The play Trifles was written by Susan Glaspell in 1916. It reflects the author’s assimilation with culturally tied views of gender and sex roles. As the title of the play, “Trifles”, evokes the concerns of women who are often regarded as trifles—insignificant subjects—that bear little or no significance to the true work of society which is, evidently, fulfilled by men. Glaspell (Susan Glaspell 1902) questions, and thus calls the viewer or reader to also wonder, the comparative value of men’s and women’s work and perspectives by introducing a taut-filled drama that stretches out the development of two different accounts, one female and one male. Holstein (Suzy Clarkson Holstein 2003) contends in her essay, though the questioning Glaspell (Susan Glaspell 1902) raises is not only on women’s roles in society, how knowledge and perspective are evaluated in specific circumstances.
Holstein (Suzy Clarkson Holstein 2003) argues that the two corresponding accounts of Trifles are reposed on “the differences in [men’s and women’s perceptions and behaviors as they are] grounded in the home space” (p. 282). Furthermore, Holstein (Suzy Clarkson Holstein 2003) showed that men in the play approach the Wright house, where Mr. Wright has been found dead, as a crime scene, while the women who escort them through the investigation approach the house as a home. Holstein (Suzy Clarkson Holstein 2003) has determined that the women and the men have two very dissimilar motives for being there—the men, to perform their duties as law professionals, the women, to arrange several belongings to take to the imprisoned Mrs. Wright. Yet she contends that in Susan Glaspell's Trifles the fact that the mutability of their motives is firm, on the part of the men, a...
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...most importantly, that they build a credible narrative motivated by that evidence. Then, since they can sympathize with Mrs. Wright’s anguish, they come to a decision—promptly and without far-reaching dispute—that they must cover up her offense; effectively, they consider that her actions were vindicated. Distinctly, the County Attorney and the Sheriff would take the law and their positions within it in a different way; once more, this is not essentially because of their gender, but due to their professional perspectives and their accustomed behavior of seeing and knowing.
Works Cited
Clarkson Holstein, Suzy. (2003). Silent Justice in a Different Key: Glaspell’s Trifles. The Midwest Quarterly 44 (pp. 282-290).
Glaspell, Susan. (2003). Trifles. The Norton Anthology of American Literature. Shorter 6th ed. Ed. NinaBaym. New York: W.W. Norton & Company, 1893-1903.
I. Article Summary: Suzy Clarkson Holstein's article, “Silent Justice in a Different Key: Glaspell's 'Trifles'” evaluates the play Trifles and how the difference between the men in the play mirror how a woman's perspective is very different from a man's. Trifles is about two women, Mrs. Peters and Mrs. Hale, who show up at a house with their husbands and the county attorney to investigate a murder. The entire time the men are looking for evidence to implicate the accused wife, Minnie Wright, of killing her husband. Meanwhile, Mrs. Peters and Mrs. Hale are there to gather up some items to bring Minnie Wright in jail. While doing so, the women uncover evidence that would prove the wife is culpable but decide to hide it from the men in the last moments of the play. Trifles is evaluated on how the women are able to come up with the evidence unlike the men because they didn't approach it like a crime scene but rather a home, “By contrast, the women arrive at a home. Although neither they or the men realize it, they too are conducting an investigation” (Holstein 283). Holstein also notes they are able to find evidence because they use their own life experiences to relate to the accused murderer, Minnie Wright as shown here; “But the women do not simply remember and sympathize with Minnie. They identify with her, quite literally” (285). Holstein finishes the article by noting the women decide to hide the evidence because of the solidarity they feel towards Minnie Wright; “From Mrs. Hale's perspective, people are linked together through fragile, sometimes imperceptible strands. The tiny trifles of life –a neighbor's visit, a bird's song, the sewing of a quilt –have profound reverberations” (287).
Murphy, B. & Shirley J. The Literary Encyclopedia. [nl], August 31, 2004. Available at: http://www.litencyc.com/php/speople.php?rec=true&UID=2326. Access on: 22 Aug 2010.
Evans, Elizabeth M. “Biographical Influences on Glaspell’s Trifles.” 30 July 1996. University of South Florida. 28 March 2004. http://itech.fgcu.edu/faculty/wohlpart/alra/glaspell.htm#knot.
