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Analyze Oedipus and Tiresias' blindness
Encounter between tiresias and oedipus
Tiresias serves as a foil to oedipus
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Recommended: Analyze Oedipus and Tiresias' blindness
The purpose of the character, Tiresias, in both “Antigone” and “Oedipus the King” is to introduce new information to the audience. When the blind soothsayer makes an entrance, some truth will be revealed and the plot will take a new course. In both plays, the main characters, Creon and Oedipus are both overly confident and proud. At this time, some calamity occurs in the plot, and they seek a prophecy from the blind soothsayer. To their demise, both men challenge the foretelling, thus promoting the logical and and significant transformation to the plot. In both tragedies, the character of Tiresias gives the audience an opportunity to experience a foreshadowing of events. Tiresias is revealing a “truth” or advised course of action for the characters. The audience knows that each has the choice to accept the word of the soothsayer or choose free will and then watch as “fate” steps in. Often, as in “Oedipus the King,” the audience already knows how the plot will evolve. In the first play, “Antigone,” Creon is ruler of the city of Thebes. He is a strong and tyrannical man who is enraged that a citizen has disregarded his orders that a slain foe who is also the son of Oedipus has been given a decent burial. The offender is found to be his son’s betrothed, Antigone. …show more content…
The city of Thebes has been struck by a plague and is in dire need of help. Only by identifying the killer of the King Laius will the plague end. Oedipus calls upon the blind prophet. Once again, a boy leads in Tiresias. The soothsayer is very hesitant to identify the killer for it is Oedipus himself who is the murderer and has brought the curse upon the city. When he does reveal the information, Oedipus, as Creon in the play before, becomes wildly angry. But Tiresias does not back down and gives him more information about his lineage. Oedipus heatedly refutes his words and attacks Tiresias’ credibility and calls him a
...se Creon was not yet the king of Thebes during the period of Oedipus’s ruling, and Antigone who was not yet a renowned figure acting independently in her own will without any dilemmas. It is until the story of Antigone when Antoine’s rights are desecrated by the might of Creon’s rule and that it led Antigone to bail and revolt against it. This is the dynamic that Sophocles sees in Antigone within the society of Thebes, and through the perception of Antigone’s heroic deeds, equal to that against the behavior of Creon, Sophocles exemplify to the audience the unbalance nature in society.
In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact that this passionate and pious young woman was condemned to living imprisonment.
In addition, Creon disregards what had historically been the best counsel for the city, the blind prophet Tiresias. Despite Tiresias’ warnings that his “high resolve that sets this plague on Thebes,” will “strike [him] down with the pains [he] perfected,” Creon’s stubborn commitment to the laws of state turns to be his error. Eventually convinced by Tiresias’ warnings, Creon resolves to release Antigone from her isolated tomb. Regrettably, he’s too late and the consequences of his insolence for the divine laws were far worse than if he had “[L]ay[ed] [my] pride bare to the blows of ruin” (1220). Creon’s undoing can be viewed as an allegory of the calamities that ensue when the laws of man pursue to challenge the ancient laws of gods.
Many great rulers have been tempted by the authority of absolute power. In Antigone, by Sophocles, Creon, the Theban king, will do anything in order to earn this absolute power. Creon’s prideful attitude, disregard of the authority of the gods, and failure to listen cause him to fail as a statesman, demonstrating the nature of kingship in Sophocles’s Antigone.
Antigone, a tragic drama written by Sophocles explores the different ranges of characters: static and dynamic or flat and round. Creon, King of Thebes in the dramatic play Antigone takes on the role that of a static character. Throughout the whole play Creon believed the idea that he was above the law of the Gods and his decrees cannot be disputed. Unknowingly, who would think that Creon’s sense of pride would cause him the life of his wife, son, and niece? However, at the very end of the play Creon returns to the palace, holding his son’s lifeless body, where he finds out that his wife has killed herself as well. Overwhelmed with grief about the death of his loved ones, Creon turns to the Chorus and says, “Lead me away. I have been rash and foolish. I have killed my son and wife. I look for comfort; my comfort lies here dead. Whatever my hands have touched come to nothing. Fate has brought all my pride to thought of dust” (1833). Creon takes responsibility of the death of his son and wife by calling himself a “rash” man and this is where Creon undergoes the changes of a dynamic character by admitting that he was wrong.
Another example of Oedipus’ presumptuous temperament is when he immediately assumes that Creon is trying to take his power from him. Creon sends Tiresias to Oedipus to help him solve the crime of the plague, and when Tiresias reveals that Oedipus must die in order to save the people of Thebes, Oedipus assumes Creon is trying to take his throne. Creon even tells Oedipus, “…if you think crude, mindless stubbornness such a gift, you’ve lost your sense of balance” (Meyer 1438). Oedipus’ impulsive nature leads him to discovering the truth and reveals that he has indeed fulfilled the prophecy he was running from.
Throughout Greek literature, the blind prophet Tiresias makes several appearances. In Sophocles’ plays Oedipus the King and Antigone, Tiresias tries in vain to warn the kings of Thebes of their wrong doing. In Antigone, Creon, the king of Thebes, refuses to reason with Tiresias after sentencing his niece Antigone to death for burying her brother. Throughout the text Tiresias and the Chorus to help Creon see the errors he has made, but he is blinded by his stubbornness.
