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Jack London’s ‘To Build a Fire’ follows a man as he attempts to survive the snowy woodland area off the Yukon trail in the Coast Mountains, British Columbia. Due to the stories presentation of nature it can be interpreted through the eyes of an ecocritic. Ecocriticism is “‘the study of the relationship between literature and the physical environment’ (Cheryll Glotfelty).”
The main conflict within the story is man versus nature. This theme will allow for the discussion of key ecological debates, such as anthropocentrism and the definition of ‘human’ as a natural entity. Alongside that, an investigation into the two forms of nature presented throughout To Build a Fire, the dog and the storm. These discussion will include various literary and
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Mankind is presented through the eyes of the unnamed human character, a man who sees the entire world through facts. He lacks both imagination and experience within his environment and yet he is stubbornly determine to reach his goal - the camp with the fire and his friends. However, because of this man’s lack of imagination and experience he cannot foresee the result of his stubbornness. Instead, he relies on factual knowledge to interpret his situation. And, at the beginning of the story the reader is alerted to the fact that the man’s ‘facts’ are incorrect:
Fifty degrees below zero meant 80 degrees of frost. Such facts told him that it was cold and uncomfortable, and that was all….In reality it was not merely colder than 50 below zero….It was 75 below zero.
The narrator signals to the reader that this character’s outlook is unreliable. One possible cause of this is the man’s anthropocentric beliefs. Anthropocentrism is defined as “[a] philosophical viewpoint arguing that human beings are the central or most significant entities in the world.” The complex allows humans to see themselves above other creatures and even nature itself. In fact, although at the time of publication the geological era was still deemed as the Holocene - the ice age; due to humanity's influence on the environment geologists have now determined that the planet has entered the anthropocene - the age of humanity. The main character of London’s story consoles himself with facts, not imaging the reality of nature as an uncontrollable
He is very unprepared because he doesn’t have enough equipment to finish his trip because it’s too cold. The traveler does not have proper clothing to keep him warm in the cold weather. ”The frozen moisture of its breathing had settled on its fur in a fine powder of frost, and especially were its jowls, muzzle, and eyelashes whitened
The characterization of nature is detrimental in shift of 20th century modernist writing to impressionist truths of Canadian landscapes. Al Purdy and Archibald Lampman were two significant Canadian writers who both possessed similar impressionist ideals on Canada’s nature. Both Purdy’s “Trees of the Arctic Circle” and Lampman’s “Heat” display not only negative judgments on Canadian landscape but demonstrate a shift from a frustrated outlook to an appreciative perception on nature.
This idea is expressed prominently in John Foulcher’s For the Fire and Loch Ard Gorge. For the Fire entails a journey of someone collecting kindling as they witness a kookaburra kill a lizard, Foulcher represents his idea through the use of metaphor, “a kookaburra hacks with its axe-blade beak.” This metaphor represents the beak in weaponised form, as it is compared with a violent axe. This evokes a sense of threat and intimidation towards the kookaburra, which contrasts to societies general interpretation of the ‘laughing kookaburra,’ thereby challenging the reader's perceptions of beauty in the natural world. Also, this comparison of the kookaburra offers a second understanding for the readers to interpret of the kookaburra. Similarly, in Loch Ard Gorge, Foulcher uses strong visual imagery, “savage dark fish are tearing their prey apart, blood phrasing the water decked with light,” to communicate the violence of the ‘savage’ fish to readers in a visual, gruesome manner. Thereby evoking a feeling of disgust towards the situation, as a visual description of blood is shown and Foulcher uses provoking, gruesome adjectives to communicate the fish's brutality. Foulcher expresses these ideas to communicate the abilities of nature, and provide a necessary ‘reality check’ for the readers, to review the beauty they see nature and understand the barbarity at the heart of everything. Although ruthlessness and brutality that nature can show are unintentional and immoral, this harm is a large part of the cycle nature needs to survive and thrive, and these factors can counteract assumed beauty and
In the course of human history, man has managed to do some really dumb things. Whether it’s because we lack sufficient knowledge, make a mistake, or are just too stubborn to use sound judgement, dumb decisions are made every day by everyone. However, none have a greater level of stupidity than the choices made by the man in Jack London’s To Build a Fire. This is a story of pride, ignorance, and stupidity, which ultimately leads to the downfall of its main character. This short story is a caution against over confidence and unpreparedness, showing the harsh effects of both. Ultimately, it is an issue of man’s pride versus the harsh conditions of nature. It shows that one cannot simply overlook nature, because doing so can lead to the destruction
...ne that when reading from an objective point of view the audience is able to place themselves in a similar position as the man. A story about man without a name and a face to visualize leaves only his personality for the readers to connect with. In “To Build a Fire” the man’s determination is the character of the story, through all the events that transpire he is still willing to meet his friends, “the boys”, by six o’clock. Although it took another writer’s opinion to help me comprehend the true intentions of London’s “To Build a Fire”, my appreciation for the piece has grown along with my understanding of what sets naturalism apart from other writing styles.
