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Argo movie analysis
Argo movie analysis
Character development broad point
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Characterization in Argo
Argo. A 2012 historical and drama film. Stars Ben Affleck who couples up as the director. It is an adaptation of an article The Great Escape and a book Masserird Disguise. It features the story of American government operatives who used a fake film enterprise to rescuer fellowAmericans from Tehran. The main character Tony Mendez plays a lead agent role in the fake documentary film. Argo. That sets out to begin the rescue mission. Caught in the midst of political chaos. American hostages and the rescue crew must fight for safety and avoid death. Mendez as a lead character is well-rounded, a utility character. Dynamic and advances as the film deepens.
From the beginning of the film Mendez has made a name for himself. At 13.04 (Argo, 2012), Mendez is introduced as an infiltration expert. He has already made a name for himself in the intelligence circles. However, he is proud. Somewhat arrogant. Seems only to trust his own instincts. This is evident when he unceremoniously rejects the rescue plans proposed by other experts. Despite these obvious character flaws, he is port rayed as an e expert in what he does. He successfully hatches an excellent plan to enter a hostile country and save six Americans trapped in a conflict-filled country.
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As a protagonist.
Mr. Mendez has the difficult role of presenting to the audience what the writers, producers, and directors intend to pass across. As part of his character development, Mendez appears mildly engaged and bored most of the tittles. He seems to have seen more in his past years or is yet to grasp the matter at hand. With hints of marital issues and a bad social life, he fails to convince the audience over his enthusiasm in the planned extraction. He may be too described as lacking in feeling or person. As the movie develops, he begins to show involvement. He is seen as more thoughtful than a trigger-happy ex CIA
operative. In his character as a dynamic leader, Mendez puts the safety of others first. He carefully, choreographs a risky. Step-by- step structure that often goes wrong. He perfectly displays the cliff¬hanging moments that capture the audience. His plan often seems to be spelling doom, yet he manages to keep his crew together and his voice as a leader. He plays well with the supporting actors. He is able to show growth from a sad character that is concerned with his own reputation to a passionate American hero (Argo, 2012). Additionally, Mendez is able to filter the bureaucratic actions of different governments involved to the important issues first. His decisions are crucial in saving the Americans threatened by a chaotic regime in Iran. Ultimately, Mendez becomes the American hero who was only doing his job. He has developed significantly from his introduction in the film to the time the credits roll. Ultimately, Mendez has shown what a real American hero is like. He has shown Significant growth in his own personal character and the features that make him the best at what he does. In my own opinion, my audience should see the film based on the port rayed characterization of Tony Mendez. In collaboration with the support cast that makes the film a classic thriller and drama based on real life event. He is an example of a utility character, dynamic, and efficient in executing the intentions of the directors.
In “Charro” by Oscar Casares, respect is an underlying theme that ties the whole story together. It weaves itself in and out of each scene as if it were its own character in the story. From having the respect for family or that of someone’s personal space, it is a constant throughout. Respect has the most important part in life. Family, friends, and acquaintances all need it. Humans have the tendency not to give respect all the time, which, without the presence of it, anger, hate and violence will arise from tension cause from its absence.
...larly impressive was John Savarese playing the part of the Narrator with an engaging charm and likeability that makes his calculated betrayal of the Girl all the more cruel. There is much room to play El Gallo as an unsympathetic manipulator, but Mr. Savarese finds a way to balance his character's actions with compassion, which makes for some wonderfully poignant moments, especially in the signature tune "Try to Remember."
.... The action flows so seamlessly between the two elements that they often seem like aligned narratives rather than a mise-en-abîme. This flawlessness is used as a great outcome, further emphasizing that human cruelty is nothing new. It's easy to forget that Atuey, Columbus, Las Casas, Montesinos, etc. are actors playing roles-within-roles because they seem just as "real" as Costa, Sebastian and Daniel. The film's entire cast is incredible, but the star was Juan Carlos Aduviri, he gave both Atuey and Daniel distinct identities with a few common traits. Daniel and Atuey are both forthright rebels, but they have dissimilarities and (including living centuries apart). As an activist for morality and equality who believes in speaking truth to power, I found Even the Rain especially impactful. This film is certain to inspire many of us to keep fighting for what is right.
Confucius once said, “The strength of a nation derives from the integrity of the home.” Many people across the world deem family as the most important aspect of their life. Family is something that often teaches us moral values and helps shape the individuals we become later in our lives. The values taught by family are not only essential, but will help develop the moral character of an individual. In the short story, “Cakes,” Salvatore La Puma conveys the prominence of family values in Italian-American immigrant culture in the 1940’s industrial era.
