosts are presenting used to be servants and therefore from a similar socio-economic background. To add on to that, Bruce Robbins proposes in his Marxist criticism of The Turn of the Screw that the idea of a ghost is synonymous to that of a servant, subconsciously making the two lower-class workers of Bly more vulnerable to believe that the ghosts were real; in other words, servants we...
Henry James’ The Turn of the Screw is one of the more disputed texts in all of literature, as it is famously known as an ambiguous text. The primary uncertain element of is whether there are ghosts scaring the governess and the children, or whether the governess is actually going insane. Even though a certain portion of the text is ambiguous, there are other portions of the text that are much more black and white. For example, the relationships in this novella are nothing close to normal. There are three key relationships in The Turn of the Screw: the Governess and Mrs. Grose, the Governess and Miles, and the governess and Flora. All of these relationships show how the governess’s maternal instinct influences her interactions and decisions with each of the characters.
These sentences give the impression that Macon has killed the spirit of his wife and daughters. His cruelty is an anticipated excitement because that is the only stimulation they have throughout the day. Furthermore, these lines give a sense that the women in the Dead household are voice less and choice less under the money and rule of Macon.
On August 29th, 2005, Hurricane Katrina, the most expensive hurricane in American history, made landfall in Louisiana with winds of one hundred and twenty-seven miles per hour (“Hurricane Katrina Statistics Fast Facts”). The sheer magnitude of the amount of lives and property lost was enormous, and it was triggered simply by warm ocean waters near the Bahamas ("How Hurricane Katrina Formed"). Nature was indifferent to whether the raging winds and rain would die off in the ocean or wipe out cities; it only follows the rules of physics. A multitude of American authors has attempted to give accounts and interpretations of their encounters with the disinterested machine that is nature. Two authors, Stephen Crane and Henry David Thoreau, had rather contrasting and conflicting interpretations of their own interactions with nature. Crane’s work, “The Open Boat,” is story based on his experience as a survivor
In conclusion the Governess seems to be a normal and hopeful young lady at the beginning. She slowly starts to go mad as she starts to envision ghosts and starts to think the children also see them. The governess is the main Character of The Turn of The Screw. And she clearly is the character that adds a creepy tone to this novel with her insane obsessive questions and actions. This novel can definitely be viewed from other points, but the most straightforward conclusion is that the governess is a mad
The Governess is an entirely unreliable narrator. The potential for things to have been fabricated to make her own self look better. Also to prove to herself h...
The governess in the novella The Turn of the Screw by Henry James has a questionable character. She explicitly states that she sees apparitions of past Bly residents, making her an honest narrator; however, there are times when her rationality is uncertain. The governess is insane because the ghosts she sees stem from her hallucinations, her excessive anxiety drives her to madness, and the other residents cannot see the ghosts.
Through out the short novella, 'The Turn of the Screw,' by Henry James, the governess continually has encounters with apparitions that seem to only appear to her. As Miles' behavior in school worsens so that he is prevented from returning, and as Flora becomes ill with a fever, the governess blames these ghosts for corrupting the children, Miles and Flora, and labels them as evil and manipulative forces in their lives. But why is it that these ghosts only seem to appear to the governess even when the children are present at the time of the sightings by the governess? Evidence from the short story leads the reader to believe that the ghosts are not real but are merely the evidence of the fragmenting sanity of the governess.
The Turn of the Screw by Henry James has been the cause of many debates about whether or not the ghosts are real, or if this is a case of a woman with psychological disturbances causing her to fabricate the ghosts. The story is told in the first person narrative by the governess and is told only through her thoughts and perceptions, which makes it difficult to be certain that anything she says or sees is reliable. It starts out to be a simple ghost story, but as the story unfolds it becomes obvious that the governess has jumps to conclusions and makes wild assumptions without proof and that the supposed ghosts are products of her mental instability which was brought on by her love of her employer
She believes she is actually protecting the children against an outside evil, which happens to coincide with her drive to demonstrate heroism and devotion to the master. According to Purdy, the governess conjures up ghosts because she invited them and willed them to come. Purdy feels the housekeeper plays her trump card and the governess' concern is not for the children but for all that would become of her, her bargain with the master, her relationship, and her passion for him. Purdy finds the following quotes to show her passion for the master and show that this serves as the motive of action.
