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Characteristics and categories of human rights
Characteristics and categories of human rights
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Triumph of Free Will in A Clockwork Orange
Amidst a population composed of perfectly conditioned automatons, is a picture of a society that is slowly rotting from within. Alex, the Faustian protagonist of A Clockwork Orange, and a sadistic and depraved gang leader, preys on the weak and the innocent. Although perhaps misguided, his conscientiousness of his evil nature indicates his capacity to understand morality and deny its practice. When society attempts to force goodness upon Alex, he becomes the victim. Through his innovative style, manifested by both the use of original language and satirical structure, British author Anthony Burgess presents in his novella A Clockwork Orange, the moral triumph of free will within the controlling hands of a totalitarian society.
With the intention to install order and justice to protect human rights, society contrarily threatens human life by its own adverse imposition. This satire of society portrays the author’s opposition to the prominent behaviorism movement, led by B.F. Skinner. Ironically, Clockwork seems to ridicule the utopian society depicted in Skinner’s Walden Two (Aggeler 70). Proponents of behaviorism advocated the human conditioning described in Skinner’s work. Burgess’s imaginatively fabricated language found in Clockwork, known as Nadsat, carries this theme to the reader. At first reading, this fabricated jargon seems preposterous and difficult to understand, but by the end, the onomatopoeic wording flows naturally and thus "the effect of Nadsat on the reader functions as an ironic comment on the novel itself" (Foote, 87). Burgess conditions the readers themselves to comprehend Nadsat, yet they are fully unaware of this imposition. The language itself enthrall...
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.... A Clockwork Orange. 1986. Norton and Company, Inc. New York
Evans, Robert O. "The ‘Nouveau Roman,’ Russian Dystopias, and AnthonyBurgess." British Novelists since 1900. AMS Press, 1987. pp253-66. Reprinted in CLC. vol 62. pp130-132.
Foote, Timothy. "Wolf of God." Time, The Weekly Newsmagazine. March 17,1975, pp.84-86. reprinted in CLC. vol 10. pp87-90.
Mazour, Anatole G., ed. World History. 1993. Holt, Rinehart, and Winston Inc. pp423
Snodgrass, Mary Ellen. "Conditioning." Encyclopedia of Utopian Literature. 1995. ABC-CLIO Inc. Santa Barbara, CA. pp143
Tilton, John W. "’A Clockwork Orange’: Awareness is All." Cosmic Satire in the Contemporary Novel. 1997. Asocciated University Presses, Inc. p.21-42. reprinted in CLC. vol 15. p.104-107
Wade, Carol, ed. Psychology. 5th Addition. 1998. Addison-Wesley Education Publishers Inc. pp257.
A series of court rulings against political patronage diminished Daley's clout in his final term, and his political organization declined further in the decade after his death. Chicago's Mayor Richard Daley dies at age 84 after more than two decades of dominating Illinois politics. He died in Chicago of a heart attack on Dec. 20, 1976.
The undeniable pursuit for power is Richard’s flaw as a Vice character. This aspect is demonstrated in Shakespeare’s play King Richard III through the actions Richard portrays in an attempt to take the throne, allowing the audience to perceive this as an abhorrent transgression against the divine order. The deformity of Richards arm and back also symbolically imply a sense of villainy through Shakespeare’s context. In one of Richard’s soliloquies, he states how ‘thus like the formal Vice Iniquity/ I moralize two meanings in one word’. Through the use of immoral jargons, Shakespeare emphasises Richard’s tenacity to attain a sense of power. However, Richard’s personal struggle with power causes him to become paranoid and demanding, as demonstrated through the use of modality ‘I wish’ in ‘I wish the bastards dead’. This act thus becomes heavily discordant to the accepted great chain of being and conveys Richard’s consumption by power.
to behave in the same way as King Richard, and since he is acting this way, the
The leadership’s decision not to expand Medicaid leaves between 300,000 and 400,000 South Carolinians without health insurance (South Carolina Medical Association, 2012). The stated intent of the Affordable Care Act, pejoratively dubbed “Obamacare” by its critics, was to put affordable health care within reach of more of the 40 million Americans who lacked health insurance. The law’s grand design included an assumption that states would expand their Medicaid programs, since the federal government would pay 100 percent of the expansion costs through 2016, and 90 percent thereafter. But in demonstrating its traditional mistrust of Washington’s promises, Columbia declined the offer and, in the process, left thousands of low-income workers without the means to obtain health coverage, either because they cannot afford the premiums or because their employers do not provide it. (Advisory Committee, 2013). Ironically, in a state where the median annual income is $44,600, South Carolina’s working poor earn too much money to qualify for Medicaid; however, they would be covered under the ACA model (Hailsmaier and Blasé, 2010).
