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Roles of women in trifles
Roles of women in trifles
Gender roles revealed in trifles
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A crime scene calls for careful consideration and attention to every detail. Making false assumptions and underestimating the importance of information can lead to a false verdict or conviction. The outdated stereotype of men's superiority over women, and the consequences of this ideology, is the theme present in the play "Trifles," by Susan Glaspell. The play features five members of the community, simultaneously investigating a crime scene, trying to expose evidence that may answer the question of who killed John Wright. The only obvious suspect in the play is Wright's wife Minnie. Throughout the play, the men present search the house, and seemingly overlook the investigating women as dim-witted and irrelevant. This notion ultimately leaves the men devoid of the evidence they need to convict Mrs. Wright. The play features many "trifles," or small details that many might overlook at first mention. These details, however, turn out to be very important, and not trifles at all. The mention of Mrs. Wright's cracked fruit contains great symbolism and parallelism to the mental state of the suspect being mentioned. Furthermore, the discovery of the strangled bird serves as not only basis for a motive for the crime, but also a look into the life and struggles of Minnie Wright. Finally, the quilt found in the house similarly provides more evidence and symbolism of the murderer. These objects, which may appear as trifles initially, are actually the basis in which to convict Minnie Wright.
Throughout the play, the audience is aware of the very cold setting. This is detrimental to life on a farm, as proven by the cracked jars of fruit. When entering the disheveled kitchen, the group of onlookers notice and comment on its unke...
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...ion, it too was incomplete. They debate whether or not she intended to quilt or knot it. The men of course find this discussion laughable, and do not proceed to investigate the importance of this find. What the men fail to realize is this trifle is not actually a trifle at all, and contains great significance. Minnie's negligence shows she had something troubling her mind toward the time Mr. Wright was murdered. Similarly the women seem to think she intended to knot it, just like the rope used to strangle Wright.
The men's disrespect and underestimation of the women characters is very consequential in the story. In Mr. Wright's case, the rough treatment of his wife, and severe stifling, lead to his demise. The other men in the story felt its affects as well, as they were unable to solve the crime without the evidence the women uncovered.
I. Article Summary: Suzy Clarkson Holstein's article, “Silent Justice in a Different Key: Glaspell's 'Trifles'” evaluates the play Trifles and how the difference between the men in the play mirror how a woman's perspective is very different from a man's. Trifles is about two women, Mrs. Peters and Mrs. Hale, who show up at a house with their husbands and the county attorney to investigate a murder. The entire time the men are looking for evidence to implicate the accused wife, Minnie Wright, of killing her husband. Meanwhile, Mrs. Peters and Mrs. Hale are there to gather up some items to bring Minnie Wright in jail. While doing so, the women uncover evidence that would prove the wife is culpable but decide to hide it from the men in the last moments of the play. Trifles is evaluated on how the women are able to come up with the evidence unlike the men because they didn't approach it like a crime scene but rather a home, “By contrast, the women arrive at a home. Although neither they or the men realize it, they too are conducting an investigation” (Holstein 283). Holstein also notes they are able to find evidence because they use their own life experiences to relate to the accused murderer, Minnie Wright as shown here; “But the women do not simply remember and sympathize with Minnie. They identify with her, quite literally” (285). Holstein finishes the article by noting the women decide to hide the evidence because of the solidarity they feel towards Minnie Wright; “From Mrs. Hale's perspective, people are linked together through fragile, sometimes imperceptible strands. The tiny trifles of life –a neighbor's visit, a bird's song, the sewing of a quilt –have profound reverberations” (287).
