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The influence of red scare propaganda
The influence of red scare propaganda
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Section A: Plan of Investigation
The focus of this investigation is the ability of leaders to appeal to human emotion through propaganda. Propaganda became especially prevalent in the United States of America during the Second Red Scare between 1947 and 1954. Propaganda assisted in the infiltration of anti-communist ideals. This examination specifically focuses on the extent to which film propaganda during this time period influenced anti-communist hysteria. The movies produced during the Cold War glorified American democracy and an evaluation is completed discussing the impact of this glorification on society. The analysis emphasizes how these beliefs infiltrated all genres of moviemaking, according to researchers of film propaganda and American politics. Several secondary sources are used to look at film propaganda produced during the era of McCarthyism and the anti-communist hysteria existing exclusively in this time period.
Section B: Summary of Evidence
As the United States transitioned out of World War II in 1945 and into a period of tension with the Soviet Union instigated by fear of the spread of Communism, the country’s distress moved to a new enemy. This hysteria became known as the Second Red Scare, lasting from 1947 to 1954 and initiated by Senator Joseph McCarthy. The House Un-American Activities Committee (HUAC) was utilized by McCarthy to accuse the media, government, education institutions and political enemies of communist antics (Gordon). In 1947, he claimed to have lists of citizens that should be persecuted for supporting the Communist party. One of the groups attacked by McCarthyites included the actors, writers and directors of Hollywood. The first Hollywood blacklist was released November twenty-fifth, 19...
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To get a clear view and understanding of the book, first must review the time period in history. The book was written in the mid 1950's during the cold war. Former General McCarthy, then U.S. Senator started a fire ball of suspicion, suppression, and incarceration. This had a very huge impact on the entrainment industry, which included everyone from playwrights to filmmakers, as well as writers and actors. If anyone in that time period was suspected of being a communist, the government could come and pull them out of their home. At the least a suspected communist would be banned, or put on a black ball list. Printed in the Times, McCarthy's First Slander, "Overnight, his speech sparked a media firestorm that played to the basest fears of Americans swept up in a frightening cold war and triggered loyalty oaths, blacklists and personal betrayals that cost an estimated 10,000 Americans their jobs and some shattered innocents their lives." (Johanna McGeary 28) This happened to a number of actors and film makers during that time period. The black ball list was a list of names of people who were believed to be communist. The people on this list came from the movie industry as well as writers. These people would no longer be able to get work ...
Before the “Red Scare”, the United States was a huge world power and was thriving in every facet possible. Its people could do as they pleased for the most part, and did not have to fear persecution for their beliefs or associations. The entertainment was reaching its prime with celebrities creating the greatest films and writings the country had ever seen (Pearson). This all changed in 1947, when President Harry Truman upset the waters. Earlier in the year, Truman ordered background checks of all the civilians in service. The results that this investigation found was unnerving. Alger Hiss, a high-ranking State Department official, was revealed as a Soviet spy. He was then convicted on espionage charges and served three years in prison. ...
Hollywood is a master of revisionist history, especially when that history is its own. One of the defining moments in the histories of both Hollywood and America was the series of Congressional hearings held by the House Un-American Activities Committee, or HUAC, and led by Senator Joseph McCarthy in the late 1940′s and early 1950′s in order to ostensibly eliminate Communism from the United States. Hollywood was intimately involved in the HUAC hearings, and one of those targeted most viciously in the controversy was acclaimed film and theater director Elia Kazan.
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The Red Scare created a fear among American citizens that made them point fingers at everyone, including people who they considered close to them or on their side before all of the chaos. Senator Joe McCarthy accused 205 people of being of the communist party but did not reveal most names on his list. Document 3 says “… first he had said there were 205 disloyal employees in State, then 57, before settling
In the 1930s and 1940s many Hollywood writers, actors, producers, and directors were suspected for communist affiliations. During this time, communism was a popular political movement in the United States, especially among young liberals. There was a growing fear of communism invading American society. By the end of World War Two an event known as the Red Scare resulted in communism become increasingly feared and hated by many in the United States. The Hollywood blacklist caused the Hollywood industry a lot of harm in its business and reputation.
The educational website Shmoop, which has many contributors with Ph.D.’s and Masters from top universities, states that, “Fear- utterly justifiable fear- transformed American Communists from a minor nuisance into a national obsession.” America was fine with the idea that there may have been witches or Communists in their country, but it was when the leaders blew the issues out of proportion that it created widespread fear of not only the communists and witches, but also of being accused of being one of the wrong-doers. In addition to the constant, widespread fear, those who were accused had their lives ruined in the blink of an eye. While the people who were blacklisted during the Red Scare may have had it worse than the accused during the Salem Witch Trials, the people in Salem still had their reputations hurt by their connections to the trials. Professor Schwartz pointed out that during the Red Scare, the filmmaking studios relied on bank financing, but the banks were reluctant to give the studios the money because of their “communist ties.”
Within this controversial topic, two authors provide their sides of the story to whom is to blame and/or responsible for the “Cold War.” Authors Arnold A. Offner and John Lewis Gaddis duck it out in this controversial situation as each individual lead the readers to believe a certain aspect by divulging certain persuading information. However, although both sides have given historical data as substance for their claim, it is nothing more than a single sided personal perception of that particular piece of information; thus, leaving much room for interpretations by the reader/s. Finding the ...
In 1950 Joseph McCarthy, a U.S. Senator from Wisconsin, began a crusade of anti-communism (Bartlett). In this period of time “the widespread accusations and investigations of suspected Communist activities in the U.S.” became known as ‘McCarthyism’ (Reeves). Many events happened during the McCarthyism era to justify his suspicions; Communism was spreading throughout Czechoslovakia and China, and North Korea invaded the South –which started the Korean War (Reeves). The accusations of Communism spread to all branches of public works; entertainment, clergy, teachers, and journalists were all investigated (Reeves). Blacklisting first appears at this time. Many people had to take oaths, swearing that they were not Communist, just to keep their jobs (Reeves). When McCarthy first began, he said that Communists made up the majority of the State Department, but when the Senate looked into it they reported no sings of Communism (Reeves). In 1949 McCarthy said to have gotten his inf...
Suid, Lawrence. "The Pentagon and Hollywood: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)." American History/ American Film: Interpreting the Hollywood Image. Eds. John E. O'Connor and Martin A. Jackson. Boston: Frederick Ungar Publishing Co., 1979.
For this free choice final paper, I decided to analyze Oliver Stone and his two films Platoon and JFK. Oliver Stone, a three-time Academy Award winner and known as one of the best filmmakers in his generation, ignores Hollywood convention warning against making films with a message. Among some of his great films, he made the two films Platoon and JFK. In Platoon, he presents a gritty and emotional examination of American soldiers during the Vietnam War through the lens of Chris Taylor, a biographical representation of himself and so...
Gaddis, John Lewis. “We Now Know: Rethinking Cold War History.” Taking Sides: Clashing Views On Controversial Issues in United States History. Ed. Larry Madaras and James M. SoRelle. 14th Edition. New York: McGraw-Hill, 2011. 302-308.
Gregory, Ross. Cold War America: 1946 to 1990. New York, NY: Facts on File, 2003.
Hammond, Thomas, Editor. Witnesses to the Origins of the Cold War. University of Washington Press. Seattle, 1982.
Fyne, Robert. The Hollywood propaganda of World War II. Metuchen, N.J.: Scarecrow Press, 1994. Print.