Throughout Richard II, Bolingbroke is up against King Richard. Richard is, to a considerable degree, the morally void opportunist: he does after all sieze Gaunt's lands at the moment of his death, taking the entire inheritance away from Gaunt's sons. Richard lacks a sense of morality when it is to his advantage to ignore morality, and proclaims what is right when he thinks he can save his crown. At Gaunt's death, when York attemps to point out that what Richard is doing is wrong, Richard says simply: 'Think what you will, we sieze into our hands/ His plate, his goods, his money and his lands'. Yet later, as Richard is surrounded and on the verge of defeat: 'We are amazed, and thus long have we stood/ To watch the fearful bending of thy knee,/ Because we thought ourself thy lawful king;/ And if we be, how dare thy joints forget/ To pay their awful duty to our presence?'. Richard uses morality as a tool, a necessary quality in a good ruler, yet he is not manipulative enough. Bolingbroke not only ignores morality in his dealings, but keeps up the appearance of moral right and goodness. Bolingbroke knows how to let others take the fall...
Altough satires are often used to be funny ;Atwood uses this instrument of literature for an attack on a society which she strongly disapproves of. With the intent to bring about improvement, she raises the question if our current lifestyle excuses the possible future problems. Many of our today as “normal” considered values are everything but self-evident. One of the most striking aspects in the novel is time; and our relationship towards it. “ We yearned for the future.
Richard Cory poems are a traditional type of poetry found all throughout different time periods. The poems range from the original to song variations, all contributing their own perspectives on what Richard Cory symbolized, and each takes their own distinct form. Richard Cory poetry usual contains the distinct ending of Richard Cory taking his own life, but each poem adds its own variations to this repetitive theme. Throughout the poems, there are also many similar themes, which portray a consistent theme of the American Dream and how it transforms. Many symbolic issues that deal with this dream are related to wealth, which is the most prominent reoccurring theme in the two poems. Whereas Robinson's "Richard Cory" focuses on symbolic issues of wealth during an early time period, Paul Simon creates a contemporary "Richard Cory", showing the transformation of the American Dream coinciding with the passage of time.
There have been many books published solely on philosophy, and many more than that solely written about human nature, but very infrequently will a book be published that weaves these fields together as well as A Clockwork Orange, by Anthony Burgess. In this Book Burgess speculated on the fact “the significance of maturing by choice is to gain moral values and freedoms.” He achieved this task by pushing his angsty teenaged character, Alex, through situations that challenge the moral values of himself and his friends. In the novel, A Clockwork Orange, by Anthony Burgess, Alex himself, must choose good over evil in order to gain moral values which will allow him to mature into a “man” in the latter of his two transformations.
Guerin, Wilfred L., Earle Labor, Lee Morgan, Jeanne C. Reesman, and John R. Willingham. A Handbook of Critical Approaches to Literature. New York: Oxford University Press, 1999. 125-156.
Richard displays qualities of a Fascist leader from the beginning of the play. Richard is jealous of his brother’s power and the happiness of his family and friends. He has grown malicious and plots to take the throne. He has no qualms at the thought of killing anyone who gets in his way declaring “I am determined to prove a villain” Embarrassment over his physical deformities also plays a role in fueling this malicious intent. In the opening dialogue Richard declares himself cruel and evil “I am subtle, false, and treache...
A Psychological Analysis of Alex in A Clockwork Orange & nbsp; In A Clockwork Orange, Alex is portrayed as two different people living within the same body of mind. As a mischievous child raping the world, he was as seen as filth. His actions and blatant disrespect towards society are categorized under that of the common street bum. However, when he is away from his evening attire. he is that of suave.
... bloody pathway to kingship. Filled with scorn against a society that rejects him and nature that curses him with a weakened body, Richard decides to take revenge and ultimately declares a war between himself and the world. By achieving goals for the mere sake of self-advancement, a self-made hero, an ambitious king, and an atrocious villain were created. Richard assumes that love forms a bond which men can break, but fear is supported by the dread of ever-present pain (Machiavelli ch. XXIV); thus, for true success the hero must be a villain too. Richard III becomes one of literature’s most recognized anti-heroes under the hands of Shakespeare as he has no objective or thought to take up any other profession than the art of hatred; however, ironically being a representative of a heroic ruler sent by God, he is made to commit murder to redeem society of their sins.
SparkNotes Editors. “SparkNote on A Clockwork Orange.” SparkNotes.com. SparkNotes LLC. 2005. Web. 19 Apr. 2012.
In the United States, spending on Medicaid's forty million beneficiaries is projected to an overall of two hundred twenty billion during the fiscal year of 2001. In the year 1998, the federal government's share of medicaid expenditures averaged about fifty-seven percent in every state. Eleven percent is the average rate the Medicaid spending grew during the years between 1980 to 2000. Moderate spending caused a concern to both the federal legal and regulatory efforts aimed at states use of financing mechanisms. For example most states used a huge amount of disproportionate share hospital payments, intergovernmental transfers, and provider taxes and donations. However, this did not impact the enrollment of people to Medicaid due to a strong economy along with state welfare reform and fewer expansions in eligibility. Services provided to Medicaid recipients were provided at costs that remained constant due to moderate health care price inflation along with expanded use of managed care and increased use of home and community-based alternative to costly institutional long term care.
As a King, he governs with terror and assassinates those whose views differ from his. To us he is a dictator. The citizens are scared at the idea of being ruled by him. Their future is doomed with Richard in power. His own relatives and ghost shower him with curses and wants his downfall. Those who remain by his side are governed by fear lest they loose their lives and those of their loved ones.