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Trickster roles in mythologies
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Most trickster characters in short stories encounter a supernatural being. First of all, in How Stories Came to Earth it says “ Now Anansi climbed up his web to the sky-god, Nyame, to ask for the sky-god’s stories.” This is saying that Anansi went to meet a god which is physically impossible. Next, in the story Coyote Steals Fire it stated “ Fire was kept inside a huge white rock…” This shows that Coyote encountered something physically impossible because all the fire in the world can not be contained and fire cannot go into a rock. Finally, in Master Cat the ogre was able to shapeshift into a lion. It shows that an ogre shapeshifted into another creature which is magical and physically impossible. In short stories of tricksters there is
element. Another example would be supernatural beings. In the story there is one example of a supernatural being. The supernatural being is the gray blob Richie. An example from the text would be-
Tricksters often embody the change occurring to the main character within the story. In “Mohammed with the Magic Finger”, Mohammed is representative of the Uncle’s puberty rite of passage journey. The major change within the story is the developing maturity of the uncle, which is shown through the trickster as he overcomes the obstacles placed in his way. The dualism between the two characters is the lens through which the story progresses.
“Labeling theory,” which states that our self-identity and behavior can be altered by the names or terms that people use to describe or classify us. Labeling is using descriptive terms to categorize or classify something or someone. Sometimes these labels can have positive impacts on our life or as Amanat’s mentioned that these labels can limit our full potential to do anything by believing that people’s expectation about us is how we should define ourselves. In doing so, we act against our true nature because we’re trying to live up to others expectations or deny their assumptions.
Everyone has a slightly different interpretation of the supernatural but the interpretation which we can start with is Shakespeare’s. Everyone of Shakespeare’s time found the supernatural fascinating. Shakespeare interpreted the supernatural as witches, magic, unnatural and evil and he expressed his beliefs in the play, “Macbeth” very clearly, as he portrayed the three deformed women with control over the weather and the ability to predict the future. These three evil witches with magical powers were the creation of Shakespeare’s interpretation of the supernatural. Shakespeare’s contemporaries believed in the supernatural very strongly and a majority of them were frightened of it, including the king of that time, King James I of England.
Kind and selfish, deep and shallow, male and female, and foolish and wise aren’t always words that are associated with each other, quite the opposite in fact. However, when it comes to the trickster tales of Native Americans, each word is associated with the other and describes more or less the same person or animal. To Native American people a trickster affects the world for an infinite number of reasons, including instruction and enjoyment. A trickster, like the name implies, is a cunning deception. A trickster can be a hero. However, at the same time he could introduce death. How is that heroic? Why would a group of people want to remember a person that brings punishments such as death? The function the trickster tales have/ had on Native American communities is still powerful today quite possibly because of their context, the lessons they reap, and the concerns they address. As the tales are told, the stories unravel showing the importance of a trickster and the eye-opening experiences they bring.
In all of human history, people have written about inhuman beings, many of which include gods, demons, wizards, sorcerers, and witches. Nowadays, mystical beings are seen everywhere in media. Most of society stopped believing in these creatures years ago, but for 17th century Salem, witchcraft became a living nightmare (Fremon, 1999
The short stories “The Snows of Kilimanjaro” and “The Short Happy Life of Francis Mocomber” were both written by world renowned author Ernest Hemingway. The two stories are written completely unrelated to each other; however, both stories have vast similarities in the time and place in which they take place. Hemingway is a writer that is very methodical in his word choices. When reading these two stories a second time the reader finds considerable differences in the writing style the author uses in each story. To demonstrate, three sentences from each story will be compared and contrasted to show the differences in word usage, word connotation, and to find which story is written better. The initial pair of these sentences to be looked at are, “A fourth planed down, to run quick-legged and then waddle slowly toward the others,” from the short story “The Snows of Kilimanjaro,” and “On the far bank of the stream Macomber could see, above the trees, vultures circling and plummeting down,” from the story “The Short Happy Life of Francis Macomber.” The subsequent couple of sentences are “’You Bitch,’ he said,” from the “Snows of Kilimanjaro” and “’Why not let up on the bitchery just a little, Margot,’ Macomber said, cutting the eland steak and putting some mashed potato, gravy and carrot on the down-turned fork that tined through the piece of meat.” Finally, the third set of sentences are “She shot very well this good, rich bitch, this kindly destroyer of his talent,” from the story “Snows of Kilimanjaro” and “’That was a good shot,’ Wilson said,” from the story, “A Short Happy Life.”
