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Literary interpretation of in the time of the butterflies
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Metamorphosis
Often, society is faced with multiple problems that are out of their control. How one interprets and finds a solution to these issues can greatly alter their future. In the classic, In the Time of the Butterflies, the reader is exposed to the Mirabal sisters and their fatal journey from childhood to adulthood. The reader observes as the sisters make many choices in creating new relationships and strengthening their current ones. Most women, including the Mirabal sisters are faced with the controversy of gender discrimination and have been for many years. However, Julia Alvarez allows for the world to listen in on how women have changed society due to the decisions they have made. “It’s about time we women had a voice in running our country” (Alvarez 10). If it were not for the Mirabal sisters’ courageous decision-making throughout their life, women may still have been known as the “invisible half of history”. Although society does not seem to appreciate the historic efforts of women such as
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Minerva, Maria Teresa and Patria Mirabal, the choices they made during their movement has impacted not only their fate, but their personalities as well. Second born out of four children, Minerva Mirabal was by far the most irrepressible and incorrigible of the Mirabal sisters.
Her strong belief in rising against the Rafael Trujillo regime influenced numerous decisions brought upon her. When Minerva’s attendance was specifically requested, “El Jefe” attempts to charm her and implies that he would like to “conquer” her while dancing at his private party. Minerva then wittily replied, “’I’m afraid I’m not for conquest”’ (Alvarez 99). This quote demonstrates that Minerva was assertive and did not give in easily. She was aware of Trujillo’s imperious ways and certainly knew what he was capable of. She then proceeded to slap Trujillo at his attempt to seduce her. This decision influenced Minerva’s life because she was now a sworn enemy of the regime. This momentous event ignites a flame inside Minerva because she was now more determined to revolutionize and fight for the rights of the people in the Dominican
Republic. Maria Teresa Mirabal, nicknamed “Mate”, was the youngest of the four Mirabal sisters. In the novel, she received a diary from Minerva and told her story through various entries. A decision that affected her personally was whether to join the revolution or not. Eventually she decided to fight alongside Minerva and her husband against the toxic Trujillo regime. “I told Minerva and Manolo right out, I wanted to join” (Alvarez 142). Because Maria Teresa saw her sister join, whom she has always looked up to, she learned that she could become a leader as well. By joining the resistance, Maria Teresa was able to mature further and become more individualistic.
He had to get back at her by going through her family instead of going directly to her. Minerva was brave enough to slap the dictator. She was stronger than him, and she was incredible. Minerva was the most heroic of her sisters. She introduced her family to the rebellion.
Minerva is able to show her courage at a dinner party thrown by Trujillo, the dictator at the time. At the party she went to reluctantly, Trujillo asks Minerva to dance. Knowing of Trujillo’s offensive past with females, she is hesitant to accept, but says
In 1938, Minerva’s father permitted her to go away to boarding school along with her two older sisters, Patria and Dedé. Alvarez’s writing on behalf of Minerva speaks volumes as to the point of view Minerva had growing up. “And that’s how I got free. I don’t mean just going to sleepaway school on a train with a trunkful of new things. I mean in my head after I got to Inmaculada and met Sinita and saw what happened to Lina and realized that I’d left a small cage to go into a bigger one, the size of our whole country,” (Alvarez 13). Minerva’s father, said that out of all his daughters, Minerva should have been born a boy. The other Mirabal sisters said that she was their father’s favorite daughter because Minerva acted the most like a son to him. She almost became the son he had always wanted, but never had. Due to her father’s influence, as Minerva grew up, she aspired to being a lawyer. Something which was unheard of for a woman in the ‘40s.
Minerva and Maria Teresa are two characters in Julia Alvarez’s In Time of the Butterflies. Minerva is one of the four main characters of the novel, as well as Maria Teresa. Minerva is the second youngest of the family and is very caring and kind. She was talking to her friend Sinita, who was one of the girls she met at school, and told her, “Tell me Sinita, maybe it’ll help” (Alvarez 16). Her friend Sinita told her the story about her brother’s death and Minerva felt sympathetic for her lost. Maria Teresa is the youngest of the Mirabal sisters and the ...
In The Time of Butterflies by Julia Alvarez, the rule of Rafael Trujillo directly affected all four Mirabal sisters, Patricia, Dede, Minerva, and Maria Mirabal. The rule of Rafael Trujillo directly affected Patricia Mirabal. Patricia grew up as the oldest of four girls, and she was naturally the nicest, simplest of the four girls. She married early and had kids before she turned 20. But as she grew older, her faith was restored.