The women were no help to the men, but solved the case but also protected Mrs. Wright from any wrongdoing. The three men tried to find a motive, but the case remained unsolved. Susan Glaspell show’s in the two pieces how women are disregarded in investigative matters. Speaking with the females, Henderson and the other men make a key mistake: the women get their identity from their relationship with men. For example, Henderson tells Mrs. Peters that just because she is married to the sheriff, she is also married to the law so she is a reliable to obey the law.
Susan Glaspell’s play, Trifles, was written in 1916, reflects the author’s concern with stereotypical concepts of gender and sex roles of that time period. As the title of the play implies, the concerns of women are often considered to be nothing more than unimportant issues that have little or no value to the true work of society, which is being performed by men. The men who are in charge of investigating the crime are unable to solve the mystery through their supposed superior knowledge. Instead, two women are able decipher evidence that the men overlook because all of the clues are entrenched in household items that are familiar mainly to women during this era. Glaspell expertly uses gender characterization, setting, a great deal of symbolism and both dramatic and verbal irony, to expose social divisions created by strict gender roles, specifically, that women were limited to the household and that their contributions went disregarded and underappreciated.
Mr. Hale found his neighbor, John Wright, strangled upstairs in the Wrights’ house with Minnie Wright, John’s wife, sitting calmly downstairs. With John Wright dead and his wife in jail, Mr. Hale, the sheriff, their wives, and the county attorney all crowded into the Wright’s house to try to find clues about the murder. While the men go upstairs, they leave the women downstairs “.worrying over trifles.” (“A Jury of Her Peers” 264) Unbeknownst to the men, Mrs. Hale and Mrs. Peters find clue after clue that would convict Minnie Wright of the murder. Instead of telling the men about the clues, the women hide the clues and the men have no idea what the women have found.
In the play Trifles, written by Susan Glaspell, a small number of people are at the Wright house trying to figure out why and how Mr. Wright was murdered. Mrs. Wright is already the suspect, and all that is needed for the case is evidence for a motive. The jury needs something to show anger or sudden feeling so that they can convict her for murder. The men, Mr. Henderson, Mr. Peters, and Mr. Hale are there to find the evidence. The women, Mrs. Peters and Mrs. Hale, are there to pick up a select few items for Mrs. Wright. While the men are going about business and looking for evidence to build a case against Mrs. Wright, the women are looking over what Mrs. Wright left behind and intuitively trying to understand what happened. They are also trying to fathom why Mrs. Wright would be compelled to perform such an act of violence. As the story goes on, it constructs each of the characters in slightly different means. Susan Glaspell presents Mr. Wright and Mrs. Hale as having contrasting and comparable characteristics. While Mrs. Hale and Mr. Wright differ in terms of emotions, they are similar in their cleanliness and are well respected by others.
In this male dominated investigation, it is empathy that truly is the mark that allows the investigation to be solved from an unsuspected place. Void of empathy, nothing can genuinely be understood. Empathy is the foundation with which we can see the world and understand the reason behind everything whether for the good or bad. Condoning the action of an individual is not taking into account their situation or what other options were available to them considering any existed. Labeling a criminal is putting an individual into a category of black and white without considering the complexity of the matter or the many shades of gray the world presents. In the eyes of the law, Mrs. Wright was a murderer. To those who could empathize with her struggles she was a survivor—despite her wrongdoing. Justice is found in this play, or rather the term may be favored as mercy, that Mrs. Wright was a victim who believed in her heart she chose the only path that lead to
The power of women is different than that of men. Women display a subtle and indirect kind of power, but can be resilient enough to impact the outside world. In Trifles, Susan Glaspell delivers the idea that gender and authority are chauvinistic issues that confirm male characters as the power holders, while the female characters are less significant and often weak. This insignificance and weakness indicated in the play by the fact that the women had the evidence to solve a murder, but the men just ignored the women as if they had no value to the case at all. This weakness and inability of the female to contest the man’s view are apparent. According to Ben-Zvi, “Women who kill evoke fear because they challenge societal constructs of femininity-passivity, restraint, and nurture; thus the rush to isolate and label the female offender, to cauterize the act” (141). This play presents women against men, Ms. Wright against her husband, the two women against their spouses and the other men. The male characters are logical, arrogant, and stupid while the women are sympathetic, loyal, and drawn to empathize with Mrs. Wright and forgive her crime. The play questions the extent to which one should maintain loyalty to others. Mrs. Peters and Mrs. Hale try to withhold incriminating evidence against Mrs. Wright, and by challenging the reader to question whether
