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Significance of trickster stories
Relevance of the trickster archetype
Relevance of the trickster archetype
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The classic trickster archetype represents the traits of deceitfulness, craftiness, and stealthiness. Tricksters will repeatedly annoy the gods to make a name for themselves, or they will commit an act of great proportions, gaining infamy in their respective realms. Others, however, commit an act of trickery that results in punishment, such as the deceitful serpent in Genesis. However, Hermes, from Greek Mythology, used a mischievous act at a young age to gain notoriety and influence later in his life. Rather, Loki, depicted in Norse Mythology, committed malicious acts from his position of power. Tricksters, such as Hermes and Loki, rely on deception in order to obtain authority over others, allowing them manipulate their position to perform …show more content…
Hermes’ long for adventure contributes with his cunning ability to commit an act of trickery. On the day Hermes was born, he snuck out of his house when his mother was asleep and traveled down to Apollo’s property. When Hermes saw the land, he noticed there were cows there, and with Hermes’ craftiness, he led the fifty cows by their tails. The footprints made it look as if the cows were walking towards the property and not away from it. He took them to a surrounding cave in the area, so the owner could not see them (“Hermes”). When returning home, he saw a turtle and decided to kill it, from there he “stretched some of the cows entrails across the opening of the shell to make a musical instrument" (Daly 45). Hermes uses his cunning ability to figure out a way to successfully complete his adventure. While doing so, he, additionally, uses his intelligence to complete an invention, in this case an instrument, from things he acquired. Hermes’ trickery did not go unnoticed, as he would be noticed by the gods; eventually, he will receive position of prominence. When Hermes tried to deny the robbery of the cows, the gods would not accept it because “Zeus had seen everything” for himself (“Hermes”). And as Hermes grew up he would come to receive the position of Zeus’ “personal messenger” (“Hermes”). Hermes goes from being unnoticed to having Zeus see every action he did, because of …show more content…
Loki and Hermes both used their charismatic personalities to develop strong relations with the most powerful gods. Hermes was given the job of messenger of the gods because “he always used the right words in every situation” (“Hermes”). Hermes’ confidence in himself gave of an image that had the gods admire him for his ability; therefore, giving them no choice but to give him a position of power. Rather than using his strength, Loki also tended use his sly mannerisms and speech in order to get what he desired. This was the reason for Odin’s visit to Loki’s home on Jotunheim, and it was here that they became bonded to one another by blood (“Loki”). Loki’s rise to power began shortly after his arrival in Asgard, and he quickly became known to all of the gods. Due to a combination of both his popularity and affiliations, Loki was able to firmly establish his authority over his subjects and other gods in the realm. This caused Loki’s influence to expand exponentially and also allowed him to plague the kingdom with trickery without immediate consequences. Both gods, despite of their detrimental and mischievous behavior, were able to receive accolades among their kingdoms. Hermes and Loki both display manipulative and charismatic personalities, which they use to undermine the other gods. Though they come from different stories, from two separate cultures, the theme of the
The Tricksters main job of joking usually ends up upsetting the god in some way. The Tricksters are seen as inferior creatures to the gods themselves. At some point in the story the Trickster will engage himself in a battle of wits with the gods. However, for each Trickster archetype across all stories, the battle of wits usually becomes their undoing, and they are punished by the gods for their deeds. This defeat of the Trickster only solidifies the power of the gods as well as the perceived superiority of the Christian religion to Pagan
There is no doubt in mythology that the king of gods, Zeus, is the most supreme and powerful, ruling the sky. He controls the thunderbolt, a symbol of power feared by both gods and mortals. The Greeks and Romans honored Zeus above all other gods. He is without mistake, the god of all gods. Their stories of Zeus are plenty; his designs have molded mythology from his birth. Zeus' victory in outwitting his intelligent wife, Metis, by swallowing her pregnant, was the gateway used by the Greeks and Romans to show Zeus as the greatest god to come since his father and grandfather. However, as the stories of the gods and goddesses unfold, the Greeks and Roman's interpretation of Zeus' characteristics are different. Zeus is always upheld as the king of gods, but his other personal attributes to his godly rein are conflicting. Zeus' characteristics of fearfulness of female deities, cunningness and use of trickery, and lust in Ovid's Metamorphoses compared to the Theogony are opposed due to Hesiod's true respect of Zeus versus Ovid's lack of respect of Jupiter in Roman mythology.
