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Story of tom brennan character profiles
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Moving into the world involves different pathways to new experiences and gaining a deeper understanding of oneself and others. Transitions act as a catalyst for individual transformations, as significantly seen in J.C. Burke’s novel ‘The Story of Tom Brennan’ and as seen in Ian Mudie’s poem “My Father Began as a God”. The Story of ‘Tom Brennan’ focuses on a family who comes to understanding that laboriously overcoming the obstacles and challenges of the past, can enhance self-growth and deepen, as well as renewal the perceptions of one’s life and of others. The poem 'My father began as a God' is about a man's self-reflection on his own life, and also a reflection on his father's life and values that he role modeled to the speaker as a child. …show more content…
Transitioning into a new phase of life offers individuals the opportunity to develop a deeper understanding of themselves and of others.
‘The story of Tom Brennan’ chronicles a young man named Tom as he faces obstacles which arise as a result of a fatal car accident caused by his brother’s drink driving. Burke incorporates flashbacks, juxtaposing the past with the present. The past symbolises happiness and the present depicts misery. She uses evocative imagery throughout her novel to enhance the reader’s experience of Tom’s physical transition and emotional transformation. Toms initial transition is explored through the internal monologue as he says “my father closed the door of our home for the last time.” The closing of the door symbolising the uprooted comfortable communal existence which was once had in
Mumbilli. "I hadn’t decided if I was playing rugby this year. In fact, I hadn’t decided if I was playing ever again. I didn’t know if I could without my brother.” Rugby makes up much of Tom’s own self-identity – he’s reluctance and indecision to play again signifies the uncertain period he’s going through. Tom is forced to re-define himself without his brother for guidance, of whom he lived in the shadow of for his entire life. He’s now confronted with the task of negotiating the adult world, on his own. Without his brother, and without Mumbilli, Tom feels he can’t continue with rugby, meaning he’s lost much of his identity. However, as Tom becomes more optimistic and outward looking, we see Tom is growing physically, emotionally and spiritually. This is evident as Tom sees his uncle Brendan crying over photos of Daniel, he then begins to evaluate life ‘but for the first, time it helped me look at everything with a bit of distance...We were all on our own journey, and some days the traveling was worse than others.’ The use of the collective pronoun ‘our’ in conjunction with the adjective ‘own’ illustrates how Tom has developed an understanding that everyone has their own journey. However, the individual is able to receive help along the way from others in order to complete it. This shows how Tom believes support is key to moving on. ‘helped me to look at everything from a distance’ reflects how Tom has come to realise how to move on as he views the journey from another perspective helping him become level-headed in order to improve and cope. The metaphor of the ‘journey’ is used to represent the slow change happening to each of them revealing that he has gained the understanding that transition will not happen instantaneously.
“I looked anxiously. I didn’t see anybody… I’d keep my head up and my eyes open-`You got a smoke to spare?’” (Walters 3) In Shattered, Eric Walters hauls the reader through the life of Ian, the protagonist who experiences the joy of helping others. Throughout the white pine award novel, Ian is continually helping people around him realize that their life isn’t perfect and they ought to alter it somewhat. Furthermore, the author carefully compares the significance of family and how importance they are to everyone’s life. Right through the book, Eric Walters demonstrates the theme of compassion through the use of Ian helping Jack overcome his drinking problems, showing Berta the value of patriot and always there for the less fortunate.
In his book, An Imperfect God, Henry Wiencek argues in favor of Washington being the first true president to set the precedent for the emancipation of African-American slaves. Wiencek delves into the evil paradox of how a nation conceived on the principles of liberty and dedicated to the statement that all men are created equal was in a state that still preserved slavery for over seven decades following the construction of the nation. Washington’s grandeur estate at Mount Vernon at its peak had the upkeep of over 300 slaves 126 of which were owned by Washington. First, it must be understood that Washington was raised on slavery receiving ownership of 10 slaves at the age of 11 years old and that Washington was a man of his time. However, it must also be understood that Washington’s business with slavery was in the context of a constrained social and political environment. Weincek maintains that this does not exonerate the fact that Washington maintained slavery however; it does help to quantify the moral shortcoming by which Washington carried until his last year of life.