Perceptions of the natural world have fluctuated throughout humanity’s short time on this earth, going in and out of style as societies and technologies have grown and died. As is the the very nature of literature itself, literature and its authors have managed to capture these shifting views, expressed and illustrated by the art of written word. Naturally, the literature chosen for us to read based on this fluid theme of nature encompasses an array of perspectives. One of these views is that nature is sublime and above all else, a reflection of all that which is perfection. Another is that nature is cold, uncaring, and indifferent to the vanities of humanity.
Nature can be described as being odd, it can even be described as being distracting. Nature can be used to help with things in life such as medicine, but William Cullen Bryant uses nature in a different way that people usually do not see it. He uses nature to guide humanity through some of his darkest hours. In William Cullen Bryant’s “Thanatopsis” and “To A Waterfowl”, Bryant promotes extended metaphors in order to show nature as being a guide for humanity.
As characters in the poem are literally snow bound, they find that the natural occurrence actually serves a relaxing and warming purpose, one that brings together family. This effect is further achieved through the use of meter throughout the work as a whole. In its simplistic yet conversational tone, the author uses meter to depict the result that nature has forced upon these humans, who are but a small sample size that actually is representative of society that that time. Due to nature, the characters can talk, represented by the conversational meter, and thus, they can bond within the family. A larger representation of this more specific example can be applied to a more general perspective of human’s relationship with the natural world. Although “Snowbound” captures what humans do as a result of nature, it can also represent a larger picture, where nature appears at the most opportune times to enhance relationships from human to human. In “snowbound,” this is symbolized by the fire, “Our warm hearth seemed blazing free” (Whittier 135). This image relays a spirited, warm, mood full of security, which is expertly used by the author to show how fire, a natural phenomena, can provide such beneficial effects on humans. This very occurrence exemplifies how such a miniscule aspect of nature can have such a profound effect on a family, leaving the reader wondering what nature and its entirety could accomplish if used as a
Authors’ Steven Crane and Jack London are known for their stories using naturalism, the struggle between man and nature. Naturalism is like realism, but it explores the forces of nature, heredity, and the environment on human beings, who are faced with the forces of nature. Both “The Open Boat” and “To Build a Fire” demonstrate how inferior and small humans’ really are to nature. Humans cannot control nature or determine its outcome. In both stories nature is the antagonist constantly challenging the humans’ ability to survive. I chose the topic over naturalistic elements because I enjoyed reading these stories. Both stories have a strong since of naturalism in it and both authors’ are known for naturalistic features existing in their writings. In this paper I will give you more of an insight to what naturalism is and what naturalistic elements are present in the two stories listed above.
In response to the romantic period (1798-1870), authors began to focus their writing on ordinary people and their everyday lives rather than the supernatural, nationalism, heroism, and strange and faraway places, themes characteristic of romantic literature. In the story “To Build a Fire” shows what a realism story looks like. Everything about it is based on real events that can happen, is realistic. Whatever happens to the man, you can relate to because you know how cold it can get and maybe you also can relate how hard it is to build a fire. A lot of people, like the man in the story, sometimes arent as bright in the head and can be the cause of their own problem. In the story there is a part where the man fails to kill the dog because his hands are frozen, shows how a lot of times you cant accomplish something, you fail. Instead of a happy ending and expecting for the man to find his way back to camp, he does not, he dies, adds that very realistic event that would of happened to many other people and the story has a bad ending
To Build a Fire is a remarkable account of one man’s finish line. In it this story holds quite a few rather important morals. There is as well a very important theme. The theme most referred to is that of the power of nature. The force that it can display on earth is immense and cannot be duplicated or overpowered by humans. However one man decided he would be the one prove this axiom wrong. One man became totally confident that he can and will withstand the awesome mighty strength of nature.
“To Build A Fire” is a clear example of naturalism and follows many of its conventions. Some of the characteristics of naturalism are being conditioned or controlled by the environment, having the world understood only through objective science, conflicts which bring out the instincts of man, pessimism, and presenting a viewpoint which is detached from the reader.
Nature is often a focal point for many author’s works, whether it is expressed through lyrics, short stories, or poetry. Authors are given a cornucopia of pictures and descriptions of nature’s splendor that they can reproduce through words. It is because of this that more often than not a reader is faced with multiple approaches and descriptions to the way nature is portrayed. Some authors tend to look at nature from a deeper and personal observation as in William Wordsworth’s “I Wandered Lonely as a Cloud”, while other authors tend to focus on a more religious beauty within nature as show in Gerard Manley Hopkins “Pied Beauty”, suggesting to the reader that while to each their own there is always a beauty to be found in nature and nature’s beauty can be uplifting for the human spirit both on a visual and spiritual level.
Through the ingenious works of poetry the role of nature has imprinted the 18th and 19th century with a mark of significance. The common terminology ‘nature’ has been reflected by our greatest poets in different meanings and understanding; Alexander Pope believed in reason and moderation, whereas Blake and Wordsworth embraced passion and imagination.
With every story, every moment there are witnesses with perspectives blurred and skewed but what they wish to see and what they think they see, and in this admission that this will soles be his truth the narrator frees himself from the need to convey it is the actual truth of the situation. Although this provides the view of a self-aware narrator, where his biases are not only analyzed by the reader but him himself, the focus on what truth means to the narrator leads readers to question how close to the actual events this account will