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Essay on history of the lgbtq community
Lgbt history essay
Essay on history of the lgbtq community
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This documentary is a brilliant time capsule of the "ball" culture of the late eighties drag culture. It shows the performance aspect of these intricate and flawless drag shows, and the AIDS fueled madness of the time, discrimination against gay people, and the fears and doubts of this one of a kind people. The subjects of this two-year documentary are fascinating, because of their candor and reverence for their craft. Again, this documentary focuses on the aspirations and culture of African American homosexuals and transsexuals. What is interesting about this subject is the depth of the culture. Filled with nuances and its patois, gay and transsexual culture is remarkably complex, and the film exposes all. Furthermore, style is the chief
weapon used by transvestites and their entourages. It is "pervasive in speech, vocabulary, manner, dress, and attitude." The style is a way to appear "real," which is a way to seem to be something that one isn't. A revealing but a sad portrait of this subculture in the 1980s. It documents the balls, "houses" (or "families"), "voguing" and "realness" competition that raise fascinating questions about what it is to be real (gay men even appear teaching women to behave like "real" women).
In Vicki L. Eaklor’s Queer America, the experiences of lesbians, gay men, bisexuals, and transgender people in the years since the 1970s gay liberation movement are described as a time of transformation and growth. The antigay movement, threatened, now more than ever, created numerous challenges and obstacles that are still prevalent today. Many of the important changes made associated with the movement were introduced through queer and queer allied individuals and groups involved in politics. Small victories such as the revision of the anti discrimination statement to include “sexual orientation”, new propositions regarding the Equal Rights Amendment and legalized abortion, were met in turn with growing animosity and resistance from individuals and groups opposed to liberal and
In society, people have an issue with things that are different. Individuals want to know who a person is and what they are all about. When human beings cannot figure out what a person is they become confused and often times angry. If a person does not fit into any gender category that someone is familiar with that person becomes an outcast. Being a part of a group is essential in society and those who do not are made to commit societal suicide. If a person is not part of society it is extremely difficult for that person to be able reap the important benefits of society. These individuals are forced to belong to a group that shares the same experiences and lifestyle choices. In this essay, I will be discussing this idea in the form of a documentary called Southern Comfort. It is based on transgendered living in a rural area in Georgia. I will discuss summary, main points, and the importance of cohesion of gender.
Released in 1994, 14 years into the AIDS epidemic, the film had a phenomenal response around the world and in Australia. Travelling from Sydney, the three main characters, played by Hugo Weaving, Guy Peirce and Terrance Stamp, travel to Alice Springs for a cabaret show hosted by Mitzi’s wife. The audience is positioned to sympathise with the main characters during their hardships, and good times. The movie confronts different types of masculinity in an extreme environment. The film presents the stereotypical behavior of gay men that is evident in our society.
The documentary “Rize” by David LaChapelle, focuses on the lives of Black Americans who live in South Central Los Angeles and the struggles they go through in their daily lives. Moreover the film also introduces two types of dancing groups that they have in the community. These dance groups are meant to keep the youths and children occupied and distracted from all the problems that have been going on in their community, such as the LA riot. The two styles of dancing are Clowning and Krumping. Clowning was created by Tommy the Clown in 1992. Tommy used to be a formal drug dealer, he went from having his life together to losing all his money and house. However, instead of doing nothing productive with his life, he decided to help his community by changing the lives of others through entertainment. In addition, not only did this dancing group help him get to a better place in life but also the group members are like his family. His main goal was to help put similes on people’s faces and help get some of these children and youths away from gangs. On the other hand, Krumping was also generated from Clowning, however Krumpers believe that their form of entertainment is different from clowning. Moreover, these dancing groups main focus is to distract the youths and children in the community by giving them the opportunity to do something they love, which is dancing. Furthermore, passion, spiritual connections and connection to the African culture are conveyed through the film by Clowning and Krumping.
