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Although Perry is a corrupt killer, Truman Capote characterizes him as a complex individual that still holds on to dreams and desires even after a tough past, giving Perry a child-like naivety that makes his contradicting action of murder seem more incredible, therefore Capote exhibits how an abusive past can result in a fall from innocence. Difficulty has been rooted inside Perry since childhood. Capote highlights the inadequacy of the past lifestyle of Perry starting at the beginning of his problems when Perry quotes “Six of us riding in an old truck, sleeping in it too, sometimes, living off of mush Hershey kisses and condensed milk...which is what weakened my kidneys---the sugar content---which is why I was always wetting the bed” (Capote 131). Imagery is intentionally used to describe Perry’s early lifestyle. This way of life is not deemed ¨acceptable¨ in society due to the lack of a permanent shelter and food. This poor way of life was brought onto Perry by his caregivers: his parents, utilizing the fact that they raised their children in a improper and careless way, providing proof of a troublesome past. …show more content…
Although Perry has dark, cold, and killer characteristics, Capote reveals that he may have a softer side to him.
In explaining the whereabouts of Perry’s family, Capote includes, “Fern, the other daughter, jumped out of a window of a San Francisco hotel. (Perry had ever since ‘tried to believe she slipped,’ for he’d loved Fern. She was ‘such a sweet person’ so ‘artistic’ a ‘terrific’ dancer, and she could sing too,” (Capote 110-111). Capote utilizes amplification when describing Fern, adding pleasant qualities to her stature. Not only does this prove that Perry has the potential to love, but also shows how highly he valued his sister when increasing her attributes. This gives Perry a likeable and pleasant facet, therefore contradicting his cold and killer nature and exhibiting the complexity of his
character. Despite his troublesome life, Perry has dreams and ambitions which adds to his complexity. When narrating about Perry’s childhood, Capote states that, ¨Perry could not abide: anyone’s ridiculing the parrot, which had first flown into his dreams when he was seven years old…” (Capote 92-93). Capote uses symbolism to represent the hope he has for a better life. The parrot is the one who comes to protect Perry from the snake in his dream, therefore representing a desire to be saved from an abusive and difficult life. Capote displays how a disturbing childhood can cause strong desires to escape the evil. However, despite having a rough past the complex and childish characteristics of naivety are still prevalent in Perry’s character that contrasts his psychotic slaughter of the Clutter family to show how bizarre his action was when his innocence was lost.
Through the course of the book, Capote uses vivid descriptions to his advantage in order to place emphasis on more noteworthy parts of the story. Capote’s choice of imagery characterizes Perry as a person and gives an idea to who he is. Perry’s life prior to crime was normal for awhile, until his family situation crumbled: “in the ring, a lean Cherokee girl rode a wild horse, a ‘bucking bronc,’ and her loosened hair whipped back and forth, flew about like a flamenco dancer’s. Her name was Flo Buckskin, and she was a professional rodeo performer, a ‘champion bronc-rider.’ So was her husband, Tex John Smith; it was while touring the Western rodeo circuit that the handsome Indian girl and the homely-handsome Irish cowboy had met, married, and had the four children sitting in the grandstand. (And Perry could remember many another rodeo spectacle--see again his father skipping inside a circle of spinning lassos, or his mother, with silver and turquoise bangles jangling on her wrists, trick-riding at a desperado speed that thrilled her youngest child and caused crowds in towns from Texas to Oregon to ‘stand up and clap.’)” Perry’s troubles after his parents separation may very well have contributed to his becoming a murderer later on down the road. The abrupt change in his life at such a young age, clearly had a lasting impact on him and his lifestyle. His past altered the way he thought and the type of person he was. Capote quotes,
In this story he gives the murderers their own sense of self and showed how they choose to deal with their lives. This also lets readers know that each person was different and that neither of them truly knew how to “be normal”, as most people would say, and live their own lives without causing trouble. Pushing the reader to form an opinion, biased or not, with the information that was given about each character by Capote. Capote through this all, did a great job of bringing the murderers to life for his reader and sharing the stories of each person that may not have been said by the media or anything else that gives people information about the world that is around them. Giving these characters lives and experiences were great parts to the story and is what ultimately gave the book its
Perry Smith did not live the happy childhood that he deserved, abandoned by his family at a young age he was forced to live at a terrible orphanage. “The one where Black Widows were always at me. Hitting me. Because of wetting the bed...They hated me, too.” (Capote 132). In this specific orphanage, Perry was beaten by the nuns that own the place. The short sentences within this quote truly emphasize the dramatic and horrible conditions that Perry had to live with in the orphanage. Sympathy is created ...
