Troy, Tragic Hero In Fences, By August Wilson

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Fences, written by August Wilson, is a play about Troy, the protagonist, who works as a garbage-man in the 1950s. He picks up garbage with his friend, Bono, and successfully fights for the position of ‘truck driver’ instead of ‘garbage carrier.’ Troy comes home from work each day to his son, Cory, whom he loves; he [Troy] tries to protect Cory from disappointment by preventing him [Cory] from joining the college football team. This intervention in Cory’s life ultimately leads to Cory’s hatred of his father Troy. In addition to Cory, Troy loves his wife, Rose, however, he sleeps with another woman, Alberta, which severs his relationship with Rose. Because of these relationships that Troy builds throughout the play, Fences is, indeed, a modern, …show more content…

This aspect of Arthur Miller’s definition of a tragedy applies to Troy in Fences because of the way in which he responds to Rose after she finds out about Troy’s actions with Alberta. After Troy tells Rose about Alberta, she replies, “What I want to know...is do you plan to continue seeing her. That’s all you can say to me”….“Maybe you ought to go on and stay down there with her...if she a better woman than me.” (Pg. 65) In this quotation, Rose challenges Troy’s dignity, however, she is on the verge of forgiving Troy after he sleeps with Alberta. Troy however, actively changes her decision when he could have chosen to keep quiet and listen to Rose’s angry questioning. Despite this easy solution, Troy chimes into the conversation and actively tells rose that he likes going to Alberta because it is a break in his life at home. This active destruction that Troy causes in his marriage is a ‘tragic flaw’ which is a major factor in the tragedy according to Arthur Miller’s …show more content…

In his essay, Arthur Miller writes, “The possibility of victory must be there in tragedy. Where pathos rules, where pathos is finally derived, a character has fought a battle he could not possibly have won”….“But tragedy requires a nicer balance between what is possible and what is impossible. And it is curious, although edifying, that the plays we revere, century after century, are the tragedies. In them, and in them alone, lies the belief—optimism, if you will, in the perfectibility of man.” (Pg. 151) With these words, Miller describes a theoretical positive result as necessary in a tragedy. This definition of a tragedy applies to Fences due to Troy’s capability of fixing his failed relationship with his son from a woman other than Rose: Lyons. Later on in the play, Troy has a baby, Raynell, with Alberta. This baby is Troy’s chance to raise his child from another woman differently than the way in which he had raised Lyons. He simply sees Lyons when Lyons needs money, however, he does not have a stable relationship with Lyons. Before Troy dies of a heart attack, he says, “She’s my daughter, Rose. My own flesh and blood. I can’t deny her no more than I can deny them boys. (Pause) You and them boys is my family. You and them and this child is all I got in the world. So I guess what I’m saying is… I’d appreciate it if you’d help me take care of her.”

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