In the publication Black Sexual Politics: African Americans, Gender, and the New Racism, author Patricia Hill Collins, she discusses sexism, gender and the new racism. Collins discusses that heterosexuality operates as a hegemonic ideology that influences human sexuality, racism, and psychological processes (Collins 2004 p.37). This placement of heterosexuality at the top, positions it as the basis of understanding sexuality. For example Collins illustrates that the term sexuality itself is used so synonymously with heterosexuality that schools, churches, and other social institutions treat heterosexuality as natural, normal, and inevitable (Collins 2004 p.37). This in turn facilitates stigmatization of individuals who engage
They mention the transition of “the closet,” as being a place in which people could not see you, to becoming a metaphor over the last two decades of the twentieth century used for queers who face a lack of sexual identity. Shneer and Aviv bring together two conflicting ideas of the American view of queerness: the ideas of the past, and the present. They state as queerness became more visible, people finally had the choice of living multiple lives, or integrating one’s lives and spaces (Shneer and Aviv 2006: 245). They highlight another change in the past twenty years as the clash between being queer and studying queerness (Shneer and Aviv 2006: 246-7). They argue that the active and visible contests over power among American queers show that queers now occupy an important place in our culture. They expand on the fact that queerness, real, and performed, is everywhere (Shneer and Aviv 2006: 248). This source shows the transformation in American culture of the acceptance of queerness. It makes an extremely critical resource by providing evidence of the changes in culture throughout the last two decades. Having the information that queerness is becoming more accepted in culture links to a higher percentage of LGBTQ youths becoming comfortable with their sexual identity. However, compared to the other sources, this
About 2.5 million people live in the Brooklyn region, so the streets are crowded with people and modes of transportation that are from all sorts of backgrounds. Individuals who come from all forms and walks of life cover the area where the movie Pariah takes place. However, this specific story dives directly into the life of a teenage African American who struggles with accepting herself as a lesbian to her family. The film covers deep chains of thought on what it means to grow up, and how maturing while living in an environment that does not necessarily suit your life choices can actually harm someone in the long run. In my observations, this film takes a narrative that could easily be portrayed as a white family and makes it one that takes
homosexual liberation. Some have demonstrated their anger and concerns about prejudice against homosexuals in both riots and artistic forms. Therefore, these people seek to prove to the heterosexual world that homosexual ‘deviancy’ was a myth.
. Gianoulis, Tina. "Gay Liberation Movement." In St. James Encyclopedia of Popular Culture., edited by Thomas Riggs, 438-43. 2nd ed. Vol. 2. Detroit: St. James, 2013. Gale Virtual Reference Library (GALE|CX2735801056).
Mothers, fathers, daughters, sons, aunts, uncles, grandparents, pimps, prostitutes, straight people, gay people, lesbian people, Europeans, Asians, Indians, and Africans all have once thing in common: they are products of sexuality. Sexuality is the most common activity in the world, yet is considered taboo and “out of the norm” in modern society. Throughout history, people have been harassed, discriminated against, and shunned for their “sexuality”. One person who knows this all too well is activist and author, Angela Davis. From her experiences, Davis has analyzed the weakness of global society in order to propose intellectual theories on how to change the perspective of sexuality. This research paper will explore the discussions of Angela Davis to prove her determination to combat inequality in gender roles, sexuality, and sexual identity through feminism. I will give a brief biography of Davis in order for the readers to better understand her background, but the primary focus of this paper is the prison industry and its effect on female sexuality.
We recently watched the film Paris is Burning, a documentary about black drag queens in Harlem and their culture surrounding balls. Directly related we also read two feminist critiques, Gender is Burning: Questions of Appropriation and Subversion by Judith Butler and Is Paris Burning by bell hooks. Two areas of critique I focus on and question are the critiques regarding the filmmaker, audience and drag queens and how they participate to reinforce a heterosexual racist patriarchy. Furthermore I ask if this line of investigation is the most beneficial way to view and understand the film and its various participants.
“Everybody’s journey is individual. If you fall in love with a boy, you fall in love with a boy. The fact that many Americans consider it a disease says more about them than it does about homosexuality”. -James Baldwin. In his impressionable quote Baldwin voices the prominent yet tacit unacceptance of Homosexuality. Baldwin indicates that homosexuality or queerness in America is equated to an incurable disease or illness has been a conventional theory that it reveals an attitude of intolerance within American society . This widespread notion has held an augmented presence most notably in the African American community.(Crawford et al. 2002:179-180). In a thorough yet, animated analysis of Floyd, Ayana Mathis reviews popular receptions of Homosexuality and Queerness in the African American community. The characterization of Floyd unveils the ostracization that homosexual Black men face which generates a deceptive performance of hypermasculinity. This false performance is displayed through masking emotion and unveiling an attitude of contempt for anything dearth to the ideology of masculinity while perpetuating Homophobia.
In this time, the public became more harsh towards LGBT people ( “A Brief History Of Drag Queens”). Drag performers had to be wearing no less than 3 items of male clothing at all times, if not, they would be arrested. In 1965, the Imperial court was founded. This was the first type of organization for drag queens, and it soon lead to drag balls. Drag balls are often described as a “fraternity like system” where queens formed houses and the “Drag Mother” would be the head of the house. The queens the Drag mother took under her wing were called “Sisters”(“A Brief History Of Drag Queens”). “Mothers” and “Fathers” helped younger members by offering moral support, social support, and sometimes even a place to live if they were kicked out of their own homes (Conger). At Drag balls they also would compete like fraternities in Drag Queens vs. Drag Kings competitions such as “Femme Queen Impersonation” and “Male
1. Using intersectionality theory, discuss Kricket Nimmons’ and Harriet’s identities. Contrast their experiences with those of more privileged trans women and gay
In the face of a homophobic society we need creative and critical processes that draw out the complexity of lesbian lives and same sex choices, not a retreat into the comforting myths of heroines and unfractured, impeachable identities