The farmhouse in Trifles was accessed by several individuals between the time of the murder and law enforcement arriving. The sheriff even sent Frank over that morning to start a fire for warmth, instructing him “not to touch anything except the stove – and you know Frank.” The men in the play are only interested in observing the areas where John would have been within the home, deeming the kitchen as unimportant. If they had only taken a few moments to consider the mindset and life of Mrs. Wright they would have discovered all the information they sought. Minnie’s obligation once married was to provide John with children, the fact they were childless helps to show her “failure” in this role in the men’s eyes, yet the women see the detached relationship she shared with John and the profound silence of a home without little ones. Mrs. Hale discovers an unfinished quilt with some very erratic stitching where Mrs. Wright has left off and begins to remove the stitches, as if trying to undo what has already happened. When the quilting method of Mrs. Wright is discovered the women link her method with the knot used around John’s neck. Without ever seeing
This symbol is where the desolation that Mrs.Wright felt. The dead canary is the representation of the companionship and how weak Mrs. Wright acted on the scene when Mr. Peters showed up. According to Elke Brown, Mrs. Wright thought that “Wright was a harsh man, who like to have his quiet and disapproved of conversation and singing” causing him to break the bird 's nest. Not only that but he killed his owns wife spirit, turning a happy, Minnie Foster into a lonely, desperate Minnie Wright. It is a reality that Mrs. Wright was pushed away to be in isolation. The second symbol in the play was Mrs. Wright 's quilting. Mrs. Hale realized that the quilt was uneven, and that stitches started well and then ended all wrong. It was “the first clue about Minnie 's real state of mind lies in the fact that parts of the quilt have been sewn together haphazardly, which showed Minnie’s state of mind”, according to Mr. Brown. Her incompleteness leads to quilting. This technique of self is to distress, and that was the way Minnie felt. At the beginning of time, Minnie and her husband had everything flowing until it went down the drain and felt abandoned by Mr. Wright. When this happen, Mrs. Hale and Mrs. Peters felt the same way as Minnie. They talk about how it was not bad at all for Minnie to act like she did and left everything with no anger as the sheriff would have thought. Minnie 's friends also realize that her fruit province broke
At the start of the play, all of the characters enter the abandoned farmhouse of John Wright, who was recently hanged by an unknown killer. The Sheriff and County Attorney start scanning the house for clues as to who killed Mr. Wright, but make a major error when they search the kitchen poorly, claiming that there is nothing there ?but kitchen things.? This illustrates the men?s incorrect belief that a kitchen is a place of trivial matters, a place where nothing of any importance may be found. Mrs. Peters then notices that Mrs. Wright?s fruit froze in the cold weather, and the men mock her and reveal their stereotype of females by saying ?women are used to worrying over trifles.? The men then venture to the upstairs of the house to look for clues, while the women remain downstairs in the kitchen where they discuss the frozen fruit and the Wrights. Mrs. Hale explains that Mrs. Wright, whose maiden name was Minnie Foster, used to be a lively woman who sang in the choir. She suggests that the reason Mrs. Wright stopped being cheerful and active because of her irritable husband.
The Sheriff, Attorney, and neighbour Mr. Hale look for evidence while the women Mrs. Peters and Hale are left to their own devices in the kitchen. Condescendingly, the men mock the women’s concerns over Mrs. Wright’s stored preserves, its stated: “Well, women are used to worrying over trifles.” (Hale, act 1) It’s inferred that women- who care only of trifles, something of little or no importance, must be trifles themselves. Ironically, these said trifles: the quilt, preserves, a little bird- which will be discussed later, are what solves this mystery. A major concern expressed by all the characters is motive; why would Mrs. Wright kill her husband? While discussing the marriage and disposition of the victim, its stated: “Yes--good; he didn't drink, and kept his word as well as most, I guess, and paid his debts. But he was a hard man, Mrs. Peters. Just to pass the time of day with him. (Shivers.) Like a raw wind that gets to the bone.” (Mrs. Hale, act 1) Abuses, which have been hinted at all throughout the play are finally spoken of in these lines. Audiences find, that Mrs. Wright- “real sweet and pretty, but kind of timid” - would murder her
Mrs. Peters suggests that over the course, she has discovered a different aspect of herself that ties more closely to her experience as a woman than to her marriage to Mr. Peters. Mrs. Hale concludes, all women go through the same things at different times. For Mrs. Hale, Minnie Wright's murder of her husband was the ultimate rejection of her husband's identity in memory of the person Mrs. Foster used to be. The play Trifles, in the murder mystery in which the women decide to hide the evidence of the crime and thus end by aiding the murderer, the story leaves this question open of the meaning of duty and justice.... ... middle of paper ...