Out of all the Mirabal sisters, being courageous was Minerva’s specialty to show how she feels without being verbal with her emotions, and to get her point across. Right from the beginning of the book Minerva chose to create actions that were not only courageous, but reckless. After Minerva found out about her other sisters she crashed her father’s Jeep into his Ford at his other lover’s house. As always, she wanted to make a scene, “My voice was as commanding as his. ‘You’ve lost my respect,’” (Alvarez 89). Her father was extremely disappointed with her, but she wanted him to know that what he was doing was extremely wrong. Crashing her father’s cars was definitely brave, and especially since she did it in front of her other family without any second thoughts. Towards the middle of the book, Minerva informed Mate about some things she did not know, “Manolo and Minerva have explained everything. A national underground is forming,” and this is when Minerva explained more about how they created a national underground to try to get everybody freedom no matter what happened (Alvarez 142). This national underground was a h...
Out from the kitchen and into the world, women are making a better name for themselves. Although humankind tends to be male dominated, men are not the only species that inhabit the world that they live on. In Julia Alvarez's novel In the Time of the Butterflies, the women of the Dominican Republic are expected to grow up to be housewives and lacking a formal education. Women may be cherished like national treasures, but they are not expected to fulfill their truest potentials as human beings.
When Minerva was young she didn’t see Trujillo as a tyrant. To her and everyone who was oblivious of what was going on; he was a strong dedicated leader. It wasn’t until she was put into Inmaculada Concepcion where a girl tells her about the “bad things”
Minerva’s rebellion was caused by both Sinita and Trujillo. Sinita’s role was opening Minerva’s eyes to the real Trujillo. For example, Sinita told her about how “Three of her uncles were even friends of Trujillo. But they turned
Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao is focused on the hyper-masculine culture of the Dominican, and many argue that his portrayal of the slew of women in the novel is misogynistic because they are often silenced by the plot and kept out of the narration (Matsui). However, Diaz crafts strong women, and it is society that views them as objects. The novel recognizes the masculine lens of the culture while still examining the lives of resilient women. In this way, the novel showcases a feminist stance and critiques the misogynist culture it is set in by showcasing the strength and depth of these women that help to shape the narrative while acknowledging that it is the limits society places on them because of their sexuality
Society continually places restrictive standards on the female gender not only fifty years ago, but in today’s society as well. While many women have overcome many unfair prejudices and oppressions in the last fifty or so years, late nineteenth and early twentieth century women were forced to deal with a less understanding culture. In its various formulations, patriarchy posits men's traits and/or intentions as the cause of women's oppression. This way of thinking diverts attention from theorizing the social relations that place women in a disadvantageous position in every sphere of life and channels it towards men as the cause of women's oppression (Gimenez). Different people had many ways of voicing their opinions concerning gender inequalities amound women, including expressing their voices and opinions through their literature. By writing stories such as Daisy Miller and The Yellow Wallpaper, Charlotte Perkins Gilman and Henry James let readers understand and develop their own ideas on such a serious topic that took a major toll in American History. In this essay, I am going to compare Gilman’s “The Yellow Wallpaper” to James’ “Daisy Miller” as portraits of American women in peril and also the men that had a great influence.
The Dominican Republic under the Trujillo regime was considered one of the most violent eras ever in the Americas. In The Time of The Butterflies, by Julia Alvarez, commemorates the lives of Patria, Minerva, and María Teresa Mirabal. These women were known as “Las Mariposas” because of their direct involvement in an underground revolution against Trujillo. In the story, the Mirabel sisters are women with childhoods, hopes, and dreams, who fight for the liberation of their country. After their assassination, they became symbols of freedom and revolution for persecuted peoples all over the world. The Mirabal sisters not only fought against the Trujillo regime, but also opposed the unfair gender roles of that time. In the Dominican Republic,
“had to be brave for Sinita.” (19). This “hero’s attitude” is further evident in Minerva’s interactions with her sisters. One poignant example of this heroism is seen when Maria Teresa confronts minerva about why she was going to secret meetings at Don Horacio’s house, and asks her why she's doing such a dangerous thing. Minerva responds that she wants maria teresa to grow up in a free country, perfectly illustrating how minerva is willing to sacrifice herself so that the people around her can grow up in a better
Minerva does not try and escape even though she “is always sad like a house on fire—always something wrong. She has many troubles, but the big one is her husband who left and keeps leaving” (Cisneros 63). Minerva is clearly unhappy, but because she is accepting of her role and she will not leave him. She does not have the power to leave her husband and if she tried she would probably be beaten or worse. Esperanza wants to help Minerva but there is nothing that she can do for her: “Next week she comes over black and blue and asks what can she do? Minerva. I don’t know which way she’ll go. There is nothing I can do” (Cisneros 63). Esperanza knows that she cannot do anything for Minerva. It will take the power of Minerva removing herself from the abusive situation to actually save herself. Minerva having no power in her marriage is a clear relationship back to the theme of women accepting their role with men as their superior.
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).