Richard Mulcaster, a British instructor of English, once wrote, “Nature makes the boy toward, nurture sees him forward.” Mulcaster recognizes that both genetic and environmental factors determine the type of a person one becomes. Truman Capote’s nonfiction novel, In Cold Blood gives the reader an opportunity to see prime examples of how nature and nurture influence one’s character. Capote’s novel, In Cold Blood introduces the reader to two men; Richard Eugene Hickock known as Dick throughout the novel, and Perry Edward Smith whose lives of crime are almost identical; although both Perry and Richard come from very humble backgrounds, their childhood particularly their family life, has very little in common. It is not until later in their lives that we begin to see similarities between the two men. Despite their differences, Perry’s upbringing and Dick’s genetic disposition allow both men to share a disregard for life, which becomes apparent on the night they gruesomely burglarized and murdered four innocent members of the Clutter family.
He is the character that most sympathized with because of his past. He never had a connection with his alcoholic mother and siblings. His parents never gave him the love, direction, and the moral values that children need from their parents. This contributed to his behavior. While Perry was testifying, Dr. Jones characterized him with severe mental illness. He mentions that Perry has “paranoid orientation toward the world,” (Capote 297). He goes into further detail by mentioning that Perry “is suspicious and distrustful towards others, tends to feel that others discriminate against him, and feels that others are unfair to him and do not understand him,” (Capote 297). It is completely understandable why Perry would think like this. He was treated horrendously by the nuns in the orphanage and when he lived with his family. Since Perry never had anything good happen to him growing up, he feels like he has to take out his frustration on people who are good. Vengeance for what he did not receive. While in court, Perry mentions why he killed the Clutter family, “It wasn’t because of anything the Clutters did. They never hurt me. Like other people. Like people all my life. Maybe it’s just that the Clutters were the ones who had to pay for it,” (Capote 290). Dr. Jones diagnosis Perry as a paranoid
In the book “In Cold Blood” we meet Perry Edward Smith one of the men accused of killing the Clutter family. Perry is a unique man for how he see the world and how the world sees him. Although the townspeople and those who had heard of the murder only saw Parry as a murder. There is however one man who sees Perry more than he appeared to be and that man was Truman Capote. Perry had an interesting life from how he was raised, becoming friends with Richard Eugene Hickock, to the murder of the Clutter family, all the way to Capote writing about him and the trail he and Dick must face. It was Capote who brought the idea that Perry was not a bad person persa but rather he made a mistake that has caused him to spend the rest of his life behind the bars of a jail.
Truman Capote establishes respect and trust in what he writes from with audience, ethos, through the use of an extensive variety of facts and statistics, logos. Capote uses so many dates, times, and other facts about the crime committed in the book and the subsequent investigation that the reader has to believe what the author is writing. The use of all these facts shows that Capote did his research and he interviewed, questioned, and obtained the opinions of every person that even slightly important to crime itself and the investigation/trial. The author is obviously very meticulous when it comes to dates and times; every important event in the book has a date and sometimes even a time of day to go with it. Some examples of dates included were the day of the murders (November 15th, 1959), dates of when Perry and Dick were here or there (December 31th, 1959- a small restaurant in Texas or noon on December 25th, 1959- beach in Miami Florida), date when the two criminals were apprehended (January 1st, 1960), dates when they were brought from this prison to that one and finally when they were brought to death’s row (April, 1960). Other small facts are also used by the author, like facts about the criminal’s early lives or experiences that they had, which could only have been obtained through extensive interviews with Perry and Dick. The use of all these logos by Capote establishes strong ethos, showing the reader that the author did more than enough research to show that he has the knowledge to write a whole book on the subject.