In the play Trifles, written by Susan Glaspell, a small number of people are at the Wright house trying to figure out why and how Mr. Wright was murdered. Mrs. Wright is already the suspect, and all that is needed for the case is evidence for a motive. The jury needs something to show anger or sudden feeling so that they can convict her for murder. The men, Mr. Henderson, Mr. Peters, and Mr. Hale are there to find the evidence. The women, Mrs. Peters and Mrs. Hale, are there to pick up a select few items for Mrs. Wright. While the men are going about business and looking for evidence to build a case against Mrs. Wright, the women are looking over what Mrs. Wright left behind and intuitively trying to understand what happened. They are also trying to fathom why Mrs. Wright would be compelled to perform such an act of violence. As the story goes on, it constructs each of the characters in slightly different means. Susan Glaspell presents Mr. Wright and Mrs. Hale as having contrasting and comparable characteristics. While Mrs. Hale and Mr. Wright differ in terms of emotions, they are similar in their cleanliness and are well respected by others.
In Trifles, the play takes place at an abandon house at a farm where John Wright and his wife, Minnie Wright lived. John was killed with a rope around his neck while his wife was asleep. The neighbor, county attorney and sheriff came to the crime scene for investigation. Along with them came their wives, Mrs. Hale and Mrs. Peters; they were told to grab some belongings for Mrs. Wright that she may need while she’s in custody. Once they all entered the home the men dismissed the kitchen finding it as unimportant. The three men focused more on legal regulations of the law. The play was mostly revolved around the women, discovering the motive through “trifles” and other symbolic things that had significance to Minnie’s guilt. When Mrs. Hale and Mrs. Peters understood the reason behind the murdering they hid the evidence from their husbands, and kept quiet. Many readers would visualize this play as a feminist point of view due to women’s bonding in discovering Minnie’s oppressive life after marriage. However Glaspell, provokes two ethical paradigms that have different perspectives of justice. Glaspell uses symbolism to characterize women’s method in a subjective way, by empowering themselves through silence, memories of her and their own lives as well as having empathy about her sit...
Many define drama to be a literary work that is to be performed in front of an audience. But to truly define drama one must comply with its themes in order to understand it fully. Drama is a form of art that is visually presented. It displays key characteristics of human emotions to give deeper meaning to what is being presented. Sometimes drama brings out what a person is truly feeling through a tragedy play or a play portraying good fortune. Drama plays are sometimes taken out of real life instances to extend the controversy of the event or elevate the excitement of the situation. Much like in Susan Glaspell’s “Trifles”, where a woman is being put on trial for killing her husband. Trifles are small insignificant things that can be ignored. Women are being ridiculed in this drama due to their lack of voice in society; however their superiority is shown through their keen eye for evidence. Symbolism in this play acts as a precursor to predestined events that take place. It can be observed by looking at anything that has specific significance to a scene, which Mrs. Hale and Mrs. Peters methodically point out. The unfinished quilt, the strangled bird, and fruit are the symbols that give insight what really happened between Mr. and Mrs. Wright, and what went wrong during their marriage to result in such a dreadful end.