In Susan Glaspell’s play Trifles Mr. Wright’s murder is never solved because the two women in the story unite against of the arrogance of men to hide evidence that would prove Mrs. Wright as the murderer. The play Trifles is about the death of farmer Mr. Wright and how the town sheriff and attorney try to find evidence that his wife Mrs. Wright killed him. As the play progresses the men’s wives who had come along were discovering important pieces of evidence that prove the men’s theory but chose to hide from them to illustrate the point that their ideas should have been valued and not something to be trifled. The very irony of the play comes from its title trifles and is defined as something that isn’t very important or has no relevance to the situation that it is presented to. In this play the irony of the title comes from the fact that the men find the women’s opinions on the case trifling even though the women solve the crime which ends up being the downfall of the men as they would have been able to prosecute Mrs. Wright if they had listened which made the women’s opinions not trifling. Glaspell was born in an age where women were still considered the property of men and they had no real value in society in the eyes of men except for procreation and motherhood. This attitude towards women was what inspired Glaspell to write the play Trifles and to illustrate the point that women’s attitudes should be just as valued as men’s and to let women have a sense of fulfillment in life and break the shackles that were holding them only as obedient housewives. Trifles was also inspired by a real murder trial that Glaspell had been covering when she was a reporter in the year 1900. Glaspell is a major symbol of the feminist movement of l...
Susan Glaspell’s most memorable one-act play, Trifles (1916) was based on murder trial case that happened in the 1900’s. Glaspell worked as a reporter, where she appointed a report of a murder case. It was about a farmer, John Hossack who was killed while he was asleep in bed one night. His wife claimed that she was asleep next to him when the attack occurred. No one believed in her statement, she was arrested and was charged on first degree murder.
Glaspell, Susan. "Trifles." Plays by Susan Glaspell. New York: Dodd, Mead and Company, Inc., 1920. Reprinted in Literature: An Introduction to Fiction, Poetry and Drama. X.J. Kennedy and Dana Gioia Eds. New York: Harper Collins Publisher, 2004.
Trifles is based on a murder in 1916 that Susan Glaspell covered while she was a journalist with the Des Moines Daily News after she graduated from college. At the end of the nineteenth century, the world of literature saw a large increase of female writers. Judith Fetterley believed that there was an extremely diverse and intriguing body of prose literature used during the nineteenth century by American women. The main idea of this type of literature was women and their lives. The reason all of the literature written by women at this time seems so depressing is due to the fact that they had a tendency to incorporate ideas from their own lives into their works. Glaspell's Trifles lives up to this form of literature, especially since it is based on an actual murder she covered. This play is another look at the murder trial through a woman's point of view.
In the play Trifles, Susan Glaspell brings together three women through a crime investigation in the late nineteenth century. Glaspell uses symbolism, contrast of sexes, and well-constructed characters to show that justice for all is equally important to finding the truth. Perhaps the most prevalent literary device in the Trifles is the rich symbolism. Each of the women in the play are equally important, but come together to become more powerful. Mrs. Hale and Mrs. Peters directly bond, while Mrs. Wright indirectly contributes from jail by leaving them small clues.
Susan Glaspell’s Trifles (1916), is a play that accounts for imprisonment and loneliness of women in a patriarchal society. The plot has several instances where women issues are perceived to be mere trifles by their male counterparts. The title is of significant importance in supporting the main theme of the story and developing the plot that leads to the evidence of the mysterious murder. Trifles can be defined as things of less importance; in this story dramatic, verbal and situational irony is used to show how the insignificant trifles lead to a great deal of truth in a crime scene investigation. The title of the story “Trifles” is used ironically to shape the unexpected evidence discovered by women in