‘Once in a House on Fire’ was set in the 1970’s Manchester, where she was born. It is a memoir that Andrea’s writes to express her difficult childhood and the idea that she uses detailed sensory language, as if it was portrayed like a novel. Throughout her life she suffered untold sadness from the death of her father to the introduction of her new stepfather. This essay explores Andrea themes of emotional, physical and mental abuse, which is prevalent throughout the text. The essay has an exploration of many specific language techniques and sentence types to build a negative impression of Peter Hawkins.
The new phases of life and social context is predicated through the sum of feats and experiences as crises and adversity are usually the greatest motivator which propel individuals to become better than they were before. J.C. Burke’s ‘The Story of Tom Brennan’ (TSTB) is an example of the transitional process through entering a new, unknown area which acts as a catalyst for beneficial change. Obstructed by turmoil both mentally and physically, the protagonist Tom Brennan relieves his severe life in the town of Coghill achieving new standards in conjunction to Lisa Forrest’s article ‘Testing new waters after leaving the swimming pool’ (TNWALTS) is another type towards transitional change that explores the personal crisis and career changes over
The story describes the protagonist who is coming of age as torn between the two worlds which he loves equally, represented by his mother and his father. He is now mature and is reflecting on his life and the difficulty of his childhood as a fisherman. Despite becoming a university professor and achieving his father’s dream, he feels lonely and regretful since, “No one waits at the base of the stairs and no boat rides restlessly in the waters of the pier” (MacLeod 261). Like his father, the narrator thinks about what his life could have been like if he had chosen another path. Now, with the wisdom and experience that comes from aging and the passing of time, he is trying to make sense of his own life and accept that he could not please everyone. The turmoil in his mind makes the narrator say, “I wished that the two things I loved so dearly did not exclude each other in a manner that was so blunt and too clear” (MacLeod 273). Once a decision is made, it is sometimes better to leave the past and focus on the present and future. The memories of the narrator’s family, the boat and the rural community in which he spent the beginning of his life made the narrator the person who he is today, but it is just a part of him, and should not consume his present.
Firstly, one’s identity is largely influenced by the dynamics of one’s relationship with their father throughout their childhood. These dynamics are often established through the various experiences that one shares with a father while growing up. In The Glass Castle and The Kite Runner, Jeannette and Amir have very different relationships with their fathers as children. However the experiences they share with these men undou...
Kate Morrison is a well educated, independent woman with a decent job, supportive boyfriend and family. Externally, Kate has a life that some people might envy of but, internally, she isn’t as stable as she seems. Crow Lake, a novel written by Mary Lawson, leads the readers to the protagonist, Kate Morrison and the struggles in her life. Kate loses her parents in her early age and for this reason she lives with her siblings with some help from her neighbours and other family members. Despite the absence of her parents, Kate and her siblings seem to grow well. Although there is some crisis in the family, they seem to be inevitable consequences of not having an adult in the family. However, Kate spends an innumerable amount of time accepting and letting go of the past and eventually it causes another crisis in her present life. She continuously has some kind of depression, and she does not realize that her depression is coming from herself, not from anything or anybody else. Crow Lake contains a great message that shows refusing to face the past affects your future negatively. We see ...
Suffering from the death of a close friend, the boy tries to ignore his feelings and jokes on his sister. His friend was a mental patient who threw himself off a building. Being really young and unable to cope with this tragedy, the boy jokes to his sister about the bridge collapsing. "The mention of the suicide and of the bridge collapsing set a depressing tone for the rest of the story" (Baker 170). Arguments about Raisinettes force the father to settle it by saying, "you will both spoil your lunch." As their day continues, their arguments become more serious and present concern for the father who is trying to understand his children better. In complete agreement with Justin Oeltzes’ paper, "A Sad Story," I also feel that this dark foreshadowing of time to come is an indication of the author’s direct intention to write a sad story.
I woke up at John Morris’ house, on his coach. As I knocked a flyaway hair out of my face I noticed my face was wet, with tears, and then it all hit me at once that my Dad and Mrs. Borden were dead. Suddenly I couldn’t breathe. I heard John Morris ask if I was alright, but that seemed like a completely different world, I responded with a meek okay, so Mr. Morris wouldn’t see me like this. That didn’t work though, I saw his tall shadowy figure ducking under the door frame with tea. As Mr. Morris sat down and put the tea on the coffee table in front of us, I turned my head and quickly wiped the tears from my eyes in hopes he wouldn’t see.