In the movie Sicario, Benicio del Toro plays Alejandro, a for-hire assassin, or Sicario as they are known in Mexico, whose roots are traced to the Medellin Cartel, perhaps the biggest cartel in Colombian history. He is hired by the CIA to aid in the capturing of Mexican drug lord Fausto Alarcón. Although Alejandro has other plans as he has had previous encounters with Alarcón, who in the past had his wife decapitated and threw his daughter in a vat of acid.
Geoffrey Sax's interpretation of William Shakespeare's wicked villain Iago is extraordinary. While reading the play, I envisioned Iago precisely as Christopher Eccleston portrayed him--diabolical and amoral--the pathetic antagonist of Othello, bursting with frustration and dominance throughout the text and film. Iago, or Ben Jago--the characters name in the film--is the backbone of both works, moving the plot along with his deceit and mendacity, progressively leading the audience to the tragic climax.
Katherine Paterson says, “Real maturity, which most of us never achieve, is when you realize that you’re not the center of the universe.” Claudio, a character from Much Ado About Nothing, is a perfect example of this quote. Throughout most of the play Claudio is only concerned about how other people and events affect him. However, the obstacles and positions he is put in do not help the situation. The one of the main themes of this play is deception, which Claudio, as well as most of the other characters in the play, fall victim. In Much Ado About Nothing Claudio begins the play with a tendency to be very gullible and paranoid about everything, and he continues to show his immaturity by seeking revenge when he is upset; Claudio finally matures when he accepts that he was wrong and is willing to take the punishment that goes with his mistakes.
Johnson, Brian D. "Ben Affleck Rewrites History ‘Argo’ Shifts the Spotlight from Ken Taylor, Our Man in Tehran, to CIA Spy Tony Mendez." Maclean's. N.p., 12 Sept. 2012. Web. 10 Dec. 2013.
First of all, David Baldacci enables the reader to fully see what the characters see with his well-developed imagery. He writes about a hitman that is hired by the government, therefore the character should have a previously developed keen sense of awareness. Will Robie,
Throughout history, there have been many human beings whom have been seen as either a hero or a villain. In their childhood, these people must had obstacles that were in their way, causing each individual to either work harder or give up. People, however; must understand that each individual has a potential in achieving their goals, but if one is mistreated or deceived due to jealousy, resentment, hatred, or ambition, it can lead to many catastrophic events. People who have pride and arrogance do not want to have equals, rather they want to see their victims suffer. These people have no difficulty in achieving their goals due to the fact that their victims have too innocent a nature to suspect the nefarious motives of their enemies. In this tragedy, Othello, Shakespeare has created a villain who behaves in this manner. Iago’s hatred, method of revenge, and vengeful hatred are the reasons of the lives lost in this play and the reasons that lead to Iago’s downfall.
In Pedro Páramo, Juan Rulfo creates an array of characters who live in a reality different than the one that exists within the framework of their world. Specifically, the realities of Pedro Páramo, Susana San Juan, and Juan Preciado are altered to the point where their searches for meaning are developed and shaped by their varying perceptions of the events happening around them. Additionally, these altered realities aren’t completely psychological states of mind--the town of Comala is actually filled with supernatural elements that contribute to the unsteady nature of reality and make people who are just introduced to Comala (Juan Preciado and the reader) question what is real and what is not. The mostly unintentional alteration of reality can either damage or enrich the individual’s search for meaning.
How do people define the hero of the story? In some books, plays, or even movies, acknowledging the hero can be the hardest part of one of these topics to find. Throughout Shakespeare’s plays Much Ado About Nothing, most realize that there is not a clear hero. However, the character that is the biggest hero in this story is in fact Don Pedro because he is the one that brought everyone to Messina while he played the role of cupid during the story.
He is a sneaky and two-faced character as when he proposes his exit, he explains his plan; to show signs of loyalty and affection, even it it’s just an act.
Iago’s magnificent intelligence and superiority make him a very intriguing character. Iago is not just any villain that comes into a town, with a black cape and knife that scares everyone, he destroys and “kills” by using creative tactics that could only be thought of by someone who is brilliant. He deceives, strategizes, and twists the truth with amazing ease. Iago maintains his on point intelligence by staying completely unconflicted about being evil. Iago is completely committed as he states, “[He will] turn her virtue into pitch, / And… make the net / That shall enmesh them all” (II. Ii. 366-368). Iago is considered a cross between God and the Devil, as shown in the, “Divinity of Hell!” (!!. ii. 356)
Shutter Island is a psychological thriller directed by Martin Scorsese. The film stars Leonardo DiCaprio starring as Detective Teddy Daniels, Mark Ruffalo as Detective Chuck Aule, and Ben Kingsley as Dr. John Crawly. The film is considered a Neo-Noir story and blends several detective/mystery elements.