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Assingment about greek tragedy
The Greek’s view of tragedy
The Greek’s view of tragedy
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Tragic Flaws and the Role They Play Many Greeks considered tragedies to be the greatest form of literature. The characters in these tragedies, mainly the heroes, were not doomed from the start because of their fate, but rather had certain flaws that made them cause their tragic ends. These tragic heroes have been talked about for generations and have had their stories passed down year after year. These heroes, all having different tragic flaws, slowly bring their impending doom closer and closer throughout the story, accumulating different characteristics that also speed up the process. Therefore, the stories aren’t setting the heroes up for failure due to fate, but rather the heroes bring about their own downfall with their own characteristics. Many of the heroes possess similar tragic downfalls. Pride is usually the main characteristic that brings so many tragic heroes down. Pride was a main downfall that most heroes started with, and later, throughout the tragic, collected more. A combination of all of these cause the hero to eventually succumb to his final ending. Usually, t...
...heir journeys or overcome their limitations had it not been for the gods. Of all of the requirements of heroism, being influenced by the gods is the most important. Only through the aid of the gods can a character defeat his shortcomings and truly understand what a hero is. The character must become overconfident and prideful, then, and only then, can the gods step in and break their faults. Finally, the hero either comes to realize how wrong he was or he dies in ignorance.
As the story comes to its conclusion, the hero has endured his hardships; he went from the one that started fights to the one that thought of what could make everything work. An ordinary person in an ordinary world faced his share of trials and tribulations to come out as a new person. Defining the hero myth—he struggled and still was able to triumph to his prize at the end ; individuals relish these type of stories, they can
Idolized for their courage and noble qualities, a hero achieves superlative success by utilizing their strength and intellect to battle against their greatest challenge. Typically, heroes bask in the glory of their fame and triumph, admired by those throughout society, but realistically, not all heroes live happily ever after. As demonstrated through the epic poem, Beowulf, translated by Burton Raffel, and Sophocles’ tragic play, Oedipus, abridged by Nick Bartel, there comes a time for one’s downfall, usually provoked by an illogical decision or characteristic flaw. Their misfortunes arrived as a result of a free choice gone awry, not because it their fate that doomed their lives, proving that heroes are just like any commoner who experiences
In addition, the final aspect of a tragic hero is a sudden change in course of action, caused by their major flaw, which brings about their p...
A tragic hero is an individual who possesses a fatal flaw in their character that will bring about their own destruction or suffering. Aristotle believed that “A man doesn't become a hero until he can see the root of his own downfall. (Aristotle #1)” This Ancient Greek philosopher also believed that each tragic hero has four characteristics. The first of these characteristics is that a tragic hero is born with either wisdom or high integrity, and in some cases both. Aristotle’s second characteristic is that they contain a fatal flaw in their character that may cause them to behave irrationally. The penultimate characteristic is that each hero will suffer a turnabout of fortune brought about by their own flaw in character. Finally, the last characteristic is that the tragic hero will find out that their own turnabout of fortune was brought about by their own actions. McCandless in into the wild is the ideal tragic hero mentioned by Aristotle. McCandless had everything in the world but he gave it up to live in the wilderness and through his own actions he paid the ultimate price. McCandless is seen by the world as a young man who left the corrupted society to embrace a journey only a few would dare. “That's what was great about him. He tried. Not many do. (Krakauer 96)” This journey ended up being the best time of his life and the fact that he attempted this wildlife adventure makes him look more like a daring hero than an idiotic teen.
A man has many defining characteristics - some positive and some negative. At times, a potentially positive characteristic may cause his eventual downfall. This concept can be directly related to the story Oedipus Rex. Aristotle stated, “the tragic hero falls into bad fortune because of some flaw in his character of the kind found in men of high reputation and good fortune such as Oedipus.” Essentially, he is telling us that Oedipus has a flaw that, under normal circumstances, would be a beneficial characteristic, but in his case, causes his demise. The defining characteristics of pride and determination can be attributed to the downfall of Oedipus.
The Greek tragedy Oedipus the King, by Sophocles, was written to show the common people of Greece how powerful the gods are and that your fate is pre-determined and nothing you do can change that. He does this by showing how people in this story try to escape their fate and how it is no use because in the end, what the oracles predict comes true. In the story there are many occasions in which people try to escape their fate.
Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
The ancient Greeks were fond believers of Fate. Fate, defined according to Webster’s, is “the principle or determining cause or will by which things in general are believed to come to be as they are or events to happen as the do.” The Greeks take on Fate was slightly modified. They believed that the gods determined Fate: “…fate, to which in a mysterious way the gods themselves were subject, was an impersonal force decreeing ultimate things only, and unconcerned with day by day affairs.” It was thought that these gods worked in subtle ways; this accounts for character flaws (called harmatia in Greek). Ancient Greeks thought the gods would alter a person’s character, in order for that person to suffer (or gain from) the appropriate outcome. Such was the case in Oedipus’s story.
The first thing that comes up in The Odyssey that pertains to fate is when Zeus exclaims “My word, how mortals take the gods to task! All their afflictions come from us, we hear. And what of their own failings? Greed and folly double the suffering in the lot of man.” Zeus is saying that we all as humans cause our own misery and blame the gods for it. His attitude towards the struggles of humans is that since we cause our own problems, we should fix them by ourselves too. He is admitting that the gods do not have full control over events in human life. They have a
In his classic work "Poetics" Aristotle provided a model of the tragic hero. According to Aristotle, the tragic hero is more admirable than the average person. This results in the tragic hero being admired by the audience. For the audience to accept a tragic ending as just, it is crucial that the tragic hero be responsible for their undoing. At the same time though, they must remain admired and respected. This is achieved by the tragic hero having a fatal flaw that leads to their undoing. One of literature's examples of the tragic hero is Achilles from Homer's The Iliad. However, Achilles is different from the classic tragic hero in one major way - his story does not end tragically. Unlike the usual tragic hero, Achilles is able to change, reverse his downfall, and actually prove himself as a true hero.
own destructive downfall. A tragic hero can be described as a great or virtuous character in a
An interesting and important aspect of this Greek notion of fate is the utter helplessness of the human players. No matter the choice made by the people involved in this tragedy, the gods have determined it and it is going to come to pass. T...
There are many heroes in this world, whether it’s a fireman or a doctor. A hero is defined based on their courage, nobility and strength. In contrast, there are tragic heroes. According to philosopher, Aristotle, the definition of a tragic hero is one that is of greatness and dignity but, despite their greatness, makes an error, otherwise known as the hero’s “tragic flaw” or “hamartia” which leads to his downfall. In William Shakespeare’s tragedy, Macbeth, the main protagonist and round character, Macbeth starts as a man of greatness and dignity. His assumed loyalty to the country and king earns him respect from a variety of men and the title “Thane of Cawdor.” But, unfortunately because of his tragic flaw he is corrupted by his overwhelming ambition and destroys himself and the natural order of man. Macbeth transitions from the savior of his country, “Bellona’s bridegroom”, a “brave” and unbeatable man to a man of endless brutality. Macbeth is the epitome of a tragic hero.
Tragic heroes tend to have very pre-determined paths; usually making the most virtuous of characters destined to suffer. The hamartia or ‘tragic flaw’ is the typical reason the hero falls. Shakespeare was noted to be one of the best writers of tragedies, one of his most prominent to be Othello. In Othello, we find a number of tragic flaws two including pride and ambition. In William Shakespeare’s play, Othello, pride and ambition are used to identify the outcomes for the main characters in the play when seeing the resolution of the play, perceiving those who survive and those who don’t, and considering each character’s role in the turn of events.