Again, Capote downplays Perry’s mental stability, referring to Perry’s suicidal thoughts as “musings.” This implies that Perry’s true issues go significantly deeper than Capote states, leaving the exact depth to the reader’s imagination. After discussing Perry’s mental situation, Capote goes on to describe the particular means by which Perry planned on killing himself. “I felt ill breath and light leaving me...The walls of the cell fell away, the sky came down, I saw the big yellow bird” Perry describes in a dream he had in which he executed his plans for suicide (Capote 265). His description of this big yellow bird is particularly significant when considering Perry’s mental health. He claims to have seen it all his life, “as a child, poor and meanly treated, as a foot-loose youth, as an imprisoned man” and that this bird was an “avenging angel who savaged his enemies or, as now, rescued him in moments of mortal danger” (Capote 265). This symbol of escape for Perry demonstrates how he is not capable of getting to a better place on his own, further proving that he is not mentally
During his childhood, Perry experienced and was marked by brutality and lack of concern on the part of both parents (Capote 296). Dr. Jones gives a very detailed description of Perry's behavior. He says that Perry, who grew up without love, direction, or m...
The detailed account of the killers’ childhoods makes the reader sympathize with the Clutter family’s killers Smith and Hickock. Should they reserve the death penalty? Did Truman Capote take a stand on the death penalty? By giving the reader a detailed account of Perry Smith’s and Dick Hickock’s childhood, Capote sets up the reader for a nurture vs. nature debate on the death penalty. The question then becomes, do the effects (if any) caused by environment in childhood make for a trained killer or a natural born one?
Even though Capote’s book is a master piece of non-fiction novel, his behaviors during his research to write the book are not ethical. He has crossed the line by lying others, pretending to be someone’s friend, and doing some inhuman behavior while Perry waits on death row in order to get a personal testimony of the night of the killings.
Perry Smith was a short man with a large torso. At first glance, “he seemed a more normal-sized man, a powerful man, with the shoulders, the arms, the thick, crouching torso of a weight lifter. [However] when he stood up he was no taller than a twelve-year old child” (15). What Smith lacked in stature, he made up in knowledge. Perry was “a dictionary buff, a devotee of obscure words” (22). As an adolescent, he craved literature and loved to gain insight of the imaginary worlds he escaped into, for Perry’s reality was nothing less than a living nightmare. “His mother [was] an alcoholic [and] had strangled to death on her own vomit” (110). Smith had two sisters and an older brother. His sister Fern had committed suicide by jumping out of a window and his brother Jimmy followed Fern’s suit and committed suicide the day after his wife had killed herself. Perry’s sister, Barbara, was the only normal one and had made a good life for herself. These traumatic events left Perry mentally unstable and ultimately landed him in jail, where he came into acquaintance with Dick Hickock, who was in jail for passing bad checks. Dick and Perry became friends and this new friendship changed the course of their lives forever. Hickock immediately made note of Perry’s odd personality and stated that there was “something wrong with Little Perry. Perry could be such a kid, always wetting his bed and crying in his sleep. And often [Dick] had seen him sit for hours just sucking his thumb. In some ways old Perry was spooky as hell. Take, for instance, that temper of his of his. He could slide into a fury quicker than ten drunk Indians. And yet you wouldn’t know it. He might be ready to kill you, but you’d never know it, not to look at it or listen to it” (108). Perry’s short fuse and dysfunctional background were the two pieces to Perry’s corrupt life puzzle that soured and tainted the final “picture”.
Perry is also deeply developed, as the novel goes into his family background, through old letters. His entire family is in shambles, but he was always closest to his...
He grew up in a different environment with a broken family with no apparent dreams. As a young boy his parents separated and he was forced to go with his mother. He later ran away to be with his father who turned him down and ended up being abandoned by his family completely. He then came to stay at a catholic orphanage, where he was abused by nuns and caregivers. His father finally decided to take him into his care and together they got away and traveled, ending his education before passing the third grade which bothered him as he became older. Perry joined the marines and army, then came back to relocate his father. Him and his father had a breakthrough over starvation, leaving Perry with no one else to turn to and therefore getting involved in committing crimes. Once he got caught and jailed, his mother had died and his brother and sister had both committed suicide. By all his experiences we can say Perry definitely lived a different life and his family portrayal was very different from the Clutters. After so much abandonment and abuse, we can understand why he almost feels nothing and how growing up has affected him. The American Dream for Perry might not have been a “perfect family” but may have been to find something with order, and control. The dream Perry’s family would be focused on is reaching a decent life as their past has been
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.