Dubliners is a collection of short stories that encircles around men, women, and children focusing on every aspects of their lives within the Irish capital of Dublin. These series of short stories were considered to be a masterpiece that was published by James Joyce in 1914, one of the most influential writters during the twentieth century. Joyce's unique style of writing is clearly displayed throughout the stories. This book consist of fifteen depressing and unhappy tales that form a sequence of desire for escape, diminishing faith, and missed opportunities among the characters. These themes are the cores of Dubliners that apply one way or another. The arrangements of each and every story appears to resemble the cycle of human life, commencing from childhood all the way to adulthood and beyond. Despite the differences, there were numerous amount of common and recurring themes found between the stories. Escape has played a crucial role in Dubliners, acting as one of the central themes presented within the stories "An Encounter", "Araby", "Eveline", and "The Dead". The protagonist of each story had made attempts to escape their tedious lives in Dublin and change was demanded, however they were all unsuccessful until arriving at the sense of realization. Having gone through traumatic experiences, only to discover that everything that they thought was possible were nothing more than a mere dream.
What literary elements make one short story superior to another? Steven Dunning believes that the superior story should combine a good narrative structure with a deep psychological reality. It is quite obvious that he values psychological reality over a well-written narrative. In this paper I will be summarizing Dunnings analysis of two short stories, "Appointment with Love" and "The Chaser" the article is called "Short Stories and Taste."
As long as one can remember, paranormal beliefs have always existed in human society. They are living in every man’s childhood and in every corner of human’s life. From the burning belief about Santa Claus’s gifts under a Christmas’s tree in the morning to a scary game about Bloody Mary and her coming back from the dead, it seems that people cannot help but draw themselves to these stories. Even when these beliefs fade, there would be a new one that eventually shows up. No matter how much science has progressed, the belief in paranormal phenomena still remains in society. Eventually, the question about paranormal phenomena seems pale in comparison to the human’s undying belief about such things. It is really hard to pinpoint an exact cause for human’s belief in the paranormal for only one cause is not enough; however, it is sure that psychological, sociological, and biological factors play an enormous role that contributes to this belief.
The Oxford English Dictionary defines "supernatural" as "That which is above nature; belonging to a higher realm or system than that of nature; transcending the powers or the ordinary course of nature." Through the duration of mankind’s existence, humans have been fascinated with a higher power that defies the laws of nature. Supernatural themes have stimulated literature and the arts, both ancient and modern. Many parallels can be connected between stories involving the paranormal. The setting of "The Jolly Corner" and The Devil’s Advocate evokes the preternatural.
Immersed in a labyrinth of timbers sat a house. Not a soul dared to venture near the decaying exterior, but the one who claimed the eerie dwelling as their own. Some accused the owner of witchcraft, believing a home that demented could not exist without the aid of the supernatural. Most were too petrified to believe in such fantasy, blaming the lethargy and peculiarities of the resident for such an abomination of a home.
In the 1930s, Alabama author, anthropologist and folklorist Zora Neale Hurston returned to her “native village“ of Eatonville, Florida to record the oral histories, sermons and songs dating back to the time of slavery which she remembered hearing as a child. Hurston’s love of African American folklore and her work as an anthropologist are reflected in her novels and short stories – where she employs the rich indigenous dialects of her native rural Florida as well as the African tradition of oral story telling. As Hurston’s deep interest in the folkloric practices of the Southern black folk became the basic of her novels, a close reading of Their Eyes Were Watching God reveals that folklore pervades all the main levels of the novel – the story passed down through words of mouth, characters are stereotypes and plot is repetitive in nature.
From the two short stories you have read what do we learn about what it was like for American black people to live in Americain the 1950s? From the two short stories; The Gold Cadillac by M.D. Taylor and 1955 by Alice Walker, both set in 1950s America and both written by black female writers we learn about the segregation, racism and poverty of 1950s black America. Both these stories are set in the deep south of America. The gold Cadillac is about a young black girl who knows nothing about racism and discovers it for the first time as she travels with her family into the Deep South in a gold Cadillac. 1955 is written from the point of view of a black woman who has experienced the racism her whole life.
Supernatural elements – religious figures and activities, ghosts, witches, and anthropomorphized animals among others – have been used throughout the history of literature from its origins in oral folktales to Shakespeare’s plays to Tolkien’s Lord of the Rings series. Throughout the history of literature, supernatural elements have been useful in developing themes that reflect the nature of humanity. Supernatural elements are often used to outline and comment on conflict and power struggles: both within the plot of the work and within society at the time of the work’s publication. These otherworldly components are also commonly used to adapt, expand upon, and make a work of literature more applicable to its settings. Supernatural elements also play a r...