Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Symbolism essay
Character development introduction
Character development essay examples
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Turn a Blind Eye
In Raymond Carver’s short story, “Cathedral”, the narrator’s ignorance and apathetic perspective of blindness is shaken when he makes a connection with a blind man, which allows him to see for the first time. We will examine how Carver’s choice of first-person point of view gives us a depiction of the narrator’s traits through his tone of voice while encountering Robert, the blind man and the irony of blindness that the narrator himself faces through his lack of understanding until his self-realization at the end of the story.
Carver’s use of first-person point of view helps us gain an illustration of the narrator and how selfishly self-centered he is towards the arrival of this blind man staying in his home. Regardless of
the blind man’s situation, the narrator sees this as an inconvenience saying, “A blind man in my house was not something I looked forward to.” (105). The narrator has this preconceived notion to him that the blind are a hassle as if the blind man was incapable of taking care of himself. Trapped in this delusional mindset the narrator constantly judges from knowledge he has that are false. When his wife and Robert arrive from the depot, the narrator describes the blind man’s appearance and is bewildered when he notices that the blind man does not have glasses covering his eyes saying, “I’d always thought dark glasses were a must for the blind.” (108). The narrator reveals to us his ideas of the blind are how it should be, his surprised realization of reality makes him wish that he actually did have some on. Furthermore, the narrator is often caught deceiving himself in a way that reveals to us how biased, ignorant, and insensitive he is.
Raymond Carver’s short story “Cathedral” opens with a narrator whose wife has invited a blind friend to spend the night. The narrator depersonalizes the man right off the bat and repeatedly throughout the story by referring to him, not by name, but as “the blind man” (Carver 513). He admits that hi...
In Cathedral by Raymond Carver, the narrator faces the conflicts of only being able to look from a standard physical viewpoint versus seeing on a deeper more involved emotional level. The story reaches a crisis when the narrator closes his eyes and begins to draw a cathedral, relying only on his imagination to fill in the details, and letting himself be guided by Robert, a blind man. This causes him to see clearly for the first time in his life on a more profound scale, even though in reality he is not actually visibly seeing anything. Therefore, the overall work argues that the narrator succeeds at meeting his challenge. He becomes more complete as a human being, since he realizes that in order to understand and view the world, one does not
Carver writes about three different characters with a focus on the development of the narrator himself. Although the reader never know her name, the narrator’s wife plays a small role in the story. She introduces the reader to the blind man. When the wife is in the room with both of the men, things seem to go wrong between the two men. The narrator seems to be almost nervous and upset with the wife for paying so much attention to the blind
In the short story “Cathedral” by Raymond Carver, the narrator, Bub, is as metaphorically blind as his guest, Robert, is literally blind. Bub has many unwarranted misconceptions about life, blind people in particular. He also has many insecurities that prevent him from getting too close to people. Through his interaction with Robert, Bub is able to open his mind and let go of his self-doubt for a moment and see the world in a different light.
In the story "Cathedral" by Raymond Carver, the main character, goes through a major personal transformation. At the beginning of the story, his opinions of others are filled with stereotypes, discrimination and prejudice. Through interaction with his wife's blind friend Robert, his attitude and outlook on life changes. Although at first he seemed afraid to associate with a blind man, Robert's outgoing personality left him with virtually no choice. During Robert's visit, he proved to be a normal man, and showed the speaker that by closing his eyes, he could open his mind.
At first glance, one might assume Raymond Carver’s "Cathedral" illustrates the awakening of an insensitive and insulated husband to the world of a blind man. However, this literal awakening does not account for the fact that the husband awakens also to a world of religious insight, of which he has also been blind. The title and story structure are the first indicators of the importance of the religious thesis. It is also revealed when one examines the language and actions of the characters in the story. Finally, Carver’s previous and subsequent writings give an overall background for the argument that "Cathedral" has a significant religious import.
The narrator in Raymond Carver’s "Cathedral" is not a particularly sensitive man. I might describe him as self-centered, superficial, and egotistical. And while his actions certainly speak to these points, it is his misunderstanding of the people and the relationships presented to him in this story which show most clearly his tragic flaw: while Robert is physically blind, it is the narrator who cannot clearly see the world around him.
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
Blindness in Raymond Carver's Cathedral Blindness creates a world of obscurity only to be overcome with guidance from someone willing to become intimate with the blind. Equally true, the perceptions of blindness can only be overcome when the blind allow intimacy with the sighted. Raymond Carver, with his short story Cathedral, illustrates this point through the eyes of a man who will be spending an evening with a blind man, Robert, for the first time. Not only does this man not know Robert, but his being blind, "bothered" (Carver 98) him.
The point of view from the narrators perspective, highlights how self-absorbed and narrow-minded he is. “They’d married, lived and worked together, slept together—had sex, sure—and then the blind man had to bury her. All this without his having ever seen what the goddamned woman looked like. It was beyond my understanding” (Carver...
Throughout the majority of the story Carver uses a variety of devices to portray the narrator negatively. One reason is that he lacks compassion. At the beginning of the story he says, "I wasn?t enthusiastic about his [the blind man?s] visit. He [the blind man] was no one I knew. And his [the blind man] being blind bothered me."
Blindness is most often perceived as just a physical disability especially when preconceived notions are embedded in one’s mind by society. Moreover an individual can be so ‘blind’ by worldviews and perceptions that the true humanity of someone that is actually blind can be overlooked. In Raymond Carver’s “Cathedral” (1938- 1988), Carver depicts a man versus man conflict in which the narrator was totally consumed with jealously because his wife had a ‘odd’ relationship with a ‘ blind’ man she befriended while working for him one summer.
The husband in Raymond Carvers “Cathedral” wasn’t enthusiastic about his wife’s old friend, whom was a blind man coming over to spend the night with them. His wife had kept in touch with the blind man since she worked for him in Seattle years ago. He didn’t know the blind man; he only heard tapes and stories about him. The man being blind bothered him, “My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to. (Carver 137)” The husband doesn’t suspect his ideas of blind people to be anything else. The husband is already judging what the blind man will be like without even getting to actually know him. It seems he has judged too soon as his ideas of the blind man change and he gets a better understanding of not only the blind man, but his self as well.
Raymond Carver, in his short story Cathedral uses a first-person narrator, whose point of view is very much limited and flawed. The narrator in Cathedral has full use of all his senses, unlike the blind man, Robert, who is introduced very early in the story. When comparing the two again, however, Robert is the character that is open to new ideas and willing to experience the joys of life, while the narrator limits himself due to his close-minded thinking. It brings up the question, who is truly blind in the story? Is it a physical ailment or a mental block? The narrator is never given a name in the story, making him the most impersonal character in the story. This also adds to the fact that the narrator is highly ignorant about his surroundings and has a one-sided, self-absorbed view of the world. The perception of the narrator leaves much to be inferred in many points in the story, and at first, it seems pointless to have such a closed off character and the one telling his point of view. I would like to hear the story from the wife’s point of view or Robert’s. Ultimately, however, the limited point of view of the narrator shows where the true ignorance in the world lies.
When a person undergoes a profound change in character, he or she must question whether they are embracing a part of themselves that has always existed or whether it is their environment that produces this change in character. When an external event forces a person to act in a way that runs contrary to their common practices, was it the external event that is the sole cause of this change in behavior or is it simply this event tapping into the far reaching annals of a person’s traits? A rudimentary understanding of a protagonist’s characteristics is crucial when reading a story. If those traits lose ground to deeper characteristics, was the reader ever properly familiar with these now dissipating traits, and thus the character in of itself?