Mrs. Hale describes Minnie as formerly singing “real pretty herself” (Glaspell p666). The connection between Minnie and the canary is established here, and in the bird’s physical death parallels Minnie’s emotional death (Russell). Mrs. Hale’s keen wit and patience contributes to her embodiment of The Fate sister named Clotho the Spinner, which even more evident in her correcting of Minnie Wright’s improper stitching (Russell). Mrs. Peters begins the process of investigation deeply devoted to keeping the law. She doesn 't want any disruption in the house saying, “I don 't think we ought to touch things” (Glaspell p 666) when Mrs. Hale began searching for clues. Upon finding the dead canary, Mrs. Peters view on the situation changes drastically, and she decides with Mrs. Hale to hide the tiny dead bird from the men. They both figure that if the dead canary was discovered, Mrs. Wright would be thought to be a mad woman, though it was likely Mr. Wright who killed it. Mrs. Peters sympathizes with Minnie remembering back to an old memory of her childhood, where a menacing boy killed her small kitten with a hatchet (Russell). Mrs. Peters then realizes that the justice to be served is to conceal evidence and find the answers for themselves. These
Susan Glaspell’s play, Trifles, seems to describe the ultimate women’s suffrage story. No longer will men have an upper hand against women after reading this story. Cleverness will be the key to retaining power from the men in this story. The one thing that woman are criticized for, the idea that women tend to look at the ‘little picture’ instead of the ‘whole picture’, will be there path to victory. Two stories of revenge are told in this story, the revenge of suppression and revenge of being portrayed as ‘unsophisticated, unintelligent’ women. First we have the story of Mrs. Wright and the struggles with her husband, John. Married women throughout history have been portrayed and played the role as being inferior to the husband in marriage. This seems to be the case with Mrs. Wright. Even though John’s public image was somewhat respectable, it was obvious that behind close doors the story was different. There is evidence of abuse in this marriage. First, the discovery of the broken door leads me to conclude that John was very physical and anguished. Second, it is assumed that Mrs. Wrights husband had broke her canary’s neck. The canary, which of course had to be caged, was represented as the old Minnie Foster herself. The canary is a beautiful, free spirited bird that had a sweet voice, as Minnie had at one time. This was the end of the line and ‘Minnie Foster’ was about to be reborn. She would stand up for all those abused and suppressed house wives across the world and makes the first ‘final’ decision she had ever been allowed to make. The bird’s cage was her jail. The bird’s death was her freedom for the fate of the bird was the fate of her husband. John was discovered with a rope tied around his neck, the freedom of a women who could no longer be held down. This was the first implementation of women’s power in the story. The women at Mrs. Wright’s home played an important role in the story as well. The ‘professional’ detectives were busy about the house finding clues to indict Mrs. Wright in the murder case. They ridiculed the women in the house by ‘putting them in their place’ as typical ladies, so worried about small things and useless ordeals. Mrs. Hale noted the stitches in the quilt to be erratically stitched as if something were wrong.
In the mysterious play “Trifles”, written by Susan Glaspell, the county attorney desperately tries to uncover the works behind the death of Mr. Wright. He was found dead in his bed with a rope around his neck that evening. The number one suspect of this crime is his wife Mrs. Wright. Mr. Hale, the closest neighbor had discovered Mr. Wright’s body because he wanted him to go out with the guys. When he requested this information to Mrs. Wright, she calmly told him about her knowledge of her husband’s inability to breathe... The question that surfaced throughout the play was whether or not Mrs. Wright killed her husband. This case was looked upon that she did because she did not contact the authorities of his death immediately. She was soon arrested and put in jail. The sheriff of this little town, sent Ms. Hale and
In Trifles, John Wright is murdered in his home and his wife is the main suspect. The county attorney and the sheriff are searching the home for a motive to the crime. They invite their wives along to the crime scene. Mrs. Hale and the other wives “help” by removing the little things that may make Mrs. Wright look suspicious. “Because they identify with her and because they see her as an individual and not simply a participant in a criminal action, they uncover the key evidence in the case” (Holstein 286). The women, unlike the men, are putting themselves into Mrs. Wright’s position, and ultimately solve the case.
Susan Glaspell’s Trifles (1916), is a play that accounts for imprisonment and loneliness of women in a patriarchal society. The plot has several instances where women issues are perceived to be mere trifles by their male counterparts. The title is of significant importance in supporting the main theme of the story and developing the plot that leads to the evidence of the mysterious murder. Trifles can be defined as things of less importance; in this story dramatic, verbal and situational irony is used to show how the insignificant trifles lead to a great deal of truth in a crime scene investigation. The title of the story “Trifles” is used ironically to shape the unexpected evidence discovered by women in
“Trifles,” at first glance, is a story about a murder. However, most murder stories usually end with a murderer behind bars. “Trifles,” shows that justice itself is complicated, not so black and white. Through their discovery of the dead pet bird, Mrs. Hale and Mrs. Peters find evidence that serves as motive for Minnie’s killing of her husband. The also realize, that it also somewhat justifies her act. They understand that Minnie’s act was not murder, but her escape. Her husband’s killing of her bird became the culmination of her social oppression. Mrs. Hale blames herself for not supporting her neighbor, while the men continue to fail to take responsibility for their crimes against women. Mrs. Hale and Mrs. Peters hide the evidence of Minnie’s act because the legal system cannot begin to understand or appropriately punish the crimes that have