...t want to be the only one who does. It is another feeble attempt to prove her sanity to herself and to others. However, because she “is so easily carried away”, she soon believes that the children do in fact see the ghosts by reading into their every remark and behavior. By piecing all of this together, the governess proves to herself that she is not insane. The governess in The Turn of the Screw, is a highly unreliable narrator. From the beginning of the story, her energetic imagination is displayed to the reader. With this knowledge alone, it would not be irrational to conclude that she had imagined the appearances of Peter Quint and Miss Jessel. However, these facts in addition to her unsubstantiated inferences allow the reader to intelligently label the governess as an unreliable narrator. Works Cited Poupard, Dennis. “Henry James.” Twentieth-Century Literary Criticism: Volume 24. Ed. Paula Kepos. Detroit: Gale research.; 1990. 313-315.
The governess in the novella The Turn of the Screw by Henry James has a questionable character. She explicitly states that she sees apparitions of past Bly residents, making her an honest narrator; however, there are times when her rationality is uncertain. The governess is insane because the ghosts she sees stem from her hallucinations, her excessive anxiety drives her to madness, and the other residents cannot see the ghosts.
Throughout his life, American born writer, Henry James, was not only a novelist, He was also a playwright and a short story author. He is known, mainly, for his novels that depict young girls in oppressive situations and his use of vague details and hints to force the reader to make his/her own assumptions as to what is ultimately happening in the world around them and what could be causing it. The Turn of the Screw is no different in that it depicts a young girl that is being put into a situation that could, in the end, be actual madness brought upon by the situation or something a little more supernatural all together. Critiques and fans of James’ work have poured countless hours into the analyzing and determining of the “truth” of the book. However, even with all of the time and effort that has been poured into uncovering the underlying story in the book, there are two widely regarded “Issues of controversy to date has concerned, of course, the reality of the ghosts and the sanity of the governess” (Bontly 721). The first explanation is essentially that the apparitions that are mentioned in the book are real and could be actually physically present at the manor. The second is that the ghosts are figments of the governess’ imagination brought upon by personal and cultural factors, common in the late Victorian period, for young women. The second explanation, being based in logic, reasoning, and an understanding of the Victorian era time period, is a much more plausible theory than the first explanation (involving actual ghosts) when the evidence and subtle hints that were left from Henry James are brought forth.
In The turn of the Screw, the characters often communicated very indirectly with one another, hinting toward certain situations but never explaining them fully. At the beginning of this story, one of the first vague quotes, “he had been left, by the death of their parents in India, guardian to a small nephew and a small niece” depicts that Miles and Flora’s parents died in India (James 158). However, the details around their death are unknown and mysterious.
In his 1948 essay, Robert Heilman explores the suggestion that The Turn of the Screw is a symbolic representation of the conflict between good and evil. Heilman interprets the apparitions of Peter Quint and Miss Jessel as evil forces. He explains that the ghosts only appear to the governess because evil lurks in subtlety before it strikes. It is the duty of the governess to "detect and ward off evil." She must protect the children from the awful ghosts. The governess describes Miles and Flora as beautiful little cherubs whose only fault is their gentleness (James, 18-19). Heilman views the children's beauty as a "symbol of the spiritual perfection of which man is capable." Heilman explains the ghosts' attempts to reach the children by explaining that evil forces will always try to conquer and possess the human soul. Heilman continues to draw from the descriptions of Miles and Flora to support his theories. He points out that the two children are described as having an "angelic beauty" and a "positive fragrance of purity" (James 9, 13). The governess describes them as if they are perfect and beautiful in every way. This repeated vision of beauty, radiance, and innocence parallels the image of Eden. The house at Bly also resembles this image, "I remember the lawn and the bright flowers..." (James 7). The governess makes mention of the "golden sky" and of Flora's "hair of gold," which Heilman believes connects Bly and Flora with these images of golden hues (James 7, 9).