Undoubtedly there has been a tremendous amount of speculation and dissection of this play by countless people throughout the ages. I can only draw my own conclusions as to what Sophocles intended the meaning of his play to be. The drama included a number of horrific and unthinkable moral and ethical dilemas, but I believe that was what made the play so interesting and that is exactly the way Sophocles intended it to be. The play was obviously meant to entertain and portray the author’s own insight. The underlying theme to the play is that no man should know his own destiny, it will become his undoing. This knowledge of things to come was presented to both Laius and Oedipus in the form of prophecies well in advance of it coming to be. The prophecies told of things that were so morally disturbing that they both aggressively did everything in their power to try and stop them from coming true. The story begins with Oedipus at the height of power as King of Thebes. His kingdom has encountered rough times and he has sent his nobleman Creon to seek help from the god Apollo to restore his land. Creon tells Oedipus that he must find the murderer of the previous King Laius and by finding this man and banishing him, his land will be restored. The murder occurred some time ago and King Oedipus sends for the seer Theiresias with his powers of prophecy to aid in the search for the murderer. Sophocles cleverly projects his feelings on wisdom and knowledge through Teirsias when he says “Alas, how terrible is wisdom when it brings no profit to the man that’s wise!”(23) Teirsias knows that this terrible prophecy has already been set into motion and the damage has already been done. There is really no point in telling it to Oedipus because it will only cause more harm than good. Oedipus provokes Teirsias into telling him the prophecy, “ Í tell you, king, this man, this murderer-he is here. In name he is a stranger among citizens but soon he will be shown to be a citizen true native Theban, and he’ll have no joy of the discovery: blindness for sight and beggary for riches his exchange, he shall go journeying to a foreign country tapping his way befor him with a stick.
Antigone’s two purposes for giving this speech are centered on her two main audiences, Creon and the citizens of Thebes. In reference to Creon, Antigone’s purpose is to convey that even after being caught, she does not fear his power, or her punishment. She desires to show him that she stands by the justness of her actions and the injustice of her conviction. To display this, she refers to her ...
Creon is often labeled as the “bad guy” in Antigone, but this classification characterization ignores his qualities that make him a more complex character with good and bad traits. He takes his position of power seriously, working hard to keep order in Thebe...
as the King of Thebes. Creon poses to be a major authority figure in a patriarchal
Oedipus is very knowledgeable during the play and at some times still extremely ignorant. He doesn’t always put pieces together. When they are right in front of him. Many people in the play call him ignorant when he still believes that he is knowledgeable. Tiresias says “ All ignorant! And I refuse to link my utterance with a downfall such as yours” (19). In this quote Tiresias means that Oedipus is ignorant even though he acts like he knows everything. Oedipus does not know what Tiresias knows and that is that the curse, which stated the Oedipus would marry his mother, has come true. Tiresias can see what will happen when Oedipus finds out that Jocasta is really his mother and wants to prevent that from happening. When Tiresias does not tell Oedipus the information he seeks he gets angry. Tiresias also has another quote that goes along with knowledge verses ignorance. Tiresias states “I’m blind, you say; you mock at that! I say you see and still are blind-appallingly: Blind to your origins and to a union in your house. Yes, ask yourself where are you from. You’d never guess what hate is dormant in your home or buried with your dear ones dead, or how a mother’s and a fathers curse will one day scourge you with its double thongs and whip you staggering from the land. It shall be night where you now boast the day.” (23). This quote says a lot. First Tiresias accuses Oedipus for mocking him yet still not knowing the information that he knows. Which is the curse. He accuses Oedipus for being blind also and not knowing the truth of his origins, which are from a different mother, and then he grew up with. He doesn’t see he has married his mother. In one part of the quote it states “Yes, ask your self where are you from”. Tiresias is hinting at the fact even though Oedipus thinks he’s extremely knowledgeable he’s ignorant because he doesn’t know where he is from.
In Oedipus the King, Sophocles suggests that the impact of seeing the truth is harmful rather than enlightening. Whenever Oedipus strives to discover more to strengthen Thebes’ perspective of him, it leads him closer to his fate as determined by prophesy. Tiresias stands as a model in the play for the individual who is able to see the meaning beyond plot of events although his is blind, and Oedipus represents the oblivious arrogant individual who is never content because they need to be the unsurpassed individual. In the play, Sophocles illustrates the downside of a personality like Oedipus who desires to see the truth by ending the play with the brutality of gouging out his own eyes. Ultimately, the play reinforces that seeing the truth is harmful and being content with what you have, without greedily striving for more, can help avoid fate and a related deposition.
Oedipus and Tiresias, characters of Sophocles' play "Oedipus Tyrannus," are propelled to their individual destinies by their peculiar relationships with truth. Paranoid and quick to anger Oedipus, is markedly different from the confident and self-assured Tiresias. In the dialogue between the two men, Oedipus rapidly progresses from praise of Tiresias as a champion and protector of Thebes in line 304, to blatantly accusing the blind prophet of betraying the city in line 331, to angrily insulting him in line 334. Rather than be intimidated by the protagonist's title and temperament, Tiresias draws strength from what he knows is true and is able to stand his ground.
...e to help Antigone. This play shows how passionately Creon tried to help Antigone overcome her problems. His wise self-controlling behavior lets him deal with this matter reasonably avoiding death and executions. Anouilh's version shows compassionate king who "loved other things in life more than power" (pg. 712) but considered it cowardness to deny the throne. Those qualities make Creon a positive character of the play and Anouilh succeeds in presenting a model king not changing the historical events of the myth.