It is the first time that Lizabeth hears a man cry. She could not believe herself because her father is “a strong man who could whisk a child upon his shoulders and go singing through the house.” As the centre of the family and a hero in her heart, Lizabeth’s dad is “sobbing like the tiniest child”She discovers that her parents are not as powerful or stable as she thought they were. The feeling of powerlessness and fear surges within her as she loses the perfect relying on her dad. She says, “the world had lost its boundary lines.” the “smoldering emotions” and “fear unleashed by my father’s tears” had “combined in one great impulse toward
In the commencement of the story, the narrator is shocked and in disbelief about the news of his brother’s incarceration, “It was not to be believed” (83). It had been over a year since he had seen his brother, but all he had was memories of him, “This would always be at a moment when I was remembering some specific thing Sonny had once said or done” (83). The narrator’s thoughts about Sonny triggered his anxiety that very day. It was difficult to bear the news of what his brother had become, yet at some point he could relate to Sonny on a personal level, “I hear my brother. And myself” (84). After the news had spurred, the narrator experienced extreme anxiety to the point of sweating. Jus...
Discoveries can be emotionally meaningful and confronting, and can lead individuals to new values and changes. This is evident in the play ‘Away’ by Michael Gow which explores the self-discovery and transformations of differing characters. Through the constant problems and events of an iconic Australian trip to the coast, the character Tom realises the severity of his sickness and that there will be certain aspects of life he will never experience. Ed Sheeran’s ‘Castle on the Hill’ further emphasises the idea of experiencing new aspects of life and the importance of these. Both texts, ‘Away’ and ‘Castle on the Hill’, reflect on the transformations of an individual after the discovery of the significance of life, ultimately leading to new values.
“The Swimmer,” a short fiction by John Cheever, presents a theme to the reader about the unavoidable changes of life. The story focuses on the round character by the name of Neddy Merrill who is in extreme denial about the reality of his life. He has lost his youth, wealth, and family yet only at the end of the story does he develop the most by experiencing a glimpse of realization on all that he has indeed lost. In the short story “The Swimmer,” John Cheever uses point of view, setting and symbolism to show the value of true relationships and the moments of life that are taken for granted.
He has grown up in the backwash of a dying city and has developed into an individual sensitive to the fact that his town’s vivacity has receded, leaving the faintest echoes of romance, a residue of empty piety, and symbolic memories of an active concern for God and mankind that no longer exists. Although the young boy cannot fully comprehend it intellectually, he feels that his surroundings have become malformed and ostentatious. He is at first as blind as his surroundings, but Joyce prepares us for his eventual perceptive awakening by mitigating his carelessness with an unconscious rejection of the spiritual stagnation of his community. Upon hitting Araby, the boy realizes that he has placed all his love and hope in a world that does not exist outside of his imagination. He feels angry and betrayed and comes to realize his self-deception, describing himself as “a creature driven and derided by vanity”, a vanity all his own (Joyce). This, inherently, represents the archetypal Joycean epiphany, a small but definitive moment after which life is never quite the same. This epiphany, in which the boy lives a dream in spite of the disagreeable and the material, is brought to its inevitable conclusion, with the single sensation of life disintegrating. At the moment of his realization, the narrator finds that he is able to better understand his particular circumstance, but, unfortunately, this
Adam, a corporal officer, starts as man who works everyday to catch the ‘villains’ of society, but is not spending enough time with his family, especially his son. He favors his nine year old daughter over his fifteen year old son. Adam views his daughter as a sweet child, and his son as a stubborn teenager who is going through a rebellious stage. However, when his daughter is killed in an accident, his perspective of family changes. In his grief, he states that he wishes he had been a better father. His wife reminds him that he still is a father and he realizes that he still has a chance with his son, Dylan. After his Daughter’s death, he creates a resolution from scriptures that states how he will be a better father. Because of the resolution he creates, he opens up to and spends more time with his son. By th...