Hermes has a relationship with most, if not all of the gods. He is the one who brings the god’s biddings, warnings, and any other messages they might need to tell anyone to their desired location.
He is very well known for being deceiving, and a trickster. Hermes is also known for his many love affairs with numerous mortals, goddesses, and nymphs. In the Odyssey he serves as a messenger and is sent to Kalypso to tell her that she must let Odysseus off her island. The next person, Helios, is actually not a god but a rather a titan. He is the son of Hyperion and Thea and represents the sun, and his sisters Serena and Eos represent the night and the dawn. An easy way to remember him is that “Helios” is a root word from Greek for sun. Helios did not play a big part in Greek mythology and was eventually replaced by Apollo, but in the Odyssey he gets revenge on Odysseus for eating his cattle. Lastly is Aeolus, and this god is different because there are actually three gods with this name. The most famous which is the one that will be talked about in the Odyssey is the keeper of the winds, and he is also known by his other name is Hippotes. He gives Odysseus favorable winds, but when his companion opens the bad with the bad winds things turn a turn for the worse. In a nutshell, this is an explanation of all the gods in the Odyssey and the role that they
Psychologist Carl Jung proposed that humankind has a collective unconscious, which is manifested in myths and dreams, which harbors themes and images that all humans inherit. Carl Jung’s proposal about the collective unconscious is expressed when archetypal and mythological criticism applies to literary works (Archetypal Criticism). Neverwhere is a novel written by Neil Gaiman, which is heavily influenced by archetypal and mythological concepts. Neverwhere is the story of a young man who tries to help an injured girl named Door on the street, when he soon realizes that this is no ordinary person that he has come across and he has to go into the underworld to get her help. Richard goes to get her help from a man in the underworld named Marquis
When we look at Greek Mythology we often run into the gods of that era. Sometimes they are merely backdrops to the human element of the story but in stories such as The Odyssey the gods play a prominent if not vital role to the central themes of the story.
Loki is known as the trickster god of Norse mythology and is even said to be one of the first anti-heroes. He is also probably one of the most well-known tricksters as well. In the Norse myths, he is often portrayed as being very mischievous and is always causing trouble for the gods. In fact, “he was so outrageously mischievous that he even sneaked his way into becoming a god” (Allen, and Saunders, par. 1). However, even though he almost always seems to be getting the gods into some kind of trouble, he also helps them at times in an attempt to get them out of their predicaments…even if those predicaments are his own fault to begin with.
The relationship between gods and mortals in mythology has long been a complicated topic. The gods can be generous and supportive, and also devastating and destructive to any group of humans. Mortals must respect the powers above them that cannot be controlled. The gods rule over destiny, nature, and justice, and need to be recognized and worshipped for the powerful beings as they are. Regardless of one's actions, intentions, and thoughts, the gods in Greek myth have ultimate power and the final decision of justice over nature, mortals, and even each other.
Gods are ancient beings thought to have created the world and are children of the Titans. Most gods are thought to help mortals for good. Zeus who is the most famous of all the gods is adored by millions. Yet, Zeus, the ruler of gods, is one of the most selfish irresponsible gods of them all. Zeus was a bad god because he had many affairs, abused his powers, and did not use his powers for good.
The gods in power, like Zeus, exhibit bias, dishonor, betrayal, deception, and many other humanly characteristics. One memorable scene is when Zeus and Poseidon are in conflict with each other over the Achaens versus the Trojans. Zeus controls the battle by “lifting the famous runner Achilles’ glory higher,” (Homer 13: 404). Zeus plays both sides in this scene, acting like a double agent which is dishonorable. Zeus’s bias is prevalent throughout the poem; specifically, he is “bent on wiping out the Argives, down to the last man,” (Homer 12: 81-82). Just like mortals such as Agamemnon and Achilles view each other with suspicion and intolerance, the gods experience identical emotions of wariness, anger, and irritation. This human-like behavior is not restricted to Zeus. Later in the text, Hera lies to Aphrodite to use her powers to manipulate her own husband Zeus. If one looks at Hera as a heavenly entity, her reaction may not make sense, but when it is viewed as a manifestation of human emotion, it become almost reasonable. Her scheming response to Zeus’s meddling with the war is spurred by her support for the Trojans. Hera’s manipulation and Aphrodite’s ego don’t stand alone as examples of this divine humanity. These instances suggest that the deities are being presented in this unique way to help explain behavior of the humans in The
Some characteristics of Hermes include his ingenuity, knowledge, creativity, and is known to be very cunning. He is also quite good at gymnastics. Hermes is an incredibly clever god. He found a tortoise outside of his cave and displayed his godly talent by placing strings over the shell, inventing the first lyre. As a child he was very precious, even for a god. But he caused a great deal of trouble. But one day, he went too far and learned a very important lesson.
Furthermore, the main rising action and plot twist of the film are also products of Loki’s antics. The instigating moment which causes Thor to visit Jotunheim is in fact caused by Loki. Loki manages to sneak Giants into Asgard in order to create tension between Thor and the Giants, ultimately leading Thor to his banishment. This is consistent with events in Ragnarok, also known as the Doom of the Gods, where Loki is seen to side with, and even lead, the Giants and against the gods (Somerville and McDonald 51). The unanticipated plot twist in the film is that Loki initially betrays the gods and cooperates with the Giants, but is revealed to have double-crossed the Giants in order to gain Odin’s favour. All this treachery leads one to question Loki’s loyalty, as that is a very important quality of a warrior. This would usually bring up the subject of honour, but it is known throughout mythology that Loki is an eccentric character, and like Odin, transgresses boundaries. He has sacrificed his honour on many occasions, such as dressing up as “Freya’s” handmaiden, or seducing a horse, and fathering monstrous offspring (Lindow 217). Therefore, the fact that Loki misleads the gods and deceives the Giants in Thor is not
The story is an archetypal journey for the characters to find their destiny. Kay is a singer enlightening men with the male gaze. Kay is the model woman portrayed in her character framed by a male perspective. Kay’s role at varied times of the film describes varied archetypes. The movie does not depict Kay in a role of power, deception, and lies as in Agamemnon and Euripides. Kay is depicted in each scene as the ideal woman. Kay has blond hair, curvaceous shape, and soft voice that captivates the men. However, she longs for a life outside of what she knows.
The trickster archetype has existed within folklore for generations as an entity of immense knowledge, cunning, and chaos, while usually challenging social norms in the name of progress or learning. When this paradigm is applied to the world of comic book villains, it is apparent that the trickster of folklore is the primary model for creating compelling, convincing rogues who challenge and hone their counterparts into better heroes. An examination of the world’s most popular comic book superheroes, such as Batman, Spider-man, and The Flash, reveals that perhaps the most vital aspect to their success rests with a rich and diverse “rogues gallery” of villains. Generally, these rogues’ galleries are populated with a number of tropes lifted directly
To begin with, the ancient Greeks explained the creation of the universe, in particular the Earth and its elements, by a system of anthropomorphism in which their gods are human-like and are representatives of these elements. For example, Zeus is the god of heaven while Hades is the underworld lord (Hesiod, p.145). Unlike the Christians’ god who is “flawless”, the ancient Greeks’ divinities are portrayed as humans and are far from perfect. Their gods behave like ordinary people except they are immortal and have supernatural powers. Like any human being, the Greeks’ gods have love, jealousy, sadness, etc. For instance, in Euripides’ Bacchae, Zeus falls in love with Semele, which makes Hera becomes jealous and tries to kill Semele and Dionysus (Euripides, p.209). The Greeks even have a physically imperfect god, Hephaestus. This is to say that the gods’ attitude toward mortals is affected by how people treat them as the Greeks